de Teodora Matei<\/p>\n
\n <\/p>\n
\u00cen acest \u00eenceput de toamn\u0103, am achizi\u0163ionat de pe Elefant.ro cele dou\u0103 volume disponibile din seria \u201eDublu T\u0103i\u015f\u201d, o apari\u0163ie recent\u0103 con\u0163in\u00e2nd scrieri fantastice semnate de autori rom\u00e2ni (Oliviu Cr\u00e2znic, Ciprian Mitoceanu \u015fi C\u0103t\u0103lina Fometici), care urmeaz\u0103 s\u0103 continue, dup\u0103 spusele autorilor, cu mai multe volume. Nu mi-a p\u0103rut deloc r\u0103u pentru achizi\u0163ia f\u0103cut\u0103. Iat\u0103 mai jos c\u00e2teva impresii, pe scurt:<\/p>\n
<\/p>\n
Oliviu Cr\u00e2znic \u2013 \u201eSpiridu\u015fii albi\u201d<\/b><\/p>\n
<\/p>\n
Se spune c\u0103 \u00een urma unei lecturi trebuie s\u0103-\u0163i pui dou\u0103 \u00eentreb\u0103ri: ce a adus nou \u015fi cu ce ai r\u0103mas. \u201eSpiridu\u015fii albi\u201d e \u201eTwin Peaks\u201d curat, de\u015fi stilul e specific autorului: suspansul e doar sugerat, lectura trebuie reluat\u0103, pentru c\u0103 cititorul are momente c\u00e2nd simte c\u0103 \u201ei-a sc\u0103pat\u201d ceva. Nou e modul \u00een care se ofer\u0103 informa\u0163ia. Cu ce am r\u0103mas? Cu imaginea unor st\u00e2nci de unde pot ie\u015fi oric\u00e2nd \u201espiriducii\u201d, cu hot\u0103r\u00e2rea unor tineri de a descoperi \u015fi \u00eenfr\u00e2nge R\u0103ul. Exist\u0103 peste tot locuri unde acesta s\u0103l\u0103\u015fluie\u015fte \u015fi de unde atac\u0103, atunci c\u00e2nd i se \u00eencalc\u0103 teritoriul. Exist\u0103, de asemenea, victime predestinate: datorit\u0103 \u00eensu\u015firilor sau capacit\u0103\u0163ilor. Pe parcursul lecturii, \u00een minte am avut numai acordurile lui Angelo Badalamenti. E \u015fi o poveste de dragoste. Se pare c\u0103 cele mai frumoase nu sunt cele tr\u0103ite, ci cele care ar fi putut fi. Cele ucise \u00eenainte de vreme \u015fi care \u00ee\u015fi p\u0103streaz\u0103 propriile amintiri. Care sper\u0103 ca timpul \u015fi nu oamenii s\u0103 le vindece r\u0103nile.<\/p>\n
<\/p>\n
Ciprian Mitoceanu \u2013 \u201eCasa cor\u0103bierului\u201d<\/b><\/p>\n
<\/p>\n
Sunt momente c\u00e2nd povestea pare extrem de ancorat\u0103 \u00een realitate, \u015fi altele c\u00e2nd pare un basm al copil\u0103riei. Asta pentru c\u0103 modul \u00een care se prezint\u0103 personajele ne arunc\u0103 dintr-o lume \u00eentr-alta. De fapt, e o \u00eencercare de a ne convinge c\u0103 pove\u015ftile \u015fi eroii lor nu sunt chiar at\u00e2t de departe, c\u0103 unele lucruri nu au neap\u0103rat explica\u0163ii \u015ftiin\u0163ifice. Mi-a pl\u0103cut expresia: \u201eo carte e ca s\u0103-\u0163i plac\u0103 sau nu\u201d. Cam despre asta e vorba, ce reac\u0163ie avem odat\u0103 ce citim ceva, indiferent de autor. Daca r\u0103m\u00e2nem cu privirea \u00een gol, imagin\u00e2ndu-ne personaje sau situa\u0163ii, \u00eenseamn\u0103 c\u0103 ne-a pl\u0103cut. Dac\u0103 \u00eenchidem cartea sau fi\u015fierul \u015fi pornim televizorul, e clar c\u0103 nu ne-a prins. \u00cen ce m\u0103 prive\u015fte, am r\u0103mas cu privirea \u00een gol \u015fi am oftat sau am z\u00e2mbit nu numai o dat\u0103 la lectura povestirilor de mai sus.<\/p>\n
<\/p>\n
Oliviu Cr\u00e2znic \u2013 \u201eLenore Arras\u201d<\/b><\/p>\n
<\/p>\n
