{"id":11392,"date":"2016-09-17T19:47:24","date_gmt":"2016-09-17T17:47:24","guid":{"rendered":"http:\/\/egophobia.ro\/?p=11392"},"modified":"2016-09-25T11:37:29","modified_gmt":"2016-09-25T09:37:29","slug":"calatorii-si-metamorfoze-intr-un-ceas-al-fantasmelor","status":"publish","type":"post","link":"https:\/\/egophobia.ro\/?p=11392","title":{"rendered":"C\u0103l\u0103torii \u015fi metamorfoze \u00eentr-un ceas al fantasmelor"},"content":{"rendered":"<p style=\"text-align: left;\"><strong>[Oliviu Craznic, <em>Ceasul Fantasmelor<\/em>, Editura Crux Publishing, 2015]<\/strong><\/p>\n<p style=\"text-align: right;\">de Eliza Maria Voinea<\/p>\n<p style=\"text-align: justify;\">Oliviu Craznic, scriitor de literatur\u0103 fantastic\u0103, publicist \u015fi consilier juridic, aduce odat\u0103 cu cel mai recent volum al s\u0103u, <em>Ceasul fantasmelor<\/em>, o nou\u0103 perspectiv\u0103 asupra literaturii science-fiction autohtone. Volumul s\u0103u de proz\u0103 scurt\u0103 cuprinde povestiri ce reu\u015fesc s\u0103 pun\u0103 \u00een umbr\u0103 realitatea tr\u0103it\u0103 p\u00e2n\u0103 \u00een prezent. Aduc\u00e2nd \u00een scrierile sale motive \u00eent\u00e2lnite la Edgar Allen Poe sau Bram Stocker, prozatorul distorsioneaz\u0103 percep\u0163ia asupra realit\u0103\u0163ii prin misterul proiectat \u00een jurul evenimentelor ce ascund un univers tenebros. <!--more--><br \/>\nStructurat\u0103 \u00een patru secven\u021be, la r\u00e2ndul lor sec\u0163ionate \u00een mai multe capitole, cartea cuprinde povestiri \u00een care predomin\u0103 ac\u0163iunea \u0219i aventura, d\u00e2ndu-i impresia cititorului c\u0103 se afl\u0103 \u00eentr-un spa\u021biu straniu. Indiferent de genul povestirii, tema r\u0103m\u00e2ne aceea\u015fi \u2013\u00a0 cea a mor\u0163ii \u2013 \u00een care atmosfera sumbr\u0103 se \u00eembin\u0103 cu contempla\u0163ia fantasmelor. Motivele recurente produc groaz\u0103, dar \u0219i fascina\u021bie, \u0219i sunt \u00eenscrise \u00een zona grotescului, a misticismului, a timpului \u201ere\u00eenviat\u201d sau invocat \u015fi a simbiozei dintre cotidian \u015fi universul imaginat. De asemenea, scriitorul creeaz\u0103 un cadru natural suprarealist \u00een care d\u0103 via\u0163\u0103 \u201earm\u0103sarilor kyrenieni\u201d, \u201eP\u0103durii Brocelainde\u201d, divinit\u0103\u0163ilor p\u0103g\u00e2ne \u015fi zeit\u0103\u0163ilor deopotriv\u0103, aspecte valorificate pe parcursul \u00eentregului volum. Denumirile folosite transcend planul fantastic \u015fi trimit la o lume a fabulosului, \u00eens\u0103 sunt \u00eembinate alternativ cu loca\u0163ii \u00eent\u00e2lnite \u00een realitate: \u201ePietrele lui Olethros\u201d \u00eent\u00e2lnite \u00een acela\u015fi context cu \u201eSacre-Coeur\u201d, \u201eFortul Omului Mort\u201d \u015fi \u201eValea Lupului\u201d aflate \u00een Transilvania. Tot \u00een acela\u015fi stil de simbioz\u0103 \u00eentre real \u015fi fabulos, autorul plaseaz\u0103 ac\u0163iunile \u00eentr-o multitudine de \u0163\u0103ri \u015fi continente, pentru a evolua treptat spre universuri imaginare. \u00cent\u00e2lnim personaje din Anglia, Fran\u0163a, Rom\u00e2nia, dar \u0219i spa\u021bii vag conturate care, prin denumirea lor, dep\u0103\u0219esc barierele cotidianului verosimil spre irealitate: \u201eMun\u0163ii Cerului \u015fi P\u0103durii\u201d, \u201eculmile Craniului Orb\u201d sau lumi \u201ecunoscute\u201d precum Makemake, Haumea \u015fi Eris.<\/p>\n<p style=\"text-align: justify;\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium\" src=\"https:\/\/i0.wp.com\/i158.photobucket.com\/albums\/t103\/egophobia\/47\/oliviu-craznic-ceasul-fantasmelor_zps996ty5pb.png?resize=260%2C400\" alt=\"\" width=\"260\" height=\"400\" \/><\/p>\n<p style=\"text-align: justify;\">\u00cen ultima parte a c\u0103r\u0163ii, <em>\u00cent\u00e2lnire cu Ermengaarde<\/em>, ni se deschide perspectiva de \u201evia\u0163\u0103 pe alte planete\u201d, de unde deschiderile utopice ale prozei, c\u0103ci putem vedea c\u0103 \u201eterranii\u201d coexist\u0103 cu al\u0163i locuitori