{"id":14474,"date":"2022-11-28T07:47:52","date_gmt":"2022-11-28T05:47:52","guid":{"rendered":"https:\/\/egophobia.ro\/?p=14474"},"modified":"2022-11-25T09:51:10","modified_gmt":"2022-11-25T07:51:10","slug":"de-profundis-clamavi-ad-te-domine","status":"publish","type":"post","link":"https:\/\/egophobia.ro\/?p=14474","title":{"rendered":"De profundis clamavi ad te, Domine"},"content":{"rendered":"

o istorie de buzunar<\/span><\/p>\n

de Ana-Maria Negril\u0103<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Una dintre cele mai emo\u021bionante, dar \u0219i incomode m\u0103rturisiri scrise vreodat\u0103 de un autor este cea l\u0103sat\u0103 de Oscar Wilde lui Robert Ross, prietenul \u0219i executorul s\u0103u testamentar. Ross revizuie\u0219te, inclusiv \u00een sensul de a elimina unele pasaje din scrisoarea lui Wilde, \u0219i public\u0103 \u00een 1905, la cinci ani dup\u0103 moartea autorului, textul \u201eDe profundis\u201d, al c\u0103rui titlu este inspirat de psalmul 129, \u201eDe profundis clamavi ad te, Domine\u201d [1]<\/a> . Aceste pagini fuseser\u0103 scrise \u00een perioada \u00een care Oscar Wilde isp\u0103\u0219ea o pedeaps\u0103 de doi ani la \u00eenchisoarea Reading \u0219i beneficia, dup\u0103 mai multe interven\u021bii, de un tratament mai bl\u00e2nd, inclusiv de permisiunea de a-\u0219i a\u0219terne g\u00e2ndurile pe h\u00e2rtie ca form\u0103 de terapie. Dincolo de adev\u0103rul, a\u0219a cum \u00eel vede el, al leg\u0103turii cu lordul Alfred Douglas, pe care \u00eel \u00eenvinuie\u0219te pentru situa\u021bia \u00een care se afla, din text eman\u0103 sinceritatea brutal\u0103 a celui care a b\u0103ut p\u00e2n\u0103 la fund cupa am\u0103r\u0103ciunii \u0219i nu mai a\u0219teapt\u0103 nimic de la via\u021b\u0103.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Pe l\u00e2ng\u0103 opera\u021bia asem\u0103n\u0103toare unei vivisec\u021bii, pe care Oscar Wilde o face asupra propriei persoane, a gesturilor, a cuvintelor \u0219i a hot\u0103r\u00e2rilor luate \u00een rela\u021bia cu lordul Douglas (Bosie), exist\u0103 pasaje minunate despre frumuse\u021be, art\u0103 \u0219i via\u021b\u0103. Ca orice adev\u0103r, \u0219i cel al rela\u021biei lui cu Bosie se afl\u0103 \u00een zona mediana dintre dorin\u021ba primului de a-i face pe plac prietenul s\u0103u, crez\u00e2nd c\u0103 adula\u021bia publicului va \u021bine loc de armur\u0103 \u00een fa\u021ba loviturilor legii, \u0219i siguran\u021ba de clas\u0103 a lordului Douglas, care, de asemenea, credea \u00een invincibilitatea tinere\u021bii, frumuse\u021bii \u0219i statutului social. Se \u00een\u0219elau am\u00e2ndoi \u00eens\u0103, subestim\u00e2nd tenacitatea \u0219i for\u021ba financiar\u0103 a adversarul, marchizul de Queensberry (tat\u0103l lui Bosie), care are c\u00e2\u0219tig de cauz\u0103 \u00een procesului din 1895, deschis ini\u021bial de Wilde la instigarea lui Bosie, dar care, \u00een cele din urm\u0103, conduce la condamnarea autorului la doi ani de munc\u0103 silnic\u0103, isp\u0103\u0219i\u021bi \u00eent\u00e2i la \u00eenchisoarea Wandsworth, apoi, dup\u0103 agravarea st\u0103rii lui de s\u0103n\u0103tate, la \u00eenchisoarea Reading[2]<\/a>.