de Oliviu Cr\u00e2znic<\/p>\n
\u015etefan Bolea (n. 1980) este doctor \u00een filosofie, autor de volume de specialitate (Ontologia nega\u0163iei<\/em>, 2004; Introducere \u00een nihilismul nietzschean<\/em>, 2012; Existen\u0163ialismul ast\u0103zi<\/em>, 2012), poet (R\u0103zboi civil<\/em>, 2005; Noaptea instinctelor<\/em>, 2009; Gothic<\/em>, 2011; AntiZeu<\/em>, 2014) multipremiat, prozator (Caietul Roxanei \u0219i alte jurnale<\/em>, 2013; Caietul psihopatului<\/em>, 2015) premiat, doctorand la Facultatea de Litere din Cluj-Napoca \u0219i publicist, redactor-\u015fef al revistei culturale electronice EgoPHobia<\/em>.<\/p>\n Raportat la teoria literar\u0103, Theoria<\/em> (Ed. Crux Publishing, 2015) apar\u021bine stilului func\u0163ional publicistic, curentului literar (\u0219i filosofic) nihilist [existen\u021bialist], genului literar [de grani\u021b\u0103] didactic, speciei literare (din punct de vedere formal \u015fi, respectiv, tematic) a culegerii de eseuri filosofice, subspeciei literare a filosofiei culturii.<\/p>\n Din perspectiva literaturii comparate, volumul poate fi asociat, \u00een primul r\u00e2nd, scrierilor lui Friedrich Nietzsche (1844-1900), respectiv Emil Cioran (1911-1995), \u0218tefan Bolea dovedindu-se, f\u0103r\u0103 dubiu, un demn descendent cultural al celor doi.<\/p>\n Printre opiniile critice favorabile c\u0103r\u021bii, amintim pe cele formulate de poetul-matematician Sorin-Mihai Grad, respectiv de teoreticianul Petri\u0219or Militaru.<\/p>\n Titlul operei este grecescul \u201e\u03b8\u03b5\u03c9\u03c1\u03af\u03b1\u201d (\u201ea contempla\u201d), origine a cuv\u00e2ntului rom\u00e2nesc \u201eteorie\u201d (prin lat. \u201etheoria\u201d, fr. \u201eth\u00e9orie\u201d) \u2013 dar, totodat\u0103, include \u0219i grecescul \u201e\u0398\u03b5\u03cc\u03c2\u201d (\u201eTheos\u201d: \u201ezeu\u201d).<\/p>\n Prima parte a culegerii, I. \u03c6<\/em> (litera greceasc\u0103 \u201ephi\u201d [f], simboliz\u00e2nd filosofia), se concentreaz\u0103 asupra filosofiei literaturii simboliste (analizat\u0103 la Rimbaud, Baudelaire, Bacovia, Poe) sau asupra unor concepte pur filosofice precum neomul (la Emil Cioran), supraomul (Friedrich Nietzsche) ori Marele Anonim (la Lucian Blaga).<\/p>\n Partea a doua, II.<\/em> \u03b9 <\/em>(litera greceasc\u0103 \u201eiota\u201d [i], simboliz\u00e2nd imaginea) trateaz\u0103, din punct de vedere filosofic, opere cinematografice (Pink Floyd \u2013 The Wall<\/em>, 1982; The Raven<\/em>, 2012, cu John Cusack \u00een rolul \u201ePoe\u201d; The Dark Knight Rises<\/em>, 2012, cu Christian Bale \u00een rolul \u201eBatman\u201d; Iron Sky<\/em>, 2012; Asmodexia<\/em>, 2014 etc.) sau compozi\u021bii muzicale extreme, precum cele ale forma\u021biei My Dying Bride; nu lipse\u0219te nici eseul despre legendarul baschetbalist Shaquille O’Neal.<\/p>\n Partea a treia, III. \u03bb <\/em>(litera greceasc\u0103 \u201elambda\u201d [l], simboliz\u00e2nd literatura), este dedicat\u0103, aproape \u00een \u00eentregime, analiz\u0103rii unor volume semnate de scriitori rom\u00e2ni (\u00een special poe\u021bi, dar nu numai) contemporani de avangard\u0103 (Igor Ursenco, Teo-e-retikon<\/em>, 2009; Iulian T\u0103nase, Cucamonga<\/em>, 2011; Sorin-Mihai Grad, Surogat<\/em>, 2011; Petri\u0219or Militaru, Prezen\u021be angelice \u00een poezia rom\u00e2n\u0103<\/em>, 2012; etc.) \u0219i filosofiei acestora.