{"id":14502,"date":"2022-12-04T08:38:55","date_gmt":"2022-12-04T06:38:55","guid":{"rendered":"https:\/\/egophobia.ro\/?p=14502"},"modified":"2022-12-08T08:44:34","modified_gmt":"2022-12-08T06:44:34","slug":"o-caseta-hotarata-sa-schimbe-istoria","status":"publish","type":"post","link":"https:\/\/egophobia.ro\/?p=14502","title":{"rendered":"O caset\u0103 hot\u0103r\u00e2t\u0103\u2026 s\u0103 schimbe istoria"},"content":{"rendered":"<p style=\"text-align: justify;\"><em>[sau <\/em><strong>Despre contribu\u021biile rockului rom\u00e2nesc la o copil\u0103rie \u00eemplinit\u0103]<\/strong><\/p>\n<p style=\"text-align: right;\">de \u0218tefan Dumitra\u0219<\/p>\n<ul style=\"text-align: justify;\">\n<li><strong> 1. Preambul<\/strong><\/li>\n<\/ul>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">Cu toate c\u0103 sunt obligat s\u0103 r\u0103m\u00e2n distant fa\u021b\u0103 de subiectivism, c\u0103 am datoria de a elimina p\u00e2n\u0103 \u0219i ultimele reminiscen\u021be ale afectelor personale, \u00eemi vine greu s\u0103 vorbesc despre acest obiect care \u00een mod hot\u0103r\u00e2t a avut o profund\u0103 \u00eenr\u00e2urire asupra copil\u0103riei mele \u0219i, \u00een definitiv, asupra sensibilit\u0103\u021bii mele. Judec\u00e2nd la rece, se poate vorbi despre un transfer de emo\u021bie \u00eentre genera\u021bii, fapt pe care \u00eel clasific drept o mo\u0219tenire emo\u021bionant\u0103.<!--more--><\/p>\n<p style=\"text-align: justify;\">La o prim\u0103 vedere, <em>acest<\/em> obiect nu este pasibil de semne de \u00eentrebare grave. Asem\u0103n\u0103tor cu o carte prin <em>form\u0103<\/em>, dar complet diferit prin <em>con\u021binut<\/em>, el nu face nimic mai mult dec\u00e2t s\u0103 minimizeze dimensiunile unei role de magnetofon, a\u0219a \u00eenc\u00e2t s\u0103 devin\u0103 util, ba chiar mai eficient dec\u00e2t arhetipul.<\/p>\n<p style=\"text-align: justify;\">Voi prezenta \u00een r\u00e2ndurile urm\u0103toare o <em>caset\u0103 audio<\/em> care nu se limiteaz\u0103 la o defini\u021bie strict\u0103. Poart\u0103 cu sine o poveste \u0219i o valoare sentimental\u0103 aparte. A ap\u0103rut subit \u00een via\u021ba mea, fiind \u201evinovat\u0103\u201d de o cotitur\u0103 decisiv\u0103, de o schimbare de propor\u021bii necesar\u0103.<\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">\u2042<\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">P\u0103\u0219eam timid \u00een clasa a \u2164\u2011a. Trebuie s\u0103 fi fost sf\u00e2r\u0219it de septembrie, fiindc\u0103 mergeam de ceva vreme la \u0219coal\u0103. Pe atunci, m\u0103 aflam \u00een vizit\u0103 la bunici, bucur\u00e2ndu\u2011m\u0103 de ultimele zile r\u0103mase din var\u0103. Timpul \u00eencremenise, se rev\u0103rsa o \u201epace etern\u0103\u201d, un echilibru inefabil, o r\u00e2nduial\u0103 tipic\u0103 septuagenarilor, disipat\u0103 \u00een cele din urm\u0103 de curiozitatea mea.<\/p>\n<p style=\"text-align: justify;\">Lipsit de ocupa\u021bie, am mers hot\u0103r\u00e2t \u00een garaj. Acolo se afla ma\u0219ina bunicului. Dac\u0103 ar trebui s\u0103 mistific situa\u021bia, a\u0219 spune c\u0103 o voin\u021b\u0103 metafizic\u0103 m\u2011a adus acolo. F\u0103r\u0103 s\u0103 fi stat mult pe g\u00e2nduri, am deschis u\u0219a \u0219oferului, m\u2011am a\u0219ezat confortabil \u0219i am \u00eenceput s\u0103 privesc cu indiferen\u021b\u0103 compartimentele bordului. Nimic surprinz\u0103tor: o salb\u0103 de m\u0103rgele, pu\u021bin\u0103 colbuial\u0103 b\u0103tr\u00e2neasc\u0103, c\u00e2teva br\u0103\u021b\u0103ri ornate cu iconi\u021be bizantine \u0219i o pereche de ochelari de vedere.<\/p>\n<p style=\"text-align: justify;\">Mediul \u00een care ajunsesem nu m\u0103 impresiona prea mult. Eram hot\u0103r\u00e2t s\u0103 ies, c\u00e2nd, deodat\u0103, privind \u00een st\u00e2nga mea, z\u0103resc ni\u0219te cutii, majoritatea transparente.<\/p>\n<p style=\"text-align: justify;\">Le recunoscusem. Erau ni\u0219te casete audio gr\u0103m\u0103dite \u00een spa\u021biul ne\u00eenc\u0103p\u0103tor de la baza u\u0219ii. Titlurile nu semnalau absolut nimic, iar unele \u00eemi p\u0103reau de\u2011a dreptul ridicole. Deloc impresionat, cu o indiferen\u021b\u0103 glacial\u0103, aleg spre examinare o ultim\u0103 caset\u0103\u2026<\/p>\n<p style=\"text-align: justify;\">Aceasta \u00eens\u0103 avea o configura\u021bie atipic\u0103. Nu era complet transparent\u0103 ca toate celelalte; carcasa inferioar\u0103 era neagr\u0103, cu stria\u021bii \u0219i mat\u0103. \u00cemi insufla \u00een acele momente imaginea unei b\u0103tr\u00e2ne cuvioase care avusese norocul s\u0103\u2011\u0219i petreac\u0103 via\u021ba l\u00e2ng\u0103 un so\u021b permisiv \u2013 pesemne un casetofon \u0219ubrezit, dar func\u021bional, similar cu \u201eTehnotonurile\u201d rom\u00e2ne\u0219ti.<\/p>\n<p style=\"text-align: justify;\">O \u00eentorc pe ambele fe\u021be. Desprind de pe \u00eent\u00e2ia copert\u0103 titlul <em>\u201eHOLOGRAF\u201d<\/em>. Numele m\u0103 purta cu ani \u00een urm\u0103; \u0219tiam de aceast\u0103 forma\u021bie prin intermediul p\u0103rin\u021bilor care ascultau \u00een mod repetat albumele recente ale grupului.<\/p>\n<p style=\"text-align: justify;\">Cu toate acestea, caseta r\u0103m\u00e2nea un mister. Judec\u00e2nd dup\u0103 titluri, abia o melodie (\u201eBalada controlorului\u201d) din cele zece \u00eemi era familiar\u0103. Cum o fi ajuns acolo, tocmai acolo, \u00eentre albume de muzic\u0103 etno?<\/p>\n<p style=\"text-align: justify;\">Am inserat caseta \u00een dispozitiv, am ascultat\u2011o c\u00e2teva clipe, apoi, voios, am p\u0103r\u0103sit ma\u0219ina. \u021aintisem c\u0103tre familia adunat\u0103 l\u00e2ng\u0103 buc\u0103t\u0103ria de var\u0103. Purtat de pa\u0219i gr\u0103bi\u021bi, sim\u021beam \u00een ad\u00e2ncul meu c\u0103 am descoperit o comoar\u0103.<\/p>\n<p style=\"text-align: justify;\">Dup\u0103 o discu\u021bie concentrat\u0103, am aflat c\u0103 i\u2011a apar\u021binut mamei mele \u0219i c\u0103\u2011i fusese d\u0103ruit\u0103 de veri\u0219orul ei pe c\u00e2nd avea numai zece ani. \u00cencercam s\u0103 datez apari\u021bia casetei, dar Norma Intern\u0103 de \u00centreprindere (\u201eN.I.I. 629\/1984\u201d) nu\u2011mi spunea (\u00eenc\u0103) prea multe.