{"id":12565,"date":"2019-03-15T13:22:15","date_gmt":"2019-03-15T11:22:15","guid":{"rendered":"http:\/\/egophobia.ro\/?p=12565"},"modified":"2019-03-24T16:39:36","modified_gmt":"2019-03-24T14:39:36","slug":"un-viitor-complex-si-exotic","status":"publish","type":"post","link":"https:\/\/egophobia.ro\/?p=12565","title":{"rendered":"Un viitor complex \u0219i exotic"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong>[Ana-Maria Negril\u0103, <em>Stelarium<\/em>, Editura Crux Publishing, 2016-2019]<\/strong><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: green;\">(Studii fantastice)<\/span><\/p>\n<p style=\"text-align: right;\">de Oliviu Cr\u00e2znic<\/p>\n<p style=\"text-align: justify;\">Ana-Maria Negril\u0103 este scriitoare multipremiat\u0103 (proz\u0103), antologatoare, traduc\u0103toare, publicist\u0103 (a publicat critic\u0103 literar-artistic\u0103, inclusiv \u00een <em>Apostrof<\/em>, revist\u0103 a Uniunii Scriitorilor din Rom\u00e2nia, precum \u0219i articole \u0219tiin\u021bifice, \u00een \u021bar\u0103 \u0219i peste hotare). Ocazional, jurizeaz\u0103 concursuri literare, sus\u021bine prelegeri universitare pe teme beletristice sau pred\u0103 arta \u0219i \u0219tiin\u021ba scrisului \u00een cadrul unor ateliere de scriere creativ\u0103. De\u021bine titlul de doctor \u00een Literatur\u0103 veche.<!--more--><\/p>\n<p style=\"text-align: justify;\">A publicat volumele: <em>Ora\u0219ul ascuns<\/em> (2005); <em>\u00cemp\u0103ratul ghe\u021burilor <\/em>(2006; 2018); <em>Stelarium: Regatul sufletelor pierdute<\/em> (2016); <em>Stelarium: Ascensiunea stelar\u0103<\/em> (2016); <em>Stelarium: Agen\u021bii haosului<\/em> (2019).<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/i0.wp.com\/vgy.me\/WROhXD.jpg?w=812&#038;ssl=1\" \/><\/p>\n<p style=\"text-align: justify;\">Ciclul epic <em>Stelarium<\/em> con\u021bine, pe l\u00e2ng\u0103 cele trei volume men\u021bionate mai sus, \u0219i proza scurt\u0103 <em>Agentul galenic<\/em> (publicat\u0103, \u00een 2017, \u00een revista <em>\u0218tiin\u021b\u0103 \u0219i Tehnic\u0103<\/em>). De asemenea, pot fi identificate anumite conexiuni \u00eentre universul <em>Stelarium<\/em> \u0219i <em>\u00cemp\u0103ratul ghe\u021burilor<\/em>. \u00cen cele care urmeaz\u0103, \u00eens\u0103, ne vom referi strict la volumele care poart\u0103 titlul ciclului.<\/p>\n<p style=\"text-align: justify;\">Din punct de vedere al teoriei literare, <em>Stelarium<\/em> apar\u021bine stilului func\u0163ional beletristic, curentului literar transumanist (remarc\u0103m \u0219i elemente postumaniste, dar acestea nu sunt predominante \u00een oper\u0103), categoriei estetice a fantasticului, genului literar epic.<\/p>\n<p style=\"text-align: justify;\">Specia \u0219i subspecia literar\u0103 sunt mai dificil de stabilit, datorit\u0103 complexit\u0103\u021bii operei analizate, care permite varii etichet\u0103ri, cu argumente pro \u0219i contra. \u00cen ceea ce ne prive\u0219te, opt\u0103m pentru \u00eencadrarea \u00een specia literar\u0103 (din punct de vedere formal \u0219i, respectiv, tematic) a romanului \u0219tiin\u021bifico-fantastic (\u00een trei volume), subspecia literar\u0103 a \u0219tiin\u021bifico-fantasticului biologic (bioSF; no\u021biunea include toate ramurile biologiei, prin urmare \u0219i biochimia, ecologia, genetica etc.) futurist, cu elemente din zone precum aceea a \u0219tiin\u021bifico-fantasticului cosmic (cosmoSF), planetar (planetSF), parapsihologic (paraSF), cibernetic (ciberSF), \u0219i chiar din aceea a neofantasticului.