de Radu P\u0103rp\u0103u\u0163\u0103<\/p>\n
Proces verbal Nr. 10<\/strong><\/p>\n al \u0219edin\u021bei din 7 martie 1951.<\/p>\n \u0218edin\u021ba este prezidat\u0103 de tov. Acad. M.Sadoveanu.<\/p>\n Particip\u0103: Acad. Gh. C\u0103linescu, I.Iordan, Camil Petrescu, Al.Rosetti, Al.Toma, G.Oprescu, J. Al.Steriadi, V.Eftimiu \u0219i tov. G. Bogza, Prof. Al.Graur, Prof. I.Jalea, I.Panaitescu-Perpessicius \u0219i K.H. Zambaccian.<\/p>\n \u0218i-au scuzat absen\u021ba tov. Acad. Gala Galaction \u0219i tov. Lucian Grigorescu.<\/p>\n Se cite\u0219te procesul-verbal al \u0219edin\u021bei din 28 Februarie a.c., care se aprob\u0103.<\/p>\n Tov. Acad. I.Iordan depune raportul de activitate pe luna Februarie 1951 al Institutului de Lingvistic\u0103 \u0219i tov. Acad.G.Oprescu depune procesul-verbal al \u0219edin\u021bei din 1 Martie a.c. a Institutului de Istoria Artei.<\/p>\n Tov. Prof. Jalea d\u0103 citire unei note de completare a comunic\u0103rii D-sale asupra sculptorului C. Br\u00e2ncu\u0219i, prezent\u00e2nd \u0219i numeroase plan\u0219e \u0219i publica\u021bii cu reproduceri din Br\u00e2ncu\u0219i.<\/p>\n Tov. Acad. M. Sadoveanu<\/strong>: Tovar\u0103\u0219i, numai olecu\u021b\u0103 de lini\u0219te. Vas\u0103z\u00e2c\u0103, dup\u0103 cum \u0219ti\u021bi, avem sarcina s\u0103 discut\u0103m \u0219i s\u0103 vot\u0103m propunerea tovar\u0103\u0219ului\u2026 pardon\u2026 domnului C. Br\u00e2ncu\u0219i de la Paris, care vre s\u0103 lase statului rom\u00e2n atelierul lui din\u2026<\/p>\n Tov. Prof. Jalea<\/strong>: Impasse Ronsin, nr. 10.<\/p>\n Tov. Acad. M. Sadoveanu<\/strong>: Da, de-acolo. \u0218i 200 de lucr\u0103ri de-a lui\u2026. cum \u00eei zice? Br\u00e2ncu\u0219i, da. Tovar\u0103\u0219ul Jalea ne-o citit o comunicare, iar noi trebuie s-o discut\u0103m. Da’ repegior, c\u0103 tovar\u0103\u0219a Ana nu mai poate a\u0219tepta. Mi-o z\u00e2s la telefon. Tovar\u0103\u0219ul Jalea, mai d\u0103 mata ni\u0219te ex\u0103mpli, ca s\u0103 se \u00een\u021b\u0103leag\u0103 mai bini.<\/p>\n Tov. Prof. Al. Graur<\/strong>: O mic\u0103 interven\u021bie mai \u00eent\u00e2i. Fiindc\u0103, maestre, a\u021bi spus \u201erepejor\u201d, trebuie s\u0103 spun c\u0103, \u00eentr-adev\u0103r, este nevoie ca Academia noastr\u0103 s\u0103 se mi\u0219te mai repede, \u00een conformitate cu vremurile noi. Din cauza c\u00e2rmuirilor proaste din trecut \u0219i a nep\u0103s\u0103rii am r\u0103mas \u00een urm\u0103, tovar\u0103\u0219i. Ce s\u0103 facem? O s\u0103 vin\u0103 ziua c\u00e2nd vor sosi printre noi tovar\u0103\u0219ii din conducerea Partidului, care s\u0103 ne felicite, s\u0103 ne decoreze. Da! Altfel nici nu se poate! Desigur, acum facem primii pa\u0219i c\u0103tinel, care \u00eens\u0103 trebuie s\u0103-i gr\u0103bim, s\u0103 lu\u0103m hot\u0103r\u00e2ri ferme \u0219i rapide. La \u00eenceputul \u00eenceputurilor \u0219i Uniunea Sovietic\u0103 era \u00een urma \u021b\u0103rilor capitaliste. Dar le-a ajuns. Dup\u0103 cum spunea tovar\u0103\u0219ul Stalin: Am r\u0103mas \u00een urma lor cu o sut\u0103 de ani, dar trebuie s\u0103-i ajungem \u00een zece! A\u0219a c\u0103 noi s\u0103 d\u0103m br\u00e2nci \u0219i, \u00eentr-un an, cel mult doi, s\u0103-i ajungem repejor \u0219i s\u0103-i \u00eentrecem! (aplauze)<\/p>\n Tov. Acad. I. Iordan<\/strong>: Vreu s\u0103 z\u00e2c \u0219i eu ceva, \u00een continuarea celor spuse de colegul meu, tov. Prof. Graur: Cum a spus tovar\u0103\u0219ul Stalin, nu mai trebuie s\u0103 fim \u201epasivi \u0219i indiferen\u021bi\u201d. Chemarea tovar\u0103\u0219ului