{"id":12002,"date":"2017-12-25T18:43:31","date_gmt":"2017-12-25T16:43:31","guid":{"rendered":"http:\/\/egophobia.ro\/?p=12002"},"modified":"2017-12-25T18:43:31","modified_gmt":"2017-12-25T16:43:31","slug":"doina-roman-prea-multi-zei-pentru-un-desert","status":"publish","type":"post","link":"https:\/\/egophobia.ro\/?p=12002","title":{"rendered":"Doina Roman: Prea mul\u021bi zei pentru un de\u0219ert"},"content":{"rendered":"<p><span style=\"color: green;\">(Studii fantastice)<\/span><\/p>\n<p style=\"text-align: right;\">de Oliviu Cr\u00e2znic<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><strong><em>(Ed. Paralela 45, 2017)<\/em><\/strong><\/p>\n<p style=\"text-align: justify;\"><strong>\u00a0<\/strong><\/p>\n<p style=\"text-align: justify;\">Doina Roman este poet\u0103 (<em>Maestrul \u0219i jum\u0103tate leb\u0103d\u0103<\/em>, 2014, coautor Gabriel Gherb\u0103lu\u021b\u0103) \u0219i romancier\u0103 (<em>Pragul<\/em> [<em>Vol. 1,<\/em> 2014; <em>Vol. 2: Umbra martor<\/em>, 2015; <em>Vol. 3: Ultimul trimis oserp<\/em>, 2016], Ed. Tracus Arte) multipremiat\u0103 na\u021bional \u0219i interna\u021bional.<\/p>\n<p style=\"text-align: justify;\">Despre primele dou\u0103 volume ale romanului <em>Pragul<\/em> am <a href=\"http:\/\/egophobia.ro\/?p=10798\">scris cu alt prilej<\/a>; este totu\u0219i necesar s\u0103 men\u021bion\u0103m aici c\u0103 o edi\u021bie revizuit\u0103 a acestora a fost publicat\u0103 \u00een anul 2016, beneficiind de coperte noi (adecvat alese) \u0219i rezolv\u00e2ndu-se, totodat\u0103, anumite probleme (auctoriale \u0219i editoriale) pe care le semnalam \u00een cronica respectiv\u0103. C\u00e2t despre cel de al treilea (\u0219i ultimul) volum al romanului, acesta se \u00eencadreaz\u0103 \u00eentre aceia\u0219i parametri ca \u0219i crea\u021biile anterioare (miza intrigilor nemaiconstituind-o, \u00eens\u0103, nici sentimentele, nici min\u021bile personajelor \u2013 ci anii lor de via\u021b\u0103).<!--more--><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/i0.wp.com\/vgy.me\/b2FI6u.jpg?w=812&#038;ssl=1\" \/><\/p>\n<p style=\"text-align: justify;\">\u00cen 2017, Doina Roman public\u0103 un nou roman, la Ed. Paralela 45 \u2013 <em>Prea mul\u021bi zei pentru un de\u0219ert<\/em>, oper\u0103 \u00een care autoarea continu\u0103 s\u0103 se remarce prin crearea unor decoruri exotice \u0219i a unor personaje pitore\u0219ti, bizare (grote\u0219ti, uneori) \u0219i memorabile, prin dialoguri comice\/parodice\/satirice \u0219i prin alegorie dinamic\u0103. De notat faptul c\u0103 satira sus-pomenit\u0103 reprezint\u0103 o subtil\u0103 (\u0219i l\u0103udabil\u0103!) dojan\u0103 adresat\u0103&#8230; societ\u0103\u021bii contemporane, dup\u0103 cum reiese din urm\u0103toarele trei exemple: I. <em>\u201e\u2013 Atunci la ce folose\u015fti? De c\u00e2nd te am, nu-mi dai dec\u00e2t informa\u0163ii inutile: cultur\u0103, \u015ftiin\u0163\u0103&#8230;\u201d<\/em>; II. <em>\u201eSindromul Repetitiv \u00eei \u00eempingea s\u0103 \u00eenve\u021be