<\/p>\n<p style=\"text-align: justify;\">Din punct de vedere al literaturii comparate, <em>Stelarium<\/em> poate fi asociat, \u00een primul r\u00e2nd, celor dou\u0103 mari realiz\u0103ri ale cunoscutului Frank Herbert: <em>Dune<\/em> (1963-1985) \u0219i <em>Pandora<\/em> (1966-1988; \u00een colaborare cu Bill Ransom).<\/p>\n<p style=\"text-align: justify;\">Subiectul operei \u00eel constituie aventurile \u0219i experien\u021bele (inclusiv de natur\u0103 spiritual\u0103) prin care trec \u201eagen\u021bii haosului\u201d (pe planetele Galene, Cardeea, apoi iar Galene, str\u0103b\u0103t\u00e2nd \u0219i spa\u021biul cosmic), patru tineri cu \u00eembun\u0103t\u0103\u021biri genetice \u0219i special antrena\u021bi, capabili s\u0103 controleze un tip aparte de bioenergie planetar\u0103, cu ajutorul c\u0103reia pot modifica realitatea. Protagoni\u0219tii (\u0219i nu mai pu\u021bin interesan\u021bii eroi secundari: maestrul duplicitar al acestora, vis\u00e2nd instaurarea \u0219i men\u021binerea prin propagand\u0103 \u0219i for\u021b\u0103 a unui soi de socialism utopic; un monstru creat \u00een laborator \u0219i sc\u0103pat de sub control; un pragmatic \u201ev\u00e2n\u0103tor de agen\u021bi\u201d din Republica rival\u0103; un misterios locuitor al unei planete \u00eendep\u0103rtate, decis s\u0103 recupereze o astronav\u0103 furat\u0103 de la fratele s\u0103u \u0219.a.) sunt prin\u0219i, mai cu voie, mai f\u0103r\u0103 voie, \u00een secularele jocuri de putere ale unei omeniri colonialiste, fiecare volum relu\u00e2nd povestea din exact punctul \u00een care a fost \u00eentrerupt\u0103 la finalul volumului anterior.<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/i0.wp.com\/vgy.me\/mmxJEp.png?w=812&#038;ssl=1\" \/><\/p>\n<p style=\"text-align: justify;\">Decoruri exotice guvernate de bionomii misterioase, c\u0103l\u0103torii interplanetare, antrenamente epuizante \u0219i arte mar\u021biale, confrunt\u0103ri violente, conspira\u021bii planetare \u0219i galactice, lovituri de teatru, tr\u0103d\u0103ri \u0219i manipulare, nani\u021bi \u0219i criogenie, realit\u0103\u021bi virtuale, con\u0219tiin\u021be stocate cibernetic \u0219i inteligen\u021be artificiale, experimente genetice, creiere vegetale \u0219i astronave organice con\u0219tiente de sine, personaje av\u00e2nd un comportament verosimil \u0219i fascinant \u2013 toate acestea, izvor\u00e2te din scriitura atent\u0103 \u0219i plin\u0103 de talent a unei romanciere consacrate, asigur\u0103 o lectur\u0103 c\u00e2t se poate de captivant\u0103.<\/p>\n<p style=\"text-align: justify;\">Remarc\u0103m, de asemenea, aforismele inserate cu har \u00een paginile pove\u0219tii. Constat\u0103ri profunde \u0219i \u00eentreb\u0103ri menite s\u0103 pun\u0103 cititorul pe g\u00e2nduri (pentru c\u0103 \u00eei pot folosi \u00een via\u021ba de zi cu zi) se ivesc \u00een mintea \u0219i \u00een dialogurile personajelor, ori \u00een pasajele con\u021bin\u00e2nd pseudocitate din operele (anti)eroilor acestei imaginare \u0219i at\u00e2t de complexe lumi. Problematici umane sunt analizate din numeroase puncte de vedere (inclusiv din puncte de vedere \u201enonumane\u201d), oferindu-se solu\u021bii alternative sau semnal\u00e2ndu-se puncte slabe ale unor concepte ori modele comportamentale pe care le cunoa\u0219tem din istorie sau le \u00eent\u00e2lnim \u00een contemporaneitate. Astfel, <em>Stelarium<\/em> nu reprezint\u0103 doar un roman \u2013 este, \u00een acela\u0219i timp, un manual de filosofie-sociologie, \u00eentocmit \u00een a\u0219a fel \u00eenc\u00e2t \u201emateria\u201d s\u0103 deschid\u0103 \u0219i s\u0103 dezvolte spiritul cititorului.