{"id":11100,"date":"2016-02-25T16:48:42","date_gmt":"2016-02-25T14:48:42","guid":{"rendered":"http:\/\/egophobia.ro\/?p=11100"},"modified":"2016-02-28T17:13:24","modified_gmt":"2016-02-28T15:13:24","slug":"tablouri-ale-prostitutiei-1850-1910","status":"publish","type":"post","link":"https:\/\/egophobia.ro\/?p=11100","title":{"rendered":"Tablouri ale prostitu\u0163iei 1850-1910"},"content":{"rendered":"<p style=\"text-align: right;\">de Adrian Grauenfels<\/p>\n<p style=\"text-align: justify;\">Parisul secolului 19 a produs o art\u0103 urban\u0103, semi-monden\u0103, lasciv\u0103 \u015fi fascinant\u0103 prin rolul pe care l-a avut \u00een dezvoltarea artei moderne. Printre alte atrac\u0163ii, caberetele \u015fi bordelurile ora\u015fului au sedus genera\u0163ii de b\u0103rba\u0163i, scriitori, fotografi \u015fi pictori.<\/p>\n<p><!--more--><\/p>\n<p style=\"text-align: center;\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i158.photobucket.com\/albums\/t103\/egophobia\/45\/tp1_zpshx7n5f2b.jpg?w=812\" alt=\"\" \/><\/p>\n<p style=\"text-align: justify;\">O mare expozi\u0163ie &#8220;Tablouri ale prostitu\u0163iei 1850-1910&#8221; deschis\u0103 la Muzeul Orsay ne prezint\u0103 \u00eentre pere\u0163i elegan\u0163i de plu\u015f ro\u015fu psiholgia \u015fi sociologia prostitu\u0163iei.Cu 400 de opere expuse \u00een diverse medii, este cea mai mare \u00eent\u00e2nire pe tema prostitu\u0163iei. \u00cen centrul ei g\u0103sim vechi fotografii porno ale ambelor sexe c\u00e2t \u015fi homosexuali sau filme interzise tinerilor ca de exemplu &#8220;Fotoliul Dragostei&#8221; datorat lui Prince de Galle, 1890 \u00een care sexul \u00een trei se petrece pe un fotoliu special conceput scopului. Alte exponate sunt reclame ilustrate de bordeluri, picturi de Munch, Rouault, Vlamink, Van Dongen, \u015fi mul\u0163i al\u0163ii care demonstreaz\u0103 voayerismul artistic al Parisului, dintre al Doilea Imperiu \u015fi p\u00e2n\u0103 la Belle \u00c9poque, pentru subiectele sexuale tratate cu o amoral\u0103 u\u015furin\u0163\u0103.<\/p>\n<p style=\"text-align: center;\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i158.photobucket.com\/albums\/t103\/egophobia\/45\/tp2_zpswtbhcma0.jpg?w=812\" alt=\"\" \/><br \/>\n[Jean B\u00e9raud, &#8220;Asteptare&#8221; (1880), photo by Franck Raux]<\/p>\n<p style=\"text-align: justify;\">Misterioas\u0103 \u015fi eluziv\u0103 prostitu\u0163ia \u00ee\u015fi face loc \u00een Arte devenind un subiect modern \u015fi opulent. Trezit de fenomen Baudelaire declar\u0103: &#8220;Ce este arta? Prostitu\u0163ie!&#8221;<\/p>\n<p>Inten\u0163ionat, curatorul de la Orsay nu a instalat la intrare scandalosul tablou al lui Manet-Olympia (1863). Presupunem c\u0103 \u00een scopul de a nu amagii vizitatorul cu anticiparea unei revela\u0163ii estetice contrast\u00e2nd cu cli\u015feul central urm\u0103rit: Dominan\u0163a b\u0103rbatului heterosexual asupra femeii. Un bun exemplu este pictura pornografic\u0103 semnat\u0103 de Jean-Louis Forain &#8220;Clientul &#8221; (1878) \u00een care un b\u0103rbat neglijent cu joben \u015fi priviri pofticioase alege \u00eentre 5 femei dezbr\u0103cate, aflate \u00eentr-un bordel tapisat cu ro\u015fu.