toat\u0103 via\u021ba pe br\u00e2nci. Mult\u0103 vreme a fost tratat ca o mod\u0103. Oamenii lucrau ziua, iar seara se duceau s\u0103 mai fac\u0103 o \u0219coal\u0103. Se a\u0219ezau \u00een b\u0103nci, scriau ore \u00een \u0219ir, apoi d\u0103deau examene \u00eentre ei. Dac\u0103 cineva \u00eencerca s\u0103-i trateze, s\u0103 le \u00eenchid\u0103 clasele, deveneau apatici, m\u00e2ncau tot ce g\u0103seau, p\u00e2n\u0103 ajungeau ca ni\u0219te piftii \u0219i le pierea cheful de via\u021b\u0103, dac\u0103 via\u021b\u0103 puteai numi ceea ce tr\u0103iau ei. Era celebru cazul unei femei care la 121 de ani era student\u0103 la medicin\u0103, de\u0219i \u00eei tremura m\u00e2na\u201d<\/em>; III. <em>\u201e<\/em><em>Pe l\u00e2ng\u0103 trupuri identice, \u0219i motive globale s\u0103 fim ferici\u021bi&#8230; M\u00e2inile astea s\u0103 munceasc\u0103 pentru voi; s\u0103 m\u0103 coco\u0219ez pentru asta toat\u0103 via\u021ba; picioarele astea s\u0103 alerge pentru voi \u0219i eu s\u0103 le \u00eencal\u021b \u0219i s\u0103 le oblojesc c\u00e2nd m\u0103 las\u0103; mintea asta s\u0103 g\u00e2ndeasc\u0103 pentru voi \u0219i eu s\u0103 scriu noaptea, c\u00e2nd \u00eemi cade capul de somn!<\/em><em>\u201d<\/em>.<\/p>\n<p style=\"text-align: justify;\">Observ\u0103m, \u00eens\u0103, \u0219i unele diferen\u021be semnificative fa\u021b\u0103 de <em>Pragul<\/em>, const\u00e2nd \u00eentr-o migrare a scriitoarei c\u0103tre zona (neo)fantasticului \u00eentunecat, a macabrului (cu trimiteri la M. Shelley \u0219i la G. Meyrink), dar \u0219i c\u0103tre zona \u0219tiin\u021bifico-fantastic\u0103 propriu-zis\u0103 (\u00eentr-o oarecare m\u0103sur\u0103, planeta de\u0219ertic\u0103, locuitorii acesteia \u0219i profe\u021bia mesianic\u0103 purt\u00e2ndu-ne g\u00e2ndul, mai ales \u00een Partea a II-a a c\u0103r\u021bii, c\u0103tre F. Herbert), migrare \u00eenso\u021bit\u0103 de o atenuare semnificativ\u0103 a absurdismului care marca romanul anterior. Cu toate acestea, privit\u0103 \u00een ansamblu, opera r\u0103m\u00e2ne \u00een sfera de cuprindere a histrionismului futurist, transumanist\/postumanist, cu care ne-a familiarizat autoarea.<\/p>\n<p style=\"text-align: justify;\">Subiectul urm\u0103re\u0219te un viitor \u00eendep\u0103rtat al omenirii, specia noastr\u0103 ajung\u00e2nd s\u0103 vie\u021buiasc\u0103 pe o deloc bl\u00e2nd\u0103 lume a nisipurilor \u0219i afl\u00e2ndu-se \u00een permanent r\u0103zboi rece cu dou\u0103 interesante \u0219i primejdioase specii extraterestre: glotanii cvasiantropomorfi cu organe semimobile, respectiv certesienii vermiculari.