{"id":11121,"date":"2016-02-28T22:00:19","date_gmt":"2016-02-28T20:00:19","guid":{"rendered":"http:\/\/egophobia.ro\/?p=11121"},"modified":"2016-02-28T18:26:24","modified_gmt":"2016-02-28T16:26:24","slug":"prefata-la-sange-satanic","status":"publish","type":"post","link":"https:\/\/egophobia.ro\/?p=11121","title":{"rendered":"Prefa\u021b\u0103 la “S\u00e2nge satanic”"},"content":{"rendered":"

[Cristina Nemerovschi – “S\u00e2nge satanic”, Herg Benet Publishers, 2010]<\/strong><\/p>\n

de\u00a0\u015etefan Bolea<\/p>\n

Welcome to hell. Hell is a place from your mind, as Milton observed. \u201cIs everybody in?\u201d Welcome on board\u2026 \u201cM\u0103 consoleaz\u0103 adesea \u00een nop\u0163i gri \u015fi f\u0103r\u0103 sf\u00e2r\u015fit g\u00e2ndul c\u0103 lumea asta e at\u00e2t de \u00eempu\u0163it\u0103, diform\u0103 \u015fi imbecil\u0103 \u00eenc\u00e2t, oric\u00e2t de ad\u00e2nc m-a\u015f afunda \u00een mizerie\u2026 voi fi oricum, \u00eentotdeauna c\u00e2nd \u00eemi voi privi reflexia \u00een ap\u0103 sau oglind\u0103, cea mai minunat\u0103 fiin\u0163\u0103 care a existat vreodat\u0103 pe p\u0103m\u00e2nt.\u201d A\u015fa \u00ee\u015fi deschide cartea t\u00e2n\u0103ra prozatoare Cristina Nemerovschi, care a avut \u00eendr\u0103zneala s\u0103 foloseasc\u0103 un caracter masculin ca personaj auctorial. \u015ei i-a ie\u015fit \u00een mare parte: c\u00e2nd am citit un fragment din romanul ei trimis EgoPHobiei, m-am g\u00e2ndit \u201ce bun metalistu\u2019 \u0103sta!\u201d Mi-a mai venit \u015fi altceva \u00een minte: lipse\u015fte a\u015fa ceva din \u201cliteratura rom\u00e2n\u0103\u201d; mai exact o dare de seam\u0103 a vie\u0163ii metali\u015ftilor\u2026 M\u0103 g\u00e2ndeam s\u0103 scriu \u015fi eu despre nop\u0163ile de acum 5-10 ani, c\u00e2nd d\u0103deam din cap la Negur\u0103 Bunget \u00een Club Max. Sau despre mersul cu personalul la Sepultura sau de dormitul \u00een parc la Megadeth\u2026 Sau despre ini\u0163ierea \u00een vampirism de la Cluj, de anul trecut, prin Fernando Ribeiro\u2026 Sunt o gr\u0103mad\u0103 de faze \u015fi concertele sunt climax-ul unei existen\u0163e underground, ca mersul la biseric\u0103 dup\u0103 ce cite\u015fti zilnic biblia (de\u015fi compara\u0163ia asta trebuie citit\u0103 aproape de-a-ndoaselea). \u015ei iat\u0103 c\u0103 am acum ocazia s\u0103 scriu (altfel dec\u00e2t prin poeme) despre aceast\u0103 theoria metalist\u0103.<\/p>\n