Stalin apropie t\u0103ti evenimentele de noi. S\u00e2ntem cu to\u021bii participan\u021bi ai r\u0103zboiului muncii, ori\u0219iunde \u0219i \u00een orice ramur\u0103 am lucra. Stalin ne spune cum trebuie s\u0103 se poarte omul sovietic \u0219i ce anume trebuie f\u0103cut pentru cucerirea victoriei. \u0218i noi, cei din \u021b\u0103rile fr\u0103\u021be\u0219ti, trebuie s\u0103-i urm\u0103m pe oamenii sovietici. Fiecare trebuie s\u0103 munceasc\u0103 cinstit \u0219i nimeni s\u0103 nu r\u0103m\u00e2n\u0103 departe de marea lupt\u0103 a \u00eentregului popor. Nici noi, academicienii! (aplauze) M\u0103 ierta\u021bi de \u00eentrerupere. Ave\u021bi cuv\u00e2ntul, tovar\u0103\u0219e Jalea!<\/p>\n Tov. Prof. Jalea<\/strong>: Mai \u00eent\u00e2i trebuie s\u0103 mul\u021bumim din inim\u0103 tovar\u0103\u0219ei Ana Pauker, Ministrul Culturii, care ne-a oferit \u00een mod democratic aceast\u0103 posibilitate (aplauze). S\u0103 dau exemple, da. Uite, S\u0103rutul<\/em>! Uita\u021bi-v\u0103, tovar\u0103\u0219i! Ce vede\u021bi aici?<\/p>\n Tov. G. Bogza<\/strong>: Doi se pup\u0103. E-te, na!<\/p>\n Tov. Prof. Jalea<\/strong>: Nu. Ce spun criticii de art\u0103 burghezi? Cic\u0103 tema s\u0103rutului reprezint\u0103 evolu\u021bia spiritual\u0103 pur\u0103 elimin\u00e2nd orice alte implica\u021bii. Vezi Doamne, citez, \u201eiubirea fericit\u0103 ca fuziune \u00eentre dou\u0103 entit\u0103\u021bi separate reface unitatea primordial\u0103 a vie\u021bii.\u201d E clar, tovar\u0103\u0219i:\u00a0 formalism pur combinat cu gargar\u0103 capitalist\u0103!<\/p>\n Tov. Acad. Gh. C\u0103linescu<\/strong>: Este foarte greu s\u0103 c\u00e2n\u021bi, s\u0103 scrii sau s\u0103 sculptezi despre fericire, tovar\u0103\u0219i. Iar noi suntem acum, \u00een regimul nostru, primii oameni care c\u00e2nt\u0103m iubirea fericit\u0103. Timpul \u00eenc\u0103 nu a avut r\u0103gaz s\u0103 ne \u00eencerce. \u0218i noi nici nu \u0219tim c\u00e2nd gre\u0219im. Br\u00e2ncu\u0219i \u00eens\u0103 nu \u0219tie toate acestea. Nu \u0219tie ce \u00eenseamn\u0103 fericirea trainic\u0103 pe p\u0103m\u00e2nt, h\u0103r\u0103zit\u0103 pentru vecie poporului. S\u0103rutul lui este \u00eentre un b\u0103rbat \u0219i o femeie, \u00eens\u0103 noi c\u00e2nt\u0103m iubirea \u00eentregului popor. Noi ne adres\u0103m celor care \u0219tiu s\u0103 asculte, dar surdului degeaba-i c\u00e2n\u021bi. Noi s\u00e2ntem acum un popor liber \u00een care nu mai exist\u0103 dezmo\u0219teni\u021bi ai soartei. Partidul nostru ne spune: \u201eVoi a\u021bi fost fl\u0103m\u00e2nzi, v-a\u021bi t\u00e2r\u00e2t \u0219i a\u021bi ur\u00e2t! Acum misiunea voastr\u0103 este aceea de a iubi \u0219i de a munci cu tot dragul!\u201d Ce putem r\u0103spunde Partidului nostru? Oare am putea, \u00eempietrindu-ne inimile, s\u0103-i r\u0103spundem cu vorbe ur\u00e2te? Oare se poate s\u0103 muncim \u00een a\u0219a fel \u00eenc\u00e2t Partidul s\u0103 verse lacrimi din pricina noastr\u0103? Ne poate pl\u0103cea mai mult bezna nop\u021bii, dec\u00e2t zorii zilei \u00eensorite? D\u0103rui\u021bi-v\u0103 cu dragoste inimile \u021belului m\u0103re\u021b pe care \u00eel sl\u0103vesc ne\u00eencetat c\u00e2ntecele \u00eentregului popor, din prinosul recuno\u0219tin\u021bei lui (aplauze).