<\/p>\n<p style=\"text-align: justify;\">Din acel moment, am fost nedesp\u0103r\u021bi\u021bi\u2026 p\u00e2n\u0103 c\u00e2nd, \u00een pragul ultimelor s\u0103pt\u0103m\u00e2ni din semestrul \u2160, mi\u2011am luat inima \u00een din\u021bi \u0219i am derulat\u2011o pe vechiul casetofon \u201eTehnoton\u201d, defect \u0219i ros de timp. F\u0103r\u0103 s\u0103 m\u0103 fi g\u00e2ndit vreo clip\u0103 la consecin\u021be, banda magnetic\u0103 a suferit imediat o \u0219ifonare iremediabil\u0103. \u021ain minte \u0219i acum groaza care m\u2011a cuprins, \u0219tiind c\u0103 am distrus din joac\u0103 obiectul meu cel mai de pre\u021b. Mi\u2011am spus atunci, cu durere \u00een glas, c\u0103 am datoria s\u0103 fiu prudent cu orice obiect care va ajunge \u00een m\u00e2inile mele.<\/p>\n<p style=\"text-align: justify;\">Am c\u0103utat un substitut pentru caseta \u201eag\u0103\u021bat\u0103\u201d \u0219i nu mi\u2011a fost cu putin\u021b\u0103 s\u0103 g\u0103sesc unul p\u00e2n\u0103 acum. \u00cen schimb, cataclismul con\u0219tiin\u021bei a demarat un nou \u00eenceput: o dezvoltare direc\u021bionat\u0103 \u2013 muzical\u0103 \u0219i cultural\u0103 \u2013 pe care nimeni nu ar fi intuit\u2011o imediat\u2026<\/p>\n<p style=\"text-align: justify;\">\n<ul style=\"text-align: justify;\">\n<li><strong> 2. Despre caset\u0103<\/strong><\/li>\n<\/ul>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">Mul\u021bumit\u0103 unei baze de date complexe, identificarea casetei nu a fost un proces dificil<a href=\"#_ftn1\" name=\"_ftnref1\">[1]<\/a>. Pentru necunosc\u0103tori, absen\u021ba unui titlu distinct de numele autorului muzical pare un semn al autenticit\u0103\u021bii \u00eendoielnice.<\/p>\n<p style=\"text-align: justify;\">Informa\u021biile succinte prezente pe <strong>coperta \u2160<\/strong> indic\u0103 dou\u0103 informa\u021bii evidente, dar pe care le relu\u0103m: <em>primo<\/em>, faptul c\u0103 avem de\u2011a face cu<em> un material discografic al forma\u021biei Holograf<\/em> \u0219i c\u0103, <em>secundo<\/em>, <em>caseta este \u00een integralitate o produc\u021bie a casei de discuri \u201eElectrecord\u201d<\/em>, singura care func\u021biona \u00een perioada comunismului<a href=\"#_ftn2\" name=\"_ftnref2\">[2]<\/a>.<\/p>\n<p style=\"text-align: justify;\"><strong>Cotorul<\/strong> ne dezv\u0103luie:<\/p>\n<ol style=\"text-align: justify;\">\n<li>num\u0103rul de catalog (\u201e<strong>STC 00418<\/strong>\u201d);<\/li>\n<li>numele forma\u021biei (\u201e<strong>HOLOGRAF<\/strong>\u201d);<\/li>\n<li>tehnologia utilizat\u0103 la duplicare (\u201e<strong>STEREO \u2013 LOW NOISE<\/strong>\u201d).<\/li>\n<\/ol>\n<p style=\"text-align: justify;\">Aceste m\u0103rci de identificare spun c\u0103 ne confrunt\u0103m cu a 418\u2011a caset\u0103 audio editat\u0103 de Electrecord, \u00eenregistrat\u0103 <em>stereo<\/em> \u0219i <strong>nu<\/strong> <em>mono<\/em> (cu alte cuvinte, la redare, vom avea parte de efecte sonore). \u00cen baza acelora\u0219i inscrip\u021bii, se preconizeaz\u0103 c\u0103 banda magnetic\u0103 ar trebui s\u0103 conserve un sunet deosebit, lipsit de zgomotul de fond nepl\u0103cut.<\/p>\n<p style=\"text-align: justify;\"><strong>Coperta a \u2163\u2011a<\/strong>, mai redus\u0103 dec\u00e2t cea frontal\u0103, listeaz\u0103 cele 10 melodii \u00eenregistrate pe caset\u0103. Le indic\u0103m \u0219i noi mai jos:<\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\"><strong>\u2329<\/strong><strong>Fa\u021ba 1<\/strong><strong>\u232a<\/strong><\/p>\n<ol style=\"text-align: justify;\">\n<li><strong>0<\/strong><strong> Cu fiecare clip\u0103;<\/strong><\/li>\n<li><strong>0<\/strong><strong> Umbre pe cer;<\/strong><\/li>\n<li><strong>0<\/strong><strong> Pacea nu\u2011i un simplu joc;<\/strong><\/li>\n<li><strong>0<\/strong><strong> Via\u021ba va \u00eenvinge;<\/strong><\/li>\n<li><strong>0<\/strong><strong> Singur\u0103tatea astronautului;<\/strong><\/li>\n<\/ol>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\"><strong>\u2329<\/strong><strong>Fa\u021ba 2<\/strong><strong>\u232a<\/strong><\/p>\n<ol style=\"text-align: justify;\" start=\"6\">\n<li><strong>0<\/strong><strong> Luminile rampei;<\/strong><\/li>\n<li><strong>0<\/strong><strong> Balada pescarului amator;<\/strong><\/li>\n<li><strong>0<\/strong><strong> Lumea de vis;<\/strong><\/li>\n<li><strong>0<\/strong><strong> Vino;<\/strong><\/li>\n<li><strong> Balada controlorului.<\/strong><\/li>\n<\/ol>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">[melodiile nr. 5 \u0219i 10 sunt extrase de pe albumul anterior, <em>\u201e1\u201d<\/em> (1984) \u2013 n.n.]<\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">Observ\u0103m \u0219i alte indica\u021bii; de pild\u0103, numele graficianului care a avut sarcina de a concepe o copert\u0103 pentru acest album [<strong>Ana Golici<\/strong>]. Un r\u00e2nd mai jos, afl\u0103m c\u0103 Electrecord s\u2011a angajat cu execu\u021bia tiparului. Preciz\u0103rile finale pot zugr\u0103vi un microunivers extras din realitatea cenu\u0219ie a na\u021bional\u2011comunismului optzecist. Mai \u00eent\u00e2i, citim trimiterea \u201e<strong>N.I.I. 629\/1984<\/strong>\u201d (Norma Intern\u0103 de \u00centreprindere), cu ajutorul c\u0103reia putem data cu aproxima\u021bie apari\u021bia casetei. Potrivit unor dezbateri \u00eentre colec\u021bionarii de muzic\u0103, acest cod ar sugera c\u0103 albumul Holograf a fost publicat \u00een intervalul 1984\u20141988<a href=\"#_ftn3\" name=\"_ftnref3\">[3]<\/a>. Constatarea va fi validat\u0103 \u00een cele din urm\u0103 de alte probe.<\/p>\n<p style=\"text-align: justify;\">Se precizeaz\u0103 c\u0103 obiectul este produs \u00een Rom\u00e2nia [\u2018<strong>Made in Romania<\/strong>\u2019]. Apari\u021bia unei sintagme engleze\u0219ti pe un produs comunist arat\u0103 c\u0103 o bun\u0103 parte din exemplarele produse au fost nevoite s\u0103 aleag\u0103 calea exportului. Fenomenul, specific epocii na\u021bional\u2011comuniste, era aplicat inclusiv discurilor de vinil. Exportul rom\u00e2nesc era gestionat \u00eenc\u0103 din 1967 de institu\u021bia \u201eArtexim\u201d, al c\u0103rei nume apare \u00eentotdeauna pe coperta discurilor Electrecord. Astfel se explic\u0103, probabil, de ce anumite discuri de vinil cu Holograf din anii \u02bc80 se g\u0103sesc azi \u00een Federa\u021bia Rus\u0103 ori \u00een fostele state componente ale U.R.S.S.<a href=\"#_ftn4\" name=\"_ftnref4\">[4]<\/a>.<\/p>\n<p style=\"text-align: justify;\">Ultimul detaliu semnificativ este pre\u021bul: \u201e<strong>Lei 100<\/strong>\u201d. Dac\u0103 vom c\u0103uta un echivalent \u00een moneda actual\u0103, exorbitan\u021ba va fi sesizat\u0103 cu u\u0219urin\u021b\u0103. <em>C\u00e6teris paribus<\/em>, s\u2011ar \u00een\u021belege c\u0103 o caset\u0103 ar valora (\u00een moneda actual\u0103) 200 de lei \u2013 pre\u021b exagerat, av\u00e2nd \u00een vedere c\u0103, \u00een Occident, o caset\u0103 original\u0103 valora cca 6\u20148 $ (<em>cf.