{"id":10305,"date":"2014-05-18T21:45:18","date_gmt":"2014-05-18T19:45:18","guid":{"rendered":"http:\/\/egophobia.ro\/?p=10305"},"modified":"2014-05-18T21:45:18","modified_gmt":"2014-05-18T19:45:18","slug":"alice-through-the-shattered-glass","status":"publish","type":"post","link":"https:\/\/egophobia.ro\/?p=10305","title":{"rendered":"Alice Through The Shattered Glass"},"content":{"rendered":"<p><strong>[Adina Dabija, <em>\u015eaman<\/em>; o cronic\u0103]<\/strong><\/p>\n<p align=right>de Oliviu Cr\u00e2znic<\/p>\n<p>&nbsp;<\/p>\n<p align=justify>\n<em>\u015eaman<\/em>, roman ap\u0103rut la prestigioasa Editur\u0103 Polirom, cunoscut\u0103 pe pia\u0163\u0103 pentru selec\u0163ia atent\u0103 a valorilor literare, reprezint\u0103 debutul \u00een proz\u0103 al Adinei Dabija, anterior autoare a dou\u0103 volume de poezie publicate \u00een \u0163ar\u0103 \u015fi \u00een str\u0103in\u0103tate \u015fi r\u0103spl\u0103tite cu premii pe m\u0103sur\u0103 (<em>poezia-p\u0103pu\u015f\u0103<\/em> \u015fi <em>Stare nediferen\u0163iat\u0103<\/em>), precum \u015fi a unei piese de teatru foarte apreciate de critic\u0103 (<em>Manole 3D<\/em>). Acestea fiind spuse, este de la sine \u00een\u0163eles c\u0103 <em>\u015eaman<\/em> promite o experien\u0163\u0103 cultural\u0103 deosebit\u0103 \u2013 \u00een ce m\u0103sur\u0103 promisiunea este \u00eendeplinit\u0103, cititorii acestui articol \u00ee\u015fi pot face o idee parcurg\u00e2nd r\u00e2ndurile care urmeaz\u0103.<!--more--><\/p>\n<p>&nbsp;<\/p>\n<p align=justify>\nMai \u00eent\u00e2i de toate, un avertisment \u2013 volumul nu este linear, fiind constituit din mai multe \u201epagini de via\u0163\u0103\u201d legate \u00eentre ele printr-un fir sub\u0163ire dar important \u2013 firul ini\u0163iatic.<br \/>\n&nbsp;<\/p>\n<p align=justify>\nAstfel, <em>\u015eaman<\/em> \u00eencepe \u00een aria realismului magic, cu un capitol intitulat <em>Adunarea \u015fi desfacerea norilor<\/em>, dar alunec\u0103 repede \u00een nostalgie realist\u0103, amintind de Creang\u0103 \u015fi de <em>La Medeleni<\/em>, c\u00e2nd eroina (care, suntem l\u0103sa\u0163i s\u0103 \u00een\u0163elegem, este chiar autoarea) rememoreaz\u0103 spa\u0163iul \u201emitic\u201d al copil\u0103riei la M\u0103gina \u015fi al visului aventurii spirituale pe urmele exploratorului Sandor Korosi Csoma, p\u0103rintele tibetologiei, amintind de protagoni\u015ftii lui Cezar Petrescu vis\u00e2nd la expedi\u0163ia revelatoare a lui Fridtjof Nansen <em>Prin noapte \u015fi ghea\u0163\u0103<\/em> (paralela cu drumul spre Pol nu este \u00eent\u00e2mpl\u0103toare ori gratuit\u0103, dup\u0103 cum cititorii se vor convinge c\u0103tre finalul romanului). Descoperirea posibilit\u0103\u0163ii de evadare metafizic\u0103 din lumea (real\u0103) care nemul\u0163ume\u015fte deopotriv\u0103 copilul, adolescenta, studenta \u015fi t\u00e2n\u0103ra poet\u0103-gazetar aflat\u0103 \u00een centrul pove\u015ftii deschide o poart\u0103 fantastic\u0103 spre o alt\u0103 turnur\u0103 a nara\u0163iunii \u2013 scriitura devine dintr-odat\u0103 eminamente eliadesc\u0103, \u0163es\u00e2nd o structur\u0103 delicat\u0103 \u00een care se \u00eentretaie profanul lumii literare postdecembriste \u015fi al jurnalismului de ocazie din aceea\u015fi perioad\u0103 \u015fi sacrul (mai firav, dar dominant prin semnifica\u0163ii) al iubirii, religiei, poeziei, experimentelor hazardate \u015fi teribiliste, al altor asemenea \u201epor\u0163i\u201d c\u0103tre un univers \u2013 se sper\u0103 \u00een paginile c\u0103r\u0163ii \u2013 necesar superior mundanului.