<\/p>\n Porni\u021bi la munc\u0103! Laboratoarele \u0219i amfiteatrele s\u0103 fie pline! Frezele \u0219i rabotezele s\u0103 zumz\u0103ie ca stupuri de albine lucr\u0103toare \u00een toiul muncii creatoare. Ogoarele noastre s\u0103 fie \u00eemp\u00e2nzite cu oameni. Str\u00e2nge\u021bi de pe aceste ogoare \u00eentreaga recolt\u0103 \u0219i face\u021bi a\u0219a ca grelele noastre combine \u0219i batoze s\u0103 treac\u0103 \u00een \u0219iruri nesf\u00e2r\u0219ite de la r\u0103s\u0103ritul \u0219i p\u00e2n\u0103 la apusul soarelui. \u0218tim cu to\u021bii c\u0103 pe ogoarele noastre se afl\u0103 o seam\u0103 de femei minunate. M\u00e2inile lor, cu degetele tivite cu negrul muncii cinstite, s\u00e2nt at\u00e2t de pricepute \u0219i de \u00eendem\u00e2natice la str\u00e2nsul recoltei, \u00eenc\u00e2t avem toat\u0103 dragostea pentru ele \u0219i le s\u0103rut\u0103m. S\u0103rut\u0103m m\u00e2inile femeilor profesor din amfiteatre, s\u0103rut\u0103m m\u00e2inile arse de substan\u021be chimice ale femeilor savant, s\u0103rut\u0103m m\u00e2inile pline de b\u0103t\u0103turi \u0219i arse de soare ale femeilor macaragi\u021be \u0219i raboteze. Acesta este S\u0103rutul nostru. Acesta trebuie s\u0103 fie s\u0103rutul nostru, nu acela individualist \u0219i mistic al lui Br\u00e2ncu\u0219i (aplauze). Acesta trebuie s\u0103 fie r\u0103spunsul pe care-l vom da Partidului nostru iubit. Nu-i a\u0219a, dragi tovar\u0103\u0219i? (aplauze furtunoase)<\/p>\n Tov. Acad. G. Oprescu<\/strong>: Minunat\u0103 analiz\u0103! Magnific! Magnific! (tov. Acad. G. Oprescu \u00eel \u00eembr\u0103\u021bi\u0219eaz\u0103 pe tov. Acad. Gh. C\u0103linescu, aplauze)<\/p>\n Tov. Acad. M. Sadoveanu<\/strong>: S\u0103 trecem la chestiune, tovar\u0103\u0219i! Tovar\u0103\u0219e Jalea, da\u021bi \u0219i alte ex\u0103mpli\u2026 ex\u0103mpli\u2026<\/p>\n Tov. Prof. Jalea<\/strong>: Uite, Pas\u0103rea M\u0103iastr\u0103<\/em>, de exemplu. E o pas\u0103re fantastic\u0103. Forma pe care artistul o d\u0103 P\u0103s\u0103rii M\u0103iastre <\/em>ne trimite cu g\u00e2ndul la divinit\u0103\u021bile p\u0103g\u00e2ne, la reprezent\u0103rile animalelor zeificate. M\u0103iastra<\/em> cic\u0103 are puteri magice. Noi de magie, de misticism avem nevoie, tovar\u0103\u0219i? De p\u0103s\u0103ri fantastice avem noi nevoie? Nu exist\u0103 at\u00e2tea p\u0103s\u0103ri frumoase \u00een peisajul nostru rom\u00e2nesc?<\/p>\n Tov. Acad. G. Oprescu<\/strong>: Tovar\u0103\u0219e Sadoveanu, \u0219tim cu to\u021bii c\u0103 s\u00e2nte\u021bi un maestru ne\u00eentrecut al descrierii peisajului rom\u00e2nesc. Scuza\u021bi-m\u0103, Maestre, de \u00eentrebarea retoric\u0103: Avem p\u0103s\u0103ri frumoase la noi? Povesti\u021bi-ne despre ele. De pild\u0103, despre cioc\u00e2rlie, care acu\u0219i-acu\u0219i se va auzi iar\u0103\u0219i pe plaiul rom\u00e2nesc.<\/p>\n Tov. Acad. M. Sadoveanu<\/strong>: Ei, cioc\u00e2rlia\u2026 Cioc\u00e2rlia c\u00e2nt\u0103 deasupra muncitorilor care stau apleca\u021bi asupra p\u0103m\u00e2ntului, c\u00e2nt\u0103 munca lor cinstit\u0103 \u0219i grea. A c\u00e2ntat \u0219i c\u00e2nt\u0103 cioc\u00e2rlia biruitorul c\u00e2ntec al muncii; va c\u00e2nta necontenit \u0219i de azi \u00eenainte, p\u00e2n\u0103 c\u00e2nd toate se vor duce \u00een prah \u0219i pulbere. Am stat de mult ori \u00een loc, ca s\u0103-mi dau sama de toate \u00eentors\u0103turile puternice \u0219i tremurate ale cioc\u00e2rliei, pe care negrii muzican\u021bi ai neamului nostru au \u00eencercat s\u0103 le puie pe al\u0103ute.<\/p>\n Tov. Prof. Jalea<\/strong>: Frumos! Tare frumos! S\u0103-l aplaud\u0103m pe Maestrul Sadoveanu (aplauze). S\u0103-i spunem lui Br\u00e2ncu\u0219i: De asemenea p\u0103s\u0103ri avem noi nevoie, nu de m\u0103iestre, magice \u0219i obscurantiste (aplauze furtunoase).