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<\/p>\nde\u00a0Adrian Grauenfels<\/p>\n
Victor Brauner s-a n\u0103scut \u00een 1903 la Piatra Neam\u0163.\u00a0La 18 ani se \u00eenscrie la \u015fcoala de Arte Plastice\u00a0din Bucure\u015fti\u00a0unde pictez\u0103 peisaje stil C\u00e9zanne, \u00een spiritul epocii.\u00a0Dezvolt\u0103\u00a0\u00een\u00a0paralel un stil expresionist cu care apare la expozi\u0163ii minore. Prima\u00a0sa lansare\u00a0important\u0103 este la Galeria Mozart\u00a0\u00een\u00a0anul 1924. Particip\u0103, co-fondator, la fondarea revistei dadaiste 75 HP \u00een\u00a0Bucure\u015fti. Acolo lanseaz\u0103\u00a0\u00eempreun\u0103 cu Ilarie Voronca manifestul “picto-poeziei”:\u00a0 picturi\u00a0\u00een\u00a0ulei peste care se plasau texte sau cuvinte din vocabularul futurist-dadaist pe atunci\u00a0\u00een\u00a0plin\u0103\u00a0dezvoltare.<\/p>\n
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Simultan\u00a0este invitat s\u0103 participe la o expozitie interna\u0163ional\u0103\u00a0al\u0103turi de Paul Klee, Hans Arp, H. Richter, Constantin Br\u00e2ncu\u015fi.<\/p>\n
Dupa o scurt\u0103 escapad\u0103 la Paris\u00a0 (\u00een\u00a01925-face cuno\u015ftiin\u0163\u0103 cu pictorul de Chirico\u00a0\u015fi\u00a0\u00a0\u00eencercarile sale suprarealiste) se asociaz\u0103 cu\u00a0al\u0163i dadaisti \u015fi suprareali\u015fti romani la editarea revistei UNU.\u00a0\u00cen aceast\u0103 perioad\u0103 pictez\u0103 deja nefigurativ folosind siluete singuratice, pline de o atmosfer\u0103 neobi\u015fnuit\u0103, nelini\u015ftit\u0103.<\/p>\n
Ulterior\u00a0dezvolt\u0103\u00a0tehnici denumite “construc\u0163ii” – litografii alb-negru publicate\u00a0\u00een\u00a0revistele 75HP, Punct\u00a0\u015fi Integral.<\/p>\n
Spre finele lui 1925 formele ini\u0163ial simple, geometrice devin capete, ochi, intestine ale unor personaje mecanice f\u0103cute cu umor, ca de plid\u0103\u00a0“Boxerii”\u00a0sau “Un domn burghez”.<\/p>\n
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\n1930-\u00a0Brauner\u00a0se instaleaz\u0103 la Paris, acolo \u00eei cunoa\u0219te pe Br\u00e2ncu\u015fi (\u00eei\u00a0datoreaz\u0103 ini\u0163ierea\u00a0\u00een\u00a0arta fotografiei)\u00a0\u015fi pe Yves Tanguy, care\u00a0\u00eel familiarizeaz\u0103 cu conceptele suprarealiste. \u00a0Andre Breton comenteaz\u0103 entuziast prima apari\u0163ie a lui\u00a0Brauner\u00a0la galeria Pierre\u00a0\u00een\u00a01934: “Brauner\u00a0are puterea de a declan\u015fa\u00a0\u00een\u00a0mine schimb\u0103ri\u00a0de energie cinetic\u0103”. Artistul este\u00a0subjugat de ochi, de privire, dupa cum vedem\u00a0\u00een “Puterea de concentrare a domnului K”.<\/p>\n
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\n“Straniul caz al domnului K” este un portret grotesc – caricatura burgheziei snoabe. Decora\u0163ii de general, s\u0103bii\u00a0\u015fi prostituate, mitraliere\u00a0\u015fi\u00a0\u00eensu\u015fi K\u00a0\u00een\u00a0diverse haine de ceremonie,\u00a0\u00eentr-o secven\u0163\u0103 degenerativ-vizual\u0103, de fapt\u00a0metamorfoza personajului terminat\u0103\u00a0\u00eentr-un total vacuum negru. \u00cen 1935 pictorul reia unul din peisajele sale mai vechi,\u00a0\u00een\u00a0maniera C\u00e9zanne, ad\u0103ug\u00e2nd acum\u00a0case cu u\u015fi deschise\u00a0\u015fi b\u0103i negre pline\u00a0cu lichid negru. Titlul acestei p\u00e2nze: “Triumf metafizic”.\u00a0Dar publicul parizian nu apreciaz\u0103 noul curent artistic \u015fi\u00a0\u00een\u00a01935\u00a0Brauner\u00a0se re\u00eentoarce la Bucure\u015fti\u00a0unde r\u0103mane p\u00e2n\u0103\u00a0\u00een 1938.\u00a0La insisten\u0163ele lui Y. Tanguy revine din nou\u00a0la Paris – sunt ani de zbucium – picturile ne aduc figuri distorsionate cu ochi mutila\u0163i.\u00a0Este o sumbr\u0103 profe\u0163ie,\u00a0\u00een 1938\u00a0Brauner \u00ee\u0219i pierde un ochi\u00a0\u00eentr-o b\u0103taie la o petrecere. R\u0103zboiul II mondial \u00eel g\u0103se\u015fte\u00a0\u00een Elve\u0163ia\u00a0\u00een imposibilitatea de a ob\u0163ine uleiurile necesare picturii – improvizeaz\u0103 tehnica sgraffito\u00a0\u00een cear\u0103 de lum\u00e2n\u0103ri \u015fi experimenteaz\u0103 diverse colaje.<\/p>\n
