{"id":12279,"date":"2018-07-25T07:46:44","date_gmt":"2018-07-25T05:46:44","guid":{"rendered":"http:\/\/egophobia.ro\/?p=12279"},"modified":"2018-07-24T22:48:40","modified_gmt":"2018-07-24T20:48:40","slug":"care-i-treaba-cu-trupul-2","status":"publish","type":"post","link":"https:\/\/egophobia.ro\/?p=12279","title":{"rendered":"status 1.2"},"content":{"rendered":"<p style=\"text-align: justify;\" align=\"justify\"><span style=\"color: green;\">(ca prin oglind\u0103)<\/span><\/p>\n<p style=\"text-align: right;\">de Marius-Iulian Stancu<\/p>\n<p style=\"text-align: justify;\">dogmatismul \u201cminoritarilor\u201d care viseaz\u0103 la eradicarea &#8220;ignoran\u021bei&#8221; [la modul agresiv &#8211; acest cuv\u00e2nt anatema pentru oamenii frumo\u0219i ai revolu\u021biilor paparazzi, dar at\u00e2t de dorit de fapt \u00een secret] din min\u021bile \u0219i trupurile \u201cmajoritarilor\u201d conformi\u0219ti [pierdu\u021bi \u00een pozi\u021bia misionarului], este cel mai bun argument \u00een favoarea fascismului [negru, ro\u0219u sau roz].<\/p>\n<p style=\"text-align: justify;\">a g\u00e2ndi cu curul: fundul iadului pentru unii, punctul lui arhimede pentru ceilal\u021bi.<!--more--><\/p>\n<p style=\"text-align: justify;\">memento litore: &#8220;vrem-nu vrem, to\u021bi ajungem la plaj\u0103&#8230;&#8221; [mihaela r\u0103dulescu]<\/p>\n<p style=\"text-align: justify;\">cu istoria care \u00eencepe s\u0103 vireze [\u00een sf\u00e2r\u0219it] \u0219i la dreapta [israelul devine din punct de vedere legal prima democra\u021bie fascist\u0103 contemporan\u0103], vizionez \u00een continuu clipuri cu jamie foxx &#8211; unul dintre pu\u021binii exponen\u021bi ai no\u021biunii de <em>\u1f00\u03c1\u03b5\u03c4\u03ae<\/em> \u00een zilele de pe urm\u0103 pe care le tr\u0103im &#8211; apoi ascult asta \u00een timp ce m\u0103 preg\u0103tesc s\u0103 fac bra\u021be \u0219i piept \u2013<br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/dZcuePohzN4\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: justify;\">lucrurile acestei vie\u021bi pot fi \u00een\u021belese \u0219i \u00een cheia\u00a0<em>poeticii<\/em>\u00a0lui aristotel, peste omul politic coboar\u0103 \u0219i \u00een felul \u0103sta lumina. vorbind despre arta teatral\u0103 filosoful nostru a reu\u0219it s\u0103 l\u0103mureasc\u0103 mai bine dec\u00e2t orice pasionat al \u0219tiin\u021bei politice care este de fapt realitatea:\u00a0\u00een absen\u021ba organului estetic, frica p\u0103r\u0103se\u0219te palierul fantasmatic \u0219i singurul care mai poate s\u0103v\u00e2r\u0219i purificarea \u00eel constituie corpul social. cele mai s\u00e2ngeroase pagini din istorie au fost scrise de oameni care nu \u0219i-au putut \u201eimagina\u201d\u00a0m\u00e2ntuirea \u00een alt fel. a crede, \u00eens\u0103, c\u0103 frumosul poate s\u0103 salveze lumea de unul singur denot\u0103 o s\u0103r\u0103cie a duhului f\u0103r\u0103 margini. pentru c\u0103 a ucide este un moment esen\u021bial \u00een devenirea umanului \u0219i ne va \u00eenso\u021bi p\u00e2n\u0103 la sf\u00e2r\u0219itul zilelor noastre. religia a \u00een\u021beles cel mai bine acest lucru iar metodele ei de justificare a crimei r\u0103m\u00e2n de o frumuse\u021be f\u0103r\u0103 margini. doar \u00een corpurile sociale puternic vascularizate ideologic mai \u00eent\u00e2lnim crea\u021bii similare. acestea sunt cet\u0103\u021bi ideale, ierarhia lor r\u0103m\u00e2ne una cereasc\u0103. despre regimurile dictatoriale de secol 20 se poate spune orice, dar nu c\u0103 au fost lipsite de imagina\u021bie, adic\u0103 umane. bine\u00een\u021beles, \u00eentre timp a luat na\u0219tere democra\u021bia modern\u0103, aceast\u0103 fiic\u0103 a laodiceei, aceast\u0103 retoric\u0103 de eunuci \u0219i urma\u0219i ai lui onan.