{"id":11539,"date":"2016-12-29T23:59:17","date_gmt":"2016-12-29T21:59:17","guid":{"rendered":"http:\/\/egophobia.ro\/?p=11539"},"modified":"2021-09-04T12:13:22","modified_gmt":"2021-09-04T10:13:22","slug":"ecourile-furtunii","status":"publish","type":"post","link":"https:\/\/egophobia.ro\/?p=11539","title":{"rendered":"Ecourile Furtunii"},"content":{"rendered":"

[de \u0218tefan Bolea<\/a>, Caietul Roxanei \u015fi alte <\/em>Jurnale, <\/em>Herg Benet Publishers, 2013]<\/strong><\/p>\n

de Oliviu Cr\u00e2znic<\/p>\n

\u015etefan Bolea (n. 1980) este doctor \u00een filosofie, autor de volume de specialitate (Ontologia nega\u0163iei<\/em>, 2004; Introducere \u00een nihilismul nietzschean<\/em>, 2012; Existen\u0163ialismul ast\u0103zi<\/em>, 2012), poet (R\u0103zboi civil<\/em>, 2005; Noaptea instinctelor<\/em>, 2009; Gothic<\/em>, 2011; AntiZeu<\/em>, 2014) multipremiat, prozator (Caietul Roxanei \u0219i alte jurnale<\/em>, 2013; Caietul psihopatului<\/em>, 2015) premiat, doctorand la Facultatea de Litere din Cluj-Napoca \u0219i publicist, redactor-\u015fef al revistei culturale electronice EgoPHobia<\/em>.<\/p>\n

Caietul Roxanei \u015fi alte Jurnale <\/em><\/strong>(Ed. Herg Benet, 2013) reprezint\u0103, se pare, jurnalul autorului (ceea ce ne ofer\u0103 \u015fi \u00eencadrarea \u00een specia literar\u0103, cu toate c\u0103 valen\u0163ele operei aici analizate sunt, \u00een fapt, multiple, ating\u00e2nd chiar \u015fi planul romanului, dar la modul adiacent) din trei perioade marcante (pe plan sentimental, dar \u015fi pe plan cultural \u015fi, \u00een consecin\u0163\u0103, pe planul form\u0103rii ca individ) ale existen\u0163ei sale \u2013 1996-1997 (Caietul Roxanei<\/em>), 2003 (Meet Hilda<\/em>) \u015fi 2005 (There\u2019s Something About Ellie<\/em>) \u2013, \u00eembog\u0103\u0163it de un prolog (Nervi<\/em>) \u015fi de un epilog (Legile de pe Muntele Hermon<\/em>) filosofice, de dou\u0103 intermezzouri \u015fi de trei anexe poetico-filosofice.<\/p>\n