<br \/>\n&nbsp;<\/p>\n<p align=justify>\nExperien\u0163a poetic\u0103 \u015fi talentul de prozator ale Adinei Dabija ies incontestabil la iveal\u0103 \u00een redarea de\u015fert\u0103ciunilor Bucure\u015ftilor de dup\u0103 1989, dar, printre tablouri realiste \u015fi intense, scriitoarea \u201escap\u0103\u201d (involuntar? din motive comerciale?) \u015fi unele cli\u015fee (infiltrarea \u00een lumea escortelor de lux pentru realizarea unui reportaj, infiltrare cu rezultate previzibile, mai ales av\u00e2nd \u00een vedere maniera \u00een care este adus\u0103 la \u00eendeplinire opera\u0163iunea respectiv\u0103), chiar naivit\u0103\u0163i (oameni \u00een toat\u0103 firea, printre care un eroic corespondent de r\u0103zboi, alerga\u0163i de o hait\u0103 de c\u00e2ini vagabonzi&#8230;). Apoi, dup\u0103 o iubire ratat\u0103 cu un b\u0103rbat c\u0103s\u0103torit \u015fi bolnav, antierou byronian, protagonista \u00eencepe cea mai interesant\u0103 parte a straniei ei c\u0103ut\u0103ri \u2013 aventura canadian\u0103.<br \/>\n&nbsp;<\/p>\n<p align=justify>\nSuntem introdu\u015fi f\u0103r\u0103 preambul \u00een atmosfera \u201eexotic\u0103\u201d din capitolul <em>Igal<\/em><em>ak, fereastr\u0103 de igluu<\/em>, trec\u00e2nd de \u00eendat\u0103 pe t\u0103r\u00e2mul fic\u0163iunii transgresive, prin scenele de via\u0163\u0103 huron\u0103 \u015fi irochez\u0103, mai s\u0103lbatic\u0103 \u015fi mai crunt\u0103 dec\u00e2t \u00een romanele lui Cooper, pigmentate cu canibalism \u015fi fantastic&#8230;R\u0103m\u00e2nem apoi pe acela\u015fi t\u0103r\u00e2m transgresiv, asist\u00e2nd la un \u201emenage a trois\u201d care ridic\u0103 unele \u00eentreb\u0103ri serioase privind comportamentul eroinei (de pild\u0103, dup\u0103 ce este brutalizat\u0103 de c\u0103tre p\u0103r\u0103situl Jean-Claude, ea se simte vinovat\u0103 c\u0103 a renun\u0163at la \u201eiubirea\u201d acestuia)&#8230; Dar, \u00een final, prin intermediul unei experien\u0163e mistic-onirice, calea adev\u0103rat\u0103 c\u0103tre \u201e\u015faman\u201d pare \u00een sf\u00e2r\u015fit a se deschide undeva \u00eentre ghe\u0163uri, pe o pant\u0103 spiritual\u0103 care prilejuie\u015fte totodat\u0103 reflec\u0163ii filosofice cu privire la prezentul \u015fi la trecutul inui\u0163ilor, la c\u0103utarea sinelui, la mistere \u015fi m\u00e2ndrie pierdute \u015fi la singura salvare posibil\u0103: aurora boreal\u0103&#8230;<br \/>\n&nbsp;<\/p>\n<p align=justify>\nConcluzie&#8230; O scriitur\u0103 elegant\u0103 \u015fi rafinat\u0103, o poveste fragmentat\u0103, perfectibil\u0103 \u015fi dominat\u0103 de spiritualism exotic \u015fi de postmodernism. <em>\u015eaman<\/em>: recomandat \u00een special iubitorilor de literatur\u0103 experimental\u0103, anti-tabu, introspectiv\u0103, cu stil bogat \u015fi influen\u0163e orientale. Recomandat, de asemenea, celor interesa\u0163i de via\u0163a unei tinere poete \u015fi jurnaliste \u00een capitala Rom\u00e2niei postdecembriste.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[Adina Dabija, \u015eaman; o cronic\u0103] de Oliviu Cr\u00e2znic &nbsp; \u015eaman, roman ap\u0103rut la prestigioasa Editur\u0103 Polirom, cunoscut\u0103 pe pia\u0163\u0103 pentru selec\u0163ia atent\u0103 a valorilor literare, reprezint\u0103 debutul \u00een proz\u0103 al Adinei Dabija, anterior autoare a dou\u0103 volume de poezie publicate \u00een \u0163ar\u0103 \u015fi \u00een str\u0103in\u0103tate \u015fi r\u0103spl\u0103tite cu premii pe m\u0103sur\u0103 (poezia-p\u0103pu\u015f\u0103 \u015fi Stare nediferen\u0163iat\u0103), [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1044,125],"tags":[820,1166,1129,636],"class_list":["post-10305","post","type-post","status-publish","format-standard","hentry","category-egophobia-41","category-invitat","tag-adina-dabija","tag-egophobia-41","tag-invitat","tag-oliviu-craznic"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6DakB-2Gd","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/10305","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10305"}],"version-history":[{"count":1,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/10305\/revisions"}],"predecessor-version":[{"id":10306,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/10305\/revisions\/10306"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10305"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10305"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10305"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}