{"id":12016,"date":"2017-12-31T12:55:31","date_gmt":"2017-12-31T10:55:31","guid":{"rendered":"http:\/\/egophobia.ro\/?p=12016"},"modified":"2017-12-31T15:18:22","modified_gmt":"2017-12-31T13:18:22","slug":"alexandra-medaru-demoni-si-demiurgi","status":"publish","type":"post","link":"https:\/\/egophobia.ro\/?p=12016","title":{"rendered":"Alexandra Medaru – “Demoni \u0219i demiurgi”"},"content":{"rendered":"

[Ed. Eikon, 2017]<\/strong><\/p>\n

(Studii fantastice)<\/span><\/p>\n

de Oliviu Cr\u00e2znic<\/p>\n

\u00a0<\/em><\/strong><\/p>\n

Alexandra Medaru (n. 1988) s-a remarcat ini\u021bial prin activitatea publicistic\u0103 de natur\u0103 critic\u0103, public\u00e2nd pe cibersitul personal (taramuridenicaieri.ro<\/em>) unele articole care au st\u00e2rnit agita\u021bie prin atingerea unor subiecte sensibile (EG Epigonii criticii<\/em>, Epigonii literaturii fantastice<\/em>) \u0219i dezvolt\u00e2nd \u00een revista electronic\u0103 cultural\u0103 EgoPHobia<\/em> o apreciat\u0103 rubric\u0103 (Arena cultural\u0103 \u2013 cartea & filmul<\/em>) dedicat\u0103 istoriei \u0219i criticii de art\u0103.<\/p>\n

A publicat, de asemenea, poezie \u0219i proz\u0103 scurt\u0103 \u00een varii reviste culturale, a fost premiat\u0103 la un concurs de dramaturgie, a fost invitata special\u0103 a unor lans\u0103ri de carte desf\u0103\u0219urate \u00een cadrul T\u00e2rgului Interna\u021bional \u201eGaudeamus \u2013 Carte de \u00eenv\u0103\u021b\u0103tur\u0103\u201d \u0219i, de cur\u00e2nd, este \u0219i editor, select\u00e2nd \u0219i preg\u0103tind proz\u0103 scurt\u0103 pentru publicare \u00een aceea\u0219i EgoPHobia<\/em>.<\/p>\n

Demoni \u0219i demiurgi<\/em> (Ed. Eikon, 2017) constituie debutul editorial al scriitoarei, fiind un volum de poezie care beneficiaz\u0103 de o prefa\u021b\u0103 (Hades \u0219i Elysium<\/em>) semnat\u0103 de c\u0103tre cunoscutul \u0218tefan Bolea, dublu doctor \u00een Filosofie \u0219i Litere (el \u00eensu\u0219i poet, consacrat \u0219i multipremiat, tradus \u00een englez\u0103, francez\u0103, german\u0103 \u015fi portughez\u0103).<\/p>\n

<\/p>\n

Structural, volumul este \u00eemp\u0103r\u021bit \u00een \u0219ase p\u0103r\u021bi (dominate de tema condi\u021biei artistului \u0219i de aceea a iubirii), succesiunea acestora suger\u00e2nd ciclul cosmic al existen\u021bei umane: Conversa\u021bii cu diavolul<\/em>, Crea\u021bie<\/em>, Via\u021b\u0103<\/em>, Dragoste<\/em>, Moarte<\/em>, Conversa\u021bii cu Dumnezeu<\/em>.<\/p>\n

Din punct de vedere al teoriei literare, Demoni \u0219i demiurgi<\/em> se \u00eencadreaz\u0103, consider\u0103m noi, \u00een curentul expresionist \u2013 o reflexie poetic\u0103 a picturilor lui E. Munch (\u021aip\u0103tul<\/em>, Fecioara<\/em>, Dragoste \u0219i durere<\/em>), totodat\u0103 continuare (t\u00e2rzie) a liricii filosofice a lui L. Blaga.<\/p>\n

