{"id":12985,"date":"2020-05-20T07:33:46","date_gmt":"2020-05-20T05:33:46","guid":{"rendered":"http:\/\/egophobia.ro\/?p=12985"},"modified":"2020-05-19T20:36:22","modified_gmt":"2020-05-19T18:36:22","slug":"arsita","status":"publish","type":"post","link":"https:\/\/egophobia.ro\/?p=12985","title":{"rendered":"Ar\u0219i\u021ba"},"content":{"rendered":"

[Cosmin Per\u021ba, Ar\u0219i\u021ba, editura <\/em>Paralela 45, 2019]<\/strong><\/p>\n

de Daniel Sur<\/p>\n

Vizionar, crud, straniu, violent, sumbru, un thriller apocaliptic sau post-apocaliptic. A\u0219a poate fi caracterizat \u00een c\u00e2teva cuvinte romanul Ar\u0219i\u021ba <\/em>(Paralela 45, 2019) de Cosmin Per\u021ba. O carte scurt\u0103 \u0219i intens\u0103, scris\u0103 cu nerv \u0219i care a reu\u0219it s\u0103 m\u0103 \u021bin\u0103 cu sufletul la gur\u0103 p\u00e2n\u0103 la final. Prin acest volum, Cosmin \u00eencheie apoteotic trilogia \u00eenceput\u0103 cu Teofil \u0219i C\u00e2inele de lemn<\/em> \u0219i continuat\u0103 cu \u00cen urm\u0103 nu mai e nimic<\/em>. Trilogia care \u00eel impune pe Cosmin Per\u021ba ca fiind unul dintre prozatorii de prim-plan ai literaturii noastre contemporane.<\/p>\n

Personajul central al c\u0103r\u021bii nu este nici Teofil, nu sunt nici copiii, Viorica \u015fi Marcu, nici doctorul Wolkonski \u0219i nici so\u021bia acestuia, \u00eens\u0103rcinata Izabella. \u0218i nici m\u0103car Ora\u0219ul sau \u201esubp\u0103m\u00e2nteana\u201c, un spa\u021biu subteran misterios, de unde nu se mai puteau \u00eentoarce to\u021bi cei care p\u0103trundeau acolo. Personajul principal mi s-a p\u0103rut a fi cea\u021ba mov. O cea\u021b\u0103 care ne alearg\u0103 prin tot romanul \u0219i care preveste\u0219te \u0219i aduce cu sine blindatele, tancurile, solda\u021bii, violul unei feti\u021be de 13 ani, mai apoi bolile incurabile, r\u0103zbunarea visceral\u0103 a colonelului \u0219i moartea a mii de oameni. Cea\u021ba \u00eenainteaz\u0103 \u0219i acapareaz\u0103 toat\u0103 lumea<\/p>\n

\u201eA ap\u0103rut de nic\u0103ieri, era un noiembrie ploios \u0219i rece. Prima dat\u0103 a ap\u0103rut cea\u021ba. O cea\u021b\u0103 mov, cum nimeni nu mai v\u0103zuse prin p\u0103r\u021bile-acelea. Era o cea\u021b\u0103 care-\u021bi intra \u00een suflet, care te mesmeriza. N-a apucat \u00eens\u0103 s\u0103 se g\u00e2ndeasc\u0103 prea mult la ea, pentru c\u0103, la c\u00e2teva ore dup\u0103 apari\u021bia ce\u021bii, \u0219i-au f\u0103cut apari\u021bia primele blindate. \u00cen urma lor veneau scormonind p\u0103m\u00e2ntul tancuri \u0219i mai \u00een urm\u0103 au intrat camioanele cu prelat\u0103 \u00een\u021besate de solda\u021bi\u201c (pag. 7).<\/p>\n