<\/p>\n Tov. Acad. M. Sadoveanu<\/strong>: Da’ mai bini s\u0103 v\u0103 povestesc despre f\u00e2\u021bac. F\u00e2\u021bacul e-o p\u0103s\u0103ric\u0103 mititic\u0103, care are locul de trai \u00een lungul p\u00e2raielor g\u00e2lg\u00e2itoare de munte, unde se g\u0103sesc \u0219i p\u0103str\u0103vi. Pe cap este cenu\u0219iu \u00eenchis, pe gu\u0219\u0103 \u0219i chept \u2013 alb, pe p\u00e2ntece \u2013 ruginiu. Aripele i-s scurte, cu pene mari, cenu\u0219ii b\u0103t\u00e2nd \u00een albastru. F\u00e2\u021bacul se hr\u0103ne\u0219te cu r\u0103cu\u0219ori, dar nu se d\u0103 \u00een l\u0103turi dac\u0103 poate prinde \u0219i un chitica\u0219. F\u00e2\u021bacul\u2026<\/p>\n Tov. Prof. Jalea<\/strong>: Mul\u021bumim tovar\u0103\u0219e Pre\u0219edinte! S\u0103 mai exemplific\u0103m, tovar\u0103\u0219i. Iat\u0103, de exemplu, D-na Pogany<\/em> e o sculptur\u0103 prea evanescent\u0103\u2026 \u0103\u0103\u0103\u2026 prea dus\u0103 \u00een spa\u021bii, spre niciunde\u2026\u0103\u0103\u0103\u2026 prea pierdut\u0103.<\/p>\n Tov. J. Al. Steriadi<\/strong>: O corec\u021bie \u2013 e Domni\u0219oara Pogany<\/em>, nu Doamna.<\/p>\n Tov. Prof. Al. Graur<\/strong>: Dar de ce, tovar\u0103\u0219i, \u201eDoamna\u201d? Sau \u201eDomni\u0219oara\u201d? Nu a putut \u201edomnul-tovar\u0103\u0219\u201d Br\u00e2ncu\u0219i s\u0103-i spun\u0103 \u201eTovar\u0103\u0219a\u201d? \u00cen Marea Uniune Sovietic\u0103 titulaturile de \u201egospoja\u201d \u2013 \u201edoamn\u0103\u201d \u0219i de \u201ebar\u00e2\u0219nia\u201d \u2013 \u201edomni\u0219oar\u0103\u201d au disp\u0103rut. Oamenii sovietici le folosesc ast\u0103zi doar \u00een glum\u0103 \u0219i cu sens batjocoritor, fiindc\u0103 amintesc de \u021barism \u0219i de exploatatori. Poftim, s\u0103 ne uit\u0103m \u00een \u201eSlovari Russkovo Iaz\u00e2ka\u201d al lui S.I. Ojegov, edi\u021bia I-a, 1949. Ce scrie aici la \u201ebar\u00e2\u0219nia\u201d, \u00eentre paranteze? S\u0103 citeasc\u0103 tovar\u0103\u0219ul Geo Bogza.<\/p>\n Tov. G. Bogza<\/strong>: La \u201ebar\u00e2\u0219nia\u201d \u00eentre paranteze scrie \u201e\u0219u-tli-vo\u201d (r\u00e2sete). O g\u00e2dil\u0103 (r\u00e2sete).<\/p>\n Tov. Prof. Al. Graur<\/strong>: Te rog s\u0103 fii serios, tovar\u0103\u0219e Bogza. Nu mai f\u0103 pe m\u0103sc\u0103riciul! Va trebui \u00eentr-o bun\u0103 zi s\u0103 punem pe ordinea de zi a unei \u0219edin\u021be devia\u021biile dumitale de comportament \u0219i abaterile de la morala proletar\u0103.\u00a0 \u201e\u0218utlivo\u201d, adic\u0103 \u201eglume\u021b\u201d. Oamenii noi sovietici iau \u00een der\u00e2dere aceste denumiri \u021bariste \u00eenvechite. \u0218i ast\u0103zi, c\u00e2nd noi, noii limbi\u0219ti, \u00eenrola\u021bi \u00een armat\u0103 proletar\u0103 a Partidului, ne str\u0103duim s\u0103 st\u00e2rpim aceste titulaturi capitaliste \u00een Republica Popular\u0103 Rom\u00e2n\u0103, vine alde Br\u00e2ncu\u0219i cu D-na Pogany<\/em>, ca s\u0103 deruteze, s\u0103 dezorienteze masele muncitoare de la ora\u0219e \u0219i sate. S\u00e2nt acri strugurii, domnule-tovar\u0103\u0219 Br\u00e2ncu\u0219i! Nu vei reu\u0219i s\u0103 \u00eentinezi idealurile nobile ale comunismului cu arta ta capitalist\u0103, o art\u0103 morbid\u0103 \u0219i aflat\u0103 \u00een putrefac\u021bie, ca \u0219i societatea din care provine! (aplauze)<\/p>\n Tov. Prof. Jalea<\/strong>: Da, ave\u021bi dreptate, tovar\u0103\u0219e Graur. Din p\u0103cate e \u201edoamna\u201d \u0219i nu \u201etovar\u0103\u0219a\u201d.<\/p>\n Tov. Al. Toma<\/strong>: \u0218i de ce, ne \u00eentreb\u0103m, Pogany e un nume str\u0103in? Nu putea s\u0103 g\u0103seasc\u0103 unul rom\u00e2nesc?