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<\/p>\n
Brauner\u00a0se\u00a0\u00eentoarce la Paris\u00a0\u00een\u00a01945 ca s\u0103 participe la Expozi\u0163ia interna\u0163ional\u0103 a suprarealismului, la Galeria Maeght in 1947. (Acolo prezinta “Loup-table”, ultimul s\u0103u tablou suprarealist important).<\/p>\n
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\nBrauner\u00a0este un pictor mental, picturile sale sunt miraje\u00a0care ascund o fabul\u0103. Manifestul artistului e g\u0103sit\u00a0\u00een\u00a0seria de picturi \u015fi obiecte “Mitologie”.\u00a0Omul este \u00eenf\u0103\u0163i\u015fat cu tandre\u0163e \u015fi pesimism totodat\u0103, cumva str\u0103in de lumea modern\u0103.<\/p>\n
“Lumea este uneori\u00a0\u00eensp\u0103imint\u0103toare,\u00a0 realitatea este\u00a0un lucru teribil de v\u0103t\u0103m\u0103tor” spunea Victor\u00a0Brauner, “dar via\u0163a o face acceptabil\u0103”. Dac\u0103 la Georgio de Chirico viitorul este un spa\u0163iu mecanic, geometric,\u00a0plin de co\u015furi poluante domin\u00e2nd pie\u0163e pustii,\u00a0 Brauner\u00a0are\u00a0viziuni pline de umor \u015fi fantezie.\u00a0Tabloul “La fin et le debut” are un mesaj transcedental : “C\u00e2nd via\u0163a pictorului s-a sf\u00e2r\u015fit, opera lui\u00a0\u00eencepe sa tr\u0103iasc\u0103”. Este visul oricarui artist con\u015ftient de rolul sau de mentor \u015fi moralizator\u00a0al genera\u0163iilor ce vor urma.\u00a0Devine preocupat de ocult, picturile sale postbelice se fixeaz\u0103 pe forme \u015fi simboluri luate din c\u0103r\u0163i de ghicit Tarot, hyeroglife, desene vechi mexicane.\u00a0C\u0103l\u0103tore\u015fte intens\u00a0\u00een\u00a0Normandia \u015fi Italia. Apare la Bienala de la Vene\u0163ia \u00een 1954 \u015fi 1966.\u00a0Moare la Paris, la 12 martie 1966. Pe morm\u00e2ntul\u00a0din Montmartre\u00a0citim, cioplit\u0103 \u00een\u00a0piatr\u0103, o fraz\u0103 din carnetul sau de noti\u0163e: \u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 “Peindre c’est la vie, la vraie vie, ma vie”.\u00a0<\/em><\/p>\n de\u00a0Adrian Grauenfels Victor Brauner s-a n\u0103scut \u00een 1903 la Piatra Neam\u0163.\u00a0La 18 ani se \u00eenscrie la \u015fcoala de Arte Plastice\u00a0din Bucure\u015fti\u00a0unde pictez\u0103 peisaje stil C\u00e9zanne, \u00een spiritul epocii.\u00a0Dezvolt\u0103\u00a0\u00een\u00a0paralel un stil expresionist cu care apare la expozi\u0163ii minore. Prima\u00a0sa lansare\u00a0important\u0103 este la Galeria Mozart\u00a0\u00een\u00a0anul 1924. Particip\u0103, co-fondator, la fondarea revistei dadaiste 75 HP \u00een\u00a0Bucure\u015fti. Acolo lanseaz\u0103\u00a0\u00eempreun\u0103 […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1224,118],"tags":[87,1225,1127,1244],"class_list":["post-11444","post","type-post","status-publish","format-standard","hentry","category-egophobia-47","category-imagini","tag-adrian-grauenfels","tag-egophobia-47","tag-imagini","tag-victor-brauner"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6DakB-2YA","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/11444","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11444"}],"version-history":[{"count":1,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/11444\/revisions"}],"predecessor-version":[{"id":11445,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/11444\/revisions\/11445"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11444"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11444"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11444"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/i0.wp.com\/i158.photobucket.com\/albums\/t103\/egophobia\/47\/brauner6_zps4sewcskd.jpg?resize=604%2C480\")
<\/p>\n","protected":false},"excerpt":{"rendered":"