Cea\u021ba oblig\u0103 personajele la o auto-cunoa\u0219tere \u0219i devin din ce \u00een ce mai con\u015ftiente de p\u0103r\u0163i ale lumii lor interne pe care anterior nu le cuno\u0219teau. \u201eTo\u021bi se uitau \u00een interior. La trecutul lor, la ac\u021biunile lor reprobabile, la dramele \u0219i traumele lor. La oamenii pe care i-au ucis, la oamenii care au fost uci\u0219i l\u00e2ng\u0103 ei, la oamenii care au fost uci\u0219i pentru ei. La oamenii pe care nu i-au putut salva. \u0218i nu, nu era doar neputin\u021ba, nu c\u0103 nu i-au putut salva, nu voiau s\u0103-i salveze.\u201c<\/p>\n

Teofil \u00eencearc\u0103 s\u0103-i scape de cea\u021b\u0103 (\u0219i de tot r\u0103ul pe care \u00eel aduce aceasta) pe ce doi copii, Viorica \u015fi Marcu (salva\u021bi \u00eent\u00e2mpl\u0103tor de la m\u0103cel de mama lor) travers\u00e2nd mun\u021bii pentru a-i ascunde \u00een Ora\u0219, \u00eentr-o c\u0103l\u0103torie ini\u021biatic\u0103. Unde inten\u021bioneaz\u0103 s\u0103 se refugieze. To\u021bi trei ajung s\u0103 se ascund\u0103 \u00een casa doctorului Wolkonsky, care avea \u00een subsol \u021binutul subp\u0103m\u00e2nta. La r\u00e2ndul lui, Ora\u0219ul va ajunge asediat tot de cea\u021b\u0103 (\u0219i de armata colonelului pe care o ascunde), iar locuitorii par condamna\u021bi la pieire \u0219i nu mai ies din case. Tr\u0103iesc av\u00e2nd \u00een proximitate mor\u021bii pentru c\u0103 pe str\u0103zi zac cadavre de oameni \u0219i animale. \u00cen vreme ce ac\u021biunea armat\u0103 l\u00e2nceze\u0219te, senza\u021bia de sf\u00e2r\u0219it al lumii se ad\u00e2nce\u0219te.<\/p>\n

Chiar \u015fi dup\u0103 retragerea brusc\u0103 a armatei, cea\u021ba mov va continua s\u0103 \u00eei \u00eemboln\u0103veasc\u0103 pe oameni \u0219i s\u0103 aduc\u0103 \u201enoi feluri de moarte\u201c: \u201eCu tot tratamentul, oamenilor li se f\u0103ceau b\u0103\u0219ici pe pielea afectat\u0103 \u0219i \u00een c\u00e2teva ore b\u0103\u0219icile se umpleau cu limf\u0103, ca dup\u0103 o arsur\u0103. C\u00e2nd b\u0103\u0219icile se sp\u0103rgeau \u0219i limfa p\u0103r\u0103sea corpul, oamenii \u00eencepeau s\u0103 moar\u0103. Nu mai v\u0103zuse niciodat\u0103 a\u0219a ceva. \u0218i, oric\u00e2t de mare era pericolul, oamenii tot \u00eencercau s\u0103 se scarpine \u0219i s\u0103 urle, at\u00e2t de mari erau m\u00e2nc\u0103rimile \u0219i durerea\u201c.<\/p>\n