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Dec\u0103derea lui Oscar Wilde, lupta dus\u0103 dup\u0103 eliberare, lipsa de mijloace urmat\u0103 de moartea lui prematur\u0103 i-au \u0219ocat pe contemporani \u0219i au avut ecouri \u00een literatur\u0103 la mul\u021bi ani dup\u0103 dispari\u021bia autorului, una dintre acestea fiind cea introdus\u0103 de Marcel Proust \u00een volumul \u201eSodoma \u0219i Gomora\u201d.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ,,F\u0103r\u0103 alt\u0103 onoare dec\u00e2t una precar\u0103, f\u0103r\u0103 alt\u0103 libertate dec\u00e2t una provizorie, p\u00e2n\u0103 la descoperirea crimei; f\u0103r\u0103 alt\u0103 situa\u021bie dec\u00e2t una nesigur\u0103, ca aceea a poetului s\u0103rb\u0103torit \u00een ajun \u00een toate saloanele, aplaudat \u00een toate teatrele din Londra, izgonit a doua zi din toate camerele de hotel \u0219i neput\u00e2nd g\u0103si o pern\u0103 pe care s\u0103-\u0219i pun\u0103 capul.”[3]<\/a><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Manuscrisul lui \u201eDe profundis\u201d are o istorie bizar\u0103 ca, de altfel, toat\u0103 afacerea Wilde-Douglas- Queensberry. Textul ia forma unei lungi scrisori pe care Wilde i-o adreseaz\u0103 din \u00eenchisoare lordului Douglas \u0219i care con\u021bine \u00eenvinuiri mai mult sau mai pu\u021bin voalate legate de comportamentul acestuia dup\u0103 \u00eencarcerarea autorului, al\u0103turi de dezv\u0103luiri incomode din timpul rela\u021biei celor doi. Scrisoarea ar fi trebuit s\u0103 \u00eei parvin\u0103 lordului Douglas, \u00eens\u0103 acesta nu recunoa\u0219te c\u0103 ar fi citit-o sau ar fi \u0219tiut de ea (m\u0103rturisire f\u0103cut\u0103 \u00een cartea \u201eOscar Wilde \u0219i eu \u00eensumi\u201d, pe care o public\u0103 in 1914[4]<\/a>). Lordul Douglas \u00eencearc\u0103 s\u0103 nege orice rela\u021bie \u0219i implicare \u00een dec\u0103derea lui Oscar Wilde \u0219i reac\u021bioneaz\u0103 de fiecare dat\u0103 c\u00e2nd se fac astfel de aluzii, inclusiv intent\u00e2nd procese, cum este \u0219i cel din 1912 \u00eempotriva lui Arthur Ransome, autorul c\u0103r\u021bii Oscar Wilde: a critical study<\/em>. De fapt, o parte important\u0103 a textului scris la Reading r\u0103m\u0103sese necunoscut\u0103 contemporanilor lui Wilde ca urmare a faptului c\u0103 Robert Ross o predase la British Museum, cer\u00e2nd s\u0103 nu fie publicat\u0103 dec\u00e2t peste 50 de ani. Asta nu \u00eensemna totu\u0219i c\u0103 scrisoarea nu fusese citit\u0103 \u0219i de al\u021bii \u00eenainte s\u0103 ias\u0103 din circuitul literar, de aici \u0219i \u00eengrijorarea lordului Douglas, care, \u00een urma procesului din 1912, nu mai are voie s\u0103 includ\u0103 \u00een cartea sa pasaje din \u201eDe profundis\u201d \u0219i nici nu mai are acces la textul original al scrisorii.