<\/p>\n Tov. Prof. Jalea<\/strong>: Da, din p\u0103cate, e un nume str\u0103in, tovar\u0103\u0219e Toma.<\/p>\n Tov. Al. Toma<\/strong>: S\u0103 se consemneze \u00een procesul verbal: E un nume str\u0103in.<\/p>\n Tov. Acad. M. Sadoveanu<\/strong>: Da, e un nume str\u0103in. Cu adivarat, tovar\u0103\u0219ul Toma are dreptate. Ar fi fost bini s\u0103-i fi pus un nume rom\u00e2nesc. Avem at\u00e2tea frumoase nume de fat\u0103 care \u00eencep cu \u201eP\u201d: Paula, Paulina, Polina, Poliana, P\u0103una, P\u0103uni\u021ba, Florica\u2026<\/p>\n Tov. Acad. G. Oprescu<\/strong>: Florica nu \u00eencepe cu \u201eP\u201d, maestre.<\/p>\n Tov. G. Bogza<\/strong>: Dac\u0103 tovar\u0103\u0219ul pre\u0219edinte spune, a\u0219a este. Este cu \u201eP\u201d de la Florica (r\u00e2sete).<\/p>\n Tov. Acad. I. Iordan<\/strong>: Tovar\u0103\u0219i, v\u0103 rog, s\u0103 ne \u00eentoarcem la tem\u0103. Am primit o sarcin\u0103 important\u0103 de la tovar\u0103\u0219a Ana \u0219i trebuie s-o rezolv\u0103m. Tovar\u0103\u0219ul Profesor Ion Jalea spune c\u0103 sculptura \u00een chestiune, sau ce ar\u0103tare o fi aiasta, este prea\u2026 evanescent\u0103. \u00cel rog pe tovar\u0103\u0219ul Jalea s\u0103 se explice.<\/p>\n Tov. Prof. Jalea<\/strong>: P\u0103i, uita\u021bi-v\u0103 la aceste imagini, tovar\u0103\u0219i! Totul este f\u0103cut \u00een dauna con\u021binutului problemelor! D-na Pogany<\/em> nu are forme\u2026 \u0103\u0103\u0103\u2026 E numai un cap \u0219lefuit\u2026 \u0103\u0103\u0103\u2026<\/p>\n Tov. J. Al. Steriade<\/strong>: E un bust.<\/p>\n Tov. Al. Toma<\/strong>: Ce bust, tovar\u0103\u0219e? E o c\u0103p\u0103\u021b\u00e2n\u0103 ca o sfecl\u0103 r\u0103zuit\u0103 cu ra\u0219pa.<\/p>\n Tov. G. Bogza<\/strong>: Ia s\u0103 fi lucrat la \u0219aib\u0103 \u00eentr-o uzin\u0103! Sau s\u0103 fi fost o pa\u021bachin\u0103 pe trotuar. S\u0103 vezi ce forme\u2026<\/p>\n Tov. Prof Al. Graur<\/strong>: Tovar\u0103\u0219e Bogza!<\/p>\n Tov. Al. Toma<\/strong>: Asta-i femeia \u0219nur: f\u0103r\u0103 \u021b\u00e2\u021be, f\u0103r\u0103 cur (r\u00e2sete \u00eenfundate).<\/p>\n Tov. Acad. M. Sadoveanu<\/strong>: Cu adivarat, tovar\u0103\u0219e Toma: N-are. N-are nici\u2026 chestia ceea, \u0219ti\u021bi dumneavoastr\u0103.<\/p>\n Tov Al. Toma<\/strong>: Ce n-are, tovar\u0103\u0219e pre\u0219edinte?<\/p>\n Tov. Acad. M. Sadoveanu<\/strong>: N-are, m\u0103 rog, f\u0103t\u0103toarea, c\u0103reia dinioar\u0103 i se zicea zg\u0103u, mai pe urm\u0103 poporul i-o zis f\u0103t\u0103ciune, de unde satul F\u0103t\u0103ciuni. \u00cen popor i se mai zice \u00een fel \u0219i chip: zambilic\u0103, scoic\u0103, corcodu\u0219\u0103, ghioc, crini\u0219or\u2026<\/p>\n Tov. Acad. I. Iordan<\/strong>: La mini la Tecuci \u00eei zice b\u00e2zd\u00e2c. Sau socoteal\u0103.<\/p>\n Tov. Acad. M. Sadoveanu<\/strong>:\u2026 pup\u0103z\u0103, p\u0103s\u0103ric\u0103\u2026<\/p>\n Tov. G. Bogza<\/strong>: L\u0103sa\u021bi-m\u0103 cu p\u0103s\u0103rica, tovar\u0103\u0219e pre\u0219edinte! Iar \u00eencepem cu p\u0103s\u0103ricile? S\u0103-i spunem cinstit, muncitore\u0219te: pizd\u0103. Domni\u0219oara Pogany<\/em> n-are pizd\u0103, tovar\u0103\u0219i! Uita\u021bi-v\u0103 \u0219i dumneavoastr\u0103.<\/p>\n Tov. Prof. Al. Graur<\/strong>: Tovar\u0103\u0219e Bogza!<\/p>\n Tov. Acad. M. Sadoveanu<\/strong>: Pup\u0103z\u0103 \u00eei zice la nun\u021bi, c\u00e2nd l\u0103utarii\u2026<\/p>\n Tov. G. Bogza<\/strong>: Ce pupeze, domle! S\u0103-i zicem corect, muncitore\u0219te.