{"id":12931,"date":"2020-03-15T14:15:01","date_gmt":"2020-03-15T12:15:01","guid":{"rendered":"http:\/\/egophobia.ro\/?p=12931"},"modified":"2020-03-21T22:31:26","modified_gmt":"2020-03-21T20:31:26","slug":"vise-noi-si-dor-de-vechi","status":"publish","type":"post","link":"https:\/\/egophobia.ro\/?p=12931","title":{"rendered":"Vise noi \u0219i dor de vechi"},"content":{"rendered":"<p><strong>[Mihai Gh. Aldea, Mihai Andrei Aldea, <em>\u00centre vise &#8230; \u0219i &#8230; dor<\/em>, Ed. Evdokimos, 2020]<\/strong><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: green;\">(Studii fantastice)<\/span><\/p>\n<p style=\"text-align: right;\">de Oliviu Cr\u00e2znic<\/p>\n<p style=\"text-align: justify;\">Teolog (bizantinolog), filolog (folclorist) \u0219i istoric, erudit autor al mai multor remarcabile studii de specialitate \u0219i al romanului \u201efantasy\u201d <em>Drumul spre Vozia<\/em> (3 vol.), adev\u0103rat \u201ehomo universalis\u201d, Mihai-Andrei Aldea nu putea s\u0103 r\u0103m\u00e2n\u0103 str\u0103in de genul literar liric, astfel \u00eenc\u00e2t publicarea, \u00een anul 2005, a plachetei <em>Zboruri<\/em> nu surprinde \u00een nici un fel.<!--more--><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/i0.wp.com\/i.vgy.me\/m1Lfxk.jpg?w=812&#038;ssl=1\" \/><\/p>\n<p style=\"text-align: justify;\">Ceea ce surprinde, \u00eens\u0103, este faptul c\u0103, \u00een intervalul 2006-2019 inclusiv, autorul nu a mai lansat nici un volum de poezie, de\u0219i nu a \u00eencetat s\u0103 \u00ee\u0219i exprime sim\u021birile prin vers. Aten\u021bia acordat\u0103 altor proiecte, c\u00e2t se poate de ample (dintre care amintim aici monumentalul studiu <em>Cum luptau Rom\u00e2nii?<\/em>), ar constitui o explica\u021bie desigur satisf\u0103c\u0103toare; dar, pentru cei care au apreciat <em>Zboruri<\/em>, decizia public\u0103rii c\u0103r\u021bii prezentate aici a constituit o veste \u00eendelung a\u0219teptat\u0103 \u0219i, totodat\u0103, o etap\u0103 a itinerariului literar care se cerea str\u0103b\u0103tut\u0103, deoarece filonul liric al scriiturii lui Mihai-Andrei Aldea reclam\u0103 o exploatare constant\u0103 \u00een folosul artei, \u0219i nu un \u201eabandon\u201d (oric\u00e2t de justificate ar fi fost motivele pentru care autorul a decis s\u0103 am\u00e2ne avansarea \u00een aceast\u0103 direc\u021bie).<\/p>\n<p style=\"text-align: justify;\">Ap\u0103rut\u0103 \u00een 2020, la Editura Evdokimos, \u00een bune condi\u021bii editoriale (tip\u0103rit\u0103 pe h\u00e2rtie alb\u0103, de calitate superioar\u0103, av\u00e2nd o copert\u0103 plastifiat\u0103 lucios, cu ilustra\u021bii semnate \u201e\u00een familie\u201d de Alexandra Aldea \u0219i beneficiind de o corectur\u0103 \u0219i de o tehnoredactare atente), <em>\u00centre vise &#8230; \u0219i &#8230; dor<\/em> se deschide cu o binevenit\u0103 surpriz\u0103: sec\u021biunea introductiv\u0103 <em>Sim\u021biri<\/em> reune\u0219te 14 frumoase poeme (unele dat\u00e2nd de la jum\u0103tatea secolului trecut!), semnate de Mihai Gh. Aldea, tat\u0103l lui Mihai-Andrei. Felicit\u0103m editura \u0219i, fire\u0219te, pe cei doi autori ai volumului comun, pentru aceast\u0103 \u201erestitutio\u201d beletristic\u0103, mic\u0103 bijuterie \u00een care tradi\u021bionalismul se \u00eembin\u0103 cu simbolismul \u0219i cu estetismul!