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Din 1905, \u201eDe profundis\u201d cunoa\u0219te mai multe edi\u021bii, toate incomplete p\u00e2n\u0103 \u00een 1962, c\u00e2nd textul integral apare \u00eempreun\u0103 cu alte scrisori sub titlul de \u201eThe Letters of Oscar Wilde\u201d, edi\u021bie \u00eengrijit\u0103 de Rupert Hart-Davis, care studiaz\u0103 manuscrisul de la British Museum.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Totu\u0219i, \u00een 1912, Douglas nu \u0219tia de existen\u021ba scrisorii, a\u0219a cum m\u0103rturisise \u00een prefa\u021ba c\u0103r\u021bii sale, sau \u0219tia, dar o arsese f\u0103r\u0103 s-o fi citit, a\u0219a cum tot singur declarase \u00een timpul procesului \u00eempotriva lui Ransome?<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201e\u00cen timpul petrecut la Reading, lui Oscar Wilde i s-a permis s\u0103 foloseasc\u0103 stiloul \u0219i a cerneala \u0219i se pare c\u0103 a sc\u0103pat de plictiseala \u00eencarcer\u0103rii sale scriind aproximativ optzeci de mii de cuvinte adresate mie \u00eensumi. Se presupune c\u0103 o copie a manuscrisului mi-a fost trimis\u0103 prin po\u0219t\u0103, la scurt timp dup\u0103 finalizarea sa. Jum\u0103tate din scrisoare a fost editat\u0103 de c\u0103tre domnul Robert Ross \u0219i este cunoscut\u0103 de publicul larg ca De Profundis<\/em>. Cu toate acestea, p\u0103r\u021bile nepublicate pot fi descrise \u00een mod rezonabil ca un atac furios \u00eendreptat \u00eempotriva mea. P\u00e2n\u0103 c\u00e2nd o copie a acestui text a ajuns \u00een m\u00e2inile mele \u00een perioada \u00een care ac\u021biunea \u00eempotriva lui Ransome era \u00een a\u0219teptare, nu am \u0219tiut nimic de existen\u021ba lui. \u00cen cadrul procesului, a reie\u0219it c\u0103 acest talme\u015f-balme\u015f isteric a fost \u00eenm\u00e2nat de c\u0103tre domnul Ross autorit\u0103\u021bilor de la British Museum ca un cadou oferit na\u021biunii \u0219i c\u0103 nu urma s\u0103 fie f\u0103cut public p\u00e2n\u0103 \u00een 1960, c\u00e2nd se spera c\u0103 vom fi cu to\u021bii mor\u021bi.\u201d [5]<\/a><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Dincolo de destinul scrisorii, de am\u0103nuntele \u00eencarcer\u0103rii, interesant\u0103 este diferen\u021ba dintre Oscar Wilde, cel din portretul lui Dorian Gray sau cel al pieselor at\u00e2t de pline de spirit, \u0219i autorul lui \u201eDe profundis\u201d, cel care \u00eel descoperise pe adev\u0103ratul Dorian Gray. Astfel, Bosie, cu voia sau f\u0103r\u0103 voia lui, recrease la nivel simbolic scena dintre Dorian \u0219i pictorul Basil, \u00een care primul \u00eel \u00eenvinuia pe cel de-al doilea de blestemul care at\u00e2rna asupra lui \u0219i \u00eel asasina. Desigur, Bosie nu \u00eel omoar\u0103 pe Oscar Wilde, \u00eens\u0103 \u00eel supune oprobiului public, \u00eel duce la ruin\u0103 \u0219i, indirect, \u00eei cauzeaz\u0103 moartea.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00cen \u201eDe profundis\u201d, Wilde descoper\u0103 religia, dar mai important dec\u00e2t at\u00e2t, \u00eencearc\u0103 s\u0103 \u00ee\u0219i \u00eempace filosofia asupra vie\u021bii cu realit\u0103\u021bile pe care le tr\u0103ia, s\u0103 \u00een\u021beleag\u0103 \u00een ce m\u0103sur\u0103 adev\u0103rul \u0219i minciuna apar\u021bin numai intelectului, a\u0219a cum crezuse, plas\u00e2nd arta deasupra oric\u0103rui alt lucru.