<\/p>\n<p style=\"text-align: justify;\">Cel de al treilea volum al \u201eepopeii\u201d, <em>Agen\u021bii haosului<\/em>, ofer\u0103 un \u201efinis coronat opus\u201d, Ana-Maria Negril\u0103 dovedind astfel c\u0103 nu a avut inten\u021bia de a scrie volume peste volume p\u00e2n\u0103 la epuizarea posibilit\u0103\u021bilor subiectului (ceea ce ar fi f\u0103cut s\u0103 planeze asupra <em>Stelariumului<\/em> marele risc al artificialului, c\u0103ruia \u00eei cad prad\u0103 at\u00e2\u021bia autori ai momentului), ci a creat firesc o fresc\u0103 viabil\u0103, pe care a preferat s\u0103 o a\u0219tearn\u0103 pe h\u00e2rtie \u00een at\u00e2tea pagini c\u00e2te erau necesare, f\u0103r\u0103 digresiuni, dar \u0219i f\u0103r\u0103 teama de am\u0103nunte. Rezultatul: o saga \u00eenchegat\u0103, gata s\u0103 reziste oric\u0103rei critici, adev\u0103rat\u0103 arhitectur\u0103 literar\u0103; probabil cea mai important\u0103 realizare \u0219tiin\u021bifico-fantastic\u0103 rom\u00e2neasc\u0103 a ultimilor cinci ani, greu de concurat \u00een anii care urmeaz\u0103, cu pu\u021bine rivale \u00een anii trecu\u021bi.<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/i0.wp.com\/vgy.me\/5f3C4M.png?w=812&#038;ssl=1\" \/><\/p>\n<p style=\"text-align: justify;\">Acestea fiind spuse, invit\u0103m cititorul s\u0103 treac\u0103, plin de \u00eencredere, pragul unui nou cosmos, avertiz\u00e2ndu-l totodat\u0103: fiecare capitol va fi \u0219i o provocare intelectual\u0103, nu doar un pas \u00eenainte pe t\u0103r\u00e2mul aventurii.<\/p>\n<p style=\"text-align: justify;\">*<\/p>\n<p style=\"text-align: justify;\"><strong><em>Despre autorul rubricii: <\/em><\/strong><\/p>\n<p style=\"text-align: justify;\"><strong><em>\u00a0<\/em><\/strong><\/p>\n<p style=\"text-align: justify;\"><strong>OLIVIU CR\u00c2ZNIC\u00a0<\/strong>(n. 1978; p\u0103rin\u021bii: Oliviu, prof. eviden\u021biat gr. I Limba \u0219i literatura rom\u00e2n\u0103, distins cu diploma de onoare \u201eCreativitate \u0219i eficien\u021b\u0103\u201d, \u0219i Dorothea, prof. gr. I Limba \u0219i literatura rom\u00e2n\u0103; studii: licen\u021biat \u00een \u201e\u0218tiin\u021be juridice\u201d, specializarea \u201eDrept\u201d, cu lucrarea de diplom\u0103 intitulat\u0103\u00a0<em>Particularit\u0103\u021bi tactice privind confruntarea dintre inculpat \u0219i persoana v\u0103t\u0103mat\u0103<\/em>, sus\u021binut\u0103 la disciplina \u201eCriminalistic\u0103\u201d, \u0219i absolvent al unui curs de formare a mediatorilor) este scriitor (prozator \u0219i poet), traduc\u0103tor literar, antologist, critic literar, conferen\u021biar \u015fi consilier juridic (membru al Ordinului Consilierilor Juridici din Rom\u00e2nia \u0219i al Colegiului Consilierilor Juridici Bucure\u0219ti). \u00cen 2010, a publicat romanul gotic\u00a0<em>\u2026\u015ei la sf\u00e2r\u015fit a mai r\u0103mas co\u015fmarul<\/em>\u00a0(Ed. Vremea). Ulterior, a publicat numeroase povestiri \u015fi nuvelete (majoritatea