<\/p>\n<p style=\"text-align: justify;\">Structural, volumul are dou\u0103 p\u0103r\u021bi. Prima parte se concentreaz\u0103 asupra unui profesor cam z\u0103p\u0103cit, devenit, mai \u00eent\u00e2i, \u201eerou f\u0103r\u0103 voie\u201d \u2013 \u00een momentul \u00een care intr\u0103, (relativ) \u00eent\u00e2mpl\u0103tor, \u00een posesia unei relicve tehnologice r\u00e2vnite de toat\u0103 lumea \u2013 \u0219i, apoi, \u201etat\u0103 f\u0103r\u0103 voie\u201d \u2013 copilul conceput \u00een \u00eemprejur\u0103ri misterioase dovedindu-se, ulterior, a fi nimeni altcineva dec\u00e2t profe\u021bitul \u201eSalvator Mundi\u201d \u2013, dar \u0219i asupra celuilalt p\u0103rinte, o sclav\u0103-hibrid fugar\u0103 \u0219i \u00eendr\u0103gostit\u0103 de st\u0103p\u00e2nul ei. \u00cen cea de a doua parte, personajul principal este t\u00e2n\u0103rul \u201eM\u00e2ntuitor\u201d \u0219i neobi\u0219nui\u021bii s\u0103i prieteni \u0219i alia\u021bi; planurile narative dedicate p\u0103rin\u021bilor se estompeaz\u0103, f\u0103r\u0103 s\u0103 dispar\u0103 cu totul, iar autoarea utilizeaz\u0103, pe parcursul c\u00e2torva capitole, tehnica narativ\u0103 a jurnalului.<\/p>\n<p style=\"text-align: justify;\">Fantasticul propriu-zis (ne\u0219tiin\u021bific) intervine sporadic \u0219i circumscrie deznod\u0103m\u00e2ntul.<\/p>\n<p style=\"text-align: justify;\"><em>Dic\u021bionarul De\u0219ertului<\/em>, plasat la finalul c\u0103r\u021bii, este util cititorului pentru \u00een\u021belegerea lumii imaginate de scriitoare.<\/p>\n<p style=\"text-align: justify;\">Tomul are o copert\u0103 sugestiv\u0103, este tip\u0103rit pe h\u00e2rtie volumic\u0103 \u0219i este bine redactat \u0219i tehnoredactat.<\/p>\n<p style=\"text-align: justify;\">\u00cen \u00eencheiere, consider\u0103m c\u0103 romanul <em>Prea mul\u021bi zei pentru un de\u0219ert<\/em> reprezint\u0103 una dintre cele mai bune c\u0103r\u021bi publicate de autori rom\u00e2ni \u00een anul 2017, Doina Roman dovedind, \u00eenc\u0103 o dat\u0103, c\u0103 nu este o simpl\u0103 autoare, ci o scriitoare \u00een adev\u0103ratul \u00een\u021beles al cuv\u00e2ntului, capabil\u0103 s\u0103 creeze via\u021b\u0103 \u0219i lumi prin arta \u0219i prin me\u0219te\u0219ugul cuvintelor.<\/p>\n<p style=\"text-align: justify;\">*<\/p>\n<p style=\"text-align: justify;\"><strong><em>Despre autorul rubricii: <\/em><\/strong><\/p>\n<p style=\"text-align: justify;\"><strong><em>\u00a0<\/em><\/strong><\/p>\n<p style=\"text-align: justify;\"><strong>OLIVIU CR\u00c2ZNIC <\/strong>(n. 1978; p\u0103rin\u021bii: Oliviu, prof. eviden\u021biat gr. I Limba \u0219i literatura rom\u00e2n\u0103, distins cu diploma de onoare \u201eCreativitate \u0219i eficien\u021b\u0103\u201d, \u0219i Dorothea, prof. gr. I Limba \u0219i literatura rom\u00e2n\u0103; studii: licen\u021biat \u00een \u201e\u0218tiin\u021be juridice\u201d, specializarea \u201eDrept\u201d, cu lucrarea de diplom\u0103 intitulat\u0103 <em>Particularit\u0103\u021bi tactice privind confruntarea dintre inculpat \u0219i persoana v\u0103t\u0103mat\u0103<\/em>, sus\u021binut\u0103 la disciplina \u201eCriminalistic\u0103\u201d, \u0219i absolvent al unui curs de formare a mediatorilor) este scriitor (prozator \u0219i poet), traduc\u0103tor literar, critic literar, conferen\u021biar \u015fi consilier juridic (membru al Ordinului Consilierilor Juridici din Rom\u00e2nia \u0219i al Colegiului Consilierilor Juridici Bucure\u0219ti). \u00cen 