ai Universului. Afla\u0163i \u00een aceea\u015fi Galaxie \u015fi f\u0103c\u00e2nd parte din Clasele Superioare din Lumea Central\u0103, personajele sunt scindate de cele dou\u0103 lumi: Terra Nobilia \u015fi Lux Venus. Tot aici, apare o not\u0103 explicativ\u0103 ce d\u0103 ac\u0163iunii verosimilitate, iar ac\u0163iunea fictiv\u0103 face saltul spre ceva ce pare a fi real, un eveniment al secolului XXI care se petrece \u00een paralel cu vie\u0163ile muritorilor. Autorul e ludic \u00een ceea ce prive\u0219te personajele \u015fi evenimentele sale, povestind despre \u201erevolta lui George Washington\u201d, \u201edinastia Shakespeare\u201d, \u201eTratatul de colaborare Marto-Terran\u201d \u015fi alte fapte fictive ce par a se intersecta cu via\u0163a p\u0103m\u00e2ntenilor. \u00cen acest context plin de fapte sumbre care men\u0163in suspansul, spiritul ludic al naratorului reiese din naturale\u0163ea pe care o are atunci c\u00e2nd plaseaz\u0103 cronologic timpul ac\u0163iunii \u00een trecutul \u00eendep\u0103rtat sau viitor \u015fi din felul \u00een care \u00ee\u015fi cl\u0103de\u015fte credibilitate pe fapte greu de asimilat realit\u0103\u0163ii. Asist\u0103m \u015fi la o metamorfoz\u0103 a naratorului ce relateaz\u0103 dou\u0103 dintre povestiri din perspectiv\u0103 feminin\u0103. De aici reiese complexitatea scrierii \u015fi a lecturii ce atinge toate genurile, lumile \u015fi timpurile.<\/p>\n<p style=\"text-align: justify;\">Volumul se \u00eencheie cu o \u00eentrebare retoric\u0103 care pare s\u0103 \u00eenglobeze o idee general\u0103 l\u0103sat\u0103 \u00een urma lecturii: \u201eLa urma urmei, nu suntem, cu to\u0163ii, C\u00e2inii Domnului?\u201d De aici, autorul pare s\u0103 unifice toate fantasmele, g\u0103sind at\u00e2t realit\u0103\u0163ii, c\u00e2t \u015fi fic\u0163iunii o unanimitate, pun\u00e2nd un blazon universal asupra multiplelor lumi. Asist\u0103m, astfel, nu doar la o \u00eencercare a autorului de a \u00eembina fantasticul cu realitatea, ci la o armonizare a celor dou\u0103 lumi spre un numitor comun. Volumul lui Oliviu Craznic are capacitatea de a transforma cititorul \u00eentr-un pasager al fic\u0163iunii, ce \u00ee\u015fi \u00eencepe c\u0103l\u0103toria odat\u0103 cu \u201epreludiul\u201d: \u201eEste miezul nop\u0163ii&#8230;\u015fi tu CITE\u015eTI.\u201d, cu tonalitate de incanta\u0163ii \u0219i trans\u0103.<\/p>\n<p style=\"text-align: justify;\">#<\/p>\n<p style=\"text-align: justify;\">o variant\u0103 anterioar\u0103 a acestui text a ap\u0103rut pentru prima dat\u0103 \u00een Revista <em>Mozaicul<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>[Oliviu Craznic, Ceasul Fantasmelor, Editura Crux Publishing, 2015] de Eliza Maria Voinea Oliviu Craznic, scriitor de literatur\u0103 fantastic\u0103, publicist \u015fi consilier juridic, aduce odat\u0103 cu cel mai recent volum al s\u0103u, Ceasul fantasmelor, o nou\u0103 perspectiv\u0103 asupra literaturii science-fiction autohtone. Volumul s\u0103u de proz\u0103 scurt\u0103 cuprinde povestiri ce reu\u015fesc s\u0103 pun\u0103 \u00een umbr\u0103 realitatea tr\u0103it\u0103 [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8,1224],"tags":[1113,1225,1204,636],"class_list":["post-11392","post","type-post","status-publish","format-standard","hentry","category-critica","category-egophobia-47","tag-critica","tag-egophobia-47","tag-eliza-maria-voinea","tag-oliviu-craznic"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6DakB-2XK","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/11392","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11392"}],"version-history":[{"count":3,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/11392\/revisions"}],"predecessor-version":[{"id":11423,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/11392\/revisions\/11423"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11392"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11392"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11392"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}