<\/em> \u0219i cu un disc de vinil produs \u00een Rom\u00e2nia care costa atunci 26 de lei).<\/p>\n<p style=\"text-align: justify;\">Seria caracteristicilor de ordin tipografic se sf\u00e2r\u0219e\u0219te cu albastra \u0219tampil\u0103 C.T.C. (Controlul Tehnic de Calitate) aplicat\u0103 \u00een interiorul coper\u021bii, dar care nu mu\u0219amalizeaz\u0103 calitatea discutabil\u0103 a casetei audio. Dimpotriv\u0103, ace\u0219ti parametri de editare arat\u0103 o total\u0103 neglijen\u021b\u0103 pentru art\u0103, fie ea cult\u0103 (muzic\u0103 clasic\u0103) sau de divertisment (restul genurilor).<\/p>\n<p style=\"text-align: justify;\">\n<ul style=\"text-align: justify;\">\n<li><strong> 3. Despre copert\u0103 \u0219i arta grafic\u0103<\/strong><\/li>\n<\/ul>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">Se cunosc doar c\u00e2teva informa\u021bii despre grafica pus\u0103 \u00een fruntea albumului. Originea ei este dedus\u0103 din declara\u021biile autoarei, care a avut bun\u0103voin\u021ba s\u0103 ne spun\u0103 c\u0103: <em>\u201e(\u2026) <\/em><em>am folosit o poz\u0103 g\u0103sit\u0103 \u00eentr\u2011o publica\u021bie \u0219i am scris cu letraset peste ea\u201d<\/em>.<\/p>\n<p style=\"text-align: justify;\">Inspira\u021bia creatoare era cu greu impulsionat\u0103 de precaritatea materialelor necesare \u0219i, adeseori, de absen\u021ba lor des\u0103v\u00e2r\u0219it\u0103: <em>\u201e<\/em><em>Era foarte greu de f\u0103cut ceva. Nu aveam materiale \u0219i foloseam ce puteam. (\u2026) De multe ori, am folosit colaje t\u0103iate din alte publica\u021bii str\u0103ine, uneori desene \u0219i gravuri de ale mele. De multe ori, am construit scrisurile \u0219i le\u2011am t\u0103iat de m\u00e2n\u0103, ca s\u0103 am dimensiunea care \u00eemi trebuia. Era foarte greu de f\u0103cut orice \u0219i trebuia s\u0103 fim foarte creativi \u0219i inventivi\u201d<\/em>.<\/p>\n<p style=\"text-align: justify;\">Nici m\u0103car nu se oferea un acces, fie \u0219i par\u021bial, la crea\u021bia muzical\u0103 ce trebuia reprezentat\u0103 de un desen sugestiv: <em>\u201e<\/em><em>Da, Holograful era foarte bun, dar noi nu puteam s\u0103 ascult\u0103m muzica \u00eenainte de a face vreo copert\u0103, trebuia s\u0103 avem o intui\u021bie fantastic\u0103 \u0219i s\u0103 g\u0103sim imagini care s\u0103 se potriveasc\u0103 cu muzica a\u0219a cum ne\u2011o imaginam noi. Uneori am dat \u0219i gre\u0219. (\u2026) Nu eram noi, graficienii, cei care impuneau condi\u021biile \u0219i nu aveam curaj s\u0103 le cer <\/em>[celor de la Electrecord \u2013 n.n.]<em> prea mult de team\u0103 c\u0103 nu\u2011mi mai d\u0103deau apoi de lucru. Erau mul\u021bi graficieni care voiau s\u0103 realizeze coper\u021bi de discuri\u201d<\/em>.<\/p>\n<p style=\"text-align: justify;\">\u00cen procesul cercet\u0103rii noastre, am sesizat c\u0103 autorul coper\u021bii discului de vinil este Nicolae Golici (de remarcat numele de familie!). \u00centruc\u00e2t nu cuno\u0219team cu precizie identitatea acestei persoane, am \u00eentrebat\u2011o pe dna Golici dac\u0103 \u0219tie despre cine poate fi vorba. Dumneaei ne-a r\u0103spuns cu aceea\u0219i naturale\u021be: <em>\u201e<\/em><em>Da, <\/em>[Nicolae Golici \u2013 n.n.]<em> este so\u021bul meu. Cei de la Electrecord apreciau foarte mult grafica mea, dar nu aveau voie s\u0103 dea unui singur grafician prea multe coper\u021bi de f\u0103cut. \u0218i atunci, pentru c\u0103 so\u021bul meu era \u0219i el artist, de\u0219i coper\u021bile erau f\u0103cute tot de mine, le\u2011au publicat cu numele lui\u201d<\/em><a href=\"#_ftn5\" name=\"_ftnref5\">[5]<\/a>.<\/p>\n<p style=\"text-align: justify;\">\n<ul style=\"text-align: justify;\">\n<li><strong> 4. Despre album<\/strong><\/li>\n<\/ul>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">Ideea general\u0103 care planeaz\u0103 deasupra albumului este determinat\u0103 de a\u0219a-numitul \u201eprincipiu al diversit\u0103\u021bii\u201d. Spre deosebire de albumul anterior (<em>1<\/em>, 1984) \u0219i de cel urm\u0103tor (<em>\u2162<\/em>, 1988), antologia a doua r\u0103m\u00e2ne suspendat\u0103 \u00eentre dou\u0103 influen\u021be muzicale majore, \u0219i anume \u201enoul val\u201d (\u2018new wave\u2019), reprezentat de forma\u021bii precum \u2018Duran Duran\u2019, \u2018Men at Work\u2019 sau \u2018The Police\u2019, \u0219i fenomenul hard rock <em>\u00e0 la<\/em> \u2018Van Halen\u2019, novator prin efectele de sintetizator \u0219i prin sec\u021biunile solistice impresionante de chitar\u0103 electric\u0103. Pe deasupra, albumul apare ca o consecin\u021b\u0103 a dou\u0103 cauze: 1) popularitatea cresc\u00e2nd\u0103 a grupului \u00een perioada 1985\u20141986 \u0219i 2) nevoia de a continua proiectul discografic \u00eenceput \u00eenc\u0103 din prim\u0103vara lui 1985, dar \u00eentrerupt de dinamica membrilor de forma\u021bie<a href=\"#_ftn6\" name=\"_ftnref6\">[6]<\/a>. \u00cen anumite circumstan\u021be, mai pu\u021bin constr\u00e2nse de ochiul avid al presei, trupa declarase cu subtilitate c\u0103 albumul <em>\u201etrebuia scos, fiindc\u0103 piesele erau deja compuse\u201d<\/em>, afirma\u021bie care vine s\u0103 clarifice anumite incertitudini<a href=\"#_ftn7\" name=\"_ftnref7\">[7]<\/a>. Cu alte cuvinte, \u00een esen\u021ba lui, albumul este un produs organic, generat din \u201evoin\u021ba\u201d particular\u0103 a compozi\u021biilor.<\/p>\n<p style=\"text-align: justify;\">\u201eHolograf (2)\u201d r\u0103m\u00e2ne un album discografic care nu atest\u0103 unitatea forma\u021biei, a\u0219a cum s\u2011a obi\u0219nuit imediat dup\u0103 1987. \u00cen ciuda contradic\u021biei de termeni (c\u0103ci Holograf \u00eenseamn\u0103 \u201e\u0219tiin\u021b\u0103 despre \u00eentreg\u201d \u00een greaca veche), se poate observa relativ facil c\u0103 autorul compozi\u021biilor \u0219i al textelor este predominant Mihai Pocorschi, l\u00e2ng\u0103 care se a\u0219az\u0103 Emilian (Edi) Petro\u0219el \u0219i Antonio (Tino) Furtun\u0103. Ace\u0219tia \u00ee\u0219i asum\u0103 auctorial majoritatea melodiilor, cu excep\u021bia celei de\u2011a patra (\u201eVia\u021ba va \u00eenvinge\u201d), interpretat\u0103 \u00een premier\u0103 la Festivalul de muzic\u0103 u\u0219oar\u0103 \u201eMamaia\u201d (30 august\u20141 septembrie 1985)<a href=\"#_ftn8\" name=\"_ftnref8\">[8]<\/a>.<\/p>\n<p style=\"text-align: justify;\">Pentru o mai bun\u0103 \u00een\u021belegere, red\u0103m mai jos informa\u021biile adiacente listei de melodii:<\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">\u201eMuzica: Emilian Petro\u0219el, Mihai Pocorschi, Antonio Furtun\u0103 (1\u20143, 5\u201410), Romeo Vanica (4).