<\/p>\n Partea a patra \u0219i ultima, IV. \u03b5<\/em> (litera greceasc\u0103 \u201eepsilon\u201d [e], simboliz\u00e2nd egofobia \u2013 teama de sine, catalizator al crea\u021biei; \u00eempreun\u0103, titlurile celor patru p\u0103r\u021bi dau \u03c6\u03b9\u03bb\u03b5<\/em>, \u201ephile\u201d, de la \u03c6\u03b9\u03bb\u03af\u03b1, \u201ephilia\u201d: \u201eiubire\u201d, indic\u00e2ndu-ne cele patru mari iubiri ale lui \u0218tefan Bolea) dob\u00e2nde\u0219te o not\u0103 personal\u0103, const\u00e2nd \u00eentr-un zigzag interesant de comentarii filosofico-socioculturale, \u00eenceput odat\u0103 cu geneza revistei EgoPHobia<\/em> (2004) \u0219i \u00eencheiat \u00een momentul \u00eemplinirii de c\u0103tre autor a v\u00e2rstei de 33 de ani (2013): fresc\u0103 a contemporaneit\u0103\u021bii dec\u0103zute \u0219i critic\u0103 acerb\u0103 a acesteia, \u00eentr-o revolt\u0103 distructiv-constructiv\u0103 de sorginte romantic\u0103.<\/p>\n Registrul lingvistic este cult, impregnat cu termeni tehnico-\u0219tiin\u021bifici \u0219i cu neologisme, dar \u0219i jargonic, autorul utiliz\u00e2nd numeroase cuvinte \u0219i expresii \u00eemprumutate (ca atare sau cu o minim\u0103 adaptare) din alte limbi, marc\u0103 a cosmopolitismului \u0219i a multiculturalismului.<\/p>\n Referitor la editarea operei, se cuvin a fi men\u021bionate redactarea \u0219i tehnoredactarea \u00eengrijite, tip\u0103rirea acesteia pe h\u00e2rtie alb\u0103, de calitate superioar\u0103, rezistent\u0103 \u00een timp, \u0219i coperta plastifiat\u0103 mat, cu o excelent\u0103 ilustra\u021bie realizat\u0103 de c\u0103tre unul dintre cei mai importan\u021bi arti\u0219ti rom\u00e2ni contemporani \u00een domeniu, Ionu\u021b B\u0103nu\u021b\u0103.<\/p>\n \u00cen concluzie, Theoria <\/em>se adreseaz\u0103 cititorilor pasiona\u021bi de filosofie nihilist\u0103 \u0219i\/sau existen\u021bialist\u0103, de poezie simbolist\u0103, de art\u0103 cinematografic\u0103 \u0219i de muzic\u0103 \u201egrea\u201d, dar \u0219i tuturor celor nemul\u021bumi\u021bi de disolu\u021bia cultural\u0103 \u0219i valoric\u0103 a societ\u0103\u021bii contemporane (rom\u00e2ne\u0219ti, cu prec\u0103dere); \u00een mod cert, prima parte ar trebui s\u0103 \u00ee\u0219i g\u0103seasc\u0103 locul \u0219i \u00een programa elaborat\u0103 de Ministerul Educa\u021biei Na\u021bionale \u0219i Cercet\u0103rii \u0218tiin\u021bifice, pentru \u00eenv\u0103\u021b\u0103m\u00e2ntul liceal \u0219i superior (de specialitate). \u00cen ceea ce \u00eel prive\u0219te pe autor, acesta dovede\u0219te, \u00eenc\u0103 o dat\u0103, c\u0103 este unul dintre cei mai importan\u021bi g\u00e2nditori rom\u00e2ni contemporani, exponent de seam\u0103 al filosofiei culturii.<\/p>\n #<\/p>\n (text ap\u0103rut pentru prima dat\u0103 \u00een Revista Mozaicul<\/em>)<\/p>\n","protected":false},"excerpt":{"rendered":" de Oliviu Cr\u00e2znic \u015etefan Bolea (n. 1980) este doctor \u00een filosofie, autor de volume de specialitate (Ontologia nega\u0163iei, 2004; Introducere \u00een nihilismul nietzschean, 2012; Existen\u0163ialismul ast\u0103zi, 2012), poet (R\u0103zboi civil, 2005; Noaptea instinctelor, 2009; Gothic, 2011; AntiZeu, 2014) multipremiat, prozator (Caietul Roxanei \u0219i alte jurnale, 2013; Caietul psihopatului, 2015) premiat, doctorand la Facultatea de Litere […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8,1188],"tags":[1113,1189,636,39],"class_list":["post-11090","post","type-post","status-publish","format-standard","hentry","category-critica","category-egophobia-45","tag-critica","tag-egophobia-45","tag-oliviu-craznic","tag-stefan-bolea"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6DakB-2SS","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/11090","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11090"}],"version-history":[{"count":1,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/11090\/revisions"}],"predecessor-version":[{"id":11091,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/11090\/revisions\/11091"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11090"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11090"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11090"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}