{"id":10755,"date":"2015-07-18T15:50:25","date_gmt":"2015-07-18T13:50:25","guid":{"rendered":"http:\/\/egophobia.ro\/?p=10755"},"modified":"2015-11-03T12:18:26","modified_gmt":"2015-11-03T10:18:26","slug":"george-lazar-fier-vechi","status":"publish","type":"post","link":"https:\/\/egophobia.ro\/?p=10755","title":{"rendered":"George Laz\u0103r: Fier vechi"},"content":{"rendered":"<p><span style=\"color: green;\">(ghidul cititorului de fantastic)<\/span><\/p>\n<p style=\"text-align: right;\" align=\"right\">de Oliviu Cr\u00e2znic<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\">\nGeorge Laz\u0103r (n. 1963) este jurnalist (\u00een prezent, directorul cotidianului <em>Monitorul de Boto\u015fani<\/em>), editor (revista <em>Sci-Fi Magazine<\/em>, 2007-2008; <em>Almanahul Sci-Fi Magazine<\/em>, 2009) \u0219i scriitor (<em>America One<\/em>, 2007; <em>\u00cengerul p\u0103zitor<\/em>, 2009; <em>The Guardian Angel<\/em>, 2011; <em>Ziditorii de biserici<\/em>, 2014) multipremiat (\u201eRomcon\u201d, \u201eHelion\u201d), membru al Societ\u0103\u021bii Rom\u00e2ne de Science Fiction \u0219i Fantasy.<!--more--><\/p>\n<p style=\"text-align: justify;\">\nRaportat la teoria literar\u0103, <em>Fier vechi <\/em>(Editura Eagle Publishing House, Colec\u021bia \u201eOmicron\u201d, 2014) apar\u021bine stilului func\u0163ional beletristic, curentului literar neoromantic, categoriei estetice a fantasticului (a nu se confunda no\u021biunea de \u201efantastic\u201d \u2013 \u201ecare nu corespunde realit\u0103\u021bii \u00eenconjur\u0103toare\u201d cu aceea de \u201esupranatural\u201d \u2013 \u201ecare nu se supune legilor naturii\u201d; fantasticul include, dar \u0219i excedeaz\u0103 supranaturalul), genului literar epic, speciei literare (din punct de vedere formal \u0219i, respectiv, tematic) a romanului \u0219tiin\u021bifico-fantastic, subspeciei literare a \u0219tiin\u021bifico-fantasticului cronoscopic sau, pe scurt, \u201ecronoSF\u201d.<\/p>\n<p style=\"text-align: center;\">\n<img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i158.photobucket.com\/albums\/t103\/egophobia\/44\/Lazar_zpsdrwqb5ke.jpg?w=812\">\n<\/p>\n<p style=\"text-align: justify;\">\nDin punct de vedere al literaturii comparate, cel mai recent roman al lui George Laz\u0103r poate fi asociat at\u00e2t unor opere precum <em>Cire\u0219arii<\/em> (Constantin Chiri\u021b\u0103, 1956-1963), c\u00e2t \u0219i (\u00eentr-o oarecare m\u0103sur\u0103) unor opere precum <em>Psihoistoricii <\/em>(<em>The Psychohistorians<\/em>, Isaac Asimov, 1951) sau <em>Profe\u021bii despre Trecut<\/em> (Aron Biro, 2011); personajele sale au tr\u0103s\u0103turi verniene.<\/p>\n<p style=\"text-align: justify;\">\nPrintre opiniile critice favorabile c\u0103r\u021bii, amintim pe cele formulate de Aurel C\u0103r\u0103\u0219el, respectiv de Mircea Opri\u021b\u0103.<\/p>\n<p style=\"text-align: justify;\">\nSubiectul romanului urm\u0103re\u0219te aventurile unor tineri studen\u021bi rom\u00e2ni de la \u00eenceputul secolului al XXI-lea, ajun\u0219i (aparent) \u00eent\u00e2mpl\u0103tor s\u0103 lupte, al\u0103turi de un geniu al ciberneticii dat disp\u0103rut \u00een timpul regimului comunist \u0219i de un rom\u00e2n \u201eamericanizat\u201d, reprezentant al CIA, pentru a \u00eempiedica (sau manipula?