{"id":12992,"date":"2020-05-27T14:08:39","date_gmt":"2020-05-27T12:08:39","guid":{"rendered":"http:\/\/egophobia.ro\/?p=12992"},"modified":"2020-05-27T14:10:59","modified_gmt":"2020-05-27T12:10:59","slug":"ceasul-fantasmelor","status":"publish","type":"post","link":"https:\/\/egophobia.ro\/?p=12992","title":{"rendered":"Ceasul fantasmelor"},"content":{"rendered":"

o istorie de buzunar<\/span><\/p>\n

de Ana-Maria Negril\u0103<\/p>\n

Ceasul fantasmelor<\/em> (ed. Crux Publishing, 2015)<\/a> este o culegere de povestiri apar\u021bin\u00e2nd scriitorului Oliviu Cr\u00e2znic, autorul romanului gotic \u0218i la sf\u00e2r\u0219it a mai r\u0103mas co\u0219marul <\/em>(ed. Vremea, 2010). Volumul con\u021bine proze diverse, de la cele gotice, la cele SF, av\u00e2nd \u00eens\u0103, \u00een ciuda temelor abordate, un aer unitar, dat de o atmosfer\u0103 specific\u0103, travers\u00e2nd, ca un fir ro\u0219u, textele scriitorului. \u00cemp\u0103r\u021bit \u00een patru p\u0103r\u021bi, fiecare dedicat\u0103 unui subgen literar (\u00cenainte de co\u0219mar<\/em>, Ceasul fantasmelor, Viitorul ieri \u0219i azi,<\/em> \u00cent\u00e2lnire cu Ermengaarde<\/em>) de la fantezie \u00eentunecat\u0103 la oper\u0103 spa\u021bial\u0103, volumul pare o istorie a lumii, dar nu a celei pe care o cunoa\u0219tem, ci a uneia dominate de creaturi fantastice.<\/p>\n

Lenore Arras \u2013 <\/em>este o povestire plin\u0103 de muzicalitatea unui limbaj arhaic, adus \u00eens\u0103 cu m\u0103iestrie la \u00eendem\u00e2na cititorului modern, care se las\u0103 furat de asonan\u021be, parcurg\u00e2nd paginile ca \u0219i c\u00e2nd nu ar citi, ci ar asculta o oper\u0103 clasic\u0103. Povestea tragic\u0103 a celor doi fra\u021bi atin\u0219i de un blestem, modul \u00een care autorul \u00eel conduce pe cititor spre anumite concluzii, rezerv\u00e2ndu-i \u00een final o surpriz\u0103, \u00eel fac un text deosebit \u00een peisajul literar autohton. La fel de nea\u0219teptat este \u0219i Pivni\u0163ele Palatului Charron,<\/em> un text ce aminte\u0219te de cele clasice ale genului \u0219i \u00een care durerea \u0219i regretul devin sentimente mai mult dec\u00e2t palpabile, erup\u00e2nd din mijlocul cuvintelor.<\/p>\n

Povestirile din a doua parte a volumului fac trimitere la creaturi fantastice, localizate \u00eens\u0103 mult mai bine \u00een spa\u021biu \u0219i timp, ca \u0219i c\u00e2nd textele au f\u0103cut un pas de la trecutul neguros la cel istoric, de\u0219i \u00eenc\u0103 av\u00e2nd tangen\u021b\u0103 cu fabulosul. \u00cen \u00cens\u00e2ngerat\u0103 luna, <\/em>fantasma numit\u0103 Fiica Lunii<\/em> prinde \u00een mreje min\u021bile muritorilor ce c\u0103l\u0103toresc prin Transilvania \u0219i le fur\u0103 literalmente inimile, \u00een Trec\u0103toarea, <\/em>un grup de romani r\u0103t\u0103cesc printr-o trec\u0103toare \u00een care nu-i a\u0219teapt\u0103 dec\u00e2t moartea; Ellen Lee <\/em>este povestea unei serii de crime peste care dau, din \u00eent\u00e2mplare, doi poli\u021bi\u0219ti dintr-un ora\u0219 din SUA, \u00eens\u0103 nici crimele, nici criminali nu sunt ceea ce par a fi, la fel ca \u00een Spiridu\u0219ii albi, <\/em>aflat tot \u00eentr-o Americ\u0103 de poveste, \u00een care copiii sunt r\u0103pi\u021bi\u00a0 <\/em>de creaturi infernale ce-\u0219i au s\u0103la\u0219ul \u00een grotele din mun\u021bi, de\u0219i misterul nu este at\u00e2t de u\u0219or de dezlegat.<\/p>\n