<\/p>\n<p style=\"text-align: justify;\">Urm\u0103toarele cinci sec\u021biuni, alc\u0103tuind grosul c\u0103r\u021bii, sunt rodul crea\u021biei lui Mihai-Andrei Aldea: <em>Alfarice tr\u0103iri<\/em> (\u00eenso\u021bit\u0103, \u00een mod fericit, de o not\u0103 explicativ\u0103 \u00eentins\u0103 pe c\u00e2teva pagini, cu privire la \u201ealfarii\u201d din miturile nordice, care pot fi \u00eent\u00e2lni\u021bi, ni se atrage aten\u021bia, \u0219i \u00een cultura veche rom\u00e2neasc\u0103, dar sub alte denumiri, cum ar fi, de pild\u0103, \u201evitejii vechi\u201d); <em>C\u00e2teva litere&#8230;<\/em> (o suit\u0103 de poeme ale coresponden\u021belor, ordonate alfabetic, fiecare purt\u00e2nd drept titlu litera cu care \u00eencepe primul vers); <em>Apusul Zorilor<\/em>;<em> Zboruri<\/em> (autorul reia, aici, aproape integral \u0219i cu m\u0103runte modific\u0103ri, placheta cu care a debutat \u00een calitate de poet, explic\u00e2nd, \u00eentr-o not\u0103 de subsol, de ce a decis s\u0103 renun\u021be la unele dintre poeme); <em>&#8230;\u0219i altele<\/em> (scurt\u0103 sec\u021biune eteroclit\u0103 cu rol de \u201ebonus\u201d, care \u00eencheie culegerea).<\/p>\n<p style=\"text-align: justify;\">Istoria eroic\u0103 a neamului \u0219i cultul str\u0103mo\u0219ilor, credin\u021ba, obiceiurile \u0219i tradi\u021biile, lumea satului \u0219i a urbei, natura \u0219i anotimpurile, medita\u021bia filosofic\u0103 (str\u0103b\u0103tut\u0103, deseori, de un fior teologic), curgerea inexorabil\u0103 a timpului, condi\u021bia artistului, satira contemporaneit\u0103\u021bii dec\u0103zute sub privirea necru\u021b\u0103toare a \u00eenainta\u0219ilor tr\u0103da\u021bi \u0219i sub dreapta lor judecat\u0103, parabola moralizatoare, rostul \u00een\u0103l\u021b\u0103tor \u0219i misterios al iubirii \u2013 iat\u0103 principalele coordonate ale volumului pe care vi-l recomand\u0103m \u0219i pe care, credem, nu \u00eel ve\u021bi mai \u00eenchide dec\u00e2t dup\u0103 ce l-a\u021bi parcurs din scoar\u021b\u0103 \u00een scoar\u021b\u0103!<\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\"><strong><em>Despre autorul rubricii: <\/em><\/strong><\/p>\n<p style=\"text-align: justify;\"><strong><em>\u00a0<\/em><\/strong><strong>OLIVIU CR\u00c2ZNIC\u00a0<\/strong>(n. 1978; p\u0103rin\u021bii: Oliviu, prof. eviden\u021biat gr. I Limba \u0219i literatura rom\u00e2n\u0103, distins cu diploma de onoare \u201eCreativitate \u0219i eficien\u021b\u0103\u201d, \u0219i Dorothea, prof. gr. I Limba \u0219i literatura rom\u00e2n\u0103; studii: licen\u021biat \u00een \u201e\u0218tiin\u021be juridice\u201d, specializarea \u201eDrept\u201d, cu lucrarea de diplom\u0103 intitulat\u0103\u00a0<em>Particularit\u0103\u021bi tactice privind confruntarea dintre inculpat \u0219i persoana v\u0103t\u0103mat\u0103<\/em>, sus\u021binut\u0103 la disciplina \u201eCriminalistic\u0103\u201d, \u0219i absolvent al unui curs de formare a mediatorilor) este scriitor (prozator \u0219i poet), traduc\u0103tor literar, antologist, critic literar, conferen\u021biar \u015fi consilier juridic (membru al Ordinului Consilierilor Juridici din Rom\u00e2nia \u0219i al Colegiului Consilierilor