<\/p>\n Tov. Prof. Al. Graur<\/strong>: Tovar\u0103\u0219e Bogza!<\/p>\n Tov. Acad. M. Sadoveanu<\/strong>: Cum z\u00e2cem, f\u00e2\u021bacul e-o p\u0103s\u0103ric\u0103 mititic\u0103\u2026<\/p>\n Tov. Prof. Jalea<\/strong>: Mul\u021bumim, maestre! Tovar\u0103\u0219ul Bogza are dreptate \u0219i \u00eei mul\u021bumim pentru cum a pus punctul\u2026 \u0103\u0103\u0103\u2026 pe \u201ei\u201d. \u00centr-adev\u0103r, tovar\u0103\u0219e Pre\u0219edinte Sadoveanu: N-are vagin. Iar vaginul este important pentru femeie.<\/p>\n Tov. Al. Toma<\/strong>: \u0218i pentru b\u0103rba\u021bi.<\/p>\n Tov. Prof. Jalea<\/strong>: \u0218i pentru b\u0103rba\u021bi, ave\u021bi dreptate\u2026\u0103\u0103\u0103\u2026 Vaginul\u2026\u0103\u0103\u0103\u2026<\/p>\n Tov. Acad. G. Oprescu<\/strong>: Acest detaliu anatomic, care le preocup\u0103 \u0219i pe reprezentantele sexului frumos aproape \u00een aceea\u0219i m\u0103sur\u0103 ca pe b\u0103rba\u021bi, nu este un detaliu, tovar\u0103\u0219i. Pictorii \u0219i sculptorii \u0219tiu ce spun. Dimensiunea vaginului nu afecteaz\u0103 numai rela\u021bia sexual\u0103, ci afecteaz\u0103 \u0219i pe arti\u0219tii, care nu \u0219tiu s\u0103-l reprezinte.<\/p>\n Tov. Acad. I. Iordan<\/strong>:\u00a0 \u00cengrijorate de acest subiect s\u00e2nt mai cu sam\u0103 fimeile care nasc natural \u015fi se tem c\u0103 via\u0163a lor sexual\u0103 va fi distrus\u0103 de efortul aducerii pe lume a unui copchil.<\/p>\n Tov. Acad. Gh. C\u0103linescu<\/strong>: Mai ales mamele-eroine, care se bucur\u0103 \u00een regimul nostru democratic de grija p\u0103rinteasc\u0103 a partidului \u0219i statului nostru.<\/p>\n Tov. Acad. I. Iordan<\/strong>: Ori, s-avem iertare, D-na Pogany<\/em> a lui Br\u00e2ncu\u0219i nu are vagin. Baga\u021bi de sam\u0103, tovar\u0103\u0219e Sadoveanu \u0219i dragi tovar\u0103\u0219i! Nu mai este vorba de dimensiunea lui aicea, ci de faptul c\u0103 nu are nica! Asta-i bataie de gioc! (aplauze)<\/p>\n Tov. Al. Toma<\/strong>: B\u0103taie de joc fa\u021b\u0103 de tovar\u0103\u0219ele femei, fa\u021b\u0103 de mamele-eroine, care se bucur\u0103 de grija p\u0103rinteasc\u0103\u2026(aplauze)<\/p>\n Tov. Prof. Al. Graur<\/strong>: Trebuie t\u0103iat \u00een carne vie, tovar\u0103\u0219i! Tovar\u0103\u0219e Jalea, scurt concluziile \u0219i s\u0103 trecem la vot.<\/p>\n Tov. Prof. Jalea<\/strong>: Nu prea mai am ce s\u0103 rezum\u2026 \u0103\u0103\u0103\u2026 Am prezentat \u00een comunicarea mea de la \u00eenceputul \u0219edin\u021bei ideile asupra c\u0103r\u021bii lui A.I. Sobolev \u201eTeoria leninist\u0103 a reflect\u0103rii \u0219i arta\u201d, Editura Partidului Muncitoresc Rom\u00e2n, 1948. \u0218tacheta ridicat\u0103 \u00een spirit leninist de tov. Sobolev arat\u0103 \u00een toat\u0103 micimea ei biata teorie formalist\u0103. \u0102\u0103\u0103\u2026am citat \u00een comunicare pe Paciurea \u0219i pe Br\u00e2ncu\u0219i ca exemple de formalism \u00een sculptur\u0103 la noi.<\/p>\n Fiind cazul tipic al unui artist de talent care oscileaz\u0103 \u00eentre realism si formalismul extrem, cazul Br\u00e2ncu\u0219i trebuia s\u0103 fie discutat pentru c\u0103 ridic\u0103 probleme importante. \u0218i t\u0103iat \u00een carne vie, tovar\u0103\u0219i!