<\/p>\n<p style=\"text-align: center;\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i158.photobucket.com\/albums\/t103\/egophobia\/45\/tp3_zps7jkoa4px.jpg?w=812\" alt=\"\" \/><br \/>\n[Jean-Louis Forain &#8220;Clientul &#8220;(1878)]<\/p>\n<p>Ca mul\u0163i al\u0163i pictori Giovanni Boldini picteaz\u0103 la Moulin Rouge, celebrul cabaret din Montmartre. Tabloul ilustreaz\u0103 o scen\u0103 \u00een care mul\u0163i b\u0103rba\u0163i-clien\u0163i flirteaz\u0103 cu femeile disponibile, gata s\u0103 fie explorate.<\/p>\n<p style=\"text-align: center;\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i158.photobucket.com\/albums\/t103\/egophobia\/45\/tp4_zps5s2dju7s.jpg?w=812\" alt=\"\" \/><br \/>\n[Giovanni Boldini, &#8220;Sarbatoare la Moulin Rouge, photo by Patrice Schmidt]<\/p>\n<p style=\"text-align: justify;\">Pictorul Toulouse Lautrec este bine cunoscut pentru scenele erotice pictate direct \u00een bordeluri, cluburi \u015fi cafenele. Manet este reprezentat cu celebrul tablou &#8220;Bal Mascat la Oper\u0103-1875&#8221;, vom g\u0103si c\u00e2teva p\u00e2nze Degas, Van Gogh cu c\u00e2teva desene care estompeaz\u0103 grani\u0163ele prostitu\u0163iei ar\u0103t\u00e2nd curtezane, actri\u0163e, c\u00e2nt\u0103re\u0163e, dansatoare, mai toate probabil \u00eentre\u0163inute de protectori boga\u0163i. Un bun tablou este datorat lui Jean B\u00e9raud &#8211; A\u015fteptare (1880), \u00een care femeia supus\u0103 privirii unui b\u0103rbat are o ambigu\u0103 identitate.<\/p>\n<p style=\"text-align: center;\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i158.photobucket.com\/albums\/t103\/egophobia\/45\/tp5_zpscasdjp4l.jpg?w=812\" alt=\"\" \/><br \/>\n[Instala\u0163ia &#8220;Splendoare si Mizerie &#8211; Scene ale Prostitu\u0163iei&#8221;, photo by Sophie Boegly, \u00a9 Mus\u00e9e d&#8217;Orsay]<\/p>\n<p style=\"text-align: justify;\">Un pat-scoic\u0103 apar\u0163in\u00e2nd Marchizei de Paiva oblig\u0103 la medita\u0163ie. Apartamentul doamnei din Champs-\u00c9lys\u00e9es era faimos pentru decora\u0163ia sa ostentativ\u0103 \u015fi baia din argint, scandalos dotat\u0103 cu trei robinete: ap\u0103 cald\u0103, ap\u0103 rece \u015fi \u015fampanie.<\/p>\n<p style=\"text-align: center;\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i158.photobucket.com\/albums\/t103\/egophobia\/45\/tp6_zpsziki4rcd.jpg?w=812\" alt=\"\" \/><br \/>\n[KIKI]<\/p>\n<p style=\"text-align: justify;\">O fost\u0103 prostituat\u0103 vestit\u0103 \u00een Montparnasse, Kiki, devine un model celebru. Mo\u015ftenise temperamentul mamei care n\u0103scuse 6 copii din flori. Prima carte citit\u0103 de Kiki a fost o bro\u015fur\u0103 pornografic\u0103 care o \u00eendeamn\u0103 s\u0103 poeze nud unui sculptor b\u0103tr\u00e2n. Apoi va deveni preferata lui Soutin \u015fi Modigliani. Kisling o declar\u0103 femeia visurilor lui dar femeia alunec\u0103 spre Foujita, Man Ray \u015fi al\u0163ii.<\/p>\n<p style=\"text-align: center;\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i158.photobucket.com\/albums\/t103\/egophobia\/45\/tp7_zps0cajwbcp.jpg?w=812\" alt=\"\" \/><br \/>\n[Foujita &#8211; &#8220;la Bordel&#8221;]<\/p>\n<p style=\"text-align: justify;\">Un alt model celebru este Youki care \u00ee\u015fi f\u0103cea veacul la cafeneaua Rotonde. Acolo se \u00eendr\u0103goste\u015fte pe loc de pictorul Foujita. Cei doi se c\u0103s\u0103toresc \u015fi cur\u00e2nd Foujita devine pictorul favorit al doamnelor \u015fi celebrit\u0103\u0163ilor Pariziene.