\u201eExtaticul\u201d, \u201ecosmicul\u201d \u0219i \u201eabsolutul\u201d (\u201eSufletele vor d\u0103n\u021bui sus\/Printre stele ce lumineaz\u0103 \u00eentunericul. Vom fi minuni mai minunate\/[…] Vom fi note-n simfonii galactice\/\u0218i ne vom preschimba \u00een pulbere etern\u0103\u201d<\/em>), \u201eoriginarul\u201d, \u201emiturile\u201d \u0219i \u201ecredin\u021bele str\u0103vechi\u201d (\u201eS\u0103rut\u0103rile tale ard luna plin\u0103\/R\u0103mase din timpuri str\u0103vechi\/C\u00e2nd discipolii mi se \u00eenchinau\/Cu s\u00e2nge de prunci\/(…)\/C\u0103 \u00eentr-o zi le voi da s\u0103rutul dulce al nemuririi\/(…)\/Rostite de cea c\u0103reia-i spuneau zei\u021b\u0103\u201d<\/em>), \u201epatologicul\u201d \u0219i \u201emorbidul\u201d (\u201eNu \u0219tiau c\u0103 \u00eentr-o sinucidere\/Nu conteaz\u0103 metoda,\/Ci durerea\u201d<\/em>), \u201ereac\u021biile omene\u0219ti primare\u201d (\u201e[…] sufletul […]\/S\u0103 la\u0219i pe alta s\u0103 \u021bi-l aline\/Cu dezmierd\u0103ri calde\/\u0218i atingeri vulgare\/Ce \u00ee\u021bi fac at\u00e2ta pl\u0103cere\u201d<\/em>), \u201esinteza\u201d (a se vedea mai jos) \u0219.a.m.d. \u2013 reg\u0103sim la Alexandra Medaru, transpuse \u00een vers liber \u0219i cu patosul caracteristic curentului, majoritatea formelor de manifestare ale expresionismului, a\u0219a cum le-au identificat O.S. Crohm\u0103lniceanu, N. Balot\u0103 \u0219.a.<\/p>\n

Desigur, influen\u021ba altor (numeroase) curente culturale (literare, filosofice etc.) poate fi identificat\u0103, cu u\u0219urin\u021b\u0103, \u00een opera tinerei autoare. Descoperim, astfel, \u00een Demoni \u0219i demiurgi<\/em>: titanism \u0219i \u201esatanism\u201d byronian (artistic \u2013 a nu se confunda cu satanismul \u201ereligios\u201d!) revoltate \u0219i arogante (Crea\u021bie<\/em>); decadentism macabru (Crim\u0103<\/em>) \u0219i postmodernism sordid (Fuga lui Bach<\/em>); existen\u021bialism explorator (Unde e Dumnezeu?<\/em>) \u0219i nihilism (auto)distructiv (Demoni \u0219i demiurgi<\/em>) \u0219.a.m.d.<\/p>\n

Din punct de vedere editorial, tomul a fost publicat \u00een bune condi\u021bii, pe h\u00e2rtie alb\u0103 de calitate superioar\u0103 \u0219i av\u00e2nd o redactare \u0219i o tehnoredactare adecvate. Totu\u0219i, coperta aleas\u0103, f\u0103r\u0103 a fi nereu\u0219it\u0103 ca imagine individual\u0103, nu reflect\u0103, \u00een opinia noastr\u0103, con\u021binutul operei (pentru o edi\u021bie viitoare, am recomanda o pictur\u0103 semnat\u0103 de E. Munch).<\/p>\n

<\/p>\n

\u00cen \u00eencheiere, consemn\u0103m o nou\u0103 apari\u021bie important\u0103 pe scena poetic\u0103 rom\u00e2neasc\u0103 \u0219i recomand\u0103m versurile Alexandrei Medaru iubitorilor de poezie sentimental-ra\u021bional\u0103 cu form\u0103 modern\u0103.<\/p>\n