<\/p>\n<p style=\"text-align: justify;\">Versuri: Emilian Petro\u0219el, Dan Bittman (1), Mihai Pocorschi (2, 3, 5\u201410), Dan Verona (4)\u201d<a href=\"#_ftn9\" name=\"_ftnref9\">[9]<\/a>.<\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">Situa\u021bia este comentat\u0103 de Mihai Pl\u0103m\u0103deal\u0103 \u00eentr\u2011o cronic\u0103 muzical\u0103: <em>\u201e(\u2026) ceea ce nu rezult\u0103 din lecturarea coper\u021bii a doua \u00abdec\u00e2t pentru cunosc\u0103tori\u00bb, este c\u0103, fa\u021b\u0103 de primul album, s\u2011a \u00eenregistrat o important\u0103 schimbare de componen\u021b\u0103. A\u0219adar, din motive evident identitare, masiva modificare a personalului este minimalizat\u0103, fiind scris \u00een mod vag: \u00abGrupul vocal\u2011instrumental Holograf\u00bb. Apare \u00eens\u0103 discret numele lui Dan Bittman ca semnatar al versurilor piesei (1). Vocea lui Bittman nu putea fi ascuns\u0103, dar mai mult dec\u00e2t a fi \u00abacoperit\u0103\u00bb prezen\u021ba sa pe album nu s\u2011a f\u0103cut. Rezervele privind anun\u021barea \u00een clar a noii formule demonstreaz\u0103 importan\u021ba acordat\u0103 brandului\u201d<\/em><a href=\"#_ftn10\" name=\"_ftnref10\">[10]<\/a>.<\/p>\n<p style=\"text-align: justify;\">\u00cen ciuda argumentelor pertinente invocate \u00een acest extras, consider\u0103m c\u0103 raritatea informa\u021biilor trebuie pus\u0103 pe seama altern\u0103rii chitari\u0219tilor solo \u00een momentul transpunerii melodiilor pe banda magnetic\u0103. Astfel, dup\u0103 cum afirm\u0103 Carmen Olaru, <em>\u201e\u0219ase dintre piesele albumului sunt trase cu el <\/em>[chitaristul Ion Olteanu \u2013 n.n.]<em>\u201d<\/em><a href=\"#_ftn11\" name=\"_ftnref11\">[11]<\/a>. Credem c\u0103 nu gre\u0219im dac\u0103 le vom numi cu acest prilej: <em>\u201eCu fiecare clip\u0103\u201d<\/em>, <em>\u201eUmbre pe cer\u201d<\/em>, <em>\u201ePacea nu\u2011i un simplu joc\u201d<\/em>, <em>\u201eLuminile rampei\u201d<\/em>, <em>\u201eBalada pescarului amator\u201d<\/em> \u0219i <em>\u201eLumea de vis\u201d<\/em>. Restul, at\u00e2t <em>\u201eVia\u021ba va \u00eenvinge\u201d<\/em>, c\u00e2t \u0219i <em>\u201eVino\u201d<\/em>, surprind chitara compozitorului Mihai Pocorschi, fapt atestat de un izvor video (aflat \u00een Arhivele Televiziunii Rom\u00e2ne) disponibil, din fericire, publicului larg<a href=\"#_ftn12\" name=\"_ftnref12\">[12]<\/a>.<\/p>\n<p style=\"text-align: justify;\">De\u2011a lungul anului 1986, o bun\u0103 parte dintre melodii au fost difuzate la postul de radio oficial. Cele intrate \u00een circuit au ob\u021binut locul 1 \u00een topuri, dar au fost folosite \u0219i \u00een scopuri propagandistice. Un bun exemplu este cel al melodiei <em>\u201ePacea nu\u2011i un simplu joc\u201d<\/em>, cu un text v\u0103dit politicianist, care a ocupat prima pozi\u021bie din ierarhie o var\u0103 \u00eentreag\u0103 (4 iulie\u201419 septembrie 1986) din simplul motiv c\u0103 promova anumite valori \u00eenchipuite de regimul politic de la acea vreme. Adev\u0103ratul scop era, desigur, mu\u0219amalizat<a href=\"#_ftn13\" name=\"_ftnref13\">[13]<\/a>. Alte melodii au fost modificate pentru a servi intereselor comuniste. Piesa <em>\u201eUmbre pe cer\u201d<\/em> a suferit o interven\u021bie din partea cenzurii care nu tolera refrenul <em>\u201eUmbre pe cer \/ Se rotesc\u201d<\/em>, impun\u00e2nd versiunea <em>\u201eSoare \u0219i flori \/ Pentru to\u021bi\u201d<\/em>, a\u0219a \u00eenc\u00e2t textul s\u0103 inspire optimism \u0219i \u00eencredere \u00een puterea salvatoare a regimului<a href=\"#_ftn14\" name=\"_ftnref14\">[14]<\/a>. De asemenea, melodia <em>\u201eSingur pe drum\u201d<\/em> a fost transmis\u0103 publicului rom\u00e2nesc abia dup\u0103 \u00eenlocuirea titlului original cu unul mai pu\u021bin sugestiv (<em>i.e.<\/em> \u201eLuminile rampei\u201d)\u2026 Trupa argumenta aceast\u0103 condi\u021bionare prin faptul c\u0103 <em>\u201enu aveau voie s\u0103 dea titluri prea directe\u201d<\/em> ori echivoce<a href=\"#_ftn15\" name=\"_ftnref15\">[15]<\/a>. \u00cenregistr\u0103rile s\u2011au efectuat \u00een studiourile Televiziunii Rom\u00e2ne, acestea fiind cele mai performante din R.S.R. la acea vreme. Forma\u021biile rock ajungeau cu greu acolo, majoritatea fiind nevoit\u0103 s\u0103\u2011\u0219i preg\u0103teasc\u0103 albumele \u00een studiourile \u201eTomis\u201d de la Electrecord.<\/p>\n<p style=\"text-align: justify;\">Albumul a ap\u0103rut \u00een prim\u0103vara anului 1987, cel mai probabil \u00een lunile martie\u2014aprilie, dup\u0103 cum sugereaz\u0103 \u201eAlmanahul BTT \u2013 Turism \u0219i sport\u201d. Ziarul <em>S\u0103pt\u0103m\u00eena cultural\u0103 a Capitalei<\/em> anun\u021ba la \u00eenceputul lui 1987 preg\u0103tirea albumului (<em>S\u0103pt\u0103m\u00eena\u2026<\/em>, 16\u201422 ianuarie 1987). Cert este c\u0103 versiunea pe caset\u0103 audio era preg\u0103tit\u0103 \u00eenc\u0103 din ianuarie, dar nu fusese dat\u0103 publicit\u0103\u021bii imediat, ci abia peste c\u00e2teva luni. Iat\u0103 ce spunea cronicarul Andrei Parto\u0219 \u00een zilele lans\u0103rii albumului: <em>\u201eLa ora la care citi\u021bi aceste r\u00eenduri <\/em>[\u201eAp\u0103rut: Aprilie 1987\u201d (conform casetei tehnice) \u2013 n.n.] <em>probabil a\u021bi \u0219i ascultat cel de\u2011al doilea album al forma\u021biei bucure\u0219tene. Oricum, caseta era gata \u00eenc\u0103 din ianuarie \u0219i con\u021binea, pe l\u00eeng\u0103 melodiile noi, \u0219i dou\u0103 relu\u0103ri. \u00abBalada controlorului\u00bb \u0219i \u00abSingur\u0103tatea astronautului\u2026\u00bb. Majoritatea melodiilor au trecut prin topul revistei \u00abS\u0103pt\u0103m\u00eena\u00bb, exprim\u00eend popularitatea de care se bucur\u0103 grupul. Vom consemna, totu\u0219i, titlurile: \u00abPacea nu\u2011i un simplu joc\u00bb, \u00abSingur pe drum\u00bb, \u00abVino\u00bb, \u00abVia\u021ba va \u00eenvinge\u00bb, \u00abLumea de vis\u00bb, \u00abBalada pescarului\u00bb, \u00abCu fiecare clip\u0103\u00bb\u201d<\/em><a href=\"#_ftn16\" name=\"_ftnref16\">[16]<\/a>.