<\/p>\n Tov. Acad. Gh. C\u0103linescu<\/strong>: Am citit \u00eenaintea \u0219edin\u021bei comunicarea tov. Prof. Jalea \u0219i pot spune c\u0103 s\u00e2nt indignat de aceste f\u0103c\u0103turi br\u00e2ncu\u0219iene! Constat c\u0103 Br\u00e2ncu\u0219i nu poate fi considerat un creator \u00een sculptur\u0103, fiindc\u0103 nu se exprim\u0103 prin mijloacele esen\u021biale \u0219i caracteristice acestei arte. Dar trebuie s\u0103 clarific\u0103m no\u021biunea de realism, \u00een sensul vederilor creatorilor de art\u0103 sovietici, ca o transpunere pe plan superior a realita\u021bii \u0219i nu ca o reproducere fotografic\u0103 a ei, a\u0219a cum e \u00een\u021beles \u00een mod st\u00e2ngist. \u00cenchei scurt \u0219i ar\u0103t\u00a0 inutilitatea continu\u0103rii discu\u021biilor asupra lui Br\u00e2ncu\u0219i.<\/p>\n Tov. Acad. G. Oprescu<\/strong>: Mul\u021bumim din inim\u0103, tovar\u0103\u0219e C\u0103linescu. Mintea dumneavoastr\u0103 str\u0103lucitoare r\u0103sp\u00e2nde\u0219te lumin\u0103 \u0219i ast\u0103zi ca \u00een prima tinere\u021be. A\u021bi l\u0103murit o serie de chestiuni importante. Prin \u00eentreaga dumneavoastr\u0103 personalitate s\u00e2nte\u021bi inimii noastre \u00eendemn ca nici o clip\u0103 s\u0103 nu \u00eenceteze s\u0103 bat\u0103, pentru \u021belul m\u0103re\u021b al democra\u021biei, pentru libertate, pentru dragoste \u0219i fr\u0103\u021bie \u00eentre toate popoarele lumii. Datele si faptele citate de tov. Acad. C\u0103linescu \u0219i de tov. Prof. Jalea cu privire la Br\u00e2ncu\u0219i, o figur\u0103 mai pu\u021bin cunoscut\u0103 \u0219i minor\u0103 \u00een definitiv, arat\u0103 lipsa lui de sinceritate, \u0219i \u00eel ilustreaz\u0103 ca pe un om de talent \u0219i de mari speran\u021be \u00een prima parte a activit\u0103\u021bilor sale, dar care, sub influen\u021ba unor sculptori la mod\u0103 la Paris, care cultivau indefinitul \u0219i cubismul, specul\u00e2nd prin mijloace bizare gusturilor morbide ale societatii burgheze, a dec\u0103zut.<\/p>\n Tov. Acad. V. Eftimiu<\/strong>: Vreau s\u0103 precizez c\u0103 tov. Jalea a inten\u021bionat prin comunicarea D-sale s\u0103 reabiliteze operele valabile ale lui Br\u00e2ncu\u0219i. S\u0103 re\u021binem acest fapt.<\/p>\n Tov. K. Zambaccian<\/strong>: Doar o mic\u0103 interven\u021bie. Revenind la sculptorul Paciurea, trebuie s\u0103 subliniem c\u0103 \u201dhimerele\u201d acestuia au fost un protest \u00eempotriva realit\u0103\u021bilor de atunci \u0219i c\u0103 Paciurea a terminat ca realist cu busturile, printre care se num\u0103r\u0103 acela al lui Lev Nikolaevici Tolstoi, care a reflectat \u00een operele sale lupta pentru mai bine \u0219i dorin\u021ba de a sc\u0103pa de trecut ale maselor.<\/p>\n Tov. Acad. V. Eftimiu<\/strong>: \u00cens\u0103, din p\u0103cate pentru Lev Nikolaevici, imatura visare, lipsa de experien\u021b\u0103 politic\u0103, cum spune Vladimir Ilici Lenin, \u0219i moliciunea revolu\u021bionar\u0103 a non-rezisten\u021bei la r\u0103u au fost motivele care l-au f\u0103cut s\u0103 nu sesizeze cauzele \u00eenfr\u00e2ngerii primei campanii revolu\u021bionare din 1905-1906.<\/p>\n Tov. K. Zambaccian<\/strong>: Din p\u0103cate Br\u00e2ncu\u0219i nu a f\u0103cut acest lucru, cum a f\u0103cut Paciurea, \u0219i a r\u0103mas prizonierul morbidit\u0103\u021bii burgheze..<\/p>\n Tov. Prof. Al. Graur<\/strong>: Cred c\u0103 putem \u00eencheia discu\u021biile aici. Nu-i a\u0219a, tovar\u0103\u0219e Pre\u0219edinte? \u0218i eu s\u00e2nt \u00eempotriva accept\u0103rii \u00een Muzeul de Art\u0103 al Republicii Populare Rom\u00eene a operelor sculptorului Br\u00e2ncu\u0219i, \u00een jurul c\u0103ruia se grupeaz\u0103 antidemocra\u021bii \u00een art\u0103. S\u0103 trecem la vot. Cine este pentru ca oferta sculptorului Br\u00e2ncu\u0219i de a l\u0103sa mo\u0219ternire statului rom\u00e2n circa 200 de lucr\u0103ri \u0219i atelierul