{"id":12699,"date":"2019-07-31T08:16:31","date_gmt":"2019-07-31T06:16:31","guid":{"rendered":"http:\/\/egophobia.ro\/?p=12699"},"modified":"2019-07-27T21:18:39","modified_gmt":"2019-07-27T19:18:39","slug":"suprarealismul-cotidian","status":"publish","type":"post","link":"https:\/\/egophobia.ro\/?p=12699","title":{"rendered":"Suprarealismul cotidian"},"content":{"rendered":"<p style=\"text-align: justify;\"><span style=\"color: green;\">o istorie de buzunar<\/span><\/p>\n<p style=\"text-align: right;\">de Ana-Maria Negril\u0103<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Nezeu tr\u0103ie\u0219te la bloc \u2013 o carte cu care po\u021bi s\u0103 prinzzzi mu\u0219te <\/em>este un volum de poezii dulce-acri\u0219or ap\u0103rut \u00een 2016, la editura Junimea, \u0219i datorat scriitorului Cristian Ghica, autorul romanelor <em>ROCKescu<\/em> (Rom\u00e2nia pur \u0219i simplu, 2014), <em>\u0218mecher cu carte<\/em> (Junimea, 2017), dar \u0219i al volumelor de versuri <em>Cea mai frumoas\u0103 poezie<\/em> (Art Creativ, 2014, 2016) \u0219i \u00a0<em>\u0218tiri din Rom\u00e2nia<\/em> (Junimea, 2018).<!--more--><\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mai amuzant\u0103, de\u0219i nu mai pu\u021bin profund\u0103 dec\u00e2t celelalte, <em>cartea de prins mu\u0219te<\/em> adun\u0103 \u00eentre copertele ei o colec\u021bie impresionant\u0103 de fapte de via\u021b\u0103, de sclipiri de chihlimbar \u00een care s-au prins \u0219i conservat destine de insecte muncitoare. Via\u021ba la bloc nu a fost mai bine prins\u0103 \u00een vers, cu toate ale ei, cu amuzamentul cam din topor al unei lumi pestri\u021be, silit\u0103 de \u00eemprejur\u0103ri s\u0103 se \u00eenghesuie \u00eentr-un spa\u021biu pe vertical\u0103, abandon\u00e2nd astfel spa\u021biile largi ale unei copil\u0103rii rurale. Blocul lui Cristian Ghica este \u00een Drumul Taberei, cartier r\u00e2vnit prin anii \u201870-\u201880 pentru spa\u021biile verzi de care beneficia, un adev\u0103rat loc al izb\u00e2nzii proletare.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 D\u00e2nd <em>fila cu fil\u0103<\/em> \u0219i <em>utiliz\u00e2nd fiecare cuv\u00e2nt<\/em>, se creeaz\u0103 o istorie, care, \u00een perioada comunist\u0103, ar fi devenit repede interzis\u0103, a musculi\u021belor muncitoare din blocuri. Pe de-o parte, avem propaganda, me\u0219te\u0219ugit pres\u0103rat\u0103 printre versuri, cu toat\u0103 suita ei de izb\u00e2nzi \u00een munc\u0103, cu produse l\u0103udate ca realiz\u0103ri ale industriei, pe de alta, acelea\u0219i produse sunt demontate cu grij\u0103, poetul folosindu-se de cuvinte ca de ni\u0219te chei sau \u0219urubelni\u021be pentru a le ar\u0103ta calitatea \u00eendoielnic\u0103. Fapte de via\u021b\u0103 r\u0103sun\u0103 din versuri: cozile la alimente, acel <em>s\u0103 se dea unul ca s\u0103 ajung\u0103 la to\u021bi<\/em>, obliga\u021bia permanent\u0103 de a spune doar ce trebuie \u0219i nu ce crezi, cenzura, falsul egalitarism etc.