{"id":13932,"date":"2021-12-12T16:30:03","date_gmt":"2021-12-12T14:30:03","guid":{"rendered":"http:\/\/egophobia.ro\/?p=13932"},"modified":"2021-12-12T16:30:03","modified_gmt":"2021-12-12T14:30:03","slug":"amurgul-elkilor-sau-recuperarea-ancestralului","status":"publish","type":"post","link":"https:\/\/egophobia.ro\/?p=13932","title":{"rendered":"\u201eAmurgul elkilor\u201d sau recuperarea ancestralului"},"content":{"rendered":"

de Mircea Doreanu<\/p>\n

Povestirile Rodic\u0103i Bretin nu se hr\u0103nesc numai din rev\u0103rs\u0103ri de evenimente, din suspansul aventurii, ci \u015fi din atmosfera de lirism \u00een care autoarea \u00eenf\u0103\u015foar\u0103 o istorie simpl\u0103, nesofisticat\u0103. Metafora domin\u0103, o metafor\u0103 situat\u0103 nu at\u00e2t la nivelul verbului, c\u00e2t la acela al structurii stilistice de ansamblu. Tensiunea povestirilor se na\u015fte din ac\u0163iunea alert\u0103, dar \u015fi din z\u0103bava asupra am\u0103nuntului poetic, simbolic adeseori. \u00cen felul acesta, istorisirile prozatoarei se transform\u0103 \u00eentr-o parabol\u0103 ce vizeaz\u0103 c\u00e2nd condi\u0163ia uman\u0103, c\u00e2nd avatarurile cunoa\u015fterii, c\u00e2nd categoriile mari ale eticului.<\/p>\n

Antropozofia \u015fi antropologia din prozele Rodic\u0103i Bretin, uneori naturaliste (au cum s\u0103 fie altfel?) reprezint\u0103 o imersiune fic\u0163ional\u0103 \u00een epoca de piatr\u0103 a fiin\u0163ei \u015fi con\u015ftiin\u0163ei umane. \u201eAmurgul elkilor\u201d nu seam\u0103n\u0103 cu nimic din ce am citit p\u00e2n\u0103 acum \u00een literatura autohton\u0103, originalitatea fiind unul, dar nu \u015fi singurul atu al c\u0103r\u0163ii.<\/p>\n

<\/p>\n

Fragmentele de fresc\u0103 dinaintea timpului \u00eencep lent, preg\u0103tind o avalan\u015f\u0103 de imagini ca aceea de sunete a trupei Nirvana. Este o structur\u0103 repetitiv\u0103, f\u0103r\u0103 a deveni monocord\u0103 \u2013 nici nu are c\u00e2nd, pe parcursul unei c\u0103r\u0163i at\u00e2t de alerte. Sau poate este o iluzie literar\u0103, iar violen\u0163a se acumuleaz\u0103, deoarece nici \u00eenceputul prozei care d\u0103 titlul volumului, nici al nuveletei \u201eR\u0103zboiul pentru Alana\u201d nu au nimic timid, dimpotriv\u0103: \u201ePloua. De zile \u00eentregi, m\u0103runt, necontenit. P\u0103ianjenul se mi\u015fca alene, s\u0103tul, nuc\u0103 moale \u015fi p\u0103roas\u0103 ce \u00ee\u015fi v\u0103rsase veninul \u00een g\u00e2zele prinse de capcana-i argintie… Asemeni uwailor, p\u0103ianjenul nu se ostenea s\u0103 v\u00e2neze. F\u0103cuse o alc\u0103tuire \u00eempotriva firii, \u00eentinz\u00e2nd-o peste tot ce-l \u00eenconjura \u015fi p\u00e2ndise p\u00e2n\u0103 c\u00e2nd, din neb\u0103gare de seam\u0103 ori ca s\u0103-l alunge veniser\u0103 micile f\u0103pturi care nu \u00ee\u015fi p\u0103zeau soarta.\u201d (\u201eR\u0103zboiul pentru Alana\u201d)<\/p>\n