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Cea mai minunat\u0103 fiin\u0163\u0103 de pe p\u0103m\u00e2nt\u2026 Sunt c\u00e2teva (alte) fiin\u0163e care merit\u0103 acest titlu, care, fie \u015fi pentru c\u0103 au explorat iadul \u015fi infernul (altfel dec\u00e2t cum se crede), au nevoie de toat\u0103 delicate\u0163ea \u015fi bl\u00e2nde\u0163ea noastr\u0103: Nietzsche, Torino, decembrie 1888, Lautr\u00e9amont, Paris, noiembrie 1870, Sade, Charenton, decembrie 1814. Indivizi care au v\u0103zut p\u0103m\u00e2ntul surpat \u015fi gura de iad deschis\u0103 la picioarele lor\u2026 Indivizi a c\u0103ror durere (termen echivalent pentru existen\u0163\u0103, ca la Schopenhauer) i-a adus la iluminare, pentru c\u0103 s-au detonat direct pe creierul lui Dumnezeu, ca s\u0103 m\u0103 autoplagiez. Durerea pur\u0103 aduce ini\u0163ierea: \u00een compania lor a\u015f vrea s\u0103-l situez pe Mickey O\u2019Neil din Snatch, care ajunge \u00een nirvana nihilist\u0103 atunci c\u00e2nd \u00eei arde mama cu tot cu rulota \u015fi care devine God c\u00e2nd se treze\u015fte din mrejele sentimentaloide ale Pe\u015ftilor \u015fi \u00ee\u015fi face knock-out adversarul direct din vis. \u015ei Cristina Nemerovschi \u00ee\u015fi trage for\u0163a dintr-un Mordor dinamitat, care i-a ghidat pe eroii no\u015ftri din underworld: \u015fi ea poate ajunge, \u00eentr-o zi, la excelen\u0163a aproape cartezian\u0103 (ca s\u0103 fii terorist \u00ee\u0163i trebuie metod\u0103!) a unei bombe de lumin\u0103.<\/p>\n

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Exist\u0103 trei modalit\u0103\u0163i de a recomanda romanul ei: este o re-tr\u0103ire a adolescen\u0163ei, o descriere a infernului \u015fi primul roman cu metali\u015fti din literatura rom\u00e2n\u0103 (am mai avut rockeri, dar, s\u0103 fim serio\u015fi, pentru cei specializa\u0163i, rock-ul este un fel de pop, care se ascult\u0103 p\u00e2n\u0103 cel t\u00e2rziu \u00een gimnaziu). La mine educa\u0163ia sentimental\u0103 a \u00eenceput cu Guns N\u2019 Roses, cea spiritual\u0103, cu Amorphis, Tiamat \u015fi Paradise Lost. La noi \u00een \u0163ar\u0103 nu se pune accent pe filosofia culturii populare (sau ceea ce numesc generic prin theoria, \u201cprivire\u201d \u00een sens originar), ceea ce \u00eenseamn\u0103 c\u0103 nu po\u0163i s\u0103 \u00eenve\u0163i de ce \u00ee\u0163i place ce \u00ee\u0163i place, fie c\u0103 e gothic sau doom (cu notabila excep\u0163ie a lui Ormeny Francisc, cu textele sale de fenomenologia gothic-ului, publicate \u00een EgoPHobia \u015fi Europe\u2019s Times and Unknown Waters), dar Cristina Nemerovschi deschide un portal (\u015fi acest cuv\u00e2nt trebuie pronun\u0163at la fel cum \u00eel intoneaz\u0103 Vlad Dracul \u00een Ne cheam\u0103 p\u0103m\u00e2ntul\u2026) pentru percep\u0163ia metal-ului \u00een proz\u0103.<\/p>\n