&#8230;) un viitor catastrofal, prezis prin mijloace \u0219tiin\u021bifice (nu at\u00e2t de \u00eendep\u0103rtate de realitatea zilelor noastre pe c\u00e2t s-ar putea crede \u2013 a se vedea proiectele \u0219tiin\u021bifice actuale \u201eWeb Bot\u201d, \u201eLiving Earth Simulator\u201d \u0219.a.). Dup\u0103 cum u\u0219or se poate intui, autorul nu s-a str\u0103duit s\u0103 confere verosimilitate tramei, de\u0219i ar fi putut, f\u0103r\u0103 \u00eendoial\u0103, s\u0103 procedeze astfel, dup\u0103 cum a dovedit, nu o dat\u0103, \u00een scrierile sale (cel mai bun exemplu \u00een acest sens fiind, probabil, <em>\u00cengerul p\u0103zitor<\/em>). Dac\u0103, \u00eens\u0103, ar fi plasat povestea \u00een mediul competitiv al tinerilor cercet\u0103tori din Statele Unite ale Americii, George Laz\u0103r ar fi fost nevoit s\u0103 renun\u021be la ceea ce constituie, \u00een fapt, tocmai farmecul \u0219i, credem noi, scopul operei sale \u2013 anume, transmiterea c\u0103tre cititor a unui mesaj menit a sublinia for\u021ba \u0219i frumuse\u021bea entuziasmului tineresc, pus \u00een slujba unui scop nobil \u0219i sprijinit de inteligen\u021b\u0103 \u0219i de \u0219tiin\u021b\u0103, nimic \u0219i nimeni nereu\u0219ind s\u0103 \u00eei reziste sau s\u0103 \u00eel opreasc\u0103: <em>Audaces fortuna iuvat<\/em>&#8230;<\/p>\n<p style=\"text-align: justify;\">\nAstfel, memorabile \u00een <em>Fier vechi<\/em> sunt mai cu seam\u0103 cele trei personaje principale, prietenia dintre ele, setea lor de aventur\u0103 \u0219i de cunoa\u0219tere, povestea de dragoste sensibil\u0103 (care evit\u0103 cu grij\u0103 cli\u0219eele penibile din literatura fantastic\u0103 contemporan\u0103, dominat\u0103 de imoralitate \u0219i de perversiuni sexuale) dintre o fat\u0103 \u0219i un b\u0103iat afla\u021bi sub amenin\u021barea viitorului, dar \u0219i filosofia personal\u0103 a autorului privind universul \u0219i evolu\u021bia omenirii, prezentat\u0103 inclusiv printr-o simbolic\u0103 poveste paralel\u0103 despre un \u201ec\u0103lug\u0103r al Timpului\u201d \u00een ascensiune spre absolut.<\/p>\n<p style=\"text-align: justify;\">\nRecomand\u0103m <em>Fier vechi<\/em>, spre citire, adolescen\u021bilor \u0219i tinerilor (\u00een special), nostalgicilor \u0219i vis\u0103torilor (\u00een general). \u00cen ceea ce \u00eei prive\u0219te pe iubitorii pove\u0219tilor \u00eentunecate \u0219i ai personajelor tragice, captive \u00eentr-o atent \u021besut\u0103 plas\u0103 a alegerilor dificile \u0219i realiste, ace\u0219tia pot opta s\u0103 \u00ee\u0219i \u00eenceap\u0103 experien\u021ba \u201eGeorge Laz\u0103r\u201d deschiz\u00e2nd, de pild\u0103, <em>\u00cengerul p\u0103zitor<\/em>.<br \/>\n&nbsp;<\/p>\n<p>*<\/p>\n<p>&nbsp;<\/p>\n<p><strong><em>Despre autorul rubricii: <\/em><\/strong><\/p>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<p style=\"text-align: justify;\"><strong>OLIVIU CR\u00c2ZNIC <\/strong>(n. 1978; fotografie realizat\u0103 de Mihaela Nazarie) este scriitor de literatur\u0103 fantastic\u0103, publicist \u015fi consilier juridic. \u00cen 2010, a publicat romanul gotic <em>\u2026\u015ei la sf\u00e2r\u015fit a mai r\u0103mas co\u015fmarul<\/em> (Ed. Vremea), declarat de M. Pric\u0103jan <img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i158.photobucket.com\/albums\/t103\/egophobia\/43\/5MN_zpsonuxmst7.jpg?w=200\" alt=\"\"  align=\"right\" \/> (\u00een revista cultural\u0103 <em>Familia<\/em>) \u201eMomentul Walpole \u00een literatura rom\u00e2n\u0103\u201d. Ulterior, a publicat numeroase povestiri \u015fi nuvelete (majoritatea se reg\u0103sesc \u00een volumul de colec\u021bie <em>Ceasul fantasmelor<\/em>, Ed. Crux Publishing, 2015), foarte bine primite de critic\u0103 \u015fi de public, \u015fi a c\u00e2\u015ftigat numeroase premii, dintre care amintim <strong>PREMIUL GALILEO 2011 <\/strong>pentru Cel mai bun volum al anului 2010 \u015fi Premiul Societ\u0103\u0163ii Europene de Science Fiction, <strong>ENCOURAGEMENT AWARD EUROCON 2012.