{"id":13641,"date":"2021-06-20T15:10:27","date_gmt":"2021-06-20T13:10:27","guid":{"rendered":"http:\/\/egophobia.ro\/?p=13641"},"modified":"2021-06-20T15:11:46","modified_gmt":"2021-06-20T13:11:46","slug":"trezirea","status":"publish","type":"post","link":"https:\/\/egophobia.ro\/?p=13641","title":{"rendered":"Trezire"},"content":{"rendered":"<p><strong>[Ana-Maria Negril\u0103, <em>St\u0103p\u00e2nul umbrelor: Trezirea<\/em>, Ed. Crux Publishing, 2020]<\/strong><\/p>\n<p style=\"text-align: center;\"><span style=\"color: green;\">(Studii fantastice)<\/span><\/p>\n<p style=\"text-align: right;\">de Oliviu Cr\u00e2znic<\/p>\n<p style=\"text-align: justify;\">Ana-Maria Negril\u0103 (n. 1972) este scriitoare multiplu premiat\u0103, antologatoare, traduc\u0103toare, publicist\u0103 (a publicat critic\u0103 literar-artistic\u0103, precum \u0219i articole \u0219tiin\u021bifice, \u00een \u021bar\u0103 \u0219i peste hotare). Ocazional, jurizeaz\u0103 concursuri literare, sus\u021bine prelegeri universitare pe teme beletristice sau pred\u0103 arta \u0219i \u0219tiin\u021ba scrisului \u00een cadrul unor ateliere de scriere creativ\u0103. De\u021bine titlul de doctor \u00een Literatur\u0103 veche.<!--more--><\/p>\n<p style=\"text-align: justify;\">A publicat volumele: <em>Ora\u0219ul ascuns<\/em> (2005); <em>\u00cemp\u0103ratul ghe\u021burilor<\/em> (2006; 2018; <em>J\u00e9gcs\u00e1sz\u00e1r<\/em>, 2019, Ungaria); <em>Stelarium: Regatul sufletelor pierdute<\/em> (2016); <em>Stelarium: Ascensiunea stelar\u0103<\/em> (2016); <em>Stelarium: Agen\u021bii haosului<\/em> (2019).<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/i0.wp.com\/www.cruxed.ro\/wp-content\/uploads\/2020\/03\/Stapanul-umbrelor-coperta-fata-cruxed.ro_.jpg?w=812&#038;ssl=1\" \/><\/p>\n<p style=\"text-align: justify;\">Raportat la teoria literar\u0103, <em>St\u0103p\u00e2nul umbrelor<\/em> apar\u021bine stilului func\u0163ional beletristic, curentului literar transumanist, categoriei estetice a fantasticului, genului literar epic, speciei literare (din punct de vedere formal, respectiv tematic) a romanului (\u00een mai multe volume, <em>Trezirea<\/em> fiind primul dintre acestea) neofantastic, subspeciei literare a neofantasticului \u00eentunecat [futurist; de altfel, mai multe indicii pres\u0103rate \u00een text de c\u0103tre autoare plaseaz\u0103 <em>St\u0103p\u00e2nul umbrelor<\/em> \u00een ciclul epic <em>Stelarium<\/em>, \u00eentr-un decor din viitorul \u00eendep\u0103rtat \u00een care, de data aceasta, \u00ee\u0219i g\u0103se\u0219te loc \u0219i magia].<\/p>\n<p style=\"text-align: justify;\">Din punct de vedere al literaturii comparate, opera literar\u0103 pe care o analiz\u0103m aici se apropie, prin exotismul aproape parnasianist care o str\u0103bate (\u0219i, putem spune, chiar o define\u0219te), mai mult de crea\u021biile Ursulei K. Le Guin (ciclul epic <em>Earthsea<\/em>, 1964-2018) ori de unele scrieri ale lui Michael A. Stackpole (<em>Age of Discovery<\/em>, 2005-2007), dec\u00e2t de fantasticul \u00eentunecat \u201eoccidentalist\u201d (inspirat de Europa Medieval\u0103) publicat de autori precum George R.R. Martin ori Joe Abercrombie.<\/p>\n<p style=\"text-align: justify;\">Subiectul operei se \u021bese pe trei planuri narative paralele, care se \u00eentretaie \u00een finalul volumului (prefigur\u00e2nd o coliziune \u00een volumul al doilea).<\/p>\n<p style=\"text-align: justify;\">Primul dintre acestea urm\u0103re\u0219te destinul unui \u201emediator\u201d (un t\u00e2n\u0103r cu capacit\u0103\u021bi paranormale, antrenat de profesori speciali), supravie\u021buitor al unui masacru politic \u0219i \u00eempins (prin diferite mijloace) s\u0103 salveze o \u201edomni\u021b\u0103 (mai mult sau mai pu\u021bin) \u00een primejdie\u201d din s\u00e2nul familiei autoritare \u0219i de sub amenin\u021barea indirect\u0103 a unor creaturi asem\u0103n\u0103toare dragonilor ori zmeilor.