{"id":12981,"date":"2020-05-18T07:37:24","date_gmt":"2020-05-18T05:37:24","guid":{"rendered":"http:\/\/egophobia.ro\/?p=12981"},"modified":"2020-05-18T00:41:20","modified_gmt":"2020-05-17T22:41:20","slug":"ana-maria-negrila-imparatul-gheturilor","status":"publish","type":"post","link":"https:\/\/egophobia.ro\/?p=12981","title":{"rendered":"Ana-Maria Negril\u0103, &#8220;\u00cemp\u0103ratul ghe\u021burilor&#8221;"},"content":{"rendered":"<p><strong>[2006; 2018; 2019]<\/strong><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: green;\">(Studii fantastice)<\/span><\/p>\n<p style=\"text-align: right;\">de Oliviu Cr\u00e2znic<\/p>\n<p style=\"text-align: justify;\">Ana-Maria Negril\u0103 este scriitoare multipremiat\u0103 (proz\u0103), antologatoare, traduc\u0103toare, publicist\u0103 (a publicat critic\u0103 literar-artistic\u0103, inclusiv \u00een <em>Apostrof<\/em>, revist\u0103 a Uniunii Scriitorilor din Rom\u00e2nia, precum \u0219i articole \u0219tiin\u021bifice, \u00een \u021bar\u0103 \u0219i peste hotare). Ocazional, jurizeaz\u0103 concursuri literare, sus\u021bine prelegeri universitare pe teme beletristice sau pred\u0103 arta \u0219i \u0219tiin\u021ba scrisului \u00een cadrul unor ateliere de scriere creativ\u0103. De\u021bine titlul de doctor \u00een Literatur\u0103 veche.<!--more--><\/p>\n<p style=\"text-align: justify;\">A publicat volumele: <em>Ora\u0219ul ascuns<\/em> (2005); <em>Stelarium: Regatul sufletelor pierdute<\/em> (2016); <em>Stelarium: Ascensiunea stelar\u0103<\/em> (2016); <em>Stelarium: Agen\u021bii haosului<\/em> (2019); <em>St\u0103p\u00e2nul umbrelor<\/em> (2020).<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/i0.wp.com\/i.vgy.me\/f7dJj4.jpg?w=812&#038;ssl=1\" \/><\/p>\n<p style=\"text-align: justify;\">Opera literar\u0103 <em>\u00cemp\u0103ratul ghe\u021burilor<\/em>, la care ne vom referi \u00een cele care urmeaz\u0103, a fost publicat\u0103, p\u00e2n\u0103 \u00een acest moment, \u00een trei edi\u021bii: \u00een anul 2006, de c\u0103tre Editura Diasfera; \u00een anul 2018, de c\u0103tre Editura Crux Publishing (edi\u021bie revizuit\u0103, modific\u0103rile efectuate viz\u00e2nd at\u00e2t structura c\u0103r\u021bii, c\u00e2t \u0219i, \u00eentr-o oarecare m\u0103sur\u0103, subiectul \u2013 \u00een special, punctul culminant \u0219i deznod\u0103m\u00e2ntul \u2013 acesteia); \u0219i \u00een anul 2019, de c\u0103tre editura maghiar\u0103 Metropolis Media (sub titlul <em>J\u00e9gcs\u00e1sz\u00e1r<\/em>).<\/p>\n<p style=\"text-align: justify;\">Din punct de vedere al teoriei literare, <em>\u00cemp\u0103ratul ghe\u021burilor<\/em> apar\u021bine stilului func\u0163ional beletristic, curentului literar transumanist, categoriei estetice a fantasticului, genului literar epic, speciei literare a romanului \u0219tiin\u021bifico-fantastic, subspeciei literare a \u0219tiin\u021bifico-fantasticului parapsihologic (paraSF), incluz\u00e2nd \u0219i elemente din zone precum aceea a \u0219tiin\u021bifico-fantasticului biologic (bioSF; no\u021biunea include toate ramurile biologiei, prin urmare \u0219i ecologia), cibernetic (ciberSF), \u0219i chiar din aceea a neofantasticului.