{"id":12567,"date":"2019-03-15T11:54:39","date_gmt":"2019-03-15T09:54:39","guid":{"rendered":"http:\/\/egophobia.ro\/?p=12567"},"modified":"2021-09-04T11:56:58","modified_gmt":"2021-09-04T09:56:58","slug":"note-despre-jocul-necromantilor","status":"publish","type":"post","link":"https:\/\/egophobia.ro\/?p=12567","title":{"rendered":"Note despre Jocul necroman\u021bilor"},"content":{"rendered":"

[\u0218erban Andrei Mazilu – “Jocul necroman\u021bilor”,<\/em> Crux, Bucure\u0219ti, 2016]<\/strong><\/p>\n

de \u0218tefan Bolea<\/a><\/p>\n

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  1. Sunt un fan al lui \u0218erban Andrei Mazilu \u00eenc\u0103 de la primul lui roman publicat direct \u00een englez\u0103, despre care am scris aici (http:\/\/egophobia.ro\/?p=9654)<\/a>. Jocul necroman\u021bilor<\/em> (Bucure\u0219ti: Crux, 2016) este continuarea romanului de succes Anotimpul pumnalelor<\/em> (http:\/\/egophobia.ro\/?p=11098)<\/a> din seria Cronici din Voss<\/em> (https:\/\/www.goodreads.com\/series\/196641-cronici-din-voss)<\/a>. Noua lui scriere este excesiv de cinematic\u0103: dac\u0103 Andrei ar avea un noroc excep\u021bional (ceea ce nu este imposibil), Jocul necroman\u021bilor<\/em> ar putea sta la baza unei serii ecranizabile \u0219i ar face concuren\u021b\u0103 unor francize celebre precum Avengers<\/em> \u0219i Assassin Creed<\/em>.
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  2. Crux<\/em>-ul acestui roman este \u2013 dintr-o perspectiv\u0103 filosofic\u0103 \u2013 \u201eduelul\u201d dintre cele dou\u0103 personific\u0103ri ale mor\u021bii, Thanos \u0219i Turek. Thanos aminte\u0219te uneori de un demiurg eminescian, pur contemplativ \u2013 care trebuie s\u0103 \u00eenve\u021be func\u021bia sentiment \u2013, alteori de acel Iahve din Exodul<\/em> care se autocaracterizeaz\u0103 \u201eego sum qui sum\u201d: \u201eNu v\u0103 teme\u021bi, c\u0103ci eu nu sunt Binele \u0219i nici R\u0103ul! Nu sunt Lumina, nici \u00centunericul. Nu sunt \u00cenceputul \u0219i, cu siguran\u021b\u0103, nu sunt Sf\u00e2r\u0219itul. Eu sunt C\u0103l\u0103uza. Eu sunt<\/em>\u201d, (s.a.), p. 41). Turek este un zeu dinamic, \u00een ascensiune, care seam\u0103n\u0103 pu\u021bin cu Lucifer din Paradise Lost<\/em> \u0219i care \u00eemi treze\u0219te imaginea unui demiurg r\u0103u gnostic. \u201eEu sunt zeul care vine\u201d (p. 14), sus\u021bine el \u0219i putem preciza \u00een acest punct c\u0103 Demiurgul cel r\u0103u<\/em> al lui Cioran a fost tradus \u00een englez\u0103 cu titlul de The New Gods<\/em>. Or, dac\u0103 Thanos spune \u201eEu sunt\u201d, Turek va plusa cu \u201eNimeni altul ca mine\u201d (p. 64). Parc\u0103 este o referin\u021be subtil\u0103 la acel \u201eabove the stars of God\u201d din Isaia<\/em>.<\/li>\n
  3. \u00centre Thanos \u0219i Turek exist\u0103 un \u201ecomer\u021b\u201d de proiec\u021bii reciproce. Dac\u0103 Turek vrea \u201es\u0103 ucid\u0103 moartea\u201d \u0219i s\u0103 devin\u0103 nemuritor (p. 58), Thanos \u00ee\u0219i prive\u0219te zeul concurent ca pe o \u201eabera\u021bie\u201d, \u201eo gre\u0219eal\u0103 pe care Crea\u021bia o va \u00eenl\u0103tura mai devreme sau mai t\u00e2rziu\u201d (p. 63). Pasajul este bogat \u00een semnifica\u021bii: de la Diferen\u021bialele divine<\/em> ale lui Blaga, la anomalia sistemic\u0103 din Matrix<\/em>, ori la Alien Covenant<\/em> (https:\/\/philosophynow.org\/issues\/124\/Alien_Covenant)<\/a> nu sunt dec\u00e2t c\u00e2\u021biva pa\u0219i. Lupta divinit\u0103\u021bii cu sine \u00eens\u0103\u0219i ori lupta dintre aspectul pozitiv al divinit\u0103\u021bii cu cel negativ este un conflict care na\u0219te \u00een primul r\u00e2nd ambiguitate, dac\u0103 nu chiar ambivalen\u021b\u0103: \u201eCultul nu \u00eel sl\u0103vea pe Thanos, zeul cel negru. Nu sl\u0103vea Moartea, ci anti-Moartea. Revela\u021bia aproape c\u0103 \u00eel f\u0103cu s\u0103 z\u00e2mbeasc\u0103, realiz\u00e2nd c\u0103 opusul nefiin\u021bei nu era, p\u00e2n\u0103 la urm\u0103, via\u021ba…\u201d (p. 13); \u201e… \u00eentunericul nu \u00eenseamn\u0103 neap\u0103rat R\u0103u. \u0218i, c\u00e2teodat\u0103, nici R\u0103ul nu \u00eenseamn\u0103 Distrugere…\u201d (p. 328). Andrei are urechea sensibil\u0103 la aceste semitonuri care fac distinc\u021bia dintre transcenden\u021b\u0103 \u0219i demonism, pentru c\u0103 ne afl\u0103m pe un teren ereziologic.<\/li>\n
