{"id":12306,"date":"2018-09-07T13:49:09","date_gmt":"2018-09-07T11:49:09","guid":{"rendered":"http:\/\/egophobia.ro\/?p=12306"},"modified":"2018-09-07T13:49:09","modified_gmt":"2018-09-07T11:49:09","slug":"miraj-artistic","status":"publish","type":"post","link":"https:\/\/egophobia.ro\/?p=12306","title":{"rendered":"Miraj artistic"},"content":{"rendered":"

[Caitl\u00edn R. Kiernan \u2013 Fat\u0103 \u00eenec\u00e2ndu-se: O autobiografie<\/em>]<\/strong><\/p>\n

(Studii fantastice)<\/span><\/p>\n

de Oliviu Cr\u00e2znic<\/p>\n

Caitl\u00edn R[ebekah] Kiernan (n\u0103scut\u0103 \u00een 1964, \u00een Irlanda; \u00een prezent, tr\u0103ie\u0219te \u00een Statele Unite ale Americii) este specialist\u0103 \u00een paleontologie, muzician\u0103 (Death`s Little Sister, Crimson Stain Mystery) \u0219i scriitoare, de\u021bin\u0103toare a numeroase premii (\u201eBram Stoker\u201d, \u201eLocus\u201d \u0219.a.).<\/p>\n

Criticul S.T. Joshi (cunoscut mai cu seam\u0103 pentru studiile sale privind opera lui H.P. Lovecraft) o situeaz\u0103 printre marii stili\u0219ti ai literaturii straniului, al\u0103turi de Edgar Allan Poe sau Lord Dunsany.<\/p>\n

<\/p>\n

Dintre operele semnate de Caitl\u00edn R. Kiernan, amintim romanele Silk<\/em> (1998), Threshold<\/em> (2001), Beowulf<\/em> (2007), The Red Tree<\/em> (2009).<\/p>\n

Fat\u0103 \u00eenec\u00e2ndu-se: O autobiografie<\/em> (The Drowning Girl: A Memoir<\/em>, 2012) a ap\u0103rut pe pia\u0163a rom\u00e2neasc\u0103 de carte \u00een anul 2015, la Editura Paladin, \u00een cadrul colec\u021biei \u201eFantasy\u201d (coordonate, la vremea respectiv\u0103, de Michael Haulic\u0103).<\/p>\n

Raportat la teoria literar\u0103, Fat\u0103 \u00eenec\u00e2ndu-se<\/em> apar\u021bine stilului func\u0163ional beletristic, curentului literar al realismului halucinatoriu, categoriei estetice a straniului, genului literar epic, speciei literare (din punct de vedere formal \u0219i, respectiv, tematic) a romanului gotic, subspeciei literare a goticului psihologic (contemporan).<\/p>\n

Din punct de vedere al literaturii comparate, romanul poate fi asociat unor opere literare precum Drood<\/em> (Dan Simmons, 2009), dar \u0219i (\u00eentr-o oarecare m\u0103sur\u0103) unor opere literare precum \u00cen r\u0103sp\u0103r<\/em> (\u00c0 rebours<\/em>; J.K. Huysmans, 1884) sau Portretul lui Dorian Gray<\/em> (The Picture of Dorian Gray<\/em>; Oscar Wilde, 1890).<\/p>\n

Opinii critice favorabile c\u0103r\u021bii a formulat, printre al\u021bii, scriitorul Peter Straub.<\/p>\n

Subiectul romanului \u00eel constituie halucinanta poveste de dragoste tr\u0103it\u0103 de naratoare (o t\u00e2n\u0103r\u0103 artist\u0103 schizofrenic\u0103) cu \u00eent\u00e2mpl\u0103toarea ei coleg\u0103 de apartament (o t\u00e2n\u0103r\u0103 transsexual\u0103), \u00een rela\u021bia celor dou\u0103 intervenind obsesiv o misterioas\u0103 femeie (siren\u0103? v\u00e2rcolac? \u00eenchipuire?) \u00eent\u00e2lnit\u0103 de protagonist\u0103 \u00een circumstan\u021be nel\u0103murite.<\/p>\n