<\/p>\n<p style=\"text-align: center;\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i158.photobucket.com\/albums\/t103\/egophobia\/45\/tp8_zpspv982wpm.jpg?w=812\" alt=\"\" \/><br \/>\n[Henri de Toulouse-Lautrec &#8211; &#8220;Inspec\u0163ia Medical\u0103&#8221;]<\/p>\n<p style=\"text-align: justify;\">Un tablou de Lautrec ne atrage aten\u0163ia: &#8220;Inspec\u0163ia Medical\u0103&#8221; -1894 \u00een care o femei blond\u0103 a\u015fteapt\u0103 vizita doctorului \u00eentr-o grimas\u0103 trist\u0103, de om jignit. \u015ei Picasso a adresat aceast\u0103 scen\u0103 \u00eentr-un melancolic tablou albastru &#8220;Femeie a\u015fezat\u0103&#8221; transmi\u0163\u00e2nd perfect starea de nelini\u015fte a modelului.<\/p>\n<p style=\"text-align: center;\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i158.photobucket.com\/albums\/t103\/egophobia\/45\/tp9_zpsp95erudn.jpg?w=812\" alt=\"\" \/><\/p>\n<p style=\"text-align: justify;\">Picasso sugereaz\u0103 singur\u0103tatea \u00eembibat\u0103 \u00een \u015fampanie ieftin\u0103 a unei tinere prostituate \u00een a\u015fteptarea controlului psihologic-medical. \u015ei totu\u015fi un tablou grotesc \u015fi rar a unei fete vesele (Elle -1905) este fructul muncii lui Gustav Adolf Mossa, pictor simbolist \u015fi decadent. O pisicu\u0163\u0103 se ascunde \u00een pubisul femeii. Fiind o alegorie a unei imagina\u0163ii bolnave, tabloul lui Gustav Mossa \u00eenchide aceast\u0103\u00a0splendid\u0103 prezenta\u0163ie a unui subiect mizer.<\/p>\n<p style=\"text-align: center;\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i158.photobucket.com\/albums\/t103\/egophobia\/45\/tp0_zps0h0zsag7.jpg?w=812\" alt=\"\" \/><br \/>\n[Gustav Mossa &#8211; &#8220;Elle&#8221;]<\/p>\n<p>#<br \/>\n<em>surse foto: Joseph Nechvatel, Internet<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>de Adrian Grauenfels Parisul secolului 19 a produs o art\u0103 urban\u0103, semi-monden\u0103, lasciv\u0103 \u015fi fascinant\u0103 prin rolul pe care l-a avut \u00een dezvoltarea artei moderne. Printre alte atrac\u0163ii, caberetele \u015fi bordelurile ora\u015fului au sedus genera\u0163ii de b\u0103rba\u0163i, scriitori, fotografi \u015fi pictori.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1188,118],"tags":[87,1189,1127],"class_list":["post-11100","post","type-post","status-publish","format-standard","hentry","category-egophobia-45","category-imagini","tag-adrian-grauenfels","tag-egophobia-45","tag-imagini"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6DakB-2T2","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/11100","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11100"}],"version-history":[{"count":1,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/11100\/revisions"}],"predecessor-version":[{"id":11101,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/11100\/revisions\/11101"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11100"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11100"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11100"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}