se reg\u0103sesc \u00een volumul de colec\u021bie\u00a0<em>Ceasul fantasmelor<\/em>, Ed. Crux Publishing, 2015), foarte bine primite de critic\u0103 \u015fi de public, \u015fi a c\u00e2\u015ftigat numeroase premii, inclusiv un premiu acordat de Societatea European\u0103 de Science Fiction. A fost publicat \u00een diverse antologii \u015fi reviste al\u0103turi de nume importante ale literaturii universale contemporane (G.R.R. Martin) sau clasice (A.C. Doyle, R.E. Howard, R. Kipling, H.P. Lovecraft, G. de Maupassant, Saki). Apare men\u021bionat \u00een monumentala\u00a0<em>The Encyclopedia of Science Fiction<\/em>\u00a0(ed. J. Clute, P. Nicholls), iar operele lui sunt tratate pe larg \u00een diverse reviste de specialitate: \u00een\u00a0<em>Caietele Echinox<\/em>\u00a0(revist\u0103 tip\u0103rit\u0103 sub egida Fac. de Litere a Univ. \u201eBabe\u015f-Bolyai\u201d Cluj-Napoca; eseul semnat de dr. \u00een filologie \u015et. Bolea \u2013\u00a0<em>Once Upon Atrocity. Gothic Music Influences in the First Romanian (Neo)gothic Novel<\/em>), \u00een revista cultural\u0103\u00a0<em>EgoPHobia<\/em>\u00a0(eseul\u00a0<em>Sf\u00e2r\u0219itul care \u00eencepe<\/em>, semnat de dr. \u00een filologie M.A. Aldea) etc. Apare, ca personaj, \u00een nuveleta\u00a0<em>Isp\u0103\u0219irea<\/em>, scris\u0103 de prof. doc. C. Mitoceanu. Cronicile de carte, articolele \u015fi studiile sale de teorie \u015fi istorie literar\u0103 sunt apreciate pe scar\u0103 larg\u0103 \u2013 unele dintre acestea fiind publicate \u015fi peste grani\u0163\u0103, ceea ce i-a conferit statutul de membru al organiza\u021biei scriitorice\u0219ti \u0219i artistice Imagicopter: The Author\/Artist Cooperative (2012-2017). A ap\u0103rut, \u00een calitate de expert \u00een istoria vampirismului, \u00een serialul\u00a0<em>Expedition Unknown<\/em>, realizat de Travel Channel. \u00cen Rom\u00e2nia, a fost invitat, \u00een mai multe r\u00e2nduri, s\u0103 vorbeasc\u0103 studen\u021bilor Fac. de Limbi \u0219i Literaturi Str\u0103ine a Univ. din Bucure\u0219ti (prelegerea\u00a0<em>Literatura gotic\u0103 \u0219i romantismul \u00eentunecat american. Sec. al XIX-lea: Hawthorne, Melville, Poe \u0219i mo\u0219tenirea lor cultural\u0103<\/em>) ori studen\u021bilor Fac. de Limbi \u0219i Literaturi Str\u0103ine a Univ. Cre\u0219tine \u201eDimitrie Cantemir\u201d (prelegerea\u00a0<em>Lumi fic\u021bionale \u00een literatura modern\u0103<\/em>, \u00een colaborare cu conf. univ. dr. A.M. Negril\u0103), a participat la sesiunea \u0219tiin\u021bific\u0103 a Academiei Rom\u00e2ne \u2013 Divizia de Logic\u0103, Metodologie \u0219i Filosofie a \u0218tiin\u021bei, cu comunicarea\u00a0<em>Literatura \u0219tiin\u021bifico-fantastic\u0103 \u0219i c\u0103utarea (modelarea?) viitorului<\/em>\u00a0\u0219i a jurizat (\u00eempreun\u0103 cu conf. univ. dr. A.M. Negril\u0103)\u00a0<em>Concursul de crea\u021bie literar\u0103 pentru elevi, studen\u021bi \u0219i masteranzi: Proz\u0103 scurt\u0103<\/em>\u00a0organizat de Fac. de Limbi \u0219i Literaturi Str\u0103ine a Univ. Cre\u0219tine \u201eDimitrie Cantemir\u201d (ed. I: 2018, ed. II: 2019). A participat, \u00een calitate de moderator al serii dedicate literaturii \u0219tiin\u021bifico-fantastice, la cea de a VII-a edi\u021bie a Festivalului Interna\u021bional de Literatur\u0103 de la Bucure\u0219ti \u0219i, \u00een calitate de invitat al \u201eCasei Fantasy\u201d (moderator: D. Dobo\u0219), la cea de a VI-a edi\u021bie a Festivalului Interna\u021bional de Literatur\u0103 \u0219i Traducere Ia\u0219i. A participat, \u00een calitate de invitat, \u00een repetate r\u00e2nduri, la emisiuni culturale televizate sau radiodifuzate. \u00cen prezent, colaboreaz\u0103 cu revista cultural\u0103\u00a0<em>EgoPHobia<\/em>, \u00een paginile c\u0103reia de\u021bine rubrica\u00a0<em>Studii fantastice<\/em>, cu\u00a0<em>Apostrof<\/em>\u00a0(revist\u0103 a Uniunii Scriitorilor), precum \u0219i cu\u00a0<em>Revista de povestiri<\/em>\u00a0(\u00een calitate de instructor \u00een cadrul unor ateliere de scriere creativ\u0103). Pagin\u0103 virtual\u0103 oficial\u0103:\u00a0<em>Facebook:<\/em>\u00a0<em>Oliviu Craznic<\/em>\u00a0(<a href=\"https:\/\/www.facebook.com\/oliviucraznicofficialpage\">https:\/\/www.facebook.com\/oliviucraznicofficialpage<\/a>). Foto autor: Mihaela Nazarie.<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/i0.wp.com\/vgy.me\/xrt63T.jpg?w=812&#038;ssl=1\" \/><\/p>\n<p style=\"text-align: justify;\"><strong><em>\u201eOliviu Cr\u00e2znic chiar este un romantic, un personaj cobor\u00e2t efectiv din propria-i oper\u0103 extraordinar\u0103 \u0219i spectaculoas\u0103, melanj de Baudelaire, Edgar Allan Poe \u0219i Walter Scott, sub ochii necru\u021b\u0103tori ai lui Bram Stoker \u0219i H.P. Lovecraft. Citi\u021bi-i romanul \u0219i povestirile \u0219i o s\u0103 \u00een\u021belege\u021bi imediat la ce m\u0103 refer!\u201d\u00a0<\/em><\/strong>(\u0218t. Ghidoveanu, realizatorul emisiunii Radio Rom\u00e2nia Cultural\u00a0<em>Exploratorii lumii de m\u00e2ine<\/em>, \u00een\u00a0<em>Galileo Online<\/em>, nov. 2012)<\/p>\n<p style=\"text-align: justify;\">\n","protected":false},"excerpt":{"rendered":"<p>[Ana-Maria Negril\u0103, Stelarium, Editura Crux Publishing, 2016-2019] (Studii fantastice) de Oliviu Cr\u00e2znic Ana-Maria Negril\u0103 este scriitoare multipremiat\u0103 (proz\u0103), antologatoare, traduc\u0103toare, publicist\u0103 (a publicat critic\u0103 literar-artistic\u0103, inclusiv \u00een Apostrof, revist\u0103 a Uniunii Scriitorilor din Rom\u00e2nia, precum \u0219i articole \u0219tiin\u021bifice, \u00een \u021bar\u0103 \u0219i peste hotare). Ocazional, jurizeaz\u0103 concursuri literare, sus\u021bine prelegeri universitare pe teme beletristice sau pred\u0103 [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8,1369,892],"tags":[1255,1113,1370,636,1194],"class_list":["post-12565","post","type-post","status-publish","format-standard","hentry","category-critica","category-egophobia-57","category-ghidul-cititorului-de-fantastic","tag-ana-maria-negrila","tag-critica","tag-egophobia-57","tag-oliviu-craznic","tag-studii-fantastice"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6DakB-3gF","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12565","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12565"}],"version-history":[{"count":3,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12565\/revisions"}],"predecessor-version":[{"id":12572,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12565\/revisions\/12572"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12565"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12565"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12565"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}