{"id":12405,"date":"2018-12-08T22:12:55","date_gmt":"2018-12-08T20:12:55","guid":{"rendered":"http:\/\/egophobia.ro\/?p=12405"},"modified":"2021-09-04T11:59:39","modified_gmt":"2021-09-04T09:59:39","slug":"antizeu-ul-si-mastile-lui","status":"publish","type":"post","link":"https:\/\/egophobia.ro\/?p=12405","title":{"rendered":"AntiZeu-ul \u0219i m\u0103\u0219tile lui"},"content":{"rendered":"<p style=\"text-align: justify;\"><span style=\"color: green;\">o istorie de buzunar<\/span><\/p>\n<p style=\"text-align: right;\">de Ana-Maria Negril\u0103<\/p>\n<p style=\"text-align: justify;\">\u00a0 Datorat scriitorului \u0219i jurnalistului <a href=\"http:\/\/egophobia.ro\/?tag=stefan-bolea\">\u0218tefan Bolea<\/a>, <em>AntiZeu<\/em> este un volum de poeme publicat \u00een 2014, la editura Herg Benet. Compus din trei p\u0103r\u021bi, denumite <em>Adiaphoria, Destrudo<\/em> \u0219i <em>Odium<\/em>, <em>AntiZeu<\/em> este un spa\u021biu al poeziei ce taie ca un cu\u021bit, deschiz\u00e2nd m\u0103runtaiele istoriei. \u00cen <em>AntiZeu,<\/em> Stefan Bolea este poetul unei lumi ce se pierde, \u00een care oamenii sunt st\u0103p\u00e2ni, dar \u0219i sclavi, o lume ce \u00ee\u0219i construie\u0219te cu entuziasm ziduri, care ajung apoi s\u0103 sugrume \u0219i s\u0103 izoleze. Exist\u0103, totu\u0219i, o dorin\u021b\u0103 de \u00eentregire, de aflare a unui suflet pereche, care s\u0103 sparg\u0103 aceste ziduri \u0219i s\u0103 aduc\u0103 re\u00eennoirea \u2013 influen\u021ba nietzschean\u0103 a reset\u0103rii istoriei.<!--more--><\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Refuzul din <em>Adiaphoria, <\/em>prima parte a volumului, este cel de a accepta ordinea stabilit\u0103, conven\u021biile sociale, modul \u00een care oamenii se supun unor ritualuri ajunse f\u0103r\u0103 sens, dar care \u00eei ajut\u0103 s\u0103 duc\u0103 o existen\u021ba comod\u0103. Ace\u0219ti oameni sunt cei care se tem s\u0103 rup\u0103 lan\u021burile sociale, care accept\u0103 oprimarea din la\u0219itate. Apare astfel un motiv recurent \u00een scrierile lui \u0218tefan Bolea, cel al m\u0103\u0219tilor din spa\u021biul social \u0219i personal, al c\u0103ror scop este de a nivela umanitatea, de a facilita func\u021bionarea acesteia ca \u00a0grup, av\u00e2nd \u00eens\u0103 ca efect falsitatea individual\u0103 \u0219i ruperea rela\u021biilor sincere \u00eentre oameni. Dragostea este cea mai afectat\u0103 de falsitatea m\u0103\u0219tilor, iar suferin\u021ba ajunge s\u0103 se consume \u00een t\u0103cere. Totu\u0219i, m\u0103\u0219tile\/zidurile personale sunt necesare, iar orice spirit profund are nevoie de ele pentru a face fa\u021b\u0103 celor care \u00eei interpreteaz\u0103 orice cuv\u00e2nt, orice aspect al vie\u021bii. Poetul se bucur\u0103 de c\u0103derea m\u0103\u0219tilor sociale, de\u0219i este con\u0219tient de cele pe care \u0219i le construie\u0219te singur, acest lucru aduc\u00e2nd \u00eennoire, eliberare de superficial. Dac\u0103 \u201eadev\u0103rul e o femeie\u201d<a href=\"#_edn1\" name=\"_ednref1\">[i]<\/a>, cea pe care \u0218tefan Bolea o pomene\u0219te \u00een poeziile sale este \u0219i drumul s\u0103u spre cunoa\u0219terea de sine \u0219i \u00een\u021belegerea lumii.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 C\u00e2teva poeme con\u021bin liste \u0219i analogii, ca un joc psihologic ce relev\u0103 esen\u021ba lumii (<em>temperatur\u0103, dic\u021bionar<\/em>).<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201edispre\u021b = invidie<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 cosmos = mucegai<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 criz\u0103 = Pan\u201d<\/p>\n<p style=\"text-align: justify;\"><em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Destrudo <\/em>este spa\u021biul poemelor de un vers sau dou\u0103, elegante ca ni\u0219te haiku-uri, bazate pe ideea c\u0103 epoca modern\u0103 a distrus credin\u021ba \u00een zei, iar posibilitatea omului de a se \u00eemp\u0103ca cu divinitatea (atonement) conduce prin descre\u0219terea actului de credin\u021b\u0103 la o moarte simbolic\u0103 a divinit\u0103\u021bii, la o theothanatologie nietzschean\u0103, \u00een care, \u00een absen\u021ba divinului, singura for\u021b\u0103 \u00een care se mai poate crede este omul \u00eensu\u0219i.