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Peste aceast\u0103 lume \u00eenchistat\u0103, apare brusc libertatea str\u0103lucitoare, iar oamenii, tot ca ni\u0219te musculi\u021be, \u00ee\u0219i ard aripile la lumina ei. Este vorba despre o genera\u021bie care nu a tr\u0103it \u00eentr-o societate guvernat\u0103 de legi acceptate, care au evoluat lin de-a lungul secolelor, ci \u00eentr-una impus\u0103, dur\u0103 \u0219i mutilant\u0103 \u00een ciuda momelii egalitariste. Rezultatul este c\u0103 oamenii \u00ee\u0219i pierd busola moral\u0103 \u0219i social\u0103, uit\u0103 cum s\u0103-\u0219i creasc\u0103 copii, se uit\u0103 pe sine, se pierd \u00een consumarism, adun\u0103 compulsiv lucruri de care nu au nevoie, dar de care au fost priva\u021bi \u00een copil\u0103ri sau \u00een adolescen\u021b\u0103. \u00cencearc\u0103 s\u0103 compenseze, dar cedeaz\u0103 \u00een mijlocul agita\u021biei generale de prizonieri elibera\u021bi ce clipesc uimi\u021bi \u00een fa\u021ba luminii zilei, incapabili s\u0103 recunoasc\u0103 valoarea obiectelor ce-i \u00eenconjoar\u0103.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Z\u00e2mbetul \u0219i lacrima se \u00eempletesc permanent \u00een aceste poeme. \u00cen aceast\u0103 viziune suprarealist\u0103, a la Boris Vian, un c\u00e2ine mort de foame \u00eei scrie pre\u0219edintelui pentru a se pl\u00e2nge c\u0103 el nu are ce m\u00e2nca \u00een timp ce se arunc\u0103 banii pe pliantele marilor magazine, propun\u00e2nd ca \u00een locul acestora s\u0103 se \u201epun\u0103 \u00een cutiile po\u0219tale, salam de Sibiu \u0219i parmezan\u201d (<em>domnule pre\u0219edinte<\/em>,). \u00cen acela\u0219i timp, o reclam\u0103 \u00eei \u00eendeamn\u0103 pe oameni s\u0103 se cazeze la <em>hotel apatia, cinci stele verzi<\/em>, unde vor beneficia gratuit de depresii \u0219i de o camer\u0103 cu vedere spre cimitir (<em>ofert\u0103 special\u0103<\/em>), iar \u00een aerul condi\u021bionat \u00ee\u0219i fac cuib ni\u0219te mierle care \u00eel ceart\u0103 permanent pe poet (<em>t\u0103cere<\/em>).<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Versurile lui Cristian Ghica, dincolo de latura ludic\u0103, vorbesc despre o foame de a cuprinde, de a tr\u0103i, de a avea tot ce nu a existat p\u00e2n\u0103 \u00een 1989 dec\u00e2t \u00eentre paginile revistelor Neckermann. Din p\u0103cate, aceast\u0103 foame este mo\u0219tenit\u0103 \u0219i de urma\u0219i, \u00eempreun\u0103 cu angoasa \u0219i traumele p\u0103rin\u021bilor. De aici p\u00e2n\u0103 la sentimentul alien\u0103rii nu este dec\u00e2t un pas. Oamenii \u00ee\u0219i construiesc \u0219i al\u021bi pere\u021bi dec\u00e2t cei ai blocului, se izoleaz\u0103 \u00een spatele tastaturilor, nu mai comunic\u0103 de team\u0103 s\u0103 nu gre\u0219easc\u0103, s\u0103 nu fie judeca\u021bi, ochi vigilen\u021bi vegheaz\u0103 acum nu numai din spatele ferestrelor, ci \u0219i al Internetului. Totu\u0219i, f\u0103r\u0103 tehnologie, omul nu mai e nimic, nu mai \u0219tie nimic, nu mai poate comunica cu nimeni.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201echiar acum mi-a picat internetul,\/ nu tu mail, nu tu muzic\u0103.\/ dintr-o dat\u0103 m-am rupt de ceilal\u021bi.\u201d (<em>Iubire<\/em>)<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Nezeu tr\u0103ie\u0219te la bloc <\/em>vorbe\u0219te despre o singur\u0103tate existen\u021bial\u0103, istoric\u0103, atotcuprinz\u0103toare, pe care nici Dumnezeu nu o poate vindeca, pentru c\u0103 a f\u0103cut parte de la \u00eenceput din structura lumii:<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201eam avut un moment \u00een care m-am sim\u021bit singur\/ \u0219i a durat cam patruzeci de ani.