{"id":11381,"date":"2016-09-12T00:02:28","date_gmt":"2016-09-11T22:02:28","guid":{"rendered":"http:\/\/egophobia.ro\/?p=11381"},"modified":"2016-09-11T00:03:57","modified_gmt":"2016-09-10T22:03:57","slug":"literatura-misterelor","status":"publish","type":"post","link":"https:\/\/egophobia.ro\/?p=11381","title":{"rendered":"Literatura misterelor"},"content":{"rendered":"

[despre c\u0103r\u0163ile scrise de Rodica Bretin \u015fi Dan Apostol]<\/strong><\/p>\n

de Voicu Bugariu<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Uni\u0163i prin c\u0103s\u0103torie, dar \u015fi de pasiunea comun\u0103 pentru domeniile de frontier\u0103 ale cunoa\u015fterii, Dan Apostol \u015fi Rodica Bretin sunt autorii unor c\u0103r\u0163i remarcabile.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Regretatul Dan Apostol (1957 – 2013) a reu\u015fit s\u0103 devin\u0103 un primus inter pares printre autorii de gen din Rom\u00e2nia, impun\u00e2nd o manier\u0103 mai mult \u015ftiin\u0163ific\u0103 dec\u00e2t jurnalistic\u0103 \u015fi ajung\u00e2nd, \u00een cele mai bune pagini ale sale, s\u0103 ating\u0103 nivelul profesional al unui istoric autentic. Preocupat de arheologie, antropologie, paleontologie, criptozoologie precum \u015fi de multe alte domenii conexe acestora, el a scris c\u0103r\u0163i \u015fi articole \u00een care acumularea faptelor \u015fi logica lans\u0103rii unor ipoteze sunt impecabile. Una dintre c\u0103r\u0163ile sale (\u201cAtlantida \u2013 imperiul pierdut\u201d, 2004) mi se pare \u00een mod special semnificativ\u0103 pentru un mod scriptural str\u0103in de improviza\u0163ia jurnalistic\u0103, at\u00e2t de des \u00eent\u00e2lnit\u0103 la autorii de gen. Autorul ne dovede\u015fte c\u0103 de\u0163ine r\u0103bdarea \u015fi for\u0163a analitic\u0103 ale unui erudit, iar atunci c\u00e2nd p\u0103\u015fe\u015fte pe terenul ipotezelor arat\u0103 o adev\u0103rat\u0103 virtuozitate a deduc\u0163iilor, precum \u015fi o abilitate ie\u015fit\u0103 din comun \u00een g\u0103sirea unor leg\u0103turi \u00eentre fapte aparent disparate. Cum ar\u0103tam, asemenea calit\u0103\u0163i ridic\u0103 textul din zona jurnalismului, desigur stimabil, \u015fi \u00eel transform\u0103 \u00eentr-o eseistic\u0103 pe teme \u015ftiin\u0163ifice de \u00eenalt nivel. Dup\u0103 lectura c\u0103r\u0163ii, cititorul \u00eencepe s\u0103 vad\u0103 altfel lucrurile \u00een privin\u0163a unei vechi etape din istoria umanit\u0103\u0163ii.<\/p>\n

\"\"<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Dan Apostol a preferat domeniile unde probele materiale \u015fi deduc\u0163iile logice joac\u0103 rolurile principale. \u00cen schimb, Rodica Bretin s-a ilustrat \u00een domenii legate de psihicul uman \u015fi de manifest\u0103rile unor for\u0163e greu de cunoscut altfel dec\u00e2t prin rezultatele unor ac\u0163iuni ale lor. Mai \u00eent\u00e2i, printr-o seam\u0103 de c\u0103r\u0163i unde sunt prezentate \u00een stil eseistic fenomene paranormale, imposibil de explicat prin metode strict \u015ftiin\u0163ifice. Din acest punct de vedere, este ilustrativ\u0103 cartea intitulat\u0103 \u201cPoltergeist \u2013 atacatori invizibili\u201d, 2002. Ocup\u00e2ndu-se de \u201epsihokinezia spontan\u0103 recurent\u0103\u201d, adic\u0103 de numeroasele manifest\u0103ri ale unor for\u0163e obscure p\u0103trunse zgomotos \u015fi distructiv \u00een existen\u0163ele cotidiene ale unor oameni din diferite epoci, autoarea reu\u015fe\u015fte o eseistic\u0103 de bun\u0103 calitate, pres\u0103rat\u0103 \u00een mod inspirat cu \u00eenscen\u0103ri epice demne de un excelent roman istoric.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Rodica Bretin este \u015fi autoarea unor c\u0103r\u0163i de fic\u0163iune, unde arat\u0103 virtu\u0163i de stilist des\u0103v\u00e2r\u015fit, dar \u015fi intui\u0163ii psihologice remarcabile. Ilustrativ este\u00a0 \u201eFecioara de fier\u201d, 2002, un roman neogotic, unde elementele horror \u015fi cele \u0163in\u00e2nd de recuzita romantic\u0103 tradi\u0163ional\u0103 sunt asamblate cu o m\u00e2n\u0103 de maestru. Tehnica narativ\u0103 este sofisticat\u0103, mai multe personaje interpret\u00e2nd succesiv rolul naratorului. Este o proz\u0103 poetic\u0103, desf\u0103\u015furat\u0103 ceremonios, cum nu se poate mai str\u0103in\u0103 de stilul jurnalistic, expeditiv. Cultura istoric\u0103 temeinic\u0103 a autoarei, precum \u015fi personajele (\u00een special cele feminine) bine creionate, fac din aceast\u0103 carte un text de divertisment, dar \u00een acela\u015fi timp un bun roman istoric, dotat cu inser\u0163ii fantastice.<\/p>\n

\"\"<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Memorabile sunt \u015fi prozele din \u201eOmul de nisip\u201d, 2000. \u00cenc\u0103 o dat\u0103, Rodica Bretin dovede\u015fte virtuozitate \u00een materie de tehnic\u0103 literar\u0103. Imagina\u0163ia sa este luxuriant\u0103, iar arta \u00eenscen\u0103rii unor \u00eent\u00e2mpl\u0103ri unde fantasticul apare \u00een via\u0163a cotidian\u0103 este remarcabil\u0103. O men\u0163iune special\u0103 pentru personajele de sex feminin, \u00eentotdeauna fascinante \u015fi \u00eenzestrate cu darul de a fi imprevizibile.<\/p>\n","protected":false},"excerpt":{"rendered":"

[despre c\u0103r\u0163ile scrise de Rodica Bretin \u015fi Dan Apostol] de Voicu Bugariu \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Uni\u0163i prin c\u0103s\u0103torie, dar \u015fi de pasiunea comun\u0103 pentru domeniile de frontier\u0103 ale cunoa\u015fterii, Dan Apostol \u015fi Rodica Bretin sunt autorii unor c\u0103r\u0163i remarcabile. \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Regretatul Dan Apostol (1957 – 2013) a reu\u015fit s\u0103 devin\u0103 un primus inter pares printre autorii de […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[1224,125],"tags":[1232,1225,1129,1219,1235],"class_list":["post-11381","post","type-post","status-publish","format-standard","hentry","category-egophobia-47","category-invitat","tag-dan-apostol","tag-egophobia-47","tag-invitat","tag-rodica-bretin","tag-voicu-bugariu"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6DakB-2Xz","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/11381","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11381"}],"version-history":[{"count":2,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/11381\/revisions"}],"predecessor-version":[{"id":11396,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/11381\/revisions\/11396"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11381"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11381"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11381"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}