{"id":10757,"date":"2015-07-18T15:52:57","date_gmt":"2015-07-18T13:52:57","guid":{"rendered":"http:\/\/egophobia.ro\/?p=10757"},"modified":"2015-11-03T12:19:27","modified_gmt":"2015-11-03T10:19:27","slug":"eugen-cadaru-a-opta-zi-e-n-fiecare-noapte","status":"publish","type":"post","link":"https:\/\/egophobia.ro\/?p=10757","title":{"rendered":"Eugen Cadaru: A opta zi e-n fiecare noapte"},"content":{"rendered":"

(ghidul cititorului de fantastic)<\/span><\/p>\n

de Oliviu Cr\u00e2znic<\/p>\n

 <\/p>\n

\nEugen Cadaru (n. 1973) este jurist (specialist \u00een legisla\u021bia dreptului de autor \u0219i \u00een legisla\u021bia comunic\u0103rii), scriitor premiat na\u021bional \u0219i interna\u021bional (\u201eEurocon Encouragement Award\u201d, \u201eHelion\u201d), publicist \u0219i doctor \u00een \u201eCinematografie \u0219i Media\u201d (teza Realismul Magic \u00een arta cinematografic\u0103<\/em>, Universitatea Na\u021bional\u0103 de Art\u0103 Teatral\u0103 \u0219i Cinematografic\u0103 \u201eI.L. Caragiale\u201d, 2009).<\/p>\n

\nRaportat la teoria literar\u0103, volumul s\u0103u de debut, A opta zi e-n fiecare noapte <\/em>(tip\u0103rit, se cuvine s\u0103 men\u021bion\u0103m, de c\u0103tre Editura Tracus Arte \u2013 2014, pe h\u00e2rtie alb\u0103, de calitate superioar\u0103, durabil\u0103), reune\u0219te cincisprezece proze scurte apar\u021bin\u00e2nd stilului func\u0163ional beletristic, curentului literar al realismului magic, categoriei estetice a fantasticului, genului literar epic, speciei literare a apologului, \u00eemprumut\u00e2nd teme \u0219i motive de la subspecii literare diverse: povestirea gotic\u0103 fantastic\u0103 (\u00cen gar\u0103<\/em>), povestirea fantastic\u0103 feeric\u0103 (Ambasadorii<\/em>), povestirea \u0219tiin\u021bifico-fantastic\u0103 social\u0103 (A opta zi e-n fiecare noapte<\/em>) etc.<\/p>\n

\nDin punct de vedere al literaturii comparate, prozele lui Eugen Cadaru pot fi asociate unor opere precum Nop\u021bile de S\u00e2nziene<\/em> \u0219i Divanul persian<\/em> (Mihail Sadoveanu, 1934, respectiv 1940), Miruna, o poveste<\/em> (Bogdan Suceav\u0103, 2007) sau (\u00eentr-o oarecare m\u0103sur\u0103) \u00cemp\u0103r\u021birea la zero<\/em> (Story Of Your Life And Others<\/em>, Ted Chiang, 2002).<\/p>\n

\n\n<\/p>\n

\nPrintre opiniile critice favorabile c\u0103r\u021bii, le amintim pe cele exprimate de Andreea Sterea (editor \u201eCrux Publishing\u201d) \u00een Gazeta SF nr. 51\/2015<\/em>, care eviden\u021biaz\u0103 perfect tr\u0103s\u0103tura definitorie a operei lui Cadaru: morala profund\u0103, bl\u00e2nd\u0103, luminoas\u0103, plin\u0103 de spirit \u0219i lipsit\u0103 de orice urm\u0103 de rigiditate sau de arogan\u021b\u0103, instrument subtil al unui Bine universal \u0219i tolerant, a c\u0103rui esen\u021b\u0103 autorul o a\u0219terne molcom pe h\u00e2rtie.<\/p>\n

\nDincolo de varietatea subiectelor abordate \u0219i de etica mesajului transmis, prozele celei de A opta zi…<\/em> se remarc\u0103 prin oralitatea stilului, prin impresia de \u201ezicere\u201d pe care autorul reu\u0219e\u0219te s\u0103 o imprime acestora, cre\u00e2nd cititorului senza\u021bia c\u0103 ascult\u0103, \u00eentr-o sear\u0103 cald\u0103 de var\u0103 sau, dimpotriv\u0103, \u00eentr-o zi de toamn\u0103 ploioas\u0103, pove\u021bele unui \u00een\u021belept trecut prin via\u021b\u0103, ilustrate prin magice aventuri apar\u021bin\u00e2nd altor vremuri \u0219i altor lumi \u2013 trecute, paralele sau viitoare. Aventuri cu nobili pasageri ai unor trenuri-fantom\u0103 r\u0103t\u0103citoare, cu vise de iubire alter\u00e2nd \u0219i domin\u00e2nd realitatea, cu f\u0103pturi mitologice r\u0103pite de… oameni, cu mesaje publicitare concepute pentru a controla popula\u021bia-victim\u0103 sau cu inven\u021bii menite a salva spiritul uman de la \u201erobotizarea\u201d cotidian\u0103 \u2013 rezult\u00e2nd, \u00een final, un tradi\u021bionalism patriarhal, idilic, \u00een interesant sincretism cu onirismul escapist \u0219i cu futurismul progresist.<\/p>\n