<\/p>\n<p style=\"text-align: justify;\">doar printr-o erezie s-a ajuns s\u0103 se cread\u0103 c\u0103 dragostea ar avea cea mai mic\u0103 leg\u0103tur\u0103 cu etica. dragostea se va face mereu f\u0103r\u0103 vreun interes real \u00een privin\u021ba felului\u00a0<em>cum<\/em>\u00a0este cel\u0103lalt [acesta poate fi foarte bine \u0219i un criminal \u00een serie; pentru monstruos vor r\u0103m\u00e2ne \u00eentotdeauna rezerve de afec\u021biune \u00eentrupate \u00een persoana celui \u00eendr\u0103gostit]. nu f\u0103r\u0103 a se l\u0103sa atins\u0103 de anumite no\u021biuni ale unei estetici carnale [modelat\u0103 de informa\u021bia pe care o acces\u0103m \u0219i care ne acceseaz\u0103], dragostea se pierde \u00een cele din urm\u0103 \u00een tenebrele instinctului \u0219i ale reproducerii. doar \u00een cetatea guvernat\u0103 de lege a reu\u0219it omul politic s\u0103 \u021bin\u0103 sub control o febr\u0103 erotic\u0103 f\u0103r\u0103 sf\u00e2r\u0219it. pentru omul politic coitul nu are leg\u0103tur\u0103 cu sexul ci cu puterea, iar pentru omul moral \u00eempreunarea devine un exerci\u021biu ascetic \u00een sens paulin. un lucru este cert: cetatea ideal\u0103 nu se va conduce niciodat\u0103 cu dragoste.<\/p>\n<p style=\"text-align: justify;\">picioarele sunt aici principalele instrumente expresive. cu ele, \u00een debutul filmului, fiica servitoarei sare coarda, cu ele se exprim\u0103 don jaime \u00een nisip c\u0103ut\u00e2ndu-\u0219i cuvintele, sau la org\u0103 interpret\u00e2nd [cu energia picioarelor f\u0103cut\u0103 con\u0219tient\u0103, la modul artistic, de m\u00e2ini], pentru picioarele viridianei \u00een timp ce aceasta, \u00een camera de sus, mai \u00eent\u00e2i pe ele le dezbrac\u0103. cu ele acela\u0219i jaime \u00eencearc\u0103 pantofii de mireas\u0103, pentru o clip\u0103, pun\u00e2ndu-se pe sine \u00een pantofii ei, un rol, poate singurul rol prin care se mai st\u00e2rne\u0219te b\u0103rbatul \u00een tragedia sexual\u0103 [\u00eentru care \u00ee\u0219i caut\u0103 satisfac\u021bia, pierz\u00e2ndu-se mereu pe sine]. de ele se las\u0103 viridiana posedat\u0103 \u00een parabola \u00een care \u00ee\u0219i arunc\u0103 \u00een foc semnele [l\u00e2na \u0219i andrelele penelopei, so\u021bia credincioas\u0103] prin care femeia se l\u0103sa integrat\u0103 social \u0219i controlat\u0103, pentru c\u0103 ea a \u00eenceput s\u0103 ard\u0103 \u0219i totul este cenu\u0219\u0103. \u0219i ce \u00ee\u0219i dore\u0219te b\u0103rbatul? \u00ee\u0219i dore\u0219te femeia pe care a pierdut-o, \u00eens\u0103, o femeie pierdut\u0103 \u0219i dorit\u0103 este \u00eentotdeauna o femeie moart\u0103. pulsiunea de moarte vine mereu dinspre un trecut idealizat, vine cu nostalgie, fiorul ei precum cele religioase [\u00een cele din urm\u0103, cununa de spini \u0219i cununa de mireas\u0103 reprezint\u0103 acela\u0219i lucru \u2013 o \u00eencununare]. dorin\u021ba, pentru c\u0103 nu se va \u00eemplini niciodat\u0103, trebuie teatralizat\u0103, interpretat\u0103 p\u00e2n\u0103 la moarte.