{"id":15079,"date":"2023-12-15T08:45:35","date_gmt":"2023-12-15T06:45:35","guid":{"rendered":"https:\/\/egophobia.ro\/?p=15079"},"modified":"2023-12-27T18:47:20","modified_gmt":"2023-12-27T16:47:20","slug":"confesiuni-medievale","status":"publish","type":"post","link":"https:\/\/egophobia.ro\/?p=15079","title":{"rendered":"Confesiuni medievale"},"content":{"rendered":"

(Studii fantastice)<\/span><\/p>\n

de Oliviu Cr\u00e2znic<\/p>\n

Ana-Maria Negril\u0103 (n. 1972) este scriitoare multipremiat\u0103, publicat\u0103 at\u00e2t \u00een \u021bar\u0103 (Ora\u0219ul ascuns<\/em>, Ed. Diasfera, 2005; \u00cemp\u0103ratul ghe\u021burilor<\/em>[1], Ed. Diasfera, 2006 \u0219i Ed. Crux Publishing, 2018 \u2013 edi\u021bie revizuit\u0103; Stelarium: Regatul sufletelor pierdute<\/em>, Stelarium: Ascensiunea stelar\u0103<\/em>, Stelarium: Agen\u021bii haosului<\/em>, Ed. Crux Publishing, 2016-2019[2]; St\u0103p\u00e2nul umbrelor: Trezirea<\/em>[3] \u0219i St\u0103p\u00e2nul umbrelor: Zorii r\u0103zboiului<\/em>[4], Ed. Crux Publishing, 2020-2023; Cele patru oglinzi ale adev\u0103rului<\/em>, Ed. Hyperliteratura, 2021), c\u00e2t \u0219i peste hotare (J\u00e9gcs\u00e1sz\u00e1r<\/em>, Ed. Metropolis Media, 2019), antologatoare (Centenarium StrING. O antologie a revistei StrING alc\u0103tuit\u0103 de Ana-Maria Negril\u0103<\/em>, Ed. Tornada, 2018), traduc\u0103toare, publicist\u0103 (critic\u0103 literar-artistic\u0103, articole \u0219tiin\u021bifice).<\/p>\n

S-a remarcat, de asemenea, prin prelegerile viz\u00e2nd teoria \u0219i practica beletristicii, precum \u0219i prin jurizarea unor concursuri literare la nivel na\u021bional.<\/p>\n

Odat\u0103 cu Cele patru oglinzi ale adev\u0103rului<\/em>, autoarea deschide un amplu, ambi\u021bios ciclu epic \u2013 \u00een aceea\u0219i m\u0103sur\u0103 fresc\u0103 social\u0103 a primei jum\u0103t\u0103\u021bi a veacului al XV-lea oriental \u0219i occidental (documentat \u00eentr-un mod profesionist \u2013 atu de ansamblu \u00eent\u0103rit, dup\u0103 cum vom ar\u0103ta, \u0219i prin atuuri punctuale), mister fantastic sau pseudofantastic (aspectele suprafire\u0219ti ale nara\u021biunii pot avea \u0219i o explica\u021bie psihologic\u0103 \u2013 fiecare cititor urm\u00e2nd a decide dac\u0103 respectiva explica\u021bie psihologic\u0103 este \u0219i corect\u0103), \u201ebildungsroman\u201d \u0219i aventur\u0103 picaresc\u0103.<\/p>\n

Cronica barbar\u0103<\/em> (Ed. Hyperliteratura, 2023) constituie a doua parte a sus-men\u021bionatului ciclu, put\u00e2nd fi citit\u0103, \u00eens\u0103, \u0219i \u00eentr-un mod independent: personaje[5] principale \u00een … oglinzi …<\/em> \u00ee\u0219i g\u0103sesc roluri secundare \u00een Cronica …<\/em>, vie\u021bile acestora desf\u0103\u0219ur\u00e2ndu-se \u00een continuare sub semnul unui destin a c\u0103rui urzeal\u0103 nu s-a definitivat \u00eenc\u0103 (presupunem o trilogie).<\/p>\n

Sub forma unui jurnal intim devenit epistol\u0103 (destinatarul fiind chiar personajul principal din … oglinzi …<\/em>, iar expeditorul fiind … complicat), intriga urm\u0103re\u0219te \u00eent\u00e2mpl\u0103rile prin care trece (anti)eroul provenit dintr-o familie cre\u0219tin\u0103, sclav \u00een Cairo \u0219i apoi c\u0103l\u0103tor (eliberat din sclavie \u0219i redevenit sclav; prin for\u021ba \u00eemprejur\u0103rilor, musulman \u0219i redevenit cre\u0219tin …) prin Alexandria, Vene\u021bia, Constantinopol \u0219i \u021aara Rom\u00e2neasc\u0103. El nu este, \u00eens\u0103, un sclav ca to\u021bi sclavii: autoarea jongleaz\u0103, aici, cu motivul literar al dedubl\u0103rii[6], latura \u00eentunecat\u0103 a firii protagonistului(-antagonist) ie\u0219ind la iveal\u0103 \u00een momente-cheie, fie ca urmare a unei influen\u021be supranaturale (exercitate de un \u201edjinn\u201d cuib\u0103rit \u00een trupul omului, dup\u0103 cum este convins \u201e\u00eendr\u0103citul\u201d \u00eensu\u0219i ori, conform temerilor unui alt personaj, de un suflet \u201e\u00eentors din Purgatoriu\u201d pentru a se r\u0103zbuna), fie dimpotriv\u0103, ca manifestare a unei boli psihice (dubl\u0103 personalitate).<\/p>\n