\/ am vorbit cu nezeu\/ \u0219i mi-a zis\/ c\u0103, pe vremuri, s-a sim\u021bit a\u0219a de singur\/ \u00eenc\u00e2t \u00eei venea s\u0103 creeze ceva.\u201d (<em>Singur<\/em>)<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00cens\u0103, versurile lui Cristian Ghica nu pot s\u0103 nu te atrag\u0103, s\u0103 nu te fac\u0103 s\u0103 z\u00e2mbe\u0219ti cu jocurile de cuvinte, cu invita\u021bia de a nu lua \u00een seam\u0103 tragismul unei epoci, \u00een fond<em>, regele a murit, tr\u0103iasc\u0103 regele<\/em>!<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201ecaietul meu are doar ni\u0219te linii,\/ pe care nu \u0219tiu cum s\u0103 le accesez.\/ oare ce sistem de caiet e \u0103sta, f\u0103r\u0103 bar\u0103 de shortcut-uri?\/ v\u0103d c\u0103 are instalat dictando 1.1, encriptat \u00een 24 de file.\/ a, m-am l\u0103murit, e cu file,\/ trebuie s\u0103 accesez file, apoi open.\/ dar nu are mouse, s\u0103 dau \u0219i eu un click\/ dreapta\/ \u0219i-un click st\u00e2nga,\/ c\u0103 m-am pierdut de tot \u00een sistemul \u0103sta de operare.\/ bi\u021bii se ceart\u0103 \u00eentre ei \u0219i\/ sunt la un pas s\u0103 fie devora\u021bi de megabi\u021bi.\/ caietul are multe bad-uri, trebuie s\u0103 intru \u00een bios,\/ poate reu\u0219esc s\u0103 salvez datele de pe hard-ul\/ de un terra.\/\u2026 error loading operating system\u2026\/ cred c\u0103 e virusat.\/ m\u0103 duc s\u0103-mi iau un pix,\/ pentru c\u0103 pe pix\/ \u00eel doare-n pix de megabi\u021bi\u201d (<em>Caietul<\/em>).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>o istorie de buzunar de Ana-Maria Negril\u0103 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Nezeu tr\u0103ie\u0219te la bloc \u2013 o carte cu care po\u021bi s\u0103 prinzzzi mu\u0219te este un volum de poezii dulce-acri\u0219or ap\u0103rut \u00een 2016, la editura Junimea, \u0219i datorat scriitorului Cristian Ghica, autorul romanelor ROCKescu (Rom\u00e2nia pur \u0219i simplu, 2014), \u0218mecher cu carte (Junimea, 2017), dar \u0219i al volumelor [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8,1394,1298],"tags":[1255,1396,1113,1395,1301],"class_list":["post-12699","post","type-post","status-publish","format-standard","hentry","category-critica","category-egophobia-59-60","category-o-istorie-de-buzunar","tag-ana-maria-negrila","tag-cristian-ghica","tag-critica","tag-egophobia-59-60","tag-o-istorie-de-buzunar"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6DakB-3iP","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12699","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12699"}],"version-history":[{"count":1,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12699\/revisions"}],"predecessor-version":[{"id":12700,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12699\/revisions\/12700"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12699"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12699"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12699"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}