Volumul (publicat pe h\u00e2rtie de calitate deosebit\u0103 \u015fi beneficiind de o copert\u0103 superb\u0103) este unitar, red\u00e2nd, practic, evolu\u0163ia spiritual\u0103 a unui adolescent pe c\u00e2t de inteligent, pe at\u00e2t de revoltat, cu un comportament marcat \u015fi de anumite teribilisme mai pu\u0163in l\u0103udabile (din fericire \u015fi pu\u0163ine, \u015fi scuzabile datorit\u0103 v\u00e2rstei \u015fi circumstan\u0163elor personale, socio-culturale etc.), dar mai ales de o preocupare permanent\u0103 \u015fi admirabil\u0103 c\u0103tre autoperfec\u0163ionare \u015fi pentru dezvoltare cultural\u0103, punctat\u0103 uneori de excentricit\u0103\u0163i interesante \u015fi inerente unei personalit\u0103\u0163i cu adev\u0103rat remarcabile, destinate s\u0103 lase o amprent\u0103 \u00een istoria cultural\u0103 contemporan\u0103. Astfel, vom reg\u0103si \u00een Caietul Roxanei<\/em> pasiune \u015fi spirit, muzic\u0103 clasic\u0103 \u015fi \u201emetal\u201d extrem, Furtuna<\/em> lui Beethoveen al\u0103turi de Tiamat, versuri \u015fi aforisme, salvare \u015fi revolt\u0103, proteste \u015fi solu\u0163ii, ateism \u015fi religii, pe Shakespeare, Cioran, Baudelaire, Dostoievski, Nietzsche \u015fi Beckett \u00eentr-un amalgam n\u0103ucitor de informa\u0163ie \u015fi de cuget\u0103ri punctate de neoromantism \u015fi de tr\u0103iri amoroase, \u201eservite\u201d \u00eentr-o formul\u0103 aproape academic\u0103, dar \u00eentr-un stil cuceritor \u015fi cu des\u0103v\u00e2r\u015fit talent literar. \u201eAlecsandri, dup\u0103 ce a descoperit Miori\u0163a<\/em>, s-a convins c\u0103 rom\u00e2nul e n\u0103scut poet. Din contr\u0103, balada demonstreaz\u0103 c\u0103 rom\u00e2nul e n\u0103scut cioban\u201d, spune Bolea la un moment dat, revel\u00e2nd astfel, prin verdict<\/em>, refuzul s\u0103u de a \u00eembr\u0103\u0163i\u015fa conceptele pe care le consider\u0103 non-valide, oric\u00e2t de l\u0103udate ar fi acestea, \u015fi, totodat\u0103, demonstr\u00e2nd o profunzime a g\u00e2ndirii capabil\u0103 s\u0103 \u00eei ofere o imagine real\u0103 asupra unui obiect sau subiect, dincolo de \u201efumul\u201d oric\u0103rei propagande. Mai mult: \u201eecourile Furtunii<\/em> beethoveniene str\u0103bat toat\u0103 muzica rock a anilor \u201990\u201d \u015fi \u201eS\u0103 nu furi. Dac\u0103 \u00ee\u015fi trebuie ceva, \u00eemprumut\u0103\u201d, iat\u0103 doar dou\u0103 exemple sugestive privind dimensiunea cultural\u0103 \u015fi aceea moral\u0103 a operei, dimensiuni poten\u0163ate din interac\u0163iunea cu cele trei personaje feminine principale \u2013 Roxana, Hilda \u015fi Ellie \u2013, \u00eentrup\u0103ri ale experien\u0163ei \u00een dublu sens, ca tr\u0103ire<\/em> \u015fi ca \u00eenv\u0103\u0163\u0103tur\u0103<\/em>.<\/p>\n

Concluzion\u00e2nd, \u201enihilismul\u201d lui Bolea nu reprezint\u0103 nici pe departe un scop<\/em>, ci un mijloc<\/em> de a transcende ordinarul atotprezent \u00een societatea contemporan\u0103 (\u201eNihilism romantic\u201d: \u201eExist\u0103 unele teritorii at\u00e2t de corupte, \u00eenc\u00e2t singurele acte cinstite posibile sunt cele nihiliste\u201d \u2013 Richard Morgan, Carbon modificat<\/em>, Ed. Tritonic, 2008); o revolt\u0103 byronian\u0103, temperat\u0103 \u00eens\u0103 de un lord Henry Wotton (poate v\u0103 aminti\u0163i, de asemenea: \u201eYou never say a moral thing, and you never do a wrong thing\u201d<\/em>) \u00een vederea respingerii non-valorilor \u015fi a \u00een\u0103l\u0163\u0103rii spiritului uman \u2013 fie c\u0103 dore\u015fte, fie c\u0103 nu, \u015etefan Bolea face, prin scrierile sale, lumea mai bun\u0103<\/em>.<\/p>\n

<\/p>\n

#<\/p>\n

prima variant\u0103 a acestui text a ap\u0103rut \u00een revista Mozaicul<\/p>\n

\n

Despre autorul cronicii:<\/em><\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