<\/strong> A fost publicat \u00een diverse antologii \u015fi reviste al\u0103turi de nume importante ale literaturii universale contemporane, precum George R.R. Martin, Paolo Bacigalupi sau Ian R. MacLeod. Cronicile de carte, articolele \u015fi studiile sale de teorie \u015fi istorie literar\u0103 sunt apreciate pe scar\u0103 larg\u0103, unele dintre acestea fiind publicate \u015fi peste grani\u0163\u0103. Este unul dintre lectorii Atelierului de scriere creativ\u0103 SF&amp;Fantasy organizat de <em>Revista de povestiri<\/em> \u00een colaborare cu <em>Bookblog<\/em> \u0219i este invitat anual s\u0103 vorbeasc\u0103 studen\u021bilor Facult\u0103\u021bii de Limbi \u0219i Literaturi Str\u0103ine a Universit\u0103\u021bii din Bucure\u0219ti despre <em>Literatura gotic\u0103 \u0219i romantismul \u00eentunecat american. Sec. XIX: Hawthorne, Melville, Poe \u0219i mo\u0219tenirea lor cultural\u0103<\/em>.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><em>\u201eOliviu Cr\u00e2znic chiar este un romantic, un personaj cobor\u00e2t efectiv din propria-i oper\u0103 extraordinar\u0103 \u0219i spectaculoas\u0103, melanj de Baudelaire, Edgar Allan Poe \u0219i Walter Scott, sub ochii necru\u021b\u0103tori ai lui Bram Stoker \u0219i H.P. Lovecraft. Citi\u021bi-i romanul \u0219i povestirile \u0219i o s\u0103 \u00een\u021belege\u021bi imediat la ce m\u0103 refer!\u201d<\/em><br \/>\n[\u0218t. Ghidoveanu, realizatorul emisiunii Radio Rom\u00e2nia Cultural <em>Exploratorii lumii de m\u00e2ine<\/em>, \u00een <em>Galileo Online<\/em>, nov. 2012]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>(ghidul cititorului de fantastic) de Oliviu Cr\u00e2znic &nbsp; George Laz\u0103r (n. 1963) este jurnalist (\u00een prezent, directorul cotidianului Monitorul de Boto\u015fani), editor (revista Sci-Fi Magazine, 2007-2008; Almanahul Sci-Fi Magazine, 2009) \u0219i scriitor (America One, 2007; \u00cengerul p\u0103zitor, 2009; The Guardian Angel, 2011; Ziditorii de biserici, 2014) multipremiat (\u201eRomcon\u201d, \u201eHelion\u201d), membru al Societ\u0103\u021bii Rom\u00e2ne de Science [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8,1098,892],"tags":[1113,1099,1110,1159,636],"class_list":["post-10755","post","type-post","status-publish","format-standard","hentry","category-critica","category-egophobia-44","category-ghidul-cititorului-de-fantastic","tag-critica","tag-egophobia-44","tag-george-lazar","tag-ghidul-cititorului-de-fantastic","tag-oliviu-craznic"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6DakB-2Nt","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/10755","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10755"}],"version-history":[{"count":2,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/10755\/revisions"}],"predecessor-version":[{"id":10943,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/10755\/revisions\/10943"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10755"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10755"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10755"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}