\n

*<\/p>\n

\n

Despre autorul rubricii: <\/em><\/strong><\/p>\n

\u00a0<\/em><\/strong><\/p>\n

OLIVIU CR\u00c2ZNIC <\/strong>(n. 1978; p\u0103rin\u021bii: Oliviu, prof. eviden\u021biat gr. I Limba \u0219i literatura rom\u00e2n\u0103, distins cu diploma de onoare \u201eCreativitate \u0219i eficien\u021b\u0103\u201d, \u0219i Dorothea, prof. gr. I Limba \u0219i literatura rom\u00e2n\u0103; studii: licen\u021biat \u00een \u201e\u0218tiin\u021be juridice\u201d, specializarea \u201eDrept\u201d, cu lucrarea de diplom\u0103 intitulat\u0103 Particularit\u0103\u021bi tactice privind confruntarea dintre inculpat \u0219i persoana v\u0103t\u0103mat\u0103<\/em>, sus\u021binut\u0103 la disciplina \u201eCriminalistic\u0103\u201d, \u0219i absolvent al unui curs de formare a mediatorilor) este scriitor (prozator \u0219i poet), traduc\u0103tor literar, critic literar, conferen\u021biar \u015fi consilier juridic (membru al Ordinului Consilierilor Juridici din Rom\u00e2nia \u0219i al Colegiului Consilierilor Juridici Bucure\u0219ti). \u00cen 2010, a publicat romanul gotic \u2026\u015ei la sf\u00e2r\u015fit a mai r\u0103mas co\u015fmarul<\/em> (Ed. Vremea). Ulterior, a publicat numeroase povestiri \u015fi nuvelete (majoritatea se reg\u0103sesc \u00een volumul de colec\u021bie Ceasul fantasmelor<\/em>, Ed. Crux Publishing, 2015), foarte bine primite de critic\u0103 \u015fi de public, \u015fi a c\u00e2\u015ftigat numeroase premii, inclusiv un premiu acordat de Societatea European\u0103 de Science Fiction. A fost publicat \u00een diverse antologii \u015fi reviste al\u0103turi de nume importante ale literaturii universale contemporane (George R.R. Martin) sau clasice (Algernon Blackwood, Arthur Conan Doyle, Robert E. Howard, Rudyard Kipling, H.P. Lovecraft, Guy de Maupassant, Saki). Apare men\u021bionat \u00een monumentala The Encyclopedia of Science Fiction<\/em> (ed. J. Clute, P. Nicholls), iar operele lui sunt tratate pe larg \u00een diverse reviste de specialitate: \u00een Caietele Echinox<\/em> (revist\u0103 tip\u0103rit\u0103 sub egida Fac. de Litere a Univ. \u201eBabe\u015f-Bolyai\u201d Cluj-Napoca; eseul semnat de drd. \u00een filologie \u015et. Bolea \u2013 Once Upon Atrocity. Gothic Music Influences in the First Romanian (Neo)gothic Novel<\/em>), \u00een revista cultural\u0103 EgoPHobia<\/em> (eseul Sf\u00e2r\u0219itul care \u00eencepe<\/em>, semnat de dr. \u00een filologie M.A. Aldea) etc. Apare, ca personaj, \u00een nuveleta Isp\u0103\u0219irea<\/em>, scris\u0103 de prof. doc. C. Mitoceanu. Cronicile de carte, articolele \u015fi studiile sale de teorie \u015fi istorie literar\u0103 sunt apreciate pe scar\u0103 larg\u0103 \u2013 unele dintre acestea fiind publicate \u015fi peste grani\u0163\u0103, ceea ce i-a conferit statutul de membru al organiza\u021biei scriitorice\u0219ti \u0219i artistice \u201eImagicopter: The Author\/Artist Cooperative\u201d (2012-2017). A ap\u0103rut, \u00een calitate de expert \u00een istoria vampirismului, \u00een serialul Expedition Unknown<\/em>, realizat de Travel Channel. \u00cen Rom\u00e2nia, a fost invitat, \u00een mai multe r\u00e2nduri, s\u0103 vorbeasc\u0103 studen\u021bilor Fac. de Limbi \u0219i Literaturi Str\u0103ine a Univ. din Bucure\u0219ti (prelegerea Literatura gotic\u0103 \u0219i romantismul \u00eentunecat american. Sec. al XIX-lea: Hawthorne, Melville, Poe \u0219i mo\u0219tenirea lor cultural\u0103<\/em>) ori studen\u021bilor Fac. de Limbi \u0219i Literaturi Str\u0103ine a Univ. Cre\u0219tine \u201eDimitrie Cantemir\u201d (prelegerea Lumi fic\u021bionale \u00een literatura modern\u0103<\/em>, \u00een colaborare cu conf. univ. dr. Ana-Maria Negril\u0103), \u0219i a participat la sesiunea \u0219tiin\u021bific\u0103 a Academiei Rom\u00e2ne \u2013 Divizia de Logic\u0103, Metodologie \u0219i Filosofie a \u0218tiin\u021bei, cu comunicarea Literatura \u0219tiin\u021bifico-fantastic\u0103 \u0219i c\u0103utarea (modelarea?) viitorului<\/em>. A participat, \u00een calitate de moderator al serii dedicate literaturii \u0219tiin\u021bifico-fantastice, la cea de a VII-a edi\u021bie a \u201eFestivalului Interna\u021bional de Literatur\u0103 de la Bucure\u0219ti\u201d. A sus\u021binut prezentarea public\u0103 Fantasticul de impact: De la \u201eGhilgame\u0219\u201d la \u201eUrzeala tronurilor\u201d<\/em> (\u00een colaborare cu scriitoarea \u0219i critica literar\u0103 Alexandra Medaru). A participat, \u00een calitate de invitat, \u00een repetate r\u00e2nduri, la emisiuni culturale televizate sau radiodifuzate. Pagin\u0103 virtual\u0103 oficial\u0103: Facebook:<\/em> Oliviu Craznic<\/em> (https:\/\/www.facebook.com\/oliviucraznicofficialpage<\/a>).<\/p>\n