Dezbaterile (purtate \u00eentre personaje) viz\u00e2nd problema \u00eendr\u0103cirii\/re\u00eencarn\u0103rii\/dublei personalit\u0103\u021bi constituie, de altfel, un important atu punctual al Cronicii …<\/em> . Autoarea le-a conferit acestor dezbateri un caracter erudit-didactic, purt\u00e2nd cititorii prin \u0219i printre teoriile sau convingerile unor g\u00e2nditori renumi\u021bi (Platon, Salustiu, Avicenna, Sf. Augustin \u0219i mul\u021bi al\u021bii, apar\u021bin\u00e2nd unor epoci, \u0219coli de filozofie ori religii variate).<\/p>\n

Un alt atu punctual \u00eel constituie lec\u021biile[7] de medicin\u0103 (fire\u0219te, de Epoc\u0103), \u00een cadrul c\u0103rora personajul principal descoper\u0103, fascinat, \u201eputerea vindec\u0103toare\u201d a pietrelor, p\u0103m\u00e2ntului, metalelor ori trandafirilor.<\/p>\n

\u00cen sf\u00e2r\u0219it, un num\u0103r semnificativ de pagini sunt rezervate unor \u00eent\u00e2mpl\u0103ri \u0219i personaje istorice, reconstituindu-se, pas cu pas, campania militar\u0103 dun\u0103rean\u0103 a burgundului Walerand de Wavrin (sprijinit \u0219i de \u201evalahii\u201d lui Vlad Dracul) \u00eempotriva turcilor.<\/p>\n

Asupra stilului individual al autoarei este de prisos s\u0103 z\u0103bovim, fiind acela\u0219i dintotdeauna: un condei m\u00e2nuit cu seriozitate \u0219i cu talent exemplare, indiferent de modalitatea de expunere \u00een proz\u0103 \u2013 nara\u021biune, descriere, dialog, monolog \u2013 abordat\u0103 (\u0219i, putem ad\u0103uga, indiferent de specia ori subspecia literar\u0103 \u00een slujba c\u0103reia se afl\u0103 la un moment dat). Ne mul\u021bumim s\u0103 preciz\u0103m aici doar faptul c\u0103, \u00een opinia noastr\u0103, admiratorii unor Umberto Eco sau Orhan Pamuk se vor bucura s\u0103 o descopere pe Ana-Maria Negril\u0103 (dac\u0103 nu au descoperit-o, deja, prin intermediul Celor patru oglinzi ale adev\u0103rului<\/em>).<\/p>\n

Nu putem \u00eencheia f\u0103r\u0103 a men\u021biona \u0219i contribu\u021bia artistului grafician Ionu\u021b B\u0103nu\u021b\u0103 la \u00eentregirea tabloului de epoc\u0103, aceast\u0103 contribu\u021bie const\u00e2nd \u00een alc\u0103tuirea (\u00een manier\u0103 cartografic\u0103 medieval\u0103!) unei impresionante h\u0103r\u021bi a Constantinopolului; un fragment relevant al h\u0103r\u021bii \u00een cauz\u0103 se reg\u0103se\u0219te la finalul Cronicii …<\/em>, \u00eentinz\u00e2ndu-se pe coperta a III-a \u0219i pe clapeta aferent\u0103 \u0219i pun\u00e2nd la dispozi\u021bia cititorilor, astfel, itinerariul personajului principal.<\/p>\n

\n

[1] A se vedea O. Cr\u00e2znic, Ana-Maria Negril\u0103, \u201e\u00cemp\u0103ratul ghe\u021burilor\u201d<\/em> (https:\/\/egophobia.ro\/?p=12981<\/a>).<\/p>\n

\n

[2] A se vedea O. Cr\u00e2znic, Un viitor complex \u0219i exotic<\/em> (https:\/\/egophobia.ro\/?p=12565<\/a>).<\/p>\n

\n

[3] A se vedea O. Cr\u00e2znic, Trezire<\/em> (https:\/\/egophobia.ro\/?p=13641<\/a>).<\/p>\n

\n

[4] A se vedea O. Cr\u00e2znic, Viitorul viitorului sau Dincolo de stele, magia <\/em>(https:\/\/egophobia.ro\/?p=14734<\/a>).<\/p>\n

\n

[5] Remarc\u0103m aici \u0219i includerea unui strategic … \u201epersonaj absent\u201d (apare doar \u00een dialogurile, cuget\u0103rile altor personaje).<\/p>\n

\n

[6] Cititorilor interesa\u021bi de acest motiv literar le recomand\u0103m excep\u021bionala monografie (pluriperspectivist\u