\nRecomandat spre citire mai degrab\u0103 vis\u0103torului dec\u00e2t iubitorului de suspans, mai degrab\u0103 optimistului dec\u00e2t pesimistului, mai degrab\u0103 curiosului dec\u00e2t scepticului, Eugen Cadaru deschide cu mult curaj o poart\u0103 spre infinit, \u00eencep\u00e2ndu-\u0219i itinerarul cultural cu un volum conving\u0103tor literar, destinat s\u0103 \u00ee\u0219i g\u0103seasc\u0103, f\u0103r\u0103 dificult\u0103\u021bi, publicul cititor potrivit.
\n <\/p>\n

*<\/p>\n

 <\/p>\n

Despre autorul rubricii: <\/em><\/strong><\/p>\n

\u00a0<\/em><\/strong><\/p>\n

OLIVIU CR\u00c2ZNIC <\/strong>(n. 1978; fotografie realizat\u0103 de Mihaela Nazarie) este scriitor de literatur\u0103 fantastic\u0103, publicist \u015fi consilier juridic. \u00cen 2010, a publicat romanul gotic \u2026\u015ei la sf\u00e2r\u015fit a mai r\u0103mas co\u015fmarul<\/em> (Ed. Vremea), declarat de M. Pric\u0103jan \"\" (\u00een revista cultural\u0103 Familia<\/em>) \u201eMomentul Walpole \u00een literatura rom\u00e2n\u0103\u201d. Ulterior, a publicat numeroase povestiri \u015fi nuvelete (majoritatea se reg\u0103sesc \u00een volumul de colec\u021bie Ceasul fantasmelor<\/em>, Ed. Crux Publishing, 2015), foarte bine primite de critic\u0103 \u015fi de public, \u015fi a c\u00e2\u015ftigat numeroase premii, dintre care amintim PREMIUL GALILEO 2011 <\/strong>pentru Cel mai bun volum al anului 2010 \u015fi Premiul Societ\u0103\u0163ii Europene de Science Fiction, ENCOURAGEMENT AWARD EUROCON 2012.<\/strong> A fost publicat \u00een diverse antologii \u015fi reviste al\u0103turi de nume importante ale literaturii universale contemporane, precum George R.R. Martin, Paolo Bacigalupi sau Ian R. MacLeod. Cronicile de carte, articolele \u015fi studiile sale de teorie \u015fi istorie literar\u0103 sunt apreciate pe scar\u0103 larg\u0103, unele dintre acestea fiind publicate \u015fi peste grani\u0163\u0103. Este unul dintre lectorii Atelierului de scriere creativ\u0103 SF&Fantasy organizat de Revista de povestiri<\/em> \u00een colaborare cu Bookblog<\/em> \u0219i este invitat anual s\u0103 vorbeasc\u0103 studen\u021bilor Facult\u0103\u021bii de Limbi \u0219i Literaturi Str\u0103ine a Universit\u0103\u021bii din Bucure\u0219ti despre Literatura gotic\u0103 \u0219i romantismul \u00eentunecat american. Sec. XIX: Hawthorne, Melville, Poe \u0219i mo\u0219tenirea lor cultural\u0103<\/em>.<\/p>\n

 <\/p>\n

\u201eOliviu Cr\u00e2znic chiar este un romantic, un personaj cobor\u00e2t efectiv din propria-i oper\u0103 extraordinar\u0103 \u0219i spectaculoas\u0103, melanj de Baudelaire, Edgar Allan Poe \u0219i Walter Scott, sub ochii necru\u021b\u0103tori ai lui Bram Stoker \u0219i H.P. Lovecraft. Citi\u021bi-i romanul \u0219i povestirile \u0219i o s\u0103 \u00een\u021belege\u021bi imediat la ce m\u0103 refer!\u201d<\/em>
\n[\u0218t. Ghidoveanu, realizatorul emisiunii Radio Rom\u00e2nia Cultural Exploratorii lumii de m\u00e2ine<\/em>, \u00een Galileo Online<\/em>, nov. 2012]<\/p>\n","protected":false},"excerpt":{"rendered":"

(ghidul cititorului de fantastic) de Oliviu Cr\u00e2znic   Eugen Cadaru (n. 1973) este jurist (specialist \u00een legisla\u021bia dreptului de autor \u0219i \u00een legisla\u021bia comunic\u0103rii), scriitor premiat na\u021bional \u0219i interna\u021bional (\u201eEurocon Encouragement Award\u201d, \u201eHelion\u201d), publicist \u0219i doctor \u00een \u201eCinematografie \u0219i Media\u201d (teza Realismul Magic \u00een arta cinematografic\u0103, Universitatea Na\u021bional\u0103 de Art\u0103 Teatral\u0103 \u0219i Cinematografic\u0103 \u201eI.L. Caragiale\u201d, […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8,1098,892],"tags":[1113,1099,1111,1159,636],"class_list":["post-10757","post","type-post","status-publish","format-standard","hentry","category-critica","category-egophobia-44","category-ghidul-cititorului-de-fantastic","tag-critica","tag-egophobia-44","tag-eugen-cadaru","tag-ghidul-cititorului-de-fantastic","tag-oliviu-craznic"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6DakB-2Nv","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/10757","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10757"}],"version-history":[{"count":2,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/10757\/revisions"}],"predecessor-version":[{"id":10944,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/10757\/revisions\/10944"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10757"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10757"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10757"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}