Temele literare centrale sunt iubirea \u0219i arta \u2013 insist\u00e2ndu-se, mai cu seam\u0103, asupra aspectelor neconven\u021bionale ale acestora. Kiernan ofer\u0103 un adev\u0103rat recital cultural, sus\u021binut prin informa\u021bii interesante (precum istoria sumbr\u0103 \u0219i prea pu\u021bin cunoscut\u0103 a unor basme celebre) ori prin crearea unor personaje din lumea artei, \u00een a c\u0103ror biografie recunoa\u0219tem biografiile \u00eempletite ale unor scriitori \u0219i pictori faimo\u0219i; pe de alt\u0103 parte, ca \u00een majoritatea scrierilor contemporane, modul \u00een care este tratat\u0103 problematic\u0103 sexualit\u0103\u021bii ambigue confer\u0103 operei un caracter propagandistic, care pune \u00een umbr\u0103, din p\u0103cate, povestea propriu-zis\u0103 (altminteri captivant\u0103 \u0219i bine scris\u0103).<\/p>\n

Dintre motivele literare, not\u0103m tabloul blestemat (fictivul Fat\u0103 \u00eenec\u00e2ndu-se<\/em>, atribuit la fel de fictivului Phillip George Saltonstall \u0219i devenit laitmotiv al romanului), dandismul, condi\u021bia geniului, obsesia, nebunia, delirul, ondina, licantropia, tribadismul, triunghiul amoros, drama artistului, alienarea.<\/p>\n

Autoarea alege s\u0103 utilizeze, cu prec\u0103dere, tehnici narative precum: jurnalul, falsa biografie \u0219i falsa autobiografie, naratorul necreditabil (exager\u00e2nd, \u00een c\u00e2teva r\u00e2nduri, sub acest aspect, de pild\u0103 prin redarea unor informa\u021bii pe care \u00eendat\u0103 dup\u0103 aceea le calific\u0103 drept false, \u00een loc s\u0103 permit\u0103 cititorului s\u0103 descopere singur neautenticitatea acestora), poliedrul, deconstruc\u021bia, anticiparea, introspec\u021bia, retrospec\u0163ia, colajul \u0219i \u2013 nu \u00een ultimul r\u00e2nd \u2013 povestirea \u00een ram\u0103 (Kiernan realiz\u00e2nd un echilibru remarcabil al planurilor narative principale \u0219i secundare, evit\u00e2nd cu dib\u0103cie capcana monotoniei \u0219i pe aceea a digresiunilor).<\/p>\n

Predomin\u0103 registrul lingvistic cult (confirm\u00e2ndu-se aser\u021biunea lui Joshi, mai sus men\u021bionat\u0103), interfer\u00e2nd (nepotrivit, dar \u2013 din fericire \u2013 sporadic) cu registrul lingvistic trivial.<\/p>\n

Concluzion\u00e2nd, Fat\u0103 \u00eenec\u00e2ndu-se<\/em> se adreseaz\u0103, cu prec\u0103dere, iubitorilor de literatur\u0103 decadentist\u0103, estetist\u0103, suprarealist\u0103, postmodernist\u0103.<\/p>\n