s\u0103u din Impasse Ronsin nr. 10 s\u0103 fie respins\u0103? Da, unanimitate. Se ab\u021bine cineva? Nu. Este cineva \u00eempotriv\u0103? Nu. Oferta sculptorului Br\u00e2ncu\u0219i a fost respins\u0103 (aplauze). N-avem nevoie de o astfel de art\u0103 \u2013 a minciunii, a morbidului \u0219i a bizareriei! (aplauze prelungite)<\/p>\n Tov. G. Bogza<\/strong>: Tovar\u0103\u0219i, tovar\u0103\u0219i! Un moment! \u00cen final vreau s\u0103 prosl\u0103vesc \u00een c\u00e2teva versuri pe un mare poet al lumii, pe acest mare om generos, profet al iubirii \u0219i al libert\u0103\u021bii \u2013 Walt Whitman (aplauze). \u201eEl rostea cele c\u00e2teva cuvinte mari: civiliza\u021bie, dragoste, mase, b\u0103rbat, femeie, democra\u021bie\u2026\/pe care \u0219arlatanii le goleau de con\u021binut, pref\u0103c\u00e2ndu-le \u00een baloane de b\u00e2lci, \u021bip\u0103tor colorate,\/iar el, \u0219tiindu-le sensul ad\u00e2nc, neap\u0103rat necesar popoarelor, inimii lor \u00eensetate de adev\u0103r \u0219i de un \u021bel m\u0103re\u021b,\/le lua \u0219i f\u0103cea din ele marile catarge ale poeziei lui,\/corabie nou\u0103, cu pun\u021bi multiple \u0219i o velatur\u0103 nemaiv\u0103zut\u0103 \u00een trecut, p\u00e2n\u0103 la b\u0103tr\u00e2nul Homer,\/puternic\u0103 \u0219i \u00eendr\u0103znea\u021b\u0103, \u00eensetat\u0103 de spa\u021bii, cu prova categoric \u00eendreptat\u0103 spre viitor.\u201d (aplauze)<\/p>\n Tov. Acad. Camil Petrescu<\/strong>: Vrea s\u0103 relev meritul comunic\u0103rii tov. Jalea de a fi prilejuit discu\u021bii interesante \u0219i de a fi deschis probleme de o semnifica\u021bie deosebit\u0103. Anun\u021b c\u0103, \u00een \u0219edin\u021ba viitoare, \u00eemi propun s\u0103 precizez c\u00e2teva nuan\u021be asupra formalismului \u00een art\u0103. De asemeni, rog onor conducerea s\u0103 fac\u0103 diligen\u021bele necesare pentru instalarea unor becuri de iluminat. \u00cen sala de \u0219edin\u021be e cvasi-\u00eentuneric. Mul\u021bumesc!<\/p>\n \u0218edin\u021ba se ridic\u0103 la orele 19:00<\/p>\n Secretariatul sec\u021biunii<\/p>\n Semneaz\u0103: Acad. Mihail Sadoveanu<\/p>\n","protected":false},"excerpt":{"rendered":" de Radu P\u0103rp\u0103u\u0163\u0103 Proces verbal Nr. 10 al \u0219edin\u021bei din 7 martie 1951. \u0218edin\u021ba este prezidat\u0103 de tov. Acad. M.Sadoveanu. Particip\u0103: Acad. Gh. C\u0103linescu, I.Iordan, Camil Petrescu, Al.Rosetti, Al.Toma, G.Oprescu, J. Al.Steriadi, V.Eftimiu \u0219i tov. G. Bogza, Prof. Al.Graur, Prof. I.Jalea, I.Panaitescu-Perpessicius \u0219i K.H. Zambaccian. \u0218i-au scuzat absen\u021ba tov. Acad. Gala Galaction \u0219i tov. Lucian […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1307,15],"tags":[1308,1115,353],"class_list":["post-12143","post","type-post","status-publish","format-standard","hentry","category-egophobia-53","category-proza","tag-egophobia-53","tag-proza","tag-radu-parpauta"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6DakB-39R","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12143","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12143"}],"version-history":[{"count":1,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12143\/revisions"}],"predecessor-version":[{"id":12144,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12143\/revisions\/12144"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12143"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12143"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12143"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}