Juridici Bucure\u0219ti). \u00cen 2010, a publicat romanul gotic\u00a0<em>\u2026\u015ei la sf\u00e2r\u015fit a mai r\u0103mas co\u015fmarul<\/em>\u00a0(Ed. Vremea). Ulterior, a publicat numeroase povestiri \u015fi nuvelete (majoritatea se reg\u0103sesc \u00een volumul de colec\u021bie\u00a0<em>Ceasul fantasmelor<\/em>, Ed. Crux Publishing, 2015), foarte bine primite de critic\u0103 \u015fi de public, \u015fi a c\u00e2\u015ftigat numeroase premii, inclusiv un premiu acordat de Societatea European\u0103 de Science Fiction. A fost publicat \u00een diverse antologii \u015fi reviste al\u0103turi de nume importante ale literaturii universale contemporane (G.R.R. Martin) sau clasice (A.C. Doyle, R.E. Howard, R. Kipling, H.P. Lovecraft, G. de Maupassant, Saki). Apare men\u021bionat \u00een monumentala\u00a0<em>The Encyclopedia of Science Fiction<\/em>\u00a0(ed. J. Clute, P. Nicholls), iar operele lui fac obiectul unor studii de specialitate (publicate inclusiv \u00een volume ap\u0103rute sub egida Fac. de Litere din varii centre universitare): <em>Once Upon Atrocity. Gothic Music Influences in the First Romanian (Neo)gothic Novel<\/em> (dr. dr. \u0218t. Bolea), <em>Hero and Villain in H\u00f4tel Transylvania and in Cr\u00e2znic\u2019s Nightmare <\/em>(dr. E. Atudosiei). Apare, ca personaj, \u00een nuveleta\u00a0<em>Isp\u0103\u0219irea<\/em>, scris\u0103 de prof. doc. C. Mitoceanu. Cronicile de carte, articolele \u015fi studiile sale de teorie \u015fi istorie literar\u0103 sunt apreciate pe scar\u0103 larg\u0103 \u2013 unele dintre acestea fiind publicate \u015fi peste grani\u0163\u0103, ceea ce i-a conferit statutul de membru al organiza\u021biei scriitorice\u0219ti \u0219i artistice Imagicopter: The Author\/Artist Cooperative (2012-2017). A ap\u0103rut, \u00een calitate de expert \u00een istoria vampirismului, \u00een serialul\u00a0<em>Expedition Unknown<\/em>, realizat de Travel Channel. \u00cen Rom\u00e2nia, a fost invitat, \u00een mai multe r\u00e2nduri, s\u0103 vorbeasc\u0103 studen\u021bilor Fac. de Limbi \u0219i Literaturi Str\u0103ine a Univ. din Bucure\u0219ti (prelegerea\u00a0<em>Literatura gotic\u0103 \u0219i romantismul \u00eentunecat american. Sec. al XIX-lea: Hawthorne, Melville, Poe \u0219i mo\u0219tenirea lor cultural\u0103<\/em>) ori studen\u021bilor Fac. de Limbi \u0219i Literaturi Str\u0103ine a Univ. Cre\u0219tine \u201eDimitrie Cantemir\u201d (prelegerea\u00a0<em>Lumi fic\u021bionale \u00een literatura modern\u0103<\/em>, \u00een colaborare cu conf. univ. dr. A.M. Negril\u0103), a participat la sesiunea \u0219tiin\u021bific\u0103 a Academiei Rom\u00e2ne \u2013 Divizia de Logic\u0103, Metodologie \u0219i Filosofie a \u0218tiin\u021bei, cu comunicarea\u00a0<em>Literatura \u0219tiin\u021bifico-fantastic\u0103 \u0219i c\u0103utarea (modelarea?) viitorului<\/em>\u00a0\u0219i a jurizat (\u00eempreun\u0103 cu conf. univ. dr. A.M. Negril\u0103)\u00a0<em>Concursul de crea\u021bie literar\u0103 pentru elevi, studen\u021bi \u0219i masteranzi: Proz\u0103 scurt\u0103<\/em>\u00a0organizat de Fac. de Limbi \u0219i Literaturi Str\u0103ine a Univ. Cre\u0219tine \u201eDimitrie Cantemir\u201d (ed. I: 2018, ed. II: 2019). A participat, \u00een calitate de moderator al serii dedicate