OLIVIU CR\u00c2ZNIC <\/strong>(n. 1978; p\u0103rin\u021bii: Oliviu, profesor eviden\u021biat gr. I Limba \u0219i literatura rom\u00e2n\u0103, distins cu diploma de onoare \u201eCreativitate \u0219i eficien\u021b\u0103\u201d, \u0219i Dorothea, profesor gr. I Limba \u0219i literatura rom\u00e2n\u0103) este scriitor de literatur\u0103 fantastic\u0103, critic literar, conferen\u021biar \u015fi consilier juridic (cu o lucrare de diplom\u0103 sus\u021binut\u0103 la disciplina \u201eCriminalistic\u0103\u201d \u0219i intitulat\u0103 Particularit\u0103\u021bi tactice privind confruntarea dintre inculpat \u0219i persoana v\u0103t\u0103mat\u0103<\/em>, 2001). \u00cen 2010, a publicat romanul gotic \u2026\u015ei la sf\u00e2r\u015fit a mai r\u0103mas co\u015fmarul<\/em> (Ed. Vremea), declarat de M. Pric\u0103jan (\u00een revista cultural\u0103 Familia<\/em>) \u201eMomentul Walpole \u00een literatura rom\u00e2n\u0103\u201d. Ulterior, a publicat numeroase povestiri \u015fi nuvelete (majoritatea se reg\u0103sesc \u00een volumul de colec\u021bie Ceasul fantasmelor<\/em>, Ed. Crux Publishing, 2015), foarte bine primite de critic\u0103 \u015fi de public, \u015fi a c\u00e2\u015ftigat numeroase premii, inclusiv un premiu acordat de Societatea European\u0103 de Science Fiction. A fost publicat \u00een diverse antologii \u015fi reviste al\u0103turi de nume importante ale literaturii universale contemporane (George R.R. Martin) sau clasice (Algernon Blackwood, Arthur Conan Doyle, Robert E. Howard, Rudyard Kipling, H.P. Lovecraft, Guy de Maupassant, Saki). Apare men\u021bionat \u00een monumentala The Encyclopedia of Science Fiction<\/em> (ed. J. Clute, P. Nicholls), iar operele lui sunt tratate pe larg \u00een diverse c\u0103r\u021bi \u0219i reviste de specialitate: \u00een volumul Alte cronici de familie<\/em> (sec\u021biunea Domnul Gothic<\/em>), semnat de M. Opri\u021b\u0103 (Cavaler al ordinului \u201eMeritul Cultural\u201d, oferit de Pre\u0219edintele Rom\u00e2niei), \u00een Caietele Echinox<\/em> (revist\u0103 tip\u0103rit\u0103 ap\u0103rut\u0103 sub egida Fac. de Litere a Univ. \u201eBabe\u015f-Bolyai\u201d Cluj-Napoca; eseul semnat de drd. \u00een filologie \u015et. Bolea \u2013 Once Upon Atrocity. Gothic Music Influences in the First Romanian (Neo)gothic Novel<\/em>), \u00een revista cultural\u0103 EgoPHobia<\/em> (eseul Sf\u00e2r\u0219itul care \u00eencepe<\/em>, semnat de dr. \u00een filologie M.-A. Aldea) etc. Apare, ca personaj, \u00een nuveleta Isp\u0103\u0219irea<\/em>, scris\u0103 de prof. doc. C. Mitoceanu. Cronicile de carte, articolele \u015fi studiile sale de teorie \u015fi istorie literar\u0103 sunt apreciate pe scar\u0103 larg\u0103 \u2013 unele dintre acestea fiind publicate \u015fi peste grani\u0163\u0103, ceea ce i-a conferit statutul de membru al organiza\u021biei scriitorice\u0219ti \u0219i artistice \u201eImagicopter: The Author\/Artist Cooperative\u201d. \u00cen Rom\u00e2nia, a fost invitat, \u00een mai multe r\u00e2nduri, s\u0103 vorbeasc\u0103 studen\u021bilor Fac. de Limbi \u0219i Literaturi Str\u0103ine a Univ. din Bucure\u0219ti (despre Literatura gotic\u0103 \u0219i romantismul \u00eentunecat american. Sec. XIX: Hawthorne, Melville, Poe \u0219i mo\u0219tenirea lor cultural\u0103<\/em>) ori studen\u021bilor Fac. de Limbi \u0219i Literaturi Str\u0103ine a Univ. Cre\u0219tine \u201eDimitrie Cantemir\u201d (despre Lumi fic\u021bionale \u00een literatura modern\u0103<\/em>). A participat, \u00een calitate de moderator al serii dedicate literaturii \u0219tiin\u021bifico-fantastice, la cea de a VII-a edi\u021bie a \u201eFestivalului Interna\u021bional de Literatur\u0103 de la Bucure\u0219ti\u201d \u0219i, \u00een calitate de invitat special, la ed. a IV-a a T\u00e2rgului de carte SF & Fantasy \u201eFinal Frontier\u201d. A participat, \u00een calitate de invitat, \u00een repetate r\u00e2nduri, la emisiuni culturale televizate sau radiodifuzate. A ap\u0103rut, \u00een 2015, \u00een calitate de expert \u00een istoria vampirismului, \u00een episodul Hunting Vampires<\/em> al serialului Expedition Unknown<\/em>, realizat de Travel Channel. Pagini virtuale oficiale: Editura Crux Publishing:<\/em> Ceasul fantasmelor<\/em> (http:\/\/cruxed.ro\/product\/ceasul-fantasmelor<\/a>), Facebook:<\/em> Oliviu Craznic<\/em> (https:\/\/www.facebook.com\/oliviucraznicofficialpage<\/a>), Goodreads: Oliviu Craznic<\/em> (https:\/\/www.goodreads.com\/author\/show\/4939353.Oliviu_Craznic<\/a>).<\/p>\n