Acest gen de literatur\u0103 implic\u0103 na\u015fterea unui lexic nou, \u00een care onomastica are un rol primordial. Totul respect\u0103 consecven\u0163a crea\u0163iei, nimic nu este arhaizat. Este vorba despre o subtil\u0103, aparent inocent\u0103 disipare \u00eenspre incon\u015ftient a emo\u0163iilor. Nu putem vorbi despre un text mai bun dec\u00e2t altul \u00een fresca de imagini \u00een culori at\u00e2t de vii \u00eenc\u00e2t r\u0103nesc retina. \u015ei, \u00eentr-un mod firesc, generalizator, incursiunea \u00een ancestral asigur\u0103 autenticitatea des\u0103v\u00e2r\u015fit\u0103 a demersului artistic al Rodic\u0103i Bretin. Aglutinarea este metoda scriptic\u0103 dominant\u0103: \u201eF\u0103cuse un pas, c\u00e2nd glasul c\u0103peteniei a oprit-o, dintr-o dat\u0103 umil, rug\u0103tor. Yraine s-a r\u0103sucit, \u00eengust\u00e2ndu-\u015fi ochii \u2013 o clip\u0103, dou\u0103… \u00centr-un t\u00e2rziu a \u00eencuviin\u0163at, parc\u0103 \u00een sil\u0103. I-a \u00eentors spatele urutului, nu \u00eenainte de a-i deslu\u015fi u\u015furarea: omul crezuse c\u0103 va cere mai mult<\/em>.\u201d (\u201eV\u00e2n\u0103toarea celorlal\u0163i\u201d)<\/p>\n

Uru\u0163ii<\/em>, uwaii<\/em>, precum \u015fi multe alte denomin\u0103ri, sunt nume de triburi imaginabile ca viitoare popoare sau sortite pieirii, asemeni numelor personajelor, care par trouvaille-uri exotice, \u00eens\u0103 ar apar\u0163ine de fapt unor limbi disp\u0103rute. Tipul de behaviorism practicat de autoare este unul naturalist, \u00eenc\u00e2t ai zice c\u0103 Emil Zola scrie despre varani: \u201eOmul-vrunn o a\u015ftepta. O cl\u0103tinare a desi\u015furilor \u015fi iat\u0103-l, \u00eenalt, cu pielea neagr\u0103 lucind asemeni frunzelor sp\u0103late de ploaie. S-a apropiat \u00een salturi ciudate, nici mers, nici fug\u0103…\u201d (\u201eV\u00e2n\u0103toarea celorlal\u0163i\u201d)<\/p>\n

\u00cen plan ideatic, Rodica Bretin demonteaz\u0103 falsa superioritate a omului modern fa\u0163\u0103 de \u201ecel al cavernelor\u201d: oamenii epocii pietrei nu erau neap\u0103rat inferiori celor de ast\u0103zi, ci diferi\u0163i. Iar unele caractere s-au pierdut irevocabil, cum ar fi capacitatea neanderthalezilor de a se na\u015fte cu \u201ememoria speciei\u201d posesori ai cuno\u015ftiin\u0163elor acumulate de genera\u0163iile anterioare.<\/p>\n