<\/p>\n<p style=\"text-align: justify;\">Tirajul primei edi\u021bii se individualizeaz\u0103 prin form\u0103: o caset\u0103 neagr\u0103 cu stria\u021bii marginale asupra c\u0103reia s\u2011au aplicat dou\u0103 etichete ce cuprind informa\u021biile tip\u0103rite pe copert\u0103. Culorile etichetelor variaz\u0103 (au fost g\u0103site exemplare cu ab\u021bibilduri galbene, albe ori verzi). Se remarc\u0103 alte men\u021biuni \u00een limba englez\u0103 (lucru curios) referitoare la drepturile de autor <em>(\u2018All rights of the manufacturer reserved. Unauthorised copying of this cassette prohibited\u2019)<\/em>! Se \u0219tie c\u0103, \u00een Rom\u00e2nia, acestea au fost legiferate \u00een 1996 prin Legea nr. 8 din 14.03.1996 privind drepturile de autor \u0219i drepturile conexe, iar, \u00een perioada comunismului, au fost mai mult ignorate, cu toate c\u0103 se decretase aceast\u0103 lege tocmai \u00een perioada \u201eobsedantului deceniu\u201d (<em>v.<\/em> Decret nr. 321\/1956 privind drepturile de autor).<\/p>\n<p style=\"text-align: justify;\">Num\u0103rul de v\u00e2nz\u0103ri a \u00eentrecut a\u0219tept\u0103rile casei de discuri, iar antologia a fost declarat\u0103 \u201eDiscul anului 1987\u201d, preg\u0103tind urm\u0103torul succes r\u0103sun\u0103tor din 1988 (albumul \u201eIII\u201d).<\/p>\n<p style=\"text-align: justify;\">\n<ul style=\"text-align: justify;\">\n<li><strong> 5. Edi\u021bia din 1988<\/strong><\/li>\n<\/ul>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">Dac\u0103 exist\u0103 suficiente informa\u021bii referitoare la <em>edi\u021bia princeps<\/em> a albumului, despre <em>a doua editare<\/em> nu se poate spune acela\u0219i lucru. Re\u021binem doar faptul c\u0103 ziarul <em>S\u0103pt\u0103m\u00eena\u2026<\/em> anun\u021ba \u00een num\u0103rul din 11\u201417 martie 1988 reeditarea primelor dou\u0103 albume Holograf. Corobor\u00e2nd informa\u021biile publicate pe internet cu cele tip\u0103rite, sesiz\u0103m c\u0103 dovezile ajung la un consens. Cu toate acestea, interviul redat mai jos, care abund\u0103 \u00een informa\u021bii de ordin personal \u0219i \u00een nevinovate anecdote, schimb\u0103 orizontul de discu\u021bie. E drept, sunt m\u0103rturii orale, care cu greu pot fi evaluate \u00een mod obiectiv. Tocmai de aceea, le vom trata ca atare. (<strong>N.B.:<\/strong> Discu\u021bia de mai jos este purtat\u0103 \u00eentre autorul r\u00e2ndurilor \u0219i mama acestuia.)<\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\"><strong>\u0218:<\/strong> Dup\u0103 cum arat\u0103 caseta, este clar lansat\u0103 \u00eenainte de Revolu\u021bie\u2026<\/p>\n<p style=\"text-align: justify;\"><strong>F:<\/strong> \u2026deci, eu \u021bin minte c\u0103 nu eram \u00eenc\u0103 la \u0219coal\u0103 \u00een Ulmeni [<em>i.e.<\/em> ora\u0219ul Ulmeni, jud. Maramure\u0219] la gimnaziu.<\/p>\n<p style=\"text-align: justify;\"><strong>\u0218:<\/strong> E\u0219ti sigur\u0103?<\/p>\n<p style=\"text-align: justify;\"><strong>F:<\/strong> Hmmm\u2026 nu prea\u2026 Eu, la Revolu\u021bie, \u00een decembrie \u201989, eram \u00een clasa a \u0219asea. Deci \u00een \u201988 \u00eenseamn\u0103 c\u0103 am mers \u00een clasa a cincea la Ulmeni, la toamn\u0103. Eu \u021bin minte c\u0103 am avut caseta c\u00e2nd eram la \u0219coal\u0103 \u00een Vicea [<em>i.e.<\/em> satul Vicea, jud. Maramure\u0219], adic\u0103 \u00een clasa a patra sau a treia. Era anul 1987 c\u00e2nd m\u0103 aflam \u00een clasa a patra.<\/p>\n<p style=\"text-align: justify;\">\u0218tiu c\u0103 era frig afar\u0103 \u0219i eram muta\u021bi deja de la buc\u0103t\u0103ria de var\u0103 \u00een casa din spate. Aveam \u0219i casetofonul \u201eTehnoton\u201d. Trebuie s\u0103 fi fost \u00eentr\u2011o s\u00e2mb\u0103t\u0103, fiindc\u0103 doar atunci veneau acas\u0103 copiii de la \u0219coal\u0103 cu autobuzul de la ora 16 sau cu trenul de dup\u0103\u2011amiaz\u0103. Erau ore \u0219i s\u00e2mb\u0103ta atunci\u2026<\/p>\n<p style=\"text-align: justify;\">Caseta ar\u0103ta nou\u2011nou\u021b\u0103. \u0218i acum o v\u0103d \u00een fa\u021ba ochilor \u0219i aud cum sc\u00e2r\u021b\u00e2ise nailonul acela c\u00e2nd am desf\u0103cut\u2011o\u2026 Avea o calitate medie. Mirosea a nou, a plastic. Nu i\u2011am acordat aten\u021bie copertei\u2026<\/p>\n<p style=\"text-align: justify;\"><strong>\u0218:<\/strong> Era cartonat\u0103?<\/p>\n<p style=\"text-align: justify;\"><strong>F:<\/strong> Cartonat\u0103, da. Groas\u0103. \u0218i, a\u0219a, \u00een relief cumva\u2026<\/p>\n<p style=\"text-align: justify;\"><strong>\u0218:<\/strong> Creponat\u0103 vrei s\u0103 spui?<\/p>\n<p style=\"text-align: justify;\"><strong>F:<\/strong> Da, exact. Un fel de stria\u021bii\u2026 Nu era o h\u00e2rtie ieftin\u0103\u2026 M\u0103 rog, muzica m\u0103 interesa. Dup\u0103 ce am \u00eenceput s\u0103 ascult, m\u2011am hot\u0103r\u00e2t s\u0103 arunc o privire pe carcas\u0103. Titlurile melodiilor nu mai erau un necunoscut pentru mine, fiindc\u0103 \u00eencepusem s\u0103 le \u021bin minte, s\u0103 \u00eenv\u0103\u021b versurile.<\/p>\n<p style=\"text-align: justify;\">Casetofonul era pus sub televizor. Era, \u0219tii bine, o mas\u0103 cu dou\u0103 niveluri; sus era televizorul \u0219i jos era casetofonul. Trebuia s\u0103 te \u00eentinzi pe canapea ca s\u0103 ajungi p\u00e2n\u0103 la casetofon. \u0218i apoi, puneam; \u0219i acum aud cum suna \u201eclan\u021b!\u201d c\u00e2nd ap\u0103sai pe butonul \u201ePlay\u201d. Mergea foarte greu, trebuia s\u0103 \u00eel ape\u0219i cu dou\u0103 degete.<\/p>\n<p style=\"text-align: justify;\">A\u0219teptam\u2026 apoi, dintr\u2011o dat\u0103, \u00eencepea albumul. Doamne, ce bucurie \u00eemi f\u0103cea! At\u00e2ta am ascultat\u2011o \u0219i am \u00eentors\u2011o de pe o parte pe alta\u2026 vai \u0219i amar! Abia a\u0219teptam s\u0103 vin de la \u0219coal\u0103 s\u0103 pun caseta!<\/p>\n<p style=\"text-align: justify;\">Eu cred, totu\u0219i\u2026 s\u0103\u2011mi fi fost adus\u0103 de ziua mea \u00een noiembrie? A fost, \u00een mod sigur, un cadou, fiindc\u0103 veri\u0219orul N. mi\u2011a oferit\u2011o<a href=\"#_ftn17\" name=\"_ftnref17\">[17]<\/a>, dar nu sunt sigur\u0103 c\u0103 prilejul a fost ziua mea de na\u0219tere. Mai exist\u0103 un indiciu: am amintiri foarte clare c\u0103 am ascultat\u2011o iarna. A\u0219a ar trebui s\u0103 aib\u0103 logic\u0103. Doar iarna st\u0103team \u00een casa din spate, \u00een camera cu sob\u0103; toat\u0103 lumea era acolo \u0219i toat\u0103 iarna am ascultat caseta. A\u0219a am \u00eenv\u0103\u021bat\u2011o. Vara e exclus\u0103, fiindc\u0103 eram de obicei ba plecat\u0103 la muncile agricole, ba pe afar\u0103 la joac\u0103. Iarna mai oferea c\u00e2te un dezm\u0103\u021b de acest fel\u2026<\/p>\n<p style=\"text-align: justify;\">Eu am \u0219tiut, p\u00e2n\u0103 c\u00e2nd am citit coperta, c\u0103 Holograf \u00eensemna Gabi Cotabi\u021b\u0103. A\u0219a \u0219tiam eu, din cultura mea general\u0103\u2026<\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">(Interviu acordat la 30 oct. 2020)<\/p>\n<ul style=\"text-align: justify;\">\n<li><strong> 6. \u201e\u00cen loc de bun\u2011r\u0103mas\u201d<\/strong><a href=\"#_ftn18\" name=\"_ftnref18\">[18]<\/a><\/li>\n<\/ul>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">Din nefericire, nu rezult\u0103 o concluzie concret\u0103 din informa\u021biile de care dispunem. Se ive\u0219te doar o supozi\u021bie conform c\u0103reia edi\u021bia a doua ar fi ap\u0103rut \u00eenc\u0103 din 1987, probabil \u00een urma epuiz\u0103rii rapide a primului tiraj. Momentan, nicio surs\u0103 scris\u0103 nu atest\u0103 acest fapt. Principala diferen\u021b\u0103 dintre aceste dou\u0103 edi\u021bii const\u0103 \u00een etichetele lipite de caset\u0103. Culoarea, \u00een acest ultim caz, pare s\u0103 fie portocalie.