{"id":10417,"date":"2014-07-26T04:09:14","date_gmt":"2014-07-26T02:09:14","guid":{"rendered":"http:\/\/egophobia.ro\/?p=10417"},"modified":"2014-07-26T04:09:14","modified_gmt":"2014-07-26T02:09:14","slug":"apocalypse-now","status":"publish","type":"post","link":"https:\/\/egophobia.ro\/?p=10417","title":{"rendered":"Apocalypse Now"},"content":{"rendered":"<p><strong>[Ioana Vi\u015fan, <em>Instincte umane<\/em>; Florentin Haidamac, <em>Adnana<\/em>; D\u0103nu\u0163 Ungureanu &amp; Marian Tru\u0163\u0103, <em>Vegetal<\/em>]<\/strong><br \/>\n<font color=green>(ghidul cititorului de fantastic)<\/font><\/p>\n<p align=right>de Oliviu Cr\u00e2znic<br \/>\n&nbsp;\n<\/p>\n<p>&nbsp;<\/p>\n<p align=\"justify\">\nLiteratura \u015ftiin\u0163ifico-fantastic\u0103 apocaliptic\u0103 \u015fi postapocaliptic\u0103 pare a constitui o preocupare major\u0103 pentru scriitorii rom\u00e2ni de gen (al\u0103turi de literatura distopic\u0103 \u2013 rud\u0103 apropiat\u0103 cu men\u0163ionata \u201epost-apocalyptic fiction\u201d, de altfel). \u00cen r\u00e2ndurile care urmeaz\u0103, vom semnala celor interesa\u0163i trei lucr\u0103ri recente care marcheaz\u0103 acest domeniu, fiecare \u00eentr-o not\u0103 proprie.<!--more--><br \/>\n&nbsp;<\/p>\n<p align=\"justify\">\n<em>Instincte umane <\/em>(2013) este o nuvel\u0103 semnat\u0103 de Ioana Vi\u015fan (n. 1978; laureat\u0103 a Premiului de \u00eencurajare Eurocon 2013; cunoscut\u0103 \u015fi pentru <em>Efectul de nautil<\/em>) \u015fi poate fi etichetat\u0103 drept un SF postapocaliptic reu\u015fit. Dup\u0103 un r\u0103zboi <img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i158.photobucket.com\/albums\/t103\/egophobia\/42\/Visan_zpsb284e11a.jpg?w=100\"  align=right> cu arme neconven\u0163ionale care a \u00eempins omenirea la extinc\u0163ie, ultima \u015fans\u0103 a rasei noastre pare a se g\u0103si \u00eentr-un penitenciar izolat \u00een ostila Arctic\u0103, \u0163int\u0103 a unui experiment militar. Povestea de dragoste dintre protagonist\u0103 (o doctori\u0163\u0103 capabil\u0103, implicat\u0103 \u00eentr-un proiect al Armatei) \u015fi unul dintre de\u0163inu\u0163i (personaj cu mult mai pu\u0163ine p\u0103cate dec\u00e2t pare la prima vedere) evolueaz\u0103 civilizat, autoarea evit\u00e2nd inteligent capcana modern\u0103 a pove\u015ftii de dragoste dintre \u201efata banal\u0103\u201d \u015fi \u201eb\u0103iatul r\u0103u cu suflet torturat\u201d. Subiectul este interesant \u015fi redat \u00eentr-o manier\u0103 pl\u0103cut\u0103, rela\u0163ia celor doi protagoni\u015fti acapar\u00e2nd treptat intriga, f\u0103r\u0103 \u00eens\u0103 ca aceast\u0103 dezvoltare progresiv\u0103 a elementului romantic s\u0103 estompeze ac\u0163iunea \u015fi f\u0103r\u0103 temuta alunecare \u00een melodram\u0103, at\u00e2t de frecvent\u0103 \u00een literatura contemporan\u0103.<br \/>\n&nbsp;<\/p>\n<p align=\"justify\">\n<em>Adnana<\/em> (2013), cel de al doilea volum al scriitorului Florentin Haidamac (primul volum al acestuia, <em>Dispensarul SF<\/em>, a fost <img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i158.photobucket.com\/albums\/t103\/egophobia\/42\/Haidamac_zps44bf7fac.jpg?w=100\"  align=right> prezentat, \u00eempreun\u0103 cu autorul, tot \u00een cadrul <em>Ghidului<\/em> nostru, cu ceva timp \u00een urm\u0103), este un adev\u0103rat melanj literar, \u00een care putem identifica elemente ale literaturii \u015ftiin\u0163ifico-fantastice apocaliptice \u015fi postapocaliptice, \u00eembinate (\u00eentr-o ordine aproximativ\u0103 \u015fi \u00eentr-o enumerare selectiv\u0103) cu elemente tipice \u201ethe Dying Earth\u201d, \u201emilitary science fiction\u201d, \u201espace frontier\u201d, \u201eplanetary romance\u201d, \u201efirst contact\u201d, \u201espace opera\u201d, \u201esuperhuman\u201d , \u201elovecraftian dark\u201d \u015fi, chiar, \u201esci-fi romance\u201d (ca \u015fi Ioana Vi\u015fan \u00eens\u0103, Florentin Haidamac eludeaz\u0103 cu talent aspectele melodramatice care ar fi putut ruina povestea). Punctele forte ale acestui \u201ecrossover\u201d sunt reprezentate de eroul narator (desprins parc\u0103 dintr-un roman \u201enoir\u201d: sarcastic \u015fi cu inim\u0103 de aur), de stilul simplu, dar atr\u0103g\u0103tor \u015fi antrenant, \u00een care este scris romanul, de personajele vii, precum \u015fi de ac\u0163iunea continu\u0103 (la sol, la bord \u015fi \u00een spa\u0163iul cosmic).