literaturii SF, la cea de a VII-a edi\u021bie a Festivalului Interna\u021bional de Literatur\u0103 de la Bucure\u0219ti \u0219i, \u00een calitate de invitat al \u201eCasei Fantasy\u201d (moderator: D. Dobo\u0219), la cea de a VI-a edi\u021bie a Festivalului Interna\u021bional de Literatur\u0103 \u0219i Traducere Ia\u0219i. A participat, \u00een calitate de invitat, \u00een repetate r\u00e2nduri, la emisiuni culturale televizate sau radiodifuzate. \u00cen prezent, colaboreaz\u0103 cu revista cultural\u0103\u00a0<em>EgoPHobia<\/em>, \u00een paginile c\u0103reia de\u021bine rubrica\u00a0<em>Studii fantastice<\/em>, \u0219i cu\u00a0<em>Apostrof<\/em>\u00a0(revist\u0103 a Uniunii Scriitorilor). Pagin\u0103 virtual\u0103 oficial\u0103:\u00a0<em>Facebook:<\/em>\u00a0<em>Oliviu Craznic<\/em>\u00a0(<a href=\"https:\/\/www.facebook.com\/oliviucraznicofficialpage\">https:\/\/www.facebook.com\/oliviucraznicofficialpage<\/a>). Foto autor: Mihaela Nazarie.<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/i0.wp.com\/i.vgy.me\/B8vX1g.jpg?w=812&#038;ssl=1\" \/><\/p>\n<p style=\"text-align: justify;\"><strong><em>\u201eOliviu Cr\u00e2znic chiar este un romantic, un personaj cobor\u00e2t efectiv din propria-i oper\u0103 extraordinar\u0103 \u0219i spectaculoas\u0103, melanj de Baudelaire, Edgar Allan Poe \u0219i Walter Scott, sub ochii necru\u021b\u0103tori ai lui Bram Stoker \u0219i H.P. Lovecraft. Citi\u021bi-i romanul \u0219i povestirile \u0219i o s\u0103 \u00een\u021belege\u021bi imediat la ce m\u0103 refer!\u201d\u00a0<\/em><\/strong>(\u0218t. Ghidoveanu, realizatorul emisiunii Radio Rom\u00e2nia Cultural\u00a0<em>Exploratorii lumii de m\u00e2ine<\/em>, \u00een\u00a0<em>Galileo Online<\/em>, nov. 2012)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[Mihai Gh. Aldea, Mihai Andrei Aldea, \u00centre vise &#8230; \u0219i &#8230; dor, Ed. Evdokimos, 2020] (Studii fantastice) de Oliviu Cr\u00e2znic Teolog (bizantinolog), filolog (folclorist) \u0219i istoric, erudit autor al mai multor remarcabile studii de specialitate \u0219i al romanului \u201efantasy\u201d Drumul spre Vozia (3 vol.), adev\u0103rat \u201ehomo universalis\u201d, Mihai-Andrei Aldea nu putea s\u0103 r\u0103m\u00e2n\u0103 str\u0103in de [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8,1416,892],"tags":[1113,1417,1112,636,1194],"class_list":["post-12931","post","type-post","status-publish","format-standard","hentry","category-critica","category-egophobia-62","category-ghidul-cititorului-de-fantastic","tag-critica","tag-egophobia-62","tag-mihai-andrei-aldea","tag-oliviu-craznic","tag-studii-fantastice"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6DakB-3mz","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12931","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12931"}],"version-history":[{"count":2,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12931\/revisions"}],"predecessor-version":[{"id":13184,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12931\/revisions\/13184"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12931"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12931"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12931"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}