<\/p>\n<p style=\"text-align: justify;\">\u00cen schimb, r\u0103m\u00e2n fermec\u0103toare referin\u021bele la via\u021ba limitat\u0103 din timpul regimului totalitar care pare desprins\u0103 dintr\u2011o alt\u0103 lume, f\u0103r\u0103 leg\u0103tur\u0103 cu cea de azi. Acele vremuri \u00eentunecate, \u00een care axiologia era, f\u0103r\u0103 \u00eendoial\u0103, deformat\u0103, iar disiden\u021ba se ascundea \u00een spatele culturii \u0219i al artei, ofer\u0103, totu\u0219i, anumite lu\u0103ri de pozi\u021bie ferme. Exemplele sunt nenum\u0103rate (Monica Lovinescu, Virgil Ierunca, Cornel Chiriac, Max B\u0103nu\u0219, Emil Georgescu etc.).<\/p>\n<p style=\"text-align: justify;\">Credem c\u0103 muzica rock, \u00een ciuda controlului care s\u2011a exercitat asupra ei, a contribuit la de\u0219teptarea unor spirite dornice de schimbare \u0219i de libertate \u00een g\u00e2ndire ori \u00een tr\u0103iri. Acest subiect vast a fost abordat de cronicari renumi\u021bi, precum Florin Silviu Ursulescu, Nelu Stratone, Lauren\u021biu Chiriac ori Petre Magdin, majoritatea prezen\u021bi \u00een radio \u0219i \u00een televiziune. \u00cen continuarea acestei idei, accentu\u0103m asupra opiniilor emise de c\u0103tre dl prof. univ. Adrian Cioroianu asupra importan\u021bei muzicii rock ca fenomen istoric, militant \u00eempotriva comunismului autohton<a href=\"#_ftn19\" name=\"_ftnref19\">[19]<\/a>.<\/p>\n<p style=\"text-align: justify;\">Cu aceste ultime considera\u021bii se \u00eencheie itinerarul nostru. R\u0103m\u00e2ne de v\u0103zut \u00een ce m\u0103sur\u0103 rockul rom\u00e2nesc sau trupa Holograf (mai cu seam\u0103, \u00een prima parte a discografiei sale) va reprezenta oaza de libertate din timpul comunismului \u0219i dac\u0103 va putea r\u0103m\u00e2ne o amintire demn\u0103 de pre\u021buit \u00een memoria colectiv\u0103. Toate acestea sunt posibile \u00een limite legitime, f\u0103r\u0103 a cere \u2013 pentru fundamentarea interesului \u2013 o anumit\u0103 nostalgie (adeseori, ira\u021bional\u0103). Cine \u0219tie dac\u0103, \u00eentre timp, rockul va c\u0103p\u0103ta propor\u021bii mai \u00eensemnate? Aceast\u0103 desf\u0103\u0219urare de tendin\u021be nu poate fi anticipat\u0103, fiindc\u0103, vr\u00e2nd\u2011nevr\u00e2nd, ora exact\u0103 e dictat\u0103 tot de spiritul general al veacului. Iar veacurile trec, trec\u2026 oamenii caut\u0103, caut\u0103\u2026 \u0219i tot nu g\u0103sesc.<\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\"><strong>BIBLIOGRAFIE<\/strong><\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">\u2015<\/p>\n<p style=\"text-align: justify;\">\n<ol style=\"text-align: justify;\">\n<li><strong> SURSE ON\u2011LINE<\/strong><\/li>\n<\/ol>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">1) <em>Electrecord, prima cas\u0103 de discuri c\u0103reia \u00eei este dedicat\u0103 o expozi\u0163ie la Biblioteca Muntpunt<\/em>, Institutul Cultural Rom\u00e2n (I.C.R.), 26 oct. 2019, [www.icr.ro\/pagini\/electrecord-prima-casa-de-discuri-careia-ii-este-dedicata-o-expozitie-la-biblioteca-muntpunt], accesat la 19 ian. 2021;<\/p>\n<p style=\"text-align: justify;\">2) <em>Grupuri: Catalog Electrecord<\/em>, Discogs, cca 2013<\/p>\n<p style=\"text-align: justify;\">[www.discogs.com\/group\/thread\/529553#5203653], accesat la 19 ian. 2021;<\/p>\n<p style=\"text-align: justify;\">3) Urban.ro, <em>Interviu cu Holograf<\/em>, YouTube, 10 ian. 2012,<\/p>\n<p style=\"text-align: justify;\">[youtu.be\/ofzUWwQMbNM], accesat la 16 nov. 2018 \u0219i la 20 ian. 2021;<\/p>\n<p style=\"text-align: justify;\">4) Mihai Pl\u0103m\u0103deal\u0103,<em> Holograf \u2161 (1987)<\/em>, Muzici \u0219i faze, 29 nov. 2006,<\/p>\n<p style=\"text-align: justify;\">[www.muzicisifaze.com\/trupa.php?alb=635], accesat la 31 mai 2014 \u0219i la 20 ian. 2021;<\/p>\n<p style=\"text-align: justify;\">5) arhiva TVR, <em>Dan Bittman<\/em>, YouTube, 26 mart. 2018, [youtu.be\/MPCktGYlNbI], accesat la 20 ian. 2021;<\/p>\n<p style=\"text-align: justify;\">6) Mihai Schiau, <em>Dan Bittman a vorbit pentru prima dat\u0103 despre cel mai mare e\u0219ec al s\u0103u<\/em>, G\u00e2ndul, 06 oct. 2013,<\/p>\n<p style=\"text-align: justify;\">[www.gandul.ro\/magazin\/dan\u2011bittman\u2011a\u2011vorbit\u2011pentru\u2011prima\u2011data\u2011despre\u2011cel\u2011mai\u2011mare\u2011esec\u2011al\u2011sau\u201110944875], accesat la 22 ian. 2021;<\/p>\n<p style=\"text-align: justify;\">7) Carmen Anghel-Dobre, <em>\u00centreaga via\u021b\u0103, dedicat\u0103 unei trupe<\/em>, Jurnalul.ro, 02 nov. 2009, [jurnalul.ro\/editie-de-colectie\/holograf\/intreaga-viata-dedicata-unei-trupe-525837.html], accesat \u00een 31 mai 2014 \u0219i \u00een 13 mai 2021;<\/p>\n<p style=\"text-align: justify;\">8) AA.VV., <em>5 minute de istorie: Despre rockul rom\u00e2nesc din perioada comunismului<\/em>, YouTube, 13 sept. 2015, [youtu.be\/FY8ZIa40IeU], accesat la 21 ian. 2021.<\/p>\n<p style=\"text-align: justify;\">\n<ol style=\"text-align: justify;\">\n<li><strong> IZVOARE PRIMARE<\/strong><\/li>\n<\/ol>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">1) Holograf,<em> {Holograf} <\/em><em>\u2329<\/em><em>2<\/em><em>\u232a<\/em>, Electrecord, # STC 00418, \u23291988\u232a, caset\u0103 audio;<\/p>\n<p style=\"text-align: justify;\">2) <em>\u041a\u0440\u0443\u0433\u043e\u0437\u043e\u0440<\/em>, nr. 11\/1989, nov. 1989, flexidisc nr. 9;<\/p>\n<p style=\"text-align: justify;\">3) Carmen Olaru, <em>Holograf. S\u0103 nu-mi iei niciodat\u0103 dragostea\u2026<\/em>, Colec\u021bia \u201eSuperstar\u201d, Bucure\u0219ti, Editura Nemira, 2002, 230 pp.;<\/p>\n<p style=\"text-align: justify;\">4) Andrei Parto\u0219, \u201eTop \u00abU\u00bb \u2013 Top \u00abP\u00bb\u201d in: <em>S\u0103pt\u0103m\u00eena cultural\u0103 a Capitalei<\/em>, 1986, nr. 27\u201438, 4 iul.