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201dAveam geniu, un nume distins, o pozi\u021bie social\u0103 \u00eenalt\u0103, inteligen\u021b\u0103, \u00eendr\u0103zneal\u0103 intelectual\u0103; am f\u0103cut din art\u0103 o filozofie \u0219i din filozofie o art\u0103; am schimbat mintea oamenilor \u0219i culoarea lucrurilor; tot ce am spus sau am f\u0103cut i-a determinat pe oameni s\u0103-\u0219i pun\u0103 \u00eentreb\u0103ri; am luat dramaturgia, cea mai obiectiv\u0103 form\u0103 de art\u0103 cunoscut\u0103, \u0219i am f\u0103cut din ea un mod de exprimare la fel de personal ca poezia liric\u0103 ori sonetul, \u00een acela\u0219i timp l\u0103rgindu-i gama \u0219i \u00eembog\u0103\u021bind-o; dramaturgie, roman, poezie cu rim\u0103, poem \u00een proz\u0103, dialog fantastic ori subtil, orice atingeam f\u0103ceam frumos \u00een alt fel: adev\u0103rului \u00eensu\u0219i i-am dat \u00een st\u0103p\u00e2nire de drept ce e fals deopotriv\u0103 cu ce e adev\u0103rat \u0219i am ar\u0103tat c\u0103 minciuna \u0219i adev\u0103rul apar\u021bin numai existen\u021bei intelectuale. Am tratat Arta ca pe realitatea suprem\u0103 \u0219i via\u021ba ca pe un simplu mod de fic\u021biune; am trezit imagina\u021bia veacului meu, care a creat mituri \u0219i legende \u00een jurul meu; am rezumat toate sistemele \u00eentr-o fraz\u0103 \u0219i toat\u0103 existenta \u00eentr-o maxim\u0103.\u201d[6]<\/a><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Dec\u0103derea \u00eel deprim\u0103 \u00eens\u0103 \u0219i, mai mult dec\u00e2t at\u00e2t, depl\u00e2nge faptul c\u0103 \u0219i-a irosit via\u021ba, inteligen\u021ba \u0219i spiritul \u00een c\u0103utare de senza\u021bii noi \u0219i, crez\u00e2ndu-se at\u00e2t de sus deasupra celorlal\u021bi, a ajuns mai jos dec\u00e2t to\u021bi. Totu\u0219i, Wilde vede \u00eenchisoare ca pe marea sf\u0103r\u00e2m\u0103toarea de iluzii, cea care deschide oamenilor ochii asupra realit\u0103\u021bii. Via\u021ba din afara zidurilor ei este plin\u0103 de oglinzi care am\u0103gesc \u0219i deformeaz\u0103 realitatea, de zgomot \u0219i agita\u021bie, de aceea, cei care sunt condamna\u021bi la nemi\u0219carea temni\u021bei nu se mai las\u0103 am\u0103gi\u021bi de spectacolul lumii[7]<\/a>.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201eM-am l\u0103sat ademenit \u00een vr\u0103ji prelungite de superficialitate senzual\u0103 \u0219i lipsit\u0103 de sens. M-am amuzat s\u0103 fiu un fl\u00e2neur<\/em>, un dandy, un om de lume. M-am \u00eenconjurat de firile cele mai m\u0103runte \u0219i min\u021bile cele mai \u00eenguste. Am devenit cheltuitorul iresponsabil al propriului meu geniu, iar risipirea unei tinere\u021bi eterne mi-a adus o bizar\u0103 bucurie. Obosit s\u0103 fiu pe culmi, am cobor\u00e2t de liberat \u00een ad\u00e2ncuri, \u00een c\u0103utare de senza\u021bie noi.