<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/i0.wp.com\/i.vgy.me\/VW2btQ.jpg?w=812&#038;ssl=1\" \/><\/p>\n<p style=\"text-align: justify;\">Subiectul operei \u00eel constituie aventurile dramatice prin care trece, pe o Terra c\u0103zut\u0103 prad\u0103 noii glacia\u021biuni [a se vedea, infra, NOT\u0102], o t\u00e2n\u0103r\u0103 cu capacit\u0103\u021bi paranormale \u2013 una dintre ultimele supravie\u021buitoare ale unei organiza\u021bii de \u201esupraoameni\u201d (c\u00e2ndva parte a unui guvern democratic, v\u00e2na\u021bi apoi de alte organiza\u021bii care au preluat, prin violen\u021b\u0103, puterea politic\u0103). C\u00e2nd at\u00e2t eroina, c\u00e2t \u0219i ora\u0219ul \u00een care tr\u0103ie\u0219te aceasta se v\u0103d amenin\u021bate de r\u0103zbunarea unui alt \u201esupraom\u201d, se impune o alian\u021b\u0103 \u00eentre t\u00e2n\u0103r\u0103 \u0219i autorit\u0103\u021bile ostile&#8230;<\/p>\n<p style=\"text-align: justify;\">Din punct de vedere al locului ocupat \u00een cadrul crea\u021biilor semnate de Ana-Maria Negril\u0103, pot fi identificate anumite conexiuni \u00eentre ciclul epic <em>Stelarium<\/em> \u0219i <em>\u00cemp\u0103rat &#8230;<\/em>; acestea \u00eens\u0103 nu au caracter cert, remarc\u00e2ndu-se, dimpotriv\u0103, prin diferen\u021be de ordin conceptual. Termenul \u201eanh\u201d, de pild\u0103, \u00eent\u00e2lnit \u0219i \u00een ciclu, \u0219i \u00een <em>\u00cemp\u0103rat &#8230;<\/em>, pare a avea sensuri diferite \u00een cele dou\u0103 pove\u0219ti. Prin urmare, p\u00e2n\u0103 la eventuala publicare a unui nou volum \u00een cadrul ciclului, care s\u0103 explice diferen\u021bele de tipul celor men\u021bionate mai sus, vom considera <em>\u00cemp\u0103ratul &#8230;<\/em> oper\u0103 de sine st\u0103t\u0103toare (de altfel, credem c\u0103 ar fi de preferat s\u0103 r\u0103m\u00e2n\u0103 astfel), iar elementele comune cu <em>Stelarium<\/em> \u2013 concepte dragi autoarei, reprelucrate \u0219i adaptate unui nou context.<\/p>\n<p style=\"text-align: justify;\">Nu vom intra \u00een alte am\u0103nunte pentru a evita dezv\u0103luirile nenecesare, men\u021bion\u00e2nd doar, \u00een concluzie, faptul c\u0103 Ana-Maria Negril\u0103 este o romancier\u0103 complet st\u0103p\u00e2n\u0103 pe arta scrisului (totul este la ea a\u0219a cum trebuie s\u0103 fie: elementele constitutive ale prozei, modalit\u0103\u021bile de expunere \u0219i \u00eembinarea acestora, stilul individual etc.), crea\u021biile sale c\u00e2\u0219tig\u00e2ndu-\u0219i un loc meritat \u00een istoria literaturii universale \u2013 loc la care nu mul\u021bi scriitori rom\u00e2ni contemporani pot spera. Iar <em>\u00cemp\u0103ratul ghe\u021burilor<\/em> reprezint\u0103, p\u00e2n\u0103 \u00een acest moment, cea mai cunoscut\u0103 dintre operele autoarei noastre \u0219i, consider\u0103m, cea mai bun\u0103 dintre acestea.<\/p>\n<p style=\"text-align: justify;\"><img data-recalc-dims=\"1\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/i0.wp.com\/i.vgy.me\/ef9QMn.jpg?w=812&#038;ssl=1\" \/><\/p>\n<p style=\"text-align: justify;\">NOT\u0102<\/p>\n<p style=\"text-align: justify;\">Mai multe despre decorul (geografic \u0219i socio-politic) \u00een care este plasat\u0103 ac\u021biunea <em>\u00cemp\u0103ratului ghe\u021burilor<\/em> am scris \u00eentr-un mic studiu dedicat literaturii \u0219tiin\u021bifico-fantastice (aflat \u00een curs de publicare); nu vom relua aici respectivele aspecte, nedorind s\u0103 ne repet\u0103m inutil.<\/p>\n<p style=\"text-align: justify;\">*<\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\"><strong><em>Despre autorul rubricii: <\/em><\/strong><\/p>\n<p style=\"text-align: justify;\"><strong><em>\u00a0<\/em><\/strong><\/p>\n<p style=\"text-align: justify;\"><strong>OLIVIU CR\u00c2ZNIC\u00a0<\/strong>(n. 1978; p\u0103rin\u021bii: Oliviu, prof. eviden\u021biat gr. I Lb. \u0219i lit. rom\u00e2n\u0103, distins cu diploma de onoare \u201eCreativitate \u0219i eficien\u021b\u0103\u201d, \u0219i Dorothea, prof. gr. I Lb. \u0219i lit. rom\u00e2n\u0103; studii: licen\u021biat \u00een \u201e\u0218tiin\u021be juridice\u201d, specializarea \u201eDrept\u201d, cu lucrarea de diplom\u0103 intitulat\u0103\u00a0<em>Particularit\u0103\u021bi tactice privind confruntarea dintre inculpat \u0219i persoana v\u0103t\u0103mat\u0103<\/em>, sus\u021binut\u0103 la disciplina \u201eCriminalistic\u0103\u201d, \u0219i absolvent al unui curs de formare a mediatorilor) este scriitor (prozator \u0219i poet), traduc\u0103tor literar, antologist, critic literar, conferen\u021biar \u015fi consilier juridic (membru al Ordinului Consilierilor Juridici din Rom\u00e2nia \u0219i al Colegiului Consilierilor Juridici Bucure\u0219ti). \u00cen 2010, a publicat romanul gotic\u00a0<em>\u2026\u015ei la sf\u00e2r\u015fit a mai r\u0103mas co\u015fmarul<\/em>\u00a0(Ed. Vremea). Ulterior, a publicat numeroase povestiri \u015fi nuvelete (majoritatea se reg\u0103sesc \u00een volumul de colec\u021bie\u00a0<em>Ceasul fantasmelor<\/em>, Ed. Crux Publishing, 2015), foarte bine primite de critic\u0103 \u015fi de public, \u015fi a c\u00e2\u015ftigat numeroase premii, inclusiv un premiu acordat de Societatea European\u0103 de Science Fiction. A fost publicat \u00een diverse antologii \u015fi reviste al\u0103turi de nume importante ale literaturii universale contemporane (G.R.R. Martin) sau clasice (A.C. Doyle, R.E. Howard, R. Kipling, H.P. Lovecraft, G. de Maupassant, Saki). Apare men\u021bionat \u00een monumentala\u00a0<em>The Encyclopedia of Science Fiction<\/em>\u00a0(ed. J. Clute, P. Nicholls), iar operele lui fac obiectul unor studii de specialitate (publicate inclusiv \u00een volume ap\u0103rute sub egida Fac. de Lit. din varii centre universitare): <em>Once Upon Atrocity. Gothic Music Influences in the First Romanian (Neo)gothic Novel<\/em> (dr. dr. \u0218t. Bolea), <em>Hero and Villain in H\u00f4tel Transylvania and in Cr\u00e2znic\u2019s Nightmare <\/em>(dr. E. Atudosiei). Apare, ca personaj, \u00een nuveleta\u00a0<em>Isp\u0103\u0219irea<\/em>, scris\u0103 de prof. doc. C. Mitoceanu. Cronicile de carte, articolele \u015fi studiile sale de teorie \u015fi istorie literar\u0103 sunt apreciate pe scar\u0103 larg\u0103 \u2013 unele dintre acestea fiind publicate \u015fi peste grani\u0163\u0103, ceea ce i-a conferit statutul de membru al organiza\u021biei scriitorice\u0219ti \u0219i artistice Imagicopter: The Author\/Artist Cooperative (2012-2017). A ap\u0103rut \u00een serialul\u00a0<em>Expedition Unknown<\/em>, realizat de Travel Channel. \u00cen Rom\u00e2nia, a fost invitat, \u00een mai multe r\u00e2nduri, s\u0103 vorbeasc\u0103 studen\u021bilor Fac. de Lb. \u0219i Lit. Str\u0103ine a Univ. din Bucure\u0219ti (prelegerea\u00a0<em>Literatura gotic\u0103 \u0219i romantismul \u00eentunecat american. Sec. al XIX-lea: Hawthorne, Melville, Poe \u0219i mo\u0219tenirea lor cultural\u0103<\/em>) ori studen\u021bilor Fac. de Lb. \u0219i Lit. Str\u0103ine a Univ. Cre\u0219tine \u201eDimitrie Cantemir\u201d (prelegerea\u00a0<em>Lumi fic\u021bionale \u00een literatura modern\u0103<\/em>, \u00een colaborare cu conf. univ. dr. A.M. Negril\u0103), a participat la sesiunea \u0219tiin\u021bific\u0103 a Academiei Rom\u00e2ne \u2013 Divizia de Logic\u0103, Metodologie \u0219i Filosofie a \u0218tiin\u021bei, cu comunicarea\u00a0<em>Literatura \u0219tiin\u021bifico-fantastic\u0103 \u0219i c\u0103utarea (modelarea?) viitorului<\/em>\u00a0\u0219i a jurizat (\u00eempreun\u0103 cu conf. univ. dr. A.M. Negril\u0103)\u00a0<em>Concursul de crea\u021bie literar\u0103 pentru elevi, studen\u021bi \u0219i masteranzi: Proz\u0103 scurt\u0103<\/em>\u00a0organizat