\u201419 sept. 1986; <em>S\u0103pt\u0103m\u00eena\u2026<\/em>, 1987\u20141988;<\/p>\n<p style=\"text-align: justify;\">5) <em>Almanah BTT \u2013 Turism \u0219i sport<\/em>, Bucure\u0219ti, Biroul de Turism pentru Tineret, apr. 1987, 160 pp.<\/p>\n<p style=\"text-align: justify;\">6) Nelu Stratone, <em>Rock sub secer\u0103 \u0219i ciocan<\/em>, vol. \u2160, coord. Andrei Ruse &amp; Radu Todera\u0219, Bucure\u0219ti, Editura Hyperliteratura, 2016, pp. 392\u2015394, 431\u2015432.<\/p>\n<p style=\"text-align: justify;\">7) Colec\u021bia personal\u0103 de muzic\u0103 \/ de fi\u0219e de lectur\u0103.<strong><br \/>\n<\/strong><\/p>\n<p style=\"text-align: justify;\"><strong>DOSAR ICONOGRAFIC<\/strong><\/p>\n<p style=\"text-align: justify;\"><img data-recalc-dims=\"1\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/i0.wp.com\/i.vgy.me\/cxqJyD.jpg?w=812&#038;ssl=1\" \/><\/p>\n<p style=\"text-align: justify;\">Mai jos, sunt ata\u0219ate c\u00e2teva e\u0219antioane ilustr\u00e2nd caseta audio \u201eHolograf (2)\u201d.<\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\"># Note<\/p>\n<table width=\"100%\">\n<tbody>\n<tr>\n<td><img data-recalc-dims=\"1\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/i0.wp.com\/i.vgy.me\/VppHBp.jpg?w=812&#038;ssl=1\" \/><\/p>\n<p>Aceast\u0103 fotografie este extras\u0103 din baza de date a site-ului \u2018Discogs.com\u2019: [i.discogs.com\/N-QehAQcANccHAw7RIkgdsb5L_nen0mssWRAKYekaBA\/rs:fit\/g:sm\/q:90\/h:378\/w:600\/czM6Ly9kaXNjb2dz\/LWRhdGFiYXNlLWlt\/YWdlcy9SLTM4Njg1\/MjktMTM3MTUzOTkw\/OS00OTE4LmpwZWc.jpeg], accesat la 21 ian. 2021.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p style=\"text-align: justify;\"><a href=\"#_ftnref1\" name=\"_ftn1\">[1]<\/a> Holograf,<em> {Holograf} <\/em><em>\u2329<\/em><em>2<\/em><em>\u232a<\/em>, Electrecord, # STC 00418, \u23291988\u232a, caset\u0103 audio; <em>Holograf \u2013 2 (1988, Cassette)<\/em>, Discogs, [www.discogs.com\/release\/3868529\u2011Holograf\u20112], accesat la 19 ian. 2021; Pentru o ampl\u0103 referin\u021b\u0103 livresc\u0103, vezi <em>Bibliografia Republicii Socialiste Rom\u00e2nia<\/em>, \u2169\u2169, nr. 4, 1 oct.\u201431 dec. 1987, p. 47.<\/p>\n<p style=\"text-align: justify;\"><a href=\"#_ftnref2\" name=\"_ftn2\">[2]<\/a> <em>Electrecord, prima cas\u0103 de discuri c\u0103reia \u00eei este dedicat\u0103 o expozi\u0163ie la Biblioteca Muntpunt<\/em>, Institutul Cultural Rom\u00e2n (I.C.R.), 26 oct. 2019, [www.icr.ro\/pagini\/electrecord-prima-casa-de-discuri-careia-ii-este-dedicata-o-expozitie-la-biblioteca-muntpunt], accesat la 19 ian. 2021.<\/p>\n<p style=\"text-align: justify;\"><a href=\"#_ftnref3\" name=\"_ftn3\">[3]<\/a> <em>Grupuri: Catalog Electrecord<\/em>, Discogs, cca 2013 [www.discogs.com\/group\/thread\/529553#5203653], accesat la 19 ian. 2021. Un utilizator anonim preciza \u00een 2013 urm\u0103toarele: <em>\u201e<\/em><strong>Norm\u0103 Intern\u0103<\/strong><em> \/ <\/em><strong>Standard Intern<\/strong><em> = ordonan\u021b\u0103 intern\u0103 a Electrecordului care se refer\u0103 la condi\u021biile pe care trebuie s\u0103 le \u00eendeplineasc\u0103 o apari\u021bie (ex.: s\u0103 aib\u0103 copert\u0103 de carton, s\u0103 aib\u0103 num\u0103r de catalog tip\u0103rit pe copert\u0103, s\u0103 aib\u0103 etichete pe disc etc.) \u2013 anii ata\u0219a\u021bi prezint\u0103 o metod\u0103 aproximativ\u0103 de datare (ex.: dac\u0103 apare num\u0103rul \u02bc84, \u00eenseamn\u0103 c\u0103 discul respectiv a ap\u0103rut \u00eentre 1984 \u0219i 1988)\u201d<\/em>.<\/p>\n<p style=\"text-align: justify;\"><a href=\"#_ftnref4\" name=\"_ftn4\">[4]<\/a> \u00cen aceea\u0219i ordine de idei, men\u021bion\u0103m c\u0103 dou\u0103 melodii din repertoriul forma\u021biei au fost incluse pe un flexidisc promo\u021bional, distribuit \u00eempreun\u0103 cu o revist\u0103 muzical\u0103 ruseasc\u0103 (<em>\u041a\u0440\u0443\u0433\u043e\u0437\u043e\u0440<\/em>, nr. 11\/1989, nov. 1989, flexidisc nr. 9).<\/p>\n<p style=\"text-align: justify;\"><a href=\"#_ftnref5\" name=\"_ftn5\">[5]<\/a> Citatele au fost extrase cu acordul dnei Ana Golici din convorbirile private de la 27 sept. 2016.<\/p>\n<p style=\"text-align: justify;\"><a href=\"#_ftnref6\" name=\"_ftn6\">[6]<\/a> Carmen Olaru, <em>Holograf. S\u0103 nu-mi iei niciodat\u0103 dragostea\u2026<\/em>, Colec\u021bia \u201eSuperstar\u201d, Bucure\u0219ti, Editura Nemira, 2002, p. 67: <em>\u201eSe lucra deja la cel de\u2011al doilea material, piesele erau preg\u0103tite. S\u2011a tras caseta demo care urma s\u0103 fie dus\u0103 la Electrecord, la Vasile \u0218irli. Era prim\u0103vara anului 1985 \u0219i Holograf se preg\u0103tea pentru un al doilea album, \u00eencurajat \u0219i de \u0218irli, care le spusese: <\/em>\u00abSucces extraordinar cu Holograf 1, scoatem Holograf 2!\u00bb<em>. Materialul fusese f\u0103cut cu Marti Popescu la bas (\u2026) Ini\u021bial, acest al doilea disc fusese aproape integral cu Gabi Cotabi\u021b\u0103 \u2013 voce\u201d<\/em>.<\/p>\n<p style=\"text-align: justify;\"><a href=\"#_ftnref7\" name=\"_ftn7\">[7]<\/a> Informa\u021biile sunt extrase din materiale video aflate spre p\u0103strare \u00een Arhiva Televiziunii Rom\u00e2ne. Potrivit regulamentului institu\u021biei, este interzis\u0103 citarea cotei unit\u0103\u021bii arhivistice.<\/p>\n<p style=\"text-align: justify;\"><a href=\"#_ftnref8\" name=\"_ftn8\">[8]<\/a> Urban.ro, <em>Interviu cu Holograf<\/em>, YouTube, 10 ian. 2012, [youtu.be\/ofzUWwQMbNM], accesat la 16 nov. 2018 \u0219i la 20 ian. 2021. \u00cen cadrul interviului citat, Dan Bittman declara urm\u0103toarele: <em>\u201eNu mai \u0219tiu&#8230; (\u2026) o filmare oficial\u0103 a fost \u00een 1985 sau [198]6 c\u00e2nd a avut loc Festivalul de la Mamaia; atunci am debutat cu \u00abVia\u021ba va \u00eenvinge\u00bb\u201d<\/em>.<\/p>\n<p style=\"text-align: justify;\"><a href=\"#_ftnref9\" name=\"_ftn9\">[9]<\/a> Informa\u021biile sunt tip\u0103rite pe coperta interioar\u0103 a casetei.<\/p>\n<p style=\"text-align: justify;\"><a href=\"#_ftnref10\" name=\"_ftn10\">[10]<\/a> Mihai Pl\u0103m\u0103deal\u0103,<em> Holograf \u2161 (1987)<\/em>, Muzici \u0219i faze, 29 nov. 2006, [www.muzicisifaze.com\/trupa.php?alb=635], accesat la 31 mai 2014 \u0219i la 20 ian. 2021.<\/p>\n<p style=\"text-align: justify;\"><a href=\"#_ftnref11\" name=\"_ftn11\">[11]<\/a> Carmen Olaru, <em>op. cit.<\/em>, p. 86.