Mi-au \u00eenghe\u0163at degetele precum st\u00e2ncile din Cheile Osului. Asemenea pove\u015fti nu se pot citi liniar, de la cap la coad\u0103, avem nevoie s\u0103 d\u0103m o pagin\u0103 sau dou\u0103 \u00eenapoi, cu senza\u0163ia c\u0103 am trecut prea repede peste anumite cuvinte sau fraze. Cu speran\u0163a c\u0103 am prins cam jum\u0103tate din tot ce-a vrut s\u0103 spun\u0103 autorul, am v\u0103zut cum R\u0103ul se poate insinua printr-un decor de ghea\u0163\u0103 \u015fi z\u0103pad\u0103, \u015ferpuie\u015fte viclean \u015fi se \u00eencol\u0103ce\u015fte \u00een a\u015fteptare spre final. \u00centunericul poate iubi la fel ca Lumina. \u00cen universuri paralele, antagonice, faptele au justific\u0103ri asemenea. Cititorii lui Martin probabil se vor g\u00e2ndi la Zid, la Rondul de Noapte \u015fi la lupii str\u0103vechi. Dar asem\u0103n\u0103rile se opresc aici. Povestea e cu totul altfel, mai romantic\u0103 \u015fi mai profund\u0103.<\/p>\n
R\u0103m\u00e2ne preferata mea.<\/p>\n
C\u0103t\u0103lina Fometici \u2013 \u201eChipul \u00eentunecat al visului\u201d<\/b><\/p>\n
\u201ePoate c\u0103 \u015fi demonii obosesc.\u201d Poate c\u0103 for\u0163ele malefice \u015fi ve\u015fnic fl\u0103m\u00e2nde ce-i st\u0103p\u00e2nesc nu obosesc niciodat\u0103. Doar se plictisesc s\u0103 atace crud, nemilos, s\u0103 strecoare trupurile subjugate printre privirile muritorilor, sem\u0103n\u00e2nd teroarea. Aleg c\u0103i perfide de a-\u015fi spori armatele de demoni, cucerind cu farmece lume\u015fti pe cei mai \u00eenver\u015funa\u0163i du\u015fmani. Pare o poveste cu cavaleri curajo\u015fi \u015fi domni\u015foare fermec\u0103toare dintr-un trecut \u00eentunecat. E un episod din lupta continu\u0103 a omului cu necunoscutul. E o lupt\u0103 \u00eentre visul-vis \u015fi visul-indus, \u00eentre feeria unei am\u0103giri de iubire \u015fi a unui co\u015fmar. Dincolo de noi sunt for\u0163e pe care nu le vom putea \u00een\u0163elege \u015fi supune niciodat\u0103. Peste ani \u015fi ani, vremurile pe care le tr\u0103im vor fi ilustrate aidoma de urma\u015fi de-ai no\u015ftri aparent mai puternici, \u00eens\u0103 la fel de slabi, f\u0103r\u0103 s\u0103 \u015ftie, \u00een fa\u0163a ispitelor.<\/p>\n
Iar ispita \u00eenseamn\u0103 pierzanie.<\/p>\n
<\/p>\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
de Teodora Matei \u00cen acest \u00eenceput de toamn\u0103, am achizi\u0163ionat de pe Elefant.ro cele dou\u0103 volume disponibile din seria \u201eDublu T\u0103i\u015f\u201d, o apari\u0163ie recent\u0103 con\u0163in\u00e2nd scrieri fantastice semnate de autori rom\u00e2ni (Oliviu Cr\u00e2znic, Ciprian Mitoceanu \u015fi C\u0103t\u0103lina Fometici), care urmeaz\u0103 s\u0103 continue, dup\u0103 spusele autorilor, cu mai multe volume. Nu mi-a p\u0103rut deloc r\u0103u […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8,1005],"tags":[913,1007,1113,1165,636,1006],"class_list":["post-10036","post","type-post","status-publish","format-standard","hentry","category-critica","category-egophobia-39-40","tag-catalina-fometici","tag-ciprian-mitoceanu","tag-critica","tag-egophobia-39-40","tag-oliviu-craznic","tag-teodora-matei"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6DakB-2BS","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/10036","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10036"}],"version-history":[{"count":1,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/10036\/revisions"}],"predecessor-version":[{"id":10037,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/10036\/revisions\/10037"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10036"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10036"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10036"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}