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Iat\u0103 cum se autocaracterizeaz\u0103 personajul principal al romanului: \u201cAscult black metal, sunt ateu, lumea m\u0103 crede satanist, sunt bisexual, mizantrop, uneori doar misogin, scriu o carte, beau \u00een fiecare zi \u015fi m\u0103 droghez \u00een fiecare s\u0103pt\u0103m\u00e2n\u0103. Cum sun\u0103 asta ca prim r\u00e2nd al unui cv?\u201d (Bine, if hell recruited.) Cele dou\u0103 substantiviz\u0103ri ale verbului misein sar \u00een ochi: textul De ce nu iubim femeile din capitolul Pizde este consecin\u0163a direct\u0103 a acestui orizont, care trebuia exploatat de mult \u00een literatura noastr\u0103 (dup\u0103 mine, este mai comercial\u0103 dec\u00e2t direc\u0163ia lui C\u0103rt\u0103rescu, pentru c\u0103 face apel la frustr\u0103rile noastre fundamentale \u015fi la realitatea Liebe ist (Totaler) Krieg). Iat\u0103 dou\u0103 mostre de iubire-prin-ur\u0103, care reies din realitatea r\u0103zboiului dintre sexe: \u201c\u015etiam c\u0103 nu ai cum s\u0103 fii prea mi\u015fto. Dar cu toate astea te-am luat; te-am luat pentru ca erai scump\u0103, pentru c\u0103 erai ce puteam g\u0103si mai bun atunci. Te-am luat cum \u00ee\u0163i iei un anim\u0103lu\u0163 \u015fi nu ai preten\u0163ii mari de la el. Te-am luat ca s\u0103-mi aud vocea c\u00e2nd aberez\u201d (\u00eemi place tonul capitalist al proprietarului care face inventarul, mai trebuie notate dispre\u0163ul, condescenden\u0163a \u015fi histrionismul sadic). Mehr: \u201cVreau s\u0103 te plimb \u00een les\u0103, vreau s\u0103 te pot lovi cu piciorul ori de c\u00e2te ori am chef. Vreau s\u0103 decid eu ce trebuie s\u0103 m\u0103n\u00e2nci \u015fi unde trebuie s\u0103 te pi\u015fi\u201d (un pasaj desprins din Cele 120 de zile parc\u0103).<\/p>\n

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Dac\u0103 este s\u0103 revizuim influen\u0163e sau consonan\u0163e, trebuie aminti\u0163i, printre al\u0163ii Burgess\/ Kubrick (\u201cUau, poate m-am f\u0103cut bine! Ca alex din portocala mecanic\u0103. I can hate them once more, I\u2019m cured!\u201d), filmul In the Mouth of Madness de John Carpenter (pentru ideea fic\u0163iunii care devine mantric realitate), promo\u0163ia Polirom de acum c\u00e2\u0163iva ani (mai ales Chiva \u015fi Schiop), Mare\u015f Lucian cu romanul nepublicat dar accesibil online, Jurnalul r\u0103ului; exist\u0103 \u015fi un extras, care \u00eemi aminte\u015fte de Prizonierii de Nietzsche \u00een varianta hermeneutic\u0103 a lui Deleuze: \u201c\u00abAlege\u0163i statutul de c\u0103l\u0103tori corec\u0163i. V\u0103 mul\u0163umim\u00bb. Nu a\u0163i trece niciodat\u0103 prin via\u0163a voastr\u0103 f\u0103r\u0103 bilet. De\u015fi nu sunte\u0163i siguri c\u0103 exist\u0103, m\u0103car, controlori.\u201d<\/p>\n

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Un personaj principal metalist? Un In-der-Welt-Sein metalic? Asta \u00eenseamn\u0103 c\u0103 o s\u0103 avem fric\u0163iuni sociale: ego-ul a(nti)social prive\u015fte prin lentila romantic\u0103 sau antiumanist\u0103 spre herd-ul \u00een care a fost postat. \u201cNu i-a\u015f omor\u00ee, e adev\u0103rat, ar fi mult prea bl\u00e2nd. Cu adev\u0103rat crud ar fi s\u0103-i pot face s\u0103 se priveasc\u0103 pe ei prin ochii mei. Dac\u0103 a\u015f putea\u2026\u201d Sau, \u00een alt context: \u201csunte\u0163i o ciorn\u0103, pe care ne exers\u0103m ustensilele. Niciodat\u0103 nu v\u0103 ve\u0163i vedea a\u015fa cum sunte\u0163i \u00een realitate. A\u015fa cum v\u0103 vedem noi.\u201d (Guns N\u2019 Roses, So Fine: \u201cIf you could only live my life\/You could see the difference you make to me\u201d). Ideea absen\u0163ei con\u015ftiin\u0163ei de sine, a \u201ccadavrului viu\u201d, de care te izbe\u015fti pe strad\u0103, a lipsei absolute de direc\u0163ie, care-l ad\u00e2nce\u015fte pe mizantrop \u00een ura sa \u015fi-i d\u0103 consisten\u0163\u0103, este prezent\u0103 \u00een roman. Ideea aceasta nu trebuie minimalizat\u0103: dac\u0103 moartea (sau durerea sau nebunia) nu ne \u0163ine oglinda \u015fi nu ne treze\u015fte, risc\u0103m s\u0103 ne tr\u0103im via\u0163a \u00eentr-un incubator pre-matricial. S\u00e2nge satanic oscileaz\u0103 \u00eentre solipsism \u015fi ac\u0163iune (sincer, a\u015f fi preferat \u015fi mai mult\u0103 ac\u0163iune, chiar a\u015fa \u00een modul non-linear al nara\u0163iunii) \u015fi ambele orient\u0103ri ale romanului au punctele lor forte. Silence solitude oblivion \u015fi Lonely Day sunt favoritele mele.<\/p>\n