Autoarea remarc\u0103 aportul individualit\u0103\u0163ilor \u2013 lideri \u015fi elite \u2212 \u00een opozi\u0163ie cu mul\u0163imile-turme. Ace\u015ftia au curajul dement\u00a0 de a lupta cu for\u0163e superioare, chiar av\u00e2nd \u015fanse minime de reu\u015fit\u0103 \u015fi tocmai lor li se datoreaz\u0103 progresul omenirii. Totu\u015fi, uneori selec\u0163ia natural\u0103 ac\u0163ioneaz\u0103 haotic, supravie\u0163uind nu cei mai ap\u0163i, ci cei mai noroco\u015fi, astfel \u00eenc\u00e2t zorii civiliza\u0163iei nu a fost o perioad\u0103 paradisiac\u0103 \u00een care omul tr\u0103ia \u00een armonie cu natura, ci un purgatoriu evolu\u0163ionist. Unele fragmente ale c\u0103r\u0163ii aduc o atmosfer\u0103 aproape apocaliptic\u0103, \u00eens\u0103 ceea ce pare un sf\u00e2r\u015fit se v\u0103de\u015fte a fi un \u00eenceput de lume: \u201eValul mi\u015fc\u0103tor \u00eenghi\u0163ea dun\u0103 dup\u0103 dun\u0103: c\u0103l\u0103re\u0163i \u00een ve\u015fminte negre, cai cu trupuri de bezn\u0103. Veneau dinspre r\u0103s\u0103rit \u2013 mereu de acolo \u2013 \u015fi erau mul\u0163i, at\u00e2t de mul\u0163i\u2026 \u00cei v\u0103zuse trec\u00e2nd pustiul de nisip \u2013 \u015fi aveau s\u0103-l treac\u0103. \u00cei v\u0103zuse aduc\u00e2nd Uitarea-cea-Mare \u2013 \u015fi aveau s-o aduc\u0103. Str\u0103inii veneau, elkii or s\u0103 piar\u0103. Sf\u00e2r\u015fitul era aproape \u2013 nu al unuia, ci al tuturor. Cei vii aveau s\u0103 piar\u0103 laolat\u0103 cu cei nen\u0103scu\u0163i, cu amintirea celor ce fuseser\u0103 odinioar\u0103. Poate un neam \u00eentreg s\u0103 se ascund\u0103, s\u0103 fug\u0103 \u2013 unde, \u00eencotro?\u201d (\u201eAmurgul elkilor\u201d)<\/p>\n

Nu pot s\u0103 \u00eenchei dec\u00e2t tot cu un citat, de data asta din publica\u0163ia italian\u0103 \u201eCorriere Veneziano\u201c: \u201eDovedind o uimitoare putere de evocare, Rodica Bretin re\u00eenvie spectaculos, aproape cinematografic, lumea Cuaternarului t\u00e2rziu. Nu doar cea s\u0103lbatic\u0103, violent\u0103, f\u0103r\u0103 cru\u0163are a neanderthalienilor, ci \u015fi fascinanta epopee a oamenilor de Cro-Magnon, \u00een care eroii \u00eenfrunt\u0103 adversari redutabili, mon\u015ftri sau catastrofe naturale \u2013 totul \u00een numele unui altfel de viitor\u201c.<\/p>\n","protected":false},"excerpt":{"rendered":"

de Mircea Doreanu Povestirile Rodic\u0103i Bretin nu se hr\u0103nesc numai din rev\u0103rs\u0103ri de evenimente, din suspansul aventurii, ci \u015fi din atmosfera de lirism \u00een care autoarea \u00eenf\u0103\u015foar\u0103 o istorie simpl\u0103, nesofisticat\u0103. Metafora domin\u0103, o metafor\u0103 situat\u0103 nu at\u00e2t la nivelul verbului, c\u00e2t la acela al structurii stilistice de ansamblu. Tensiunea povestirilor se na\u015fte din ac\u0163iunea […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8,1516],"tags":[1113,1517,1531,1219],"class_list":["post-13932","post","type-post","status-publish","format-standard","hentry","category-critica","category-egophobia-69","tag-critica","tag-egophobia-69-70","tag-mircea-doreanu","tag-rodica-bretin"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6DakB-3CI","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/13932","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13932"}],"version-history":[{"count":1,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/13932\/revisions"}],"predecessor-version":[{"id":13933,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/13932\/revisions\/13933"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13932"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13932"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13932"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}