\n

*<\/p>\n

\n

Despre autorul rubricii: <\/em><\/strong><\/p>\n

\u00a0<\/em><\/strong><\/p>\n

OLIVIU CR\u00c2ZNIC <\/strong>(n. 1978; p\u0103rin\u021bii: Oliviu, prof. eviden\u021biat gr. I Limba \u0219i literatura rom\u00e2n\u0103, distins cu diploma de onoare \u201eCreativitate \u0219i eficien\u021b\u0103\u201d, \u0219i Dorothea, prof. gr. I Limba \u0219i literatura rom\u00e2n\u0103; studii: licen\u021biat \u00een \u201e\u0218tiin\u021be juridice\u201d, specializarea \u201eDrept\u201d, cu lucrarea de diplom\u0103 intitulat\u0103 Particularit\u0103\u021bi tactice privind confruntarea dintre inculpat \u0219i persoana v\u0103t\u0103mat\u0103<\/em>, sus\u021binut\u0103 la disciplina \u201eCriminalistic\u0103\u201d, \u0219i absolvent al unui curs de formare a mediatorilor) este scriitor (prozator \u0219i poet), traduc\u0103tor literar, antologist, critic literar, conferen\u021biar \u015fi consilier juridic (membru al Ordinului Consilierilor Juridici din Rom\u00e2nia \u0219i al Colegiului Consilierilor Juridici Bucure\u0219ti). \u00cen 2010, a publicat romanul gotic \u2026\u015ei la sf\u00e2r\u015fit a mai r\u0103mas co\u015fmarul<\/em> (Ed. Vremea). Ulterior, a publicat numeroase povestiri \u015fi nuvelete (majoritatea se reg\u0103sesc \u00een volumul de colec\u021bie Ceasul fantasmelor<\/em>, Ed. Crux Publishing, 2015), foarte bine primite de critic\u0103 \u015fi de public, \u015fi a c\u00e2\u015ftigat numeroase premii, inclusiv un premiu acordat de Societatea European\u0103 de Science Fiction. A fost publicat \u00een diverse antologii \u015fi reviste al\u0103turi de nume importante ale literaturii universale contemporane (G.R.R. Martin) sau clasice (A.C. Doyle, R.E. Howard, R. Kipling, H.P. Lovecraft, G. de Maupassant, Saki). Apare men\u021bionat \u00een monumentala The Encyclopedia of Science Fiction<\/em> (ed. J. Clute, P. Nicholls), iar operele lui sunt tratate pe larg \u00een diverse reviste de specialitate: \u00een Caietele Echinox<\/em> (revist\u0103 tip\u0103rit\u0103 sub egida Fac. de Litere a Univ. \u201eBabe\u015f-Bolyai\u201d Cluj-Napoca; eseul semnat de dr. \u00een filologie \u015et. Bolea \u2013 Once Upon Atrocity. Gothic Music Influences in the First Romanian (Neo)gothic Novel<\/em>), \u00een revista cultural\u0103 EgoPHobia<\/em> (eseul Sf\u00e2r\u0219itul care \u00eencepe<\/em>, semnat de dr. \u00een filologie M.A. Aldea) etc. Apare, ca personaj, \u00een nuveleta Isp\u0103\u0219irea<\/em>, scris\u0103 de prof. doc. C. Mitoceanu. Cronicile de carte, articolele \u015fi studiile sale de teorie \u015fi istorie literar\u0103 sunt apreciate pe scar\u0103 larg\u0103 \u2013 unele dintre acestea fiind publicate \u015fi peste grani\u0163\u0103, ceea ce i-a conferit statutul de membru al organiza\u021biei scriitorice\u0219ti \u0219i artistice \u201eImagicopter: The Author\/Artist Cooperative\u201d (2012-2017). A ap\u0103rut, \u00een calitate de expert \u00een istoria vampirismului, \u00een serialul Expedition Unknown<\/em>, realizat de Travel Channel. \u00cen Rom\u00e2nia, a fost invitat, \u00een mai multe r\u00e2nduri, s\u0103 vorbeasc\u0103 studen\u021bilor Fac. de Limbi \u0219i Literaturi Str\u0103ine a Univ. din Bucure\u0219ti (prelegerea Literatura gotic\u0103 \u0219i romantismul \u00eentunecat american. Sec. al XIX-lea: Hawthorne, Melville, Poe \u0219i mo\u0219tenirea lor cultural\u0103<\/em>) ori studen\u021bilor Fac. de Limbi \u0219i Literaturi Str\u0103ine a Univ. Cre\u0219tine \u201eDimitrie Cantemir\u201d (prelegerea Lumi fic\u021bionale \u00een literatura modern\u0103<\/em>, \u00een colaborare cu conf. univ. dr. A.M. Negril\u0103), a participat la sesiunea \u0219tiin\u021bific\u0103 a Academiei Rom\u00e2ne \u2013 Divizia de Logic\u0103, Metodologie \u0219i Filosofie a \u0218tiin\u021bei, cu comunicarea Literatura \u0219tiin\u021bifico-fantastic\u0103 \u0219i c\u0103utarea (modelarea?) viitorului<\/em> \u0219i a jurizat (\u00eempreun\u0103 cu conf. univ. dr. A.M. Negril\u0103) Concursul de crea\u021bie literar\u0103 pentru studen\u021bi \u0219i masteranzi: Proz\u0103 scurt\u0103<\/em> organizat de Fac. de Limbi \u0219i Literaturi Str\u0103ine a Univ. Cre\u0219tine \u201eDimitrie Cantemir\u201d. A participat, \u00een calitate de moderator al serii dedicate literaturii \u0219tiin\u021bifico-fantastice, la cea de a VII-a edi\u021bie a \u201eFestivalului Interna\u021bional de Literatur\u0103 de la Bucure\u0219ti\u201d. A participat, \u00een calitate de invitat, \u00een repetate r\u00e2nduri, la emisiuni culturale televizate sau radiodifuzate. \u00cen prezent, colaboreaz\u0103 cu revista cultural\u0103 EgoPHobia<\/em>, \u00een paginile c\u0103reia de\u021bine rubrica Studii fantastice<\/em>, cu Apostrof<\/em> (revist\u0103 a Uniunii Scriitorilor), precum \u0219i cu Revista de povestiri<\/em> (\u00een calitate de instructor \u00een cadrul unor ateliere de scriere creativ\u0103). Pagin\u0103 virtual\u0103 oficial\u0103: Facebook:<\/em> Oliviu Craznic<\/em> (https:\/\/www.facebook.com\/oliviucraznicofficialpage<\/a>).<\/p>\n