\u201d [8]<\/a><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ce diferen\u021b\u0103 \u00eentre cuvintele de mai sus \u0219i cele din scrisoarea c\u0103tre Ralph Payne \u00een care Oscar Wilde ofer\u0103 o cheie de interpretare a personajelor din \u201ePortretul lui Dorian Grey\u201d, distribuindu-\u0219i lui \u00eensu\u0219i rolul lui Basil Hallward, imaginii sale publice pe cel al Lordului Henry, iar proiec\u021biei sale viitoare pe cel al lui Dorian Gray \u00eensu\u0219i[9]<\/a>!<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ,,Pentru c\u0103 a influen\u021ba o persoan\u0103 \u00eenseamn\u0103 a o \u00eenvesti cu sufletul t\u0103u. Omul respectiv nu mai g\u00e2nde\u0219te cu g\u00e2ndurile fire\u0219ti lui, nu mai arde cu pasiunile fire\u0219ti lui. Virtu\u021bile sale nu i se mai par reale. P\u0103catele lui \u2013 dac\u0103 exist\u0103 ceva ce se poate numi p\u0103cat \u2013 nu-i mai apar\u021bin, sunt \u00eemprumutate. Omul devine un ecou al muzicii altcuiva, un interpret al unui rol care nu a fost scris pentru el. \u021aelul vie\u021bii este autodes\u0103v\u00e2r\u015firea, perfec\u021bionarea eului. S\u0103 te cuno\u0219ti bine pe tine \u00eensu\u021bi \u2013 asta e ceea ce urm\u0103rim fiecare dintre noi aici, pe p\u0103m\u00e2nt. \u00cen zilele noastre oamenii se tem de ei \u00een\u0219i\u0219i. Au uitat care este datoria noastr\u0103 suprem\u0103, cea pe care o avem fa\u021b\u0103 de noi \u00een\u0219ine. Da, sunt milostivi, \u00eei hr\u0103nesc pe cei fl\u0103m\u00e2nzi \u0219i \u00eei \u00eembrac\u0103 pe cei despuia\u021bi. Dar propriile lor sunt suflete fl\u0103m\u00e2nde \u0219i despuiate. Rasa noastr\u0103 nu mai cunoa\u0219te curajul. Sau poate c\u0103 nu l-a cunoscut niciodat\u0103.”[10]<\/a><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u0218i iat\u0103 c\u0103 tocmai acest curaj enun\u021bat \u00een \u201ePortretul lui Dorian Gray\u201d, \u00eempletit cu \u00eencrederea c\u0103 frumuse\u021bea \u0219i arta se afl\u0103 deasupra oric\u0103rui alt lucru, \u00eel conduc la ruin\u0103. Totu\u0219i, r\u00e2ndurile din \u201eDe profundis\u201d nu au fost scrise de Oscar Wilde pentru a-\u0219i ap\u0103ra comportamentul, ci pentru a-l explica.[11]<\/a> O astfel de explica\u021bie simte c\u0103 o datoreaz\u0103 celorlal\u021bi, dar mai ales sie \u00eensu\u0219i. \u0218tie c\u0103 totul s-a terminat pentru el, c\u0103 nu \u00eel mai a\u0219teapt\u0103 multe de f\u0103cut, c\u0103 \u00ee\u0219i va petrece restul zilelor ruinat \u0219i f\u0103r\u0103 posibilitatea de a mai publica \u0219i de a se mai reabilita \u00een ochii publicului.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Dintre to\u021bi autorii moderni, Oscar Wilde cunoa\u0219te drama de a fi gustat singur din fructul interzis, de a \u00een\u021belege totul \u0219i totu\u0219i nimic, de a cunoa\u0219te lumea \u0219i totu\u0219i de a nu-i vedea adev\u0103rata fa\u021b\u0103. Poate c\u0103 scopul acestei scrisori este tocmai acesta: de a rec\u00e2\u0219tiga, chiar \u0219i postum, locul pierdut, obiectiv atins \u00een cele din urm\u0103, fiindc\u0103 posteritatea miloas\u0103 \u0219i iert\u0103toare l-a a\u0219ezat la loc pe piedestal, acoperind de uitare ce trebuia uitat, apreciind ce trebuia apreciat.<\/p>\n