<\/a><\/p>\n

Viitorul ieri \u0219i azi, <\/em>a treia parte a volumului, poart\u0103 cititorul printr-o Londr\u0103 alternativ\u0103, pe vremea lui Jack Spintec\u0103torul (Anna Lise<\/em>), sau \u00eentr-una \u00een care sec. al XIX-lea \u00ee\u0219i d\u0103 m\u00e2na cu urma\u0219ul s\u0103u \u00eentr-un amestec steampunk<\/em> de tehnologii. \u00cen Tempus fugit,<\/em> o lume se lupt\u0103 s\u0103 c\u00e2\u0219tige timp, plas\u00e2ndu-se \u00een afara istoriei, dar un c\u0103l\u0103tor printre numeroasele planuri, C\u0103l\u0103torul Negru (?)<\/em>, distruge sistematic e\u0219afodajul construit cu migal\u0103, iar timpul moare. De aceea, cu at\u00e2t mai logic\u0103 este urm\u0103toarea proz\u0103, Imora, <\/em>o istorie trecut\u0103, prezent\u0103 \u0219i viitoare a unui P\u0103m\u00e2nt alternativ.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ultimele proze, reunite \u00een sec\u021biunea \u00cent\u00e2lnire cu Ermengaarde, <\/em>sunt \u0219i cele apar\u021bin\u00e2nd SF-ului \u0219i o au ca protagonist\u0103 pe Ermengaarde Eyes, st\u0103p\u00e2n\u0103, iubit\u0103, intrigant\u0103, \u00eentr-un viitor halucinant \u00een care civiliza\u021bia uman\u0103 a cucerit universul, lu\u00e2nd multiple forme \u0219i suferind transform\u0103ri ce cu greu amintesc de omenirea de la care a pornit.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ceasul fantasmelor <\/em>este o colec\u021bie de proze ce \u00eenc\u00e2nt\u0103 prin diversitatea de stiluri \u0219i teme abordate, nefiind \u00eens\u0103 o surpriz\u0103, av\u00e2nd \u00een vedere c\u0103 au fost scrise de un autor multipremiat \u0219i apreciat.<\/p>\n

\n","protected":false},"excerpt":{"rendered":"

o istorie de buzunar de Ana-Maria Negril\u0103 Ceasul fantasmelor (ed. Crux Publishing, 2015) este o culegere de povestiri apar\u021bin\u00e2nd scriitorului Oliviu Cr\u00e2znic, autorul romanului gotic \u0218i la sf\u00e2r\u0219it a mai r\u0103mas co\u0219marul (ed. Vremea, 2010). Volumul con\u021bine proze diverse, de la cele gotice, la cele SF, av\u00e2nd \u00eens\u0103, \u00een ciuda temelor abordate, un aer unitar, […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8,1420,1298],"tags":[1255,1113,1421,1301,636],"class_list":["post-12992","post","type-post","status-publish","format-standard","hentry","category-critica","category-egophobia-63","category-o-istorie-de-buzunar","tag-ana-maria-negrila","tag-critica","tag-egophobia-63","tag-o-istorie-de-buzunar","tag-oliviu-craznic"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6DakB-3ny","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12992","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12992"}],"version-history":[{"count":4,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12992\/revisions"}],"predecessor-version":[{"id":12996,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12992\/revisions\/12996"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12992"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12992"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12992"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}