2010, a publicat romanul gotic <em>\u2026\u015ei la sf\u00e2r\u015fit a mai r\u0103mas co\u015fmarul<\/em> (Ed. Vremea). Ulterior, a publicat numeroase povestiri \u015fi nuvelete (majoritatea se reg\u0103sesc \u00een volumul de colec\u021bie <em>Ceasul fantasmelor<\/em>, Ed. Crux Publishing, 2015), foarte bine primite de critic\u0103 \u015fi de public, \u015fi a c\u00e2\u015ftigat numeroase premii, inclusiv un premiu acordat de Societatea European\u0103 de Science Fiction. A fost publicat \u00een diverse antologii \u015fi reviste al\u0103turi de nume importante ale literaturii universale contemporane (George R.R. Martin) sau clasice (Algernon Blackwood, Arthur Conan Doyle, Robert E. Howard, Rudyard Kipling, H.P. Lovecraft, Guy de Maupassant, Saki). Apare men\u021bionat \u00een monumentala <em>The Encyclopedia of Science Fiction<\/em> (ed. J. Clute, P. Nicholls), iar operele lui sunt tratate pe larg \u00een diverse reviste de specialitate: \u00een <em>Caietele Echinox<\/em> (revist\u0103 tip\u0103rit\u0103 sub egida Fac. de Litere a Univ. \u201eBabe\u015f-Bolyai\u201d Cluj-Napoca; eseul semnat de drd. \u00een filologie \u015et. Bolea \u2013 <em>Once Upon Atrocity. Gothic Music Influences in the First Romanian (Neo)gothic Novel<\/em>), \u00een revista cultural\u0103 <em>EgoPHobia<\/em> (eseul <em>Sf\u00e2r\u0219itul care \u00eencepe<\/em>, semnat de dr. \u00een filologie M.A. Aldea) etc. Apare, ca personaj, \u00een nuveleta <em>Isp\u0103\u0219irea<\/em>, scris\u0103 de prof. doc. C. Mitoceanu. Cronicile de carte, articolele \u015fi studiile sale de teorie \u015fi istorie literar\u0103 sunt apreciate pe scar\u0103 larg\u0103 \u2013 unele dintre acestea fiind publicate \u015fi peste grani\u0163\u0103, ceea ce i-a conferit statutul de membru al organiza\u021biei scriitorice\u0219ti \u0219i artistice \u201eImagicopter: The Author\/Artist Cooperative\u201d (2012-2017). A ap\u0103rut, \u00een calitate de expert \u00een istoria vampirismului, \u00een serialul <em>Expedition Unknown<\/em>, realizat de Travel Channel. \u00cen Rom\u00e2nia, a fost invitat, \u00een mai multe r\u00e2nduri, s\u0103 vorbeasc\u0103 studen\u021bilor Fac. de Limbi \u0219i Literaturi Str\u0103ine a Univ. din Bucure\u0219ti (prelegerea <em>Literatura gotic\u0103 \u0219i romantismul \u00eentunecat american. Sec. al XIX-lea: Hawthorne, Melville, Poe \u0219i mo\u0219tenirea lor cultural\u0103<\/em>) ori studen\u021bilor Fac. de Limbi \u0219i Literaturi Str\u0103ine a Univ. Cre\u0219tine \u201eDimitrie Cantemir\u201d (prelegerea <em>Lumi fic\u021bionale \u00een literatura modern\u0103<\/em>, \u00een colaborare cu conf. univ. dr. Ana-Maria Negril\u0103), \u0219i a participat la sesiunea \u0219tiin\u021bific\u0103 a Academiei Rom\u00e2ne \u2013 Divizia de Logic\u0103, Metodologie \u0219i Filosofie a \u0218tiin\u021bei, cu comunicarea <em>Literatura \u0219tiin\u021bifico-fantastic\u0103 \u0219i c\u0103utarea (modelarea?) viitorului<\/em>. A participat, \u00een calitate de moderator al serii dedicate