Mai mult, cea\u021ba \u00eei afecteaz\u0103 nu numai pe oamenii din Ora\u0219, ci \u0219i pe oamenii care se ascundeau \u00een mun\u021bi, \u0219i care nu erau amenin\u021ba\u021bi direct \u0219i de armata colonelului. B\u00e2ntui\u021bi de molim\u0103 \u0219i de scenarii care ne apropie de o apocalips\u0103, ace\u0219tia n\u0103v\u0103lesc \u00een Ora\u0219 \u0219i-l ocup\u0103. Autorul nu ezit\u0103 s\u0103 descrie totul \u00een pasaje foarte dure: \u201e\u0218iruri \u00eentregi de oameni, url\u00e2nd \u0219i gesticul\u00e2nd, se apropiau de pe munte. \u2026. Erau zecile de oameni care tr\u0103iau \u00een munte. Ciobanul cu gemenele \u0219i copilul p\u0103durarului erau printre ei. Ar\u0103tau groaznic, de parc\u0103 o molim\u0103 cumplit\u0103 \u00eei lovise. Cea\u021ba violet\u0103 \u00ee\u0219i f\u0103cuse treaba cu ei. Corpurile lor erau doar r\u0103ni, \u0219i arsuri, \u0219i deger\u0103turi. Carnea le era sf\u00e2\u0219iat\u0103 p\u00e2n\u0103 la s\u00e2nge pe mari p\u0103r\u021bi ale corpului. Mul\u021bi dintre copii nu au mai putut fi salva\u021bi. Copilul p\u0103durarului era de mult mort \u00een bra\u021bele ciobanului, dar \u00eel purta cu el, se sim\u021bea vinovat \u0219i voia s\u0103 duc\u0103 trupul acela de c\u00e2teva kilograme undeva unde s\u0103 \u00eel poat\u0103 \u00eengropa. \u00cen st\u00e2nc\u0103 nu putea. Cea\u021ba f\u0103cea primele victime. \u00cen c\u00e2teva ore, ora\u0219ul s-a transformat \u00eentr-o leprozerie\u201c.<\/p>\n

Finalul romanului ne trimite cu g\u00e2ndurile la versurile lui Eugen Jebeleanu din poemul Sur\u00e2sul Hiroshimei<\/em>: \u201eCe cea\u0163\u0103 deas\u0103, vai, ce cea\u0163\u0103 deas\u0103\/ Nu mai cunoa\u015ftem drumul c\u0103tre cas\u0103.\/ S\u00eentem u\u015fori, \u015fi cea\u0163a e ca fumul, \/ Vai, unde-o fi, unde se-ascunde drumul?\u00a0\u00a0 \/ Sub talp\u0103 n-avem nici un drum … plutim …\/ Vai ! Unde-i casa? cum s\u0103 nimerim?\/ \u015ei s\u00eentem goi, \u015fi ne cuprinde teama.\/ Unde e tata? Unde este mama? Nu ne vedem nici \u00eentre noi deloc\/ \u015ei jocul nu ne place, nu e joc.\/ Ce deas\u0103 cea\u0163\u0103, vai, ce cea\u0163\u0103 mare,\/ Oh, azv\u00eerli\u0163i-ne, voi, o c\u0103rare!\/ Nu mai cunoa\u015ftem drumul c\u0103tre cas\u0103,\/ \u015ei cea\u0163a este deas\u0103 … deas\u0103 … deas\u0103 …\u201c<\/p>\n

\n

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[Cosmin Per\u021ba, Ar\u0219i\u021ba, editura Paralela 45, 2019] de Daniel Sur Vizionar, crud, straniu, violent, sumbru, un thriller apocaliptic sau post-apocaliptic. A\u0219a poate fi caracterizat \u00een c\u00e2teva cuvinte romanul Ar\u0219i\u021ba (Paralela 45, 2019) de Cosmin Per\u021ba. O carte scurt\u0103 \u0219i intens\u0103, scris\u0103 cu nerv \u0219i care a reu\u0219it s\u0103 m\u0103 \u021bin\u0103 cu sufletul la gur\u0103 p\u00e2n\u0103 […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8,1420],"tags":[318,1113,16,1421],"class_list":["post-12985","post","type-post","status-publish","format-standard","hentry","category-critica","category-egophobia-63","tag-cosmin-perta","tag-critica","tag-daniel-sur","tag-egophobia-63"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/s6DakB-arsita","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12985","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12985"}],"version-history":[{"count":1,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12985\/revisions"}],"predecessor-version":[{"id":12986,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12985\/revisions\/12986"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12985"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12985"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12985"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}