<\/p>\n<p style=\"text-align: justify;\">Cel de al doilea plan, siamez primului, \u00eel are \u00een centru pe tovar\u0103\u0219ul (anti)eroului, \u201emediator\u201d la r\u00e2ndul s\u0103u (tinerii au fost desp\u0103r\u021bi\u021bi prin for\u021ba \u00eemprejur\u0103rilor), favorit al unui prin\u021b c\u0103ruia i-a salvat via\u021ba \u0219i for\u021bat, \u0219i el, s\u0103 joace un rol nepl\u0103cut \u0219i nedorit \u00een p\u00e2nza de p\u0103ianjen a luptei pentru putere.<\/p>\n<p style=\"text-align: justify;\">Observ\u0103m, \u00een aceste dou\u0103 planuri narative, reluarea (sub noi forme) unor motive literare dragi autoarei, cum ar fi energia planetar\u0103, manipularea psihic\u0103, artele mar\u021biale ori jertfa\/jertfirea pentru un scop \u00eenalt.<\/p>\n<p style=\"text-align: justify;\">Cel de al treilea plan narativ din structura <em>St\u0103p\u00e2nului umbrelor<\/em> este semnificativ diferit (\u0219i ni se pare cel mai bun): un t\u00e2n\u0103r o\u0219tean obsedat s\u0103 \u00ee\u0219i r\u0103zbune tat\u0103l adoptiv asasinat \u00een plin\u0103 strad\u0103 este abordat de o \u201enomenclatoare\u201d (magician\u0103) \u0219i de duhul unei tinere ucise care \u00eei promit ajutorul \u2013 dar ajutorul are un pre\u021b care se pl\u0103te\u0219te \u00een umbr\u0103&#8230;<\/p>\n<p style=\"text-align: justify;\">Deloc surprinz\u0103tor, Ana-Maria Negril\u0103 r\u0103m\u00e2ne aceea\u0219i romancier\u0103 remarcabil\u0103 \u0219i \u00een afara zonei (strict) \u0219tiin\u021bifico-fantastice \u00een care era obi\u0219nuit\u0103 s\u0103 exceleze, cre\u00e2nd, din nou, personaje vii \u0219i complexe, intrigi alambicate dar verosimile, decoruri stranii \u0219i luxuriante \u0219i dialoguri pline de spirit. Spunem \u201edeloc surprinz\u0103tor\u201d, deoarece autoarea o surclasa (din punct de vedere calitativ), f\u0103r\u0103 efort, \u00eenc\u0103 din 2001, \u00een aria \u201edark fantasy\u201d, pe Anne Rice, oferind scriitoarei de peste Ocean o replic\u0103 imposibil de contracarat \u00een privin\u021ba cronicilor vampire\u0219ti: memorabila nuvel\u0103 <em>C\u00e2ntecul zorilor<\/em>.<\/p>\n<p style=\"text-align: justify;\">Mul\u021bi scriitori rom\u00e2ni \u00ee\u0219i \u00eencearc\u0103, \u00een ultima vreme, condeiul cu literatura extraordinarului; pu\u021bini sunt \u00eens\u0103 aceia care \u0219i reu\u0219esc s\u0103 capteze (\u0219i s\u0103 p\u0103streze pe termen lung) aten\u021bia publicului cititor, a\u0219a cum reu\u0219e\u0219te Ana-Maria Negril\u0103.<\/p>\n<p style=\"text-align: justify;\">R\u0103m\u00e2nem, a\u0219adar, \u00een a\u0219teptarea unui al doilea volum din <em>St\u0103p\u00e2nul umbrelor<\/em>, a unui anun\u021bat roman istorico-fantastic \u0219i \u2013 de ce nu?&#8230; \u2013 a unui roman ciberSF care s\u0103 \u00eencununeze prozele scurte semnate de autoare, de-a lungul timpului, \u00een cadrul respectivei subspecii literare.