<\/p>\n<p style=\"text-align: justify;\">problemele de estetic\u0103 ies prin cr\u0103p\u0103turile firii c\u00e2nd nu te a\u0219tep\u021bi. p\u00e2n\u0103 \u0219i \u00eentr-o lucr\u0103tur\u0103 artistic\u0103 f\u0103r\u0103 relief, te vezi pus \u00eentr-un context \u00een care gra\u021bia te \u021bine \u00een palm\u0103 o jum\u0103tate de vreme. de ex.\u00a0\u00a0\u00een\u00a0<em>identity<\/em>\u00a0[james mangold], \u00een timp ce ed coase la g\u00e2tul lui alice, larry \u0219i-ar fi dorit s\u0103 fi avut bej.<\/p>\n<p style=\"text-align: justify;\">via\u021b\u0103, adic\u0103 informa\u021bie. cam la asta se reduce biografia noastr\u0103 genetic\u0103 comunicabil\u0103 prin sex \u0219i ordine. \u0219i dac\u0103 de ne\u00een\u021beles, asta nu \u00eenseamn\u0103 liberi. prometeu, pe l\u00e2ng\u0103 arte, i-a d\u0103ruit pe umanoizi \u0219i cu \u201coarba speran\u021b\u0103\u201d, care \u00eei \u00eempiedica s\u0103 con\u0219tientizeze rigiditatea sistemului \u00een care func\u021bionau \u0219i \u00een care puteau pu\u021bin. a\u0219a c\u0103 \u00eenc\u0103lzi\u021bi-v\u0103 pu\u021bin fra\u021bilor la g\u00e2ndul lui origen \u2013 tiparele lucrurilor aflate \u00een \u00een\u021belepciune nu au \u00eenceput, func\u021bioneaz\u0103 doar la nivele diferite de virtualitate, \u00eentr-o eXistenZ care nu are sf\u00e2r\u0219it. de aici c\u00e2t mai pu\u021bin patos. o vreme, dou\u0103 vremi, \u015fi o jum\u0103tate de vreme vom rula precum ni\u0219te ma\u0219ini, t\u0103cut, ne vom st\u00e2rni din c\u00e2nd \u00een c\u00e2nd cu orgile noastre de emo\u021bii, dar f\u0103r\u0103 patos, p\u00e2n\u0103 \u00een ziua \u00een care vom fi deconecta\u021bi. pe 20 ianuarie 2014, dup\u0103 31 de luni de hibernare rosetta s-a trezit.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>(ca prin oglind\u0103) de Marius-Iulian Stancu dogmatismul \u201cminoritarilor\u201d care viseaz\u0103 la eradicarea &#8220;ignoran\u021bei&#8221; [la modul agresiv &#8211; acest cuv\u00e2nt anatema pentru oamenii frumo\u0219i ai revolu\u021biilor paparazzi, dar at\u00e2t de dorit de fapt \u00een secret] din min\u021bile \u0219i trupurile \u201cmajoritarilor\u201d conformi\u0219ti [pierdu\u021bi \u00een pozi\u021bia misionarului], este cel mai bun argument \u00een favoarea fascismului [negru, ro\u0219u sau [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[48,1340,27],"tags":[30,1342,1117,60],"class_list":["post-12279","post","type-post","status-publish","format-standard","hentry","category-ca-prin-oglind","category-egophobia-55","category-filosofie","tag-ca-prin-oglinda","tag-egophobia-55","tag-filosofie","tag-marius-iulian-stancu"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6DakB-3c3","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12279","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12279"}],"version-history":[{"count":3,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12279\/revisions"}],"predecessor-version":[{"id":12282,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12279\/revisions\/12282"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12279"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12279"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12279"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}