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\u00cemi place cum descrie autoarea un atac de panic\u0103 (se vede c\u0103 se \u015ftie!), \u00eemi place cum M. tr\u0103ie\u015fte \u00eentre dou\u0103 lumi, ca un \u015faman sau ca un poet transformat \u00een poemul lui cel mai \u00eentunecat (\u201cVisez \u00een schimb s\u00e2nge, mult s\u00e2nge, visez s\u00e2nge chiar \u015fi c\u00e2nd sunt treaz\u201d), \u00eemi plac reac\u0163iile extreme (\u201cDe ce m-a\u015f excita s\u0103 v\u0103d bucile printre care te caci?\u201d sau \u201cuneori m\u0103 g\u00e2ndesc c\u0103 e chiar un pleonasm. Manelist cre\u015ftin e cam acela\u015fi lucru cu o blond\u0103 proast\u0103.\u201d). E fain\u0103 \u015fi deconstruc\u0163ia rela\u0163iei de cuplu, p\u00e2n\u0103 la detonarea necesar\u0103: \u201cMergi cu mine p\u00e2n\u0103 la cap\u0103t, diavoli\u0163a mea, lumina mea\u201d rezoneaz\u0103 Ich bin dein Labyrinth. Also, dac\u0103 vre\u0163i un roman antisocial, cu faze hardcore filosofice dar \u015fi cu umor negru dadaist, cu scene de sex \u015fi de m\u0103cel, dac\u0103 vre\u0163i primul roman metal din Rom\u00e2nia, confesiunile unui \u201csatanist\u201d bisexual \u015fi misogin, a\u0163i ajuns \u00een locul potrivit! Welcome back \u2026 The Gate will close now.<\/p>\n

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\n","protected":false},"excerpt":{"rendered":"

[Cristina Nemerovschi – “S\u00e2nge satanic”, Herg Benet Publishers, 2010] de\u00a0\u015etefan Bolea Welcome to hell. Hell is a place from your mind, as Milton observed. \u201cIs everybody in?\u201d Welcome on board\u2026 \u201cM\u0103 consoleaz\u0103 adesea \u00een nop\u0163i gri \u015fi f\u0103r\u0103 sf\u00e2r\u015fit g\u00e2ndul c\u0103 lumea asta e at\u00e2t de \u00eempu\u0163it\u0103, diform\u0103 \u015fi imbecil\u0103 \u00eenc\u00e2t, oric\u00e2t de ad\u00e2nc m-a\u015f […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1188,125],"tags":[516,1189,1129,39],"class_list":["post-11121","post","type-post","status-publish","format-standard","hentry","category-egophobia-45","category-invitat","tag-cristina-nemerovschi","tag-egophobia-45","tag-invitat","tag-stefan-bolea"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6DakB-2Tn","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/11121","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11121"}],"version-history":[{"count":1,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/11121\/revisions"}],"predecessor-version":[{"id":11122,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/11121\/revisions\/11122"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11121"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11121"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11121"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}