de Fac. de Lb. \u0219i Lit. Str\u0103ine a Univ. Cre\u0219tine \u201eDimitrie Cantemir\u201d (ed. I: 2018, ed. II: 2019, ed. III: 2020). A participat, \u00een calitate de moderator al serii dedicate literaturii SF, la cea de a VII-a edi\u021bie a Festivalului Interna\u021bional de Literatur\u0103 de la Bucure\u0219ti \u0219i, \u00een calitate de invitat al \u201eCasei Fantasy\u201d (moderator: D. Dobo\u0219), la cea de a VI-a edi\u021bie a Festivalului Interna\u021bional de Literatur\u0103 \u0219i Traducere Ia\u0219i. A participat, \u00een calitate de invitat, \u00een repetate r\u00e2nduri, la emisiuni culturale televizate sau radiodifuzate. \u00cen prezent, colaboreaz\u0103 cu revistele culturale\u00a0<em>EgoPHobia<\/em> (\u00een paginile c\u0103reia de\u021bine rubrica\u00a0<em>Studii fantastice<\/em>), <em>Utopiqa<\/em> \u0219i\u00a0<em>Apostrof<\/em>\u00a0(revist\u0103 a Uniunii Scriitorilor). Pagin\u0103 virtual\u0103 oficial\u0103:\u00a0<em>Facebook:<\/em>\u00a0<em>Oliviu Craznic<\/em>\u00a0(<a href=\"https:\/\/www.facebook.com\/oliviucraznicofficialpage\">https:\/\/www.facebook.com\/oliviucraznicofficialpage<\/a>).<\/p>\n<p style=\"text-align: justify;\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.vgy.me\/N0Mtpd.jpg?w=812&#038;ssl=1\" \/>Foto autor: Mihaela Nazarie.<\/p>\n<p style=\"text-align: justify;\"><strong><em>\u201eOliviu Cr\u00e2znic chiar este un romantic, un personaj cobor\u00e2t efectiv din propria-i oper\u0103 extraordinar\u0103 \u0219i spectaculoas\u0103, melanj de Baudelaire, Edgar Allan Poe \u0219i Walter Scott, sub ochii necru\u021b\u0103tori ai lui Bram Stoker \u0219i H.P. Lovecraft. Citi\u021bi-i romanul \u0219i povestirile \u0219i o s\u0103 \u00een\u021belege\u021bi imediat la ce m\u0103 refer!\u201d\u00a0<\/em><\/strong>(\u0218t. Ghidoveanu, realizatorul emisiunii Radio Rom\u00e2nia Cultural\u00a0<em>Exploratorii lumii de m\u00e2ine<\/em>, \u00een\u00a0<em>Galileo Online<\/em>, nov. 2012)<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[2006; 2018; 2019] (Studii fantastice) de Oliviu Cr\u00e2znic Ana-Maria Negril\u0103 este scriitoare multipremiat\u0103 (proz\u0103), antologatoare, traduc\u0103toare, publicist\u0103 (a publicat critic\u0103 literar-artistic\u0103, inclusiv \u00een Apostrof, revist\u0103 a Uniunii Scriitorilor din Rom\u00e2nia, precum \u0219i articole \u0219tiin\u021bifice, \u00een \u021bar\u0103 \u0219i peste hotare). Ocazional, jurizeaz\u0103 concursuri literare, sus\u021bine prelegeri universitare pe teme beletristice sau pred\u0103 arta \u0219i \u0219tiin\u021ba scrisului [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8,1420,892],"tags":[1255,1113,1421,636,1194],"class_list":["post-12981","post","type-post","status-publish","format-standard","hentry","category-critica","category-egophobia-63","category-ghidul-cititorului-de-fantastic","tag-ana-maria-negrila","tag-critica","tag-egophobia-63","tag-oliviu-craznic","tag-studii-fantastice"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6DakB-3nn","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12981","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12981"}],"version-history":[{"count":1,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12981\/revisions"}],"predecessor-version":[{"id":12982,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12981\/revisions\/12982"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12981"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12981"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12981"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}