\u201eOliviu Cr\u00e2znic chiar este un romantic, un personaj cobor\u00e2t efectiv din propria-i oper\u0103 extraordinar\u0103 \u0219i spectaculoas\u0103, melanj de Baudelaire, Edgar Allan Poe \u0219i Walter Scott, sub ochii necru\u021b\u0103tori ai lui Bram Stoker \u0219i H.P. Lovecraft. Citi\u021bi-i romanul \u0219i povestirile \u0219i o s\u0103 \u00een\u021belege\u021bi imediat la ce m\u0103 refer!\u201d <\/em><\/strong><\/p>\n

(\u0218t. Ghidoveanu, realizatorul emisiunii Radio Rom\u00e2nia Cultural Exploratorii lumii de m\u00e2ine<\/em>, \u00een Galileo Online<\/em>, nov. 2012)<\/p>\n

\u00a0<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

[de \u0218tefan Bolea, Caietul Roxanei \u015fi alte Jurnale, Herg Benet Publishers, 2013] de Oliviu Cr\u00e2znic \u015etefan Bolea (n. 1980) este doctor \u00een filosofie, autor de volume de specialitate (Ontologia nega\u0163iei, 2004; Introducere \u00een nihilismul nietzschean, 2012; Existen\u0163ialismul ast\u0103zi, 2012), poet (R\u0103zboi civil, 2005; Noaptea instinctelor, 2009; Gothic, 2011; AntiZeu, 2014) multipremiat, prozator (Caietul Roxanei \u0219i […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8,1247],"tags":[1113,1248,636,39],"class_list":["post-11539","post","type-post","status-publish","format-standard","hentry","category-critica","category-egophobia-48","tag-critica","tag-egophobia-48","tag-oliviu-craznic","tag-stefan-bolea"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6DakB-307","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/11539","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11539"}],"version-history":[{"count":2,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/11539\/revisions"}],"predecessor-version":[{"id":13780,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/11539\/revisions\/13780"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11539"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11539"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11539"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}