<br \/>\n&nbsp;<\/p>\n<p align=\"justify\">\n<em>Vegetal<\/em> (2014) este un roman rezultat din colaborarea spectaculoas\u0103 a doi scriitori \u00eendr\u0103gi\u0163i, premia\u0163i \u015fi consacra\u0163i, membri marcan\u0163i \u015fi reprezentativi <img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i158.photobucket.com\/albums\/t103\/egophobia\/42\/UngureanuTruta_zps8568294b.jpg?w=100\"  align=right> ai Societ\u0103\u0163ii Rom\u00e2ne de Science Fiction \u015fi Fantasy, D\u0103nu\u0163 Ungureanu (n. 1958; <em>Marlyn Monroe pe o curb\u0103 \u00eenchis\u0103<\/em>, <em>A\u0219tept\u00e2nd \u00een Ghermana<\/em>, <em>Basme geosta\u021bionare<\/em> \u015f.a.) \u015fi Marian Tru\u0163\u0103 (n. 1960; <em>Vremea renun\u0163\u0103rii<\/em>, <em>A doua venire<\/em>). Cu toate c\u0103 o bun\u0103 parte a romanului aici \u00eenf\u0103\u0163i\u015fat utilizeaz\u0103 f\u0103r\u0103 re\u0163inere teme specifice fantasticului non-\u015ftiin\u0163ific \u2013 precum visul, halucina\u0163ia, \u00eenchipuirea \u2013 \u015fi cu toat\u0103 alegoria pove\u015ftii, <em>Vegetal<\/em> pare a se \u00eencadra, finalmente, \u00een categoria \u201escience fiction apocaliptic\u201d: toate manifest\u0103rile ira\u0163ionalului care apar de-a lungul firului narativ \u00ee\u015fi g\u0103sesc o explica\u0163ie simpl\u0103 \u00een situa\u0163ia protagonistului, un adolescent epuizat \u015fi terorizat de asaltul unor plante ostile \u015fi, \u00een unele cazuri, otr\u0103vitoare (halucinogene?); mai mult, ac\u0163iunea c\u0103r\u0163ii se petrece \u00een viitor ori \u00eentr-un prezent alternativ, cauza apocalipsei vegetale pare a fi un experiment practicat asupra plantelor de cultur\u0103 (\u201erevolta\u201d fiind apanajul acestora, nu \u015fi al altor plante comestibile), iar eventualele incursiuni \u00een lumi paralele (\u00een lumini\u015furile \u201eunde se \u00eent\u00e2mpl\u0103 lucruri\u201d), dac\u0103 nu cumva sunt doar vise, halucina\u0163ii, aspira\u0163ii ori amintiri, nu au totu\u015fi o cauz\u0103 supranatural\u0103 indicat\u0103 (tema \u201erupturilor\u201d spa\u0163io-temporale este, de altfel, prin esen\u0163\u0103, una de natur\u0103 \u201eSF\u201d). \u00cen paralel cu latura sa \u015ftiin\u0163ifico-fantastic\u0103, <em>Vegetal<\/em> este \u015fi un roman ini\u0163iatic, un roman al adolescen\u0163ei \u015fi al devenirii \u2013 totodat\u0103 un roman al nostalgiei, conturat de un romantism candid (rela\u0163ia Milu-Ina), de un realism rural \u015fi de un tragism \u2013 paradoxal \u2013 nu lipsit de speran\u0163\u0103.<br \/>\n&nbsp;<\/p>\n<p align=\"justify\">\nA\u015fadar, p\u00e2n\u0103 data viitoare, v\u0103 invit\u0103m s\u0103 alege\u0163i una dintre \u201eapocalipse\u201d (pe aceea viral\u0103, pe aceea cosmic\u0103, pe aceea ecologic\u0103 sau, de ce nu, pe toate trei&#8230;) \u015fi&#8230; lectur\u0103 pl\u0103cut\u0103!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[Ioana Vi\u015fan, Instincte umane; Florentin Haidamac, Adnana; D\u0103nu\u0163 Ungureanu &amp; Marian Tru\u0163\u0103, Vegetal] (ghidul cititorului de fantastic) de Oliviu Cr\u00e2znic &nbsp; &nbsp; Literatura \u015ftiin\u0163ifico-fantastic\u0103 apocaliptic\u0103 \u015fi postapocaliptic\u0103 pare a constitui o preocupare major\u0103 pentru scriitorii rom\u00e2ni de gen (al\u0103turi de literatura distopic\u0103 \u2013 rud\u0103 apropiat\u0103 cu men\u0163ionata \u201epost-apocalyptic fiction\u201d, de altfel). \u00cen r\u00e2ndurile care urmeaz\u0103, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8,1042,892],"tags":[1113,1057,1053,1056,1159,586,1058,636],"class_list":["post-10417","post","type-post","status-publish","format-standard","hentry","category-critica","category-egophobia42","category-ghidul-cititorului-de-fantastic","tag-critica","tag-danut-ungureanu","tag-egophobia-42","tag-florentin-haidamac","tag-ghidul-cititorului-de-fantastic","tag-ioana-visan","tag-marian-truta","tag-oliviu-craznic"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6DakB-2I1","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/10417","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10417"}],"version-history":[{"count":3,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/10417\/revisions"}],"predecessor-version":[{"id":10420,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/10417\/revisions\/10420"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10417"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10417"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10417"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}