<\/p>\n

\u201eOliviu Cr\u00e2znic chiar este un romantic, un personaj cobor\u00e2t efectiv din propria-i oper\u0103 extraordinar\u0103 \u0219i spectaculoas\u0103, melanj de Baudelaire, Edgar Allan Poe \u0219i Walter Scott, sub ochii necru\u021b\u0103tori ai lui Bram Stoker \u0219i H.P. Lovecraft. Citi\u021bi-i romanul \u0219i povestirile \u0219i o s\u0103 \u00een\u021belege\u021bi imediat la ce m\u0103 refer!\u201d <\/em><\/strong>(\u0218t. Ghidoveanu, realizatorul emisiunii Radio Rom\u00e2nia Cultural Exploratorii lumii de m\u00e2ine<\/em>, \u00een Galileo Online<\/em>, nov. 2012)<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

[Caitl\u00edn R. Kiernan \u2013 Fat\u0103 \u00eenec\u00e2ndu-se: O autobiografie] (Studii fantastice) de Oliviu Cr\u00e2znic Caitl\u00edn R[ebekah] Kiernan (n\u0103scut\u0103 \u00een 1964, \u00een Irlanda; \u00een prezent, tr\u0103ie\u0219te \u00een Statele Unite ale Americii) este specialist\u0103 \u00een paleontologie, muzician\u0103 (Death`s Little Sister, Crimson Stain Mystery) \u0219i scriitoare, de\u021bin\u0103toare a numeroase premii (\u201eBram Stoker\u201d, \u201eLocus\u201d \u0219.a.). Criticul S.T. Joshi (cunoscut mai […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8,1340,892],"tags":[1347,1113,1342,636,1194],"class_list":["post-12306","post","type-post","status-publish","format-standard","hentry","category-critica","category-egophobia-55","category-ghidul-cititorului-de-fantastic","tag-caitlin-r-kiernan","tag-critica","tag-egophobia-55","tag-oliviu-craznic","tag-studii-fantastice"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6DakB-3cu","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12306","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12306"}],"version-history":[{"count":1,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12306\/revisions"}],"predecessor-version":[{"id":12307,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12306\/revisions\/12307"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12306"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12306"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12306"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}