literaturii \u0219tiin\u021bifico-fantastice, la cea de a VII-a edi\u021bie a \u201eFestivalului Interna\u021bional de Literatur\u0103 de la Bucure\u0219ti\u201d. A sus\u021binut prezentarea public\u0103 <em>Fantasticul de impact: De la \u201eGhilgame\u0219\u201d la \u201eUrzeala tronurilor\u201d<\/em> (\u00een colaborare cu scriitoarea \u0219i critica literar\u0103 Alexandra Medaru). A participat, \u00een calitate de invitat, \u00een repetate r\u00e2nduri, la emisiuni culturale televizate sau radiodifuzate. Pagin\u0103 virtual\u0103 oficial\u0103: <em>Facebook:<\/em> <em>Oliviu Craznic<\/em> (<a href=\"https:\/\/www.facebook.com\/oliviucraznicofficialpage\">https:\/\/www.facebook.com\/oliviucraznicofficialpage<\/a>).<\/p>\n<p style=\"text-align: justify;\"><strong><em>\u201eOliviu Cr\u00e2znic chiar este un romantic, un personaj cobor\u00e2t efectiv din propria-i oper\u0103 extraordinar\u0103 \u0219i spectaculoas\u0103, melanj de Baudelaire, Edgar Allan Poe \u0219i Walter Scott, sub ochii necru\u021b\u0103tori ai lui Bram Stoker \u0219i H.P. Lovecraft. Citi\u021bi-i romanul \u0219i povestirile \u0219i o s\u0103 \u00een\u021belege\u021bi imediat la ce m\u0103 refer!\u201d <\/em><\/strong>(\u0218t. Ghidoveanu, realizatorul emisiunii Radio Rom\u00e2nia Cultural <em>Exploratorii lumii de m\u00e2ine<\/em>, \u00een <em>Galileo Online<\/em>, nov. 2012)<\/p>\n<p style=\"text-align: justify;\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/vgy.me\/4tqOg0.jpg?w=812&#038;ssl=1\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>(Studii fantastice) de Oliviu Cr\u00e2znic &nbsp; (Ed. Paralela 45, 2017) \u00a0 Doina Roman este poet\u0103 (Maestrul \u0219i jum\u0103tate leb\u0103d\u0103, 2014, coautor Gabriel Gherb\u0103lu\u021b\u0103) \u0219i romancier\u0103 (Pragul [Vol. 1, 2014; Vol. 2: Umbra martor, 2015; Vol. 3: Ultimul trimis oserp, 2016], Ed. Tracus Arte) multipremiat\u0103 na\u021bional \u0219i interna\u021bional. Despre primele dou\u0103 volume ale romanului Pragul am [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8,1297,892],"tags":[1113,1167,1299,636,1194],"class_list":["post-12002","post","type-post","status-publish","format-standard","hentry","category-critica","category-egophobia-52","category-ghidul-cititorului-de-fantastic","tag-critica","tag-doina-roman","tag-egophobia-52","tag-oliviu-craznic","tag-studii-fantastice"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6DakB-37A","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12002","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12002"}],"version-history":[{"count":1,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12002\/revisions"}],"predecessor-version":[{"id":12003,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12002\/revisions\/12003"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12002"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12002"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12002"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}