\n

#Note<\/em><\/p>\n

[1]<\/a> Biblia, psalmul 129. \u201eDintru ad\u00e2ncuri am strigat c\u0103tre Tine; Doamne!\u201d.<\/p>\n

[2]<\/a> Richard Ellmann, (1988). Oscar Wilde. New York: Alfred A. Knopf, p.474.<\/p>\n

[3]<\/a> Marcel Proust, (1970) \u00cen c\u0103utarea timpului pierdut<\/em>, Sodoma \u0219i Gomora<\/em>, Editura Minerva.<\/p>\n

[4]<\/a> Alfred Douglas (1914), Oscar Wilde and Myself<\/em>, Duffield & Company.<\/p>\n

[5]<\/a> Alfred Douglas (1914), Oscar Wilde and Myself<\/em>, Duffield & Company, p.8.<\/p>\n

[6]<\/a> Oscar Wilde, (2014), De Profundis<\/em>, editura Humanitas, p.89.<\/p>\n

[7]<\/a> Oscar Wilde, (1905), De Profundis<\/em>, Preface, G. P. Putnam’s Sons, February, 1905 Reprinted, March, 1905, p. vii.<\/p>\n

[8]<\/a> Oscar Wilde, (2014), De Profundis<\/em>, editura Humanitas, p. 90.<\/p>\n

[9]<\/a> Oscar Wilde (2014) Portretul lui Dorian Gray<\/em>, traducere Antoaneta Ralian \u0219i introducere de Mihaela Anghelescu Irimia, editura Humanitas, p. 6.<\/p>\n

[10]<\/a> Oscar Wilde (2014) Portretul lui Dorian Gray<\/em>, traducere Antoaneta Ralian \u0219i introducere de Mihaela Anghelescu Irimia, editura Humanitas, p.48.<\/p>\n

[11]<\/a> \u201cI don\u2019t defend my conduct. I explain it. Also, there are in my letter certain passages which deal with my mental development in prison, and the inevitable evolution of my character and intellectual attitude towards life, that has taken place; and I want you and others who still stand by me, and have affection for me, to know exactly in what mood and manner I hope to face the world.<\/em>\u201d, Oscar Wilde, (1905), De Profundis<\/em>, Preface, G. P. Putnam’s Sons, February, 1905 Reprinted, March, 1905, p. vi.<\/p>\n","protected":false},"excerpt":{"rendered":"

o istorie de buzunar de Ana-Maria Negril\u0103 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Una dintre cele mai emo\u021bionante, dar \u0219i incomode m\u0103rturisiri scrise vreodat\u0103 de un autor este cea l\u0103sat\u0103 de Oscar Wilde lui Robert Ross, prietenul \u0219i executorul s\u0103u testamentar. Ross revizuie\u0219te, inclusiv \u00een sensul de a elimina unele pasaje din scrisoarea lui Wilde, \u0219i public\u0103 \u00een 1905, la […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[8,1595,1298],"tags":[1255,1113,1596,1301,1605],"class_list":["post-14474","post","type-post","status-publish","format-standard","hentry","category-critica","category-egophobia-74","category-o-istorie-de-buzunar","tag-ana-maria-negrila","tag-critica","tag-egophobia-74","tag-o-istorie-de-buzunar","tag-oscar-wilde"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6DakB-3Ls","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/14474","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14474"}],"version-history":[{"count":1,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/14474\/revisions"}],"predecessor-version":[{"id":14475,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/14474\/revisions\/14475"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14474"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=14474"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=14474"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}