<\/p>\n

\u201eOliviu Cr\u00e2znic chiar este un romantic, un personaj cobor\u00e2t efectiv din propria-i oper\u0103 extraordinar\u0103 \u0219i spectaculoas\u0103, melanj de Baudelaire, Edgar Allan Poe \u0219i Walter Scott, sub ochii necru\u021b\u0103tori ai lui Bram Stoker \u0219i H.P. Lovecraft. Citi\u021bi-i romanul \u0219i povestirile \u0219i o s\u0103 \u00een\u021belege\u021bi imediat la ce m\u0103 refer!\u201d <\/em><\/strong>(\u0218t. Ghidoveanu, realizatorul emisiunii Radio Rom\u00e2nia Cultural Exploratorii lumii de m\u00e2ine<\/em>, \u00een Galileo Online<\/em>, nov. 2012)<\/p>\n

\n","protected":false},"excerpt":{"rendered":"

[Ed. Eikon, 2017] (Studii fantastice) de Oliviu Cr\u00e2znic \u00a0 Alexandra Medaru (n. 1988) s-a remarcat ini\u021bial prin activitatea publicistic\u0103 de natur\u0103 critic\u0103, public\u00e2nd pe cibersitul personal (taramuridenicaieri.ro) unele articole care au st\u00e2rnit agita\u021bie prin atingerea unor subiecte sensibile (EG Epigonii criticii, Epigonii literaturii fantastice) \u0219i dezvolt\u00e2nd \u00een revista electronic\u0103 cultural\u0103 EgoPHobia o apreciat\u0103 rubric\u0103 (Arena […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8,1297,892],"tags":[1216,1113,1299,636,1194],"class_list":["post-12016","post","type-post","status-publish","format-standard","hentry","category-critica","category-egophobia-52","category-ghidul-cititorului-de-fantastic","tag-alexandra-medaru","tag-critica","tag-egophobia-52","tag-oliviu-craznic","tag-studii-fantastice"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6DakB-37O","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12016","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12016"}],"version-history":[{"count":2,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12016\/revisions"}],"predecessor-version":[{"id":12035,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12016\/revisions\/12035"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12016"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12016"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12016"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}