{"id":14779,"date":"2023-06-14T13:24:37","date_gmt":"2023-06-14T11:24:37","guid":{"rendered":"https:\/\/egophobia.ro\/?p=14779"},"modified":"2023-06-14T13:24:37","modified_gmt":"2023-06-14T11:24:37","slug":"frumusete-si-moarte","status":"publish","type":"post","link":"https:\/\/egophobia.ro\/?p=14779","title":{"rendered":"Frumuse\u021be \u0219i moarte"},"content":{"rendered":"<p style=\"text-align: center;\"><span style=\"color: green;\">o istorie de buzunar<\/span><\/p>\n<p style=\"text-align: right;\">de Ana-Maria Negril\u0103<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201eGr\u0103dinile Finzi-Contini\u201d de Giorgio Bassani este un roman profund emo\u021bionant ce urm\u0103re\u0219te via\u021ba membrilor familiei Finzi-Contini, dar \u0219i a celor care, \u00eentr-un fel sau altul, ajung \u00een sfera loc de influen\u021b\u0103. Nu este \u00eens\u0103 un roman pe care s\u0103-l cite\u0219ti cu mintea, ci cu sufletul, pentru c\u0103 accentul nu cade asupra ac\u021biunii, ci a personajelor \u0219i sentimentelor, un mod de abordare ce pune \u00een eviden\u021b\u0103 una dintre temele c\u0103r\u021bii \u2013 \u00eent\u00e2lnirea cu moartea.<!--more--><\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00cen timp ce fascismul \u00ee\u0219i face sim\u021bit\u0103 prezen\u021ba \u00een Italia, personajele se confrunt\u0103 cu moartea \u00een moduri diferite, iar gr\u0103dinile familiei Finzi-Contini devin o metafor\u0103 a trecerii inevitabile a timpului \u0219i a dispari\u021biei, fiindc\u0103 \u0219i acestea, cu toat\u0103 splendoarea lor, sunt amenin\u021bate de decaden\u021b\u0103 \u0219i abandon, oglindind \u00een mod simbolic destinele din roman.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Confruntat\u0103 cu schimb\u0103rile din societate \u0219i cu r\u0103zboiul, familia Finzi-Contini se izoleaz\u0103 \u00een interiorul propriet\u0103\u021bii, transform\u00e2nd-o \u00eentr-o fort\u0103rea\u021b\u0103 aparent inexpugnabil\u0103 \u00een fa\u021ba lumii exterioare \u0219i a amenin\u021b\u0103rii fasciste. Totu\u0219i, aceast\u0103 izolare aparent\u0103 aduce cu sine propriile consecin\u021be. Personajele percep diferit singur\u0103tatea \u0219i alienarea, se simt departe de evenimentele \u0219i schimb\u0103rile din jurul lor, dar, \u00een acela\u0219i timp, devin vulnerabile \u00een fa\u021ba pericolul ce se apropie. Mic\u00f2l este o t\u00e2n\u0103r\u0103 fermec\u0103toare \u0219i misterioas\u0103, care devine obiectul iubirii lui Giorgio, naratorul romanului. Mic\u00f2l este inteligent\u0103, dar capricioas\u0103, iar aceast\u0103 personalitatea dual\u0103 devine surs\u0103 de fascina\u021bie pentru Giorgio, un t\u00e2n\u0103r evreu educat \u0219i foarte sensibil. Acesta se \u00eendr\u0103goste\u0219te de Mic\u00f2l, pe care o cunoa\u0219te din copil\u0103rie, fiind observator de departe al evolu\u021biei ei \u0219i a fratelui ei, Alberto. Giorgio este un comentator pasionat al evenimentelor ce se desf\u0103\u0219oar\u0103 \u00een jurul s\u0103u \u0219i cunoa\u0219te o via\u021b\u0103 emo\u021bional\u0103 intens\u0103 pe m\u0103sur\u0103 ce descoper\u0103 zbuciumul dragostei.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Totu\u0219i, \u00een ciuda aparen\u021bei de lini\u0219te, izolarea familiei Finzi-Contini devine o arm\u0103 cu dou\u0103 t\u0103i\u0219uri. Pe m\u0103sur\u0103 ce r\u0103zboiul face din ce \u00een ce mai multe victime, iar puterea fascismului cre\u0219te, gr\u0103dinile devin tot mai fragile \u00een izolarea lor. Ele sunt astfel martori ai tristului deznod\u0103m\u00e2nt \u00een care personajele ce le populeaz\u0103 mor de boal\u0103, sunt arestate sau devin victime ale r\u0103zboiului. Gr\u0103dinile, care ini\u021bial reprezentau un paradis r\u00e2vnit, devin un memento al unor vie\u021bi care au fost, \u00een cele din urm\u0103, \u00eenfr\u00e2nte de realitatea tragic\u0103. Sigur c\u0103 sunt mult mai multe lucruri care dispar \u00een tumultul evenimentelor: idealurile, tinere\u021bea, inocen\u021ba. Fascismul \u0219i r\u0103zboiul schimb\u0103 \u00een mod dramatic vie\u021bile acestor oameni: Alberto moare de boal\u0103, naratorul \u0219i al\u021bii sunt aresta\u021bi \u0219i \u00eenchi\u0219i, iar dup\u0103 r\u0103zboi, numai Giorgio r\u0103m\u00e2ne singurul care s\u0103-\u0219i aminteasc\u0103 splendoarea de alt\u0103dat\u0103.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201eGr\u0103dinile Finzi-Contini\u201d este un roman remarcabil ce abordeaz\u0103 drama r\u0103zboiului f\u0103r\u0103 \u00eens\u0103 a-l transforma \u00eentr-un personaj principal. Aceast\u0103 carte este cu at\u00e2t mai impresionant\u0103, cu c\u00e2t ne aminte\u0219te c\u0103 frumuse\u021bea, chiar \u0219i dragostea, sunt efemere, iar trecerea timpului poate aduce schimb\u0103ri dramatice, dar \u0219i o \u00een\u021belegere mai profund\u0103 a fragilit\u0103\u021bii umane \u0219i a impactului pe care istoria \u00eel are asupra individului.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>o istorie de buzunar de Ana-Maria Negril\u0103 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201eGr\u0103dinile Finzi-Contini\u201d de Giorgio Bassani este un roman profund emo\u021bionant ce urm\u0103re\u0219te via\u021ba membrilor familiei Finzi-Contini, dar \u0219i a celor care, \u00eentr-un fel sau altul, ajung \u00een sfera loc de influen\u021b\u0103. Nu este \u00eens\u0103 un roman pe care s\u0103-l cite\u0219ti cu mintea, ci cu sufletul, pentru c\u0103 [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8,1644,1298],"tags":[1255,1113,1645,1301],"class_list":["post-14779","post","type-post","status-publish","format-standard","hentry","category-critica","category-egophobia-76","category-o-istorie-de-buzunar","tag-ana-maria-negrila","tag-critica","tag-egophobia-76","tag-o-istorie-de-buzunar"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6DakB-3Qn","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/14779","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14779"}],"version-history":[{"count":1,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/14779\/revisions"}],"predecessor-version":[{"id":14780,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/14779\/revisions\/14780"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14779"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=14779"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=14779"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}