<\/p>\n<p style=\"text-align: justify;\">*<\/p>\n<p style=\"text-align: justify;\"><strong><em>Despre autorul rubricii: <\/em><\/strong><\/p>\n<p style=\"text-align: justify;\"><strong>OLIVIU CR\u00c2ZNIC\u00a0<\/strong>(n. 1978; p\u0103rin\u021bii: Oliviu, prof. eviden\u021biat gr. I Lb. \u0219i lit. rom\u00e2n\u0103, distins cu diploma de onoare \u201eCreativitate \u0219i eficien\u021b\u0103\u201d, \u0219i Dorothea, prof. gr. I Lb. \u0219i lit. rom\u00e2n\u0103; studii: licen\u021biat \u00een \u201e\u0218tiin\u021be juridice\u201d, specializarea \u201eDrept\u201d, cu lucrarea de diplom\u0103 intitulat\u0103\u00a0<em>Particularit\u0103\u021bi tactice privind confruntarea dintre inculpat \u0219i persoana v\u0103t\u0103mat\u0103<\/em>, sus\u021binut\u0103 la disciplina \u201eCriminalistic\u0103\u201d, \u0219i absolvent al unui curs de formare a mediatorilor) este scriitor (prozator \u0219i poet), traduc\u0103tor literar, antologist, critic literar, conferen\u021biar \u015fi consilier juridic (membru al Ordinului Consilierilor Juridici din Rom\u00e2nia \u0219i al Colegiului Consilierilor Juridici Bucure\u0219ti). \u00cen 2010, a publicat romanul gotic\u00a0<em>\u2026\u015ei la sf\u00e2r\u015fit a mai r\u0103mas co\u015fmarul<\/em>\u00a0(Ed. Vremea). Ulterior, a publicat numeroase povestiri \u015fi nuvelete (majoritatea se reg\u0103sesc \u00een volumul de colec\u021bie\u00a0<em>Ceasul fantasmelor<\/em>, Ed. Crux Publishing, 2015), foarte bine primite de critic\u0103 \u015fi de public, \u015fi a c\u00e2\u015ftigat numeroase premii, inclusiv un premiu acordat de Societatea European\u0103 de Science Fiction. A fost publicat \u00een diverse antologii \u015fi reviste al\u0103turi de nume importante ale literaturii universale contemporane (G.R.R. Martin) sau clasice (A.C. Doyle, R.E. Howard, R. Kipling, H.P. Lovecraft, G. de Maupassant, Saki). Apare men\u021bionat \u00een monumentala\u00a0<em>The Encyclopedia of Science Fiction<\/em>\u00a0(ed. J. Clute, P. Nicholls), iar operele lui fac obiectul unor studii de specialitate (publicate inclusiv \u00een volume ap\u0103rute sub egida Fac. de Lit. din varii centre universitare): <em>Once Upon Atrocity. Gothic Music Influences in the First Romanian (Neo)gothic Novel<\/em> (dr. dr. \u0218t. Bolea), <em>Hero and Villain in H\u00f4tel Transylvania and in Cr\u00e2znic\u2019s Nightmare <\/em>(dr. E. Atudosiei) ori masterate: <em>Oliviu Cr\u00e2znic, &#8230; \u0219i la sf\u00e2r\u0219it a mai r\u0103mas co\u0219marul<\/em> (M. Vlatkovi\u0107, <em>Vampirul balcanic<\/em> p. 35-42, Univ. din Zagreb, Fac. de \u015etiin\u0163e Sociale \u0219i Umaniste). Apare, ca personaj, \u00een nuveleta\u00a0<em>Isp\u0103\u0219irea<\/em>, scris\u0103 de prof. doc. C. Mitoceanu. Cronicile de carte, articolele \u015fi studiile sale de teorie \u015fi istorie literar\u0103 sunt apreciate pe scar\u0103 larg\u0103 \u2013 unele dintre acestea fiind publicate \u015fi peste grani\u0163\u0103, ceea ce i-a conferit statutul de membru al organiza\u021biei scriitorice\u0219ti \u0219i artistice Imagicopter: The Author\/Artist Cooperative (2012-2017). \u00cen Rom\u00e2nia, a fost invitat, \u00een mai multe r\u00e2nduri, s\u0103 vorbeasc\u0103 studen\u021bilor Fac. de Lb. \u0219i Lit. Str\u0103ine a Univ. din Bucure\u0219ti (prelegerea\u00a0<em>Literatura gotic\u0103 \u0219i romantismul \u00eentunecat american. Sec. al XIX-lea: Hawthorne, Melville, Poe \u0219i mo\u0219tenirea lor cultural\u0103<\/em>) ori studen\u021bilor Fac. de Lb. \u0219i Lit. Str\u0103ine a Univ. Cre\u0219tine \u201eDimitrie Cantemir\u201d (prelegerea\u00a0<em>Lumi fic\u021bionale \u00een literatura modern\u0103<\/em>, \u00een colaborare cu conf. univ. dr. A.M. Negril\u0103), a jurizat (\u00eempreun\u0103 cu conf. univ. dr. A.M. Negril\u0103)\u00a0<em>Concursul de crea\u021bie literar\u0103 pentru elevi, studen\u021bi \u0219i masteranzi: Proz\u0103 scurt\u0103<\/em>\u00a0organizat de Fac. de Lb. \u0219i Lit. Str\u0103ine a Univ. Cre\u0219tine \u201eDimitrie Cantemir\u201d (ed. I-III, 2018-2020), a participat la sesiunea \u0219tiin\u021bific\u0103 a Academiei Rom\u00e2ne \u2013 Divizia de Logic\u0103, Metodologie \u0219i Filosofie a \u0218tiin\u021bei, cu comunicarea <em>Literatura \u0219tiin\u021bifico-fantastic\u0103 \u0219i c\u0103utarea (modelarea?) viitorului<\/em>, fiind prezent, cu studiul <em>Teoria colapsului civiliza\u021biei \u00een literatura anticipativ\u0103 de avertisment<\/em>, \u0219i \u00een <em>NOEMA<\/em> (revist\u0103 a Academiei Rom\u00e2ne). A participat, \u00een calitate de moderator al serii dedicate literaturii SF, la cea de a VII-a edi\u021bie a Festivalului Interna\u021bional de Literatur\u0103 de la Bucure\u0219ti \u0219i, \u00een calitate de invitat al \u201eCasei Fantasy\u201d (moderator: D. Dobo\u0219), la cea de a VI-a edi\u021bie a Festivalului Interna\u021bional de Literatur\u0103 \u0219i Traducere Ia\u0219i. A participat, \u00een calitate de invitat, \u00een repetate r\u00e2nduri, la emisiuni culturale televizate sau radiodifuzate. \u00cen prezent, colaboreaz\u0103 cu revistele culturale\u00a0<em>EgoPHobia<\/em> (\u00een paginile c\u0103reia de\u021bine rubrica\u00a0<em>Studii fantastice<\/em>) \u0219i\u00a0<em>Apostrof<\/em>\u00a0(revist\u0103 a Uniunii Scriitorilor). Pagin\u0103 virtual\u0103 oficial\u0103:\u00a0<em>Facebook:<\/em>\u00a0<em>Oliviu Craznic<\/em>\u00a0(<a href=\"https:\/\/www.facebook.com\/oliviucraznicofficialpage\">https:\/\/www.facebook.com\/oliviucraznicofficialpage<\/a>). Blog oficial: <em>Goodreads: Oliviu Cr\u00e2znic`s Blog<\/em> (https:\/\/www.goodreads.com\/author\/show\/4939353.Oliviu_Craznic\/blog).<\/p>\n<p style=\"text-align: justify;\"><strong><em>\u201eOliviu Cr\u00e2znic chiar este un romantic, un personaj cobor\u00e2t efectiv din propria-i oper\u0103 extraordinar\u0103 \u0219i spectaculoas\u0103, melanj de Baudelaire, Edgar Allan Poe \u0219i Walter Scott, sub ochii necru\u021b\u0103tori ai lui Bram Stoker \u0219i H.P. Lovecraft. Citi\u021bi-i romanul \u0219i povestirile \u0219i o s\u0103 \u00een\u021belege\u021bi imediat la ce m\u0103 refer!\u201d\u00a0<\/em><\/strong>(\u0218t. Ghidoveanu, realizatorul emisiunii Radio Rom\u00e2nia Cultural\u00a0<em>Exploratorii lumii de m\u00e2ine<\/em>, \u00een\u00a0<em>Galileo Online<\/em>, nov. 2012)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[Ana-Maria Negril\u0103, St\u0103p\u00e2nul umbrelor: Trezirea, Ed. Crux Publishing, 2020] (Studii fantastice) de Oliviu Cr\u00e2znic Ana-Maria Negril\u0103 (n. 1972) este scriitoare multiplu premiat\u0103, antologatoare, traduc\u0103toare, publicist\u0103 (a publicat critic\u0103 literar-artistic\u0103, precum \u0219i articole \u0219tiin\u021bifice, \u00een \u021bar\u0103 \u0219i peste hotare). Ocazional, jurizeaz\u0103 concursuri literare, sus\u021bine prelegeri universitare pe teme beletristice sau pred\u0103 arta \u0219i \u0219tiin\u021ba scrisului \u00een [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8,1494,892],"tags":[1255,1113,1495,636,1194],"class_list":["post-13641","post","type-post","status-publish","format-standard","hentry","category-critica","category-egophobia-67","category-ghidul-cititorului-de-fantastic","tag-ana-maria-negrila","tag-critica","tag-egophobia-67","tag-oliviu-craznic","tag-studii-fantastice"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/s6DakB-trezirea","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/13641","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13641"}],"version-history":[{"count":3,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/13641\/revisions"}],"predecessor-version":[{"id":13644,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/13641\/revisions\/13644"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13641"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13641"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13641"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}