<\/p>\n<p style=\"text-align: justify;\"><em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201e<\/em>I am a priest and my religion is me<em>\u201d<\/em><\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00cen aceast\u0103 lume a degrad\u0103rii \u0219i luptei poetului cu oamenii \u0219i cu sine \u00eensu\u0219i, ironia r\u0103sare \u00een locuri nea\u0219teptate, ca o raz\u0103 de speran\u021b\u0103 dat\u0103 de observa\u021bia minu\u021bioas\u0103 a naturii umane \u0219i de spiritul ascu\u021bit al lupt\u0103torului. Este un alt mod de revela natura uman\u0103 prin gestul poetul de a nu-\u0219i mai face zeu din om, ci de a-l aduce la nivelul unui idol cu picioare de lut.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201e<strong>the beautiful people<\/strong><\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Oamenii care l-au executat pe isus sunt mereu l\u00e2ng\u0103 tine\u201d<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Dincolo de filosofie, realitatea unei epoci modeleaz\u0103 oamenii, iar idolii devin greu de acceptat \u00een momentul \u00een care \u0219i-au pierdut statutul \u0219i aura de supraoameni. De un grotesc-ironic, demn de Hieronymus Bosch, supraoamenii poetului decad unul c\u00e2te unul. Fiind o societate specializat\u0103 \u00een distrugerea simbolurilor \u0219i \u00een construirea altora noi, care nici ele nu rezist\u0103 consumatorismului, nici omul Nietzsche nu mai face fa\u021b\u0103 epocii moderne \u0219i sufer\u0103 ca oricare altul vicisitudinile vie\u021bii contemporane. (<strong>ecce superhomo<\/strong>).<\/p>\n<p style=\"text-align: justify;\"><em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Odium<\/em> este locul poemelor distopice, al lumilor alternative, al atacului asupra ordinii stabilite, al credin\u021bei \u0219i blasfemiei, o refulare a celui ce vede c\u0103 lumea se \u00eendreapt\u0103 spre autodistrugere, spre momentul \u00een care lumina va disp\u0103rea, iar \u00eentunericul ce se va l\u0103sa va face toate m\u0103\u0219tile s\u0103 cad\u0103.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>AntiZeu<\/em> este un produs al revoltei \u00eempotriva istoriei, al dorin\u021bei de re\u00eennoire, al distrugerii, dar, \u00een acela\u0219i timp este o privire lucid\u0103 asupra societ\u0103\u021bii actuale \u0219i un ghid de supravie\u021buire pentru cei care v\u0103d falsitatea lumii, \u0219tiu c\u0103 nu o pot reforma, dar doresc s\u0103-\u0219i tr\u0103iasc\u0103 via\u021ba \u00een ciuda acesteia.<\/p>\n<p>&nbsp;<\/p>\n<p># Not\u0103<\/p>\n<p><a href=\"#_ednref1\" name=\"_edn1\">[i]<\/a> Friedrich Nietzsche, <em>Dincolo de bine \u0219i de r\u0103u<\/em>, Preludiu la o filozofie a viitorului. Editura Antet, 2010. p.3.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>o istorie de buzunar de Ana-Maria Negril\u0103 \u00a0 Datorat scriitorului \u0219i jurnalistului \u0218tefan Bolea, AntiZeu este un volum de poeme publicat \u00een 2014, la editura Herg Benet. Compus din trei p\u0103r\u021bi, denumite Adiaphoria, Destrudo \u0219i Odium, AntiZeu este un spa\u021biu al poeziei ce taie ca un cu\u021bit, deschiz\u00e2nd m\u0103runtaiele istoriei. \u00cen AntiZeu, Stefan Bolea este [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8,1356,1298],"tags":[1255,1113,1357,1301,39],"class_list":["post-12405","post","type-post","status-publish","format-standard","hentry","category-critica","category-egophobia-56","category-o-istorie-de-buzunar","tag-ana-maria-negrila","tag-critica","tag-egophobia-56","tag-o-istorie-de-buzunar","tag-stefan-bolea"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6DakB-3e5","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12405","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12405"}],"version-history":[{"count":3,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12405\/revisions"}],"predecessor-version":[{"id":13763,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12405\/revisions\/13763"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12405"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12405"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12405"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}