<\/p>\n<p style=\"text-align: justify;\"><a href=\"#_ftnref12\" name=\"_ftn12\">[12]<\/a> arhiva TVR, <em>Dan Bittman<\/em>, YouTube, 26 mart. 2018, [youtu.be\/MPCktGYlNbI], accesat la 20 ian. 2021; Este vorba de o \u00eenregistrare video de la 1 ianuarie 1986 realizat\u0103 \u00een cadrul Revelionului TVR, rubrica \u201eParada \u0218lag\u0103relor\u201d, care capteaz\u0103 grupul Holograf interpret\u00e2nd melodia \u201eVino\u201d \u00een urm\u0103toarea formul\u0103: Dan Bittman \u2013 solist vocal, Mihai Pocorschi \u2013 chitar\u0103 solo, Edi Petro\u0219el \u2013 percu\u021bie, Antonio Furtun\u0103 \u2013 sintetizator, Mihai Popescu \u2013 <em>absent<\/em>, chitar\u0103 bas. Realizator: Mariana \u0218oitu. Includerea melodiei \u00een aceast\u0103 emisiune este datorat\u0103 popularit\u0103\u021bii de care aceasta se bucura \u00eenc\u0103 din nov. 1985, dup\u0103 cum atest\u0103 ziarul <em>S\u0103pt\u0103m\u00eena\u2026<\/em>, condus\u0103 de Eugen Barbu.<\/p>\n<p style=\"text-align: justify;\"><a href=\"#_ftnref13\" name=\"_ftn13\">[13]<\/a> Andrei Parto\u0219, \u201eTop \u00abU\u00bb \u2013 Top \u00abP\u00bb\u201d in: <em>S\u0103pt\u0103m\u00eena cultural\u0103 a Capitalei<\/em>, 1986, nr. 27\u201438, 4 iul.\u201419 sept. 1986. Titlul melodiei \u2013 tip\u0103rit eronat (cu premeditare \/ sub presiunea cenzurii?): <em>\u201eVia\u021ba nu\u2011i un simplu joc\u201d<\/em>. \u00cen nr. 34, redactorii justific\u0103 recuren\u021ba acestei piese prin lipsa de melodii noi \u00een fonotec\u0103, fiind nevoi\u021bi s\u0103 foloseasc\u0103 materiale vechi. E posibil, \u00een aceea\u0219i m\u0103sur\u0103, ca redifuz\u0103rile masive s\u0103 se datoreze proclam\u0103rii de c\u0103tre ONU a anului 1986 drept \u201eAnul Interna\u021bional al P\u0103cii\u201d.<\/p>\n<p style=\"text-align: justify;\"><a href=\"#_ftnref14\" name=\"_ftn14\">[14]<\/a> Mihai Schiau, <em>Dan Bittman a vorbit pentru prima dat\u0103 despre cel mai mare e\u0219ec al s\u0103u<\/em>, G\u00e2ndul, 06 oct. 2013, [www.gandul.ro\/magazin\/dan\u2011bittman\u2011a\u2011vorbit\u2011pentru\u2011prima\u2011data\u2011despre\u2011cel\u2011mai\u2011mare\u2011esec\u2011al\u2011sau\u201110944875], accesat la 22 ian. 2021: <em>\u201eSolistul Holograf a declarat c\u0103 s\u2011a apucat de muzic\u0103 \u00eentr\u2011un context politic nepotrivit. \u00abTe puteai trezi c\u0103 te ia de pe scen\u0103 \u0219i te duce duba. Aveam un c\u00e2ntec, <\/em>\u00abUmbre pe cer\u00bb<em>, care se \u00eencheie cu soare \u0219i flori. A venit cineva de la cenzur\u0103 \u0219i ne\u2011a spus c\u0103 trebuie s\u0103 se termine pozitiv, <\/em>c\u0103 nu se poate triste\u021be \u00een Rom\u00e2nia, c\u0103 nu exist\u0103 a\u0219a ceva<em>\u00bb, a declarat Dan Bittman\u201d<\/em>. Melodia a fost remasterizat\u0103 \u0219i inclus\u0103 pe o compila\u021bie din 2007 intitulat\u0103 sugestiv <em>\u201eCenzurat <\/em><em>\u2217<\/em><em> C\u00e2ntece Interzise <\/em><em>\u2217<\/em><em>\u201d<\/em>.<\/p>\n<p style=\"text-align: justify;\"><a href=\"#_ftnref15\" name=\"_ftn15\">[15]<\/a> Carmen Anghel-Dobre, <em>\u00centreaga via\u021b\u0103, dedicat\u0103 unei trupe<\/em>, Jurnalul.ro, 02 nov. 2009, [jurnalul.ro\/editie-de-colectie\/holograf\/intreaga-viata-dedicata-unei-trupe-525837.html], accesat \u00een 31 mai 2014 \u0219i \u00een 13 mai 2021.<\/p>\n<p style=\"text-align: justify;\"><a href=\"#_ftnref16\" name=\"_ftn16\">[16]<\/a> Andrei Parto\u0219, \u201eMuzic\u0103 t\u00een\u0103r\u0103\u201d in: <em>Almanah BTT \u2013 Turism \u0219i sport<\/em>, Bucure\u0219ti, Biroul de Turism pentru Tineret, apr. 1987, p. 109.<\/p>\n<p style=\"text-align: justify;\"><a href=\"#_ftnref17\" name=\"_ftn17\">[17]<\/a> Unchiul N. mi\u2011a declarat urm\u0103toarele: <em>\u201eNu \u00eemi aduc aminte exact, dar prin anii de liceu \u201986\u2014\u201988 ascultam \u0219i fredonam zilnic: Holograf, Compact, Iris. (\u2026) Ocazia? Nu \u00eemi amintesc s\u0103 fi fost una special\u0103. Cred c\u0103 era bucuria de a \u00eemp\u0103rt\u0103\u0219i celor apropia\u021bi ce \u00eemi pl\u0103cea mie\u201d<\/em>.<\/p>\n<p style=\"text-align: justify;\"><a href=\"#_ftnref18\" name=\"_ftn18\">[18]<\/a> Pentru a corela subiectul tratat cu suportul textual, punem acest titlu \u00een deschiderea sec\u021biunii. Sintagma citat\u0103 este, \u00een fapt, denumirea unei piese din repertoriul forma\u021biei, interpretat\u0103 pentru \u00eent\u00e2ia oar\u0103 \u00een <em>\u201efebruarie 1988 la Miercurea Ciuc, imediat dup\u0103 \u00abSerb\u0103rile Z\u0103pezii\u00bb\u201d<\/em> (Edi Petro\u0219el). Este ultima pies\u0103 a albumului \u201eIII\u201d (1988), fiind plasat\u0103 pe a \u0219aptea pozi\u021bie. Peste ani, melodia a suferit c\u00e2teva modific\u0103ri ce i-au sporit prestigiul; ast\u0103zi, este cunoscut\u0103 sub denomina\u021bia <em>\u201eOchii t\u0103i\u201d<\/em>.<\/p>\n<p style=\"text-align: justify;\"><a href=\"#_ftnref19\" name=\"_ftn19\">[19]<\/a> AA.VV., <em>5 minute de istorie: Despre rockul rom\u00e2nesc din perioada comunismului<\/em>, YouTube, 13 sept. 2015, [youtu.be\/FY8ZIa40IeU], accesat la 21 ian. 2021. Punctele de vedere ale dlui Cioroianu sunt importante, deoarece provin de la un adev\u0103rat profesionist \u00een disciplinele istorice.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[sau Despre contribu\u021biile rockului rom\u00e2nesc la o copil\u0103rie \u00eemplinit\u0103] de \u0218tefan Dumitra\u0219 1. Preambul Cu toate c\u0103 sunt obligat s\u0103 r\u0103m\u00e2n distant fa\u021b\u0103 de subiectivism, c\u0103 am datoria de a elimina p\u00e2n\u0103 \u0219i ultimele reminiscen\u021be ale afectelor personale, \u00eemi vine greu s\u0103 vorbesc despre acest obiect care \u00een mod hot\u0103r\u00e2t a avut o profund\u0103 \u00eenr\u00e2urire [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[55,1595],"tags":[1120,1596,1608],"class_list":["post-14502","post","type-post","status-publish","format-standard","hentry","category-articole","category-egophobia-74","tag-articole","tag-egophobia-74","tag-stefan-dumitras"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6DakB-3LU","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/14502","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14502"}],"version-history":[{"count":1,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/14502\/revisions"}],"predecessor-version":[{"id":14503,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/14502\/revisions\/14503"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14502"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=14502"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=14502"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}