  4. Exist\u0103 multe descrieri reu\u0219ite \u00een carte \u2013 extrag doar dou\u0103 fragmente. \u00cen primul, arhipelagul este un Moloh personificat \u2013 \u00een cel de-al doilea, autorul experimenteaz\u0103 cu o elemente steampunk<\/em>. \u201eArhipelagul nu fusese niciodat\u0103 un t\u0103r\u00e2m de basm. Era un monstru, o creatur\u0103 enorm\u0103 cu solzi dreptunghiulari, b\u0103tu\u021bi \u00een bronz \u0219i cupru \u00een modele complexe … Districtele \u00eei erau armura inegal\u0103 \u2013 timbre lipite nep\u0103s\u0103tor, contradictoriu, cu scuipat \u0219i s\u00e2nge.\u201d (p. 83); \u201eRo\u021bile uria\u0219e ale b\u0103tr\u00e2nului orologiu din Campbell Square sc\u00e2r\u021b\u00e2iau ruginit, axele \u0219i mecanismele se \u00eenv\u00e2rteau ghior\u0103ind precum m\u0103runtaiele unui c\u0103pc\u0103un, iar clopotul de bronz \u00ee\u0219i propaga z\u0103ng\u0103nitul asurzitor \u00een traheea prelung\u0103 a turnului de granit.\u201d (p. 98)<\/li>\n
  5. \u00cen \u00eencheiere a\u0219 vrea s\u0103 amintesc \u0219i ni\u0219te puncte slabe ale Jocului<\/em>, care ar putea fi corectate la o edi\u021bie secund\u0103. Extrem de multe personaje secundare, care contrazic legea economiei. Ar trebui un glosar: p\u00e2n\u0103 n-a ap\u0103rut Aendo, nu prea \u0219tiam pe ce lume m\u0103 aflu! Mi se pare un contrasens c\u0103 Aendo \u0219i York au devenit asasini grijulii, dup\u0103 cum remarc\u0103 partenerele lor (p. 151, p. 275). La un moment dat, trebuie s\u0103 ne asum\u0103m umbra, altfel totul devine dulceag. Cel care lupt\u0103 cu mon\u0219tri trebuie s\u0103 accepte propria sa monstruozitate, ca s\u0103-l parafrazez pe Nietzsche. Multe exprim\u0103ri pleonastice. Selectez doar c\u00e2teva: \u201eNecunoa\u0219terea hr\u0103ne\u0219te ignoran\u021ba<\/em>\u201d (s.a.) (p. 41), \u201e\u00eemp\u0103r\u0103teasa … Imperiului<\/em>\u201d (s.a.) (p. 57), \u201e… s\u0103 le ucid\u0103 speran\u021ba, s\u0103 le aduc\u0103 \u00een pragul unei disper\u0103ri supreme…\u201d (p. 197), \u201evag\u0103 r\u0103m\u0103\u0219i\u021b\u0103 de inocen\u021b\u0103 amestecat\u0103 infantil…<\/em>\u201d (s.a.) (p. 282). Termenul \u201ededuc\u021bie\u201d e folosit gre\u0219it (eroare care se reg\u0103se\u0219te \u0219i la Conan Doyle) \u2013 corect ar fi \u201einduc\u021bie\u201d (p. 279 sqq). Totu\u0219i, acestea sunt detalii minore, care nu \u00eengreuneaz\u0103 lectura \u0219i care nu-i r\u0103pesc lui Andrei meritul de a fi un autor novator \u0219i care merit\u0103 urm\u0103rit \u00een continuare.<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"

    [\u0218erban Andrei Mazilu – “Jocul necroman\u021bilor”, Crux, Bucure\u0219ti, 2016] de \u0218tefan Bolea Sunt un fan al lui \u0218erban Andrei Mazilu \u00eenc\u0103 de la primul lui roman publicat direct \u00een englez\u0103, despre care am scris aici (http:\/\/egophobia.ro\/?p=9654). Jocul necroman\u021bilor (Bucure\u0219ti: Crux, 2016) este continuarea romanului de succes Anotimpul pumnalelor (http:\/\/egophobia.ro\/?p=11098) din seria Cronici din Voss (https:\/\/www.goodreads.com\/series\/196641-cronici-din-voss). […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8,1369],"tags":[1113,1370,984,39],"class_list":["post-12567","post","type-post","status-publish","format-standard","hentry","category-critica","category-egophobia-57","tag-critica","tag-egophobia-57","tag-serban-andrei-mazilu","tag-stefan-bolea"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6DakB-3gH","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12567","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12567"}],"version-history":[{"count":2,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12567\/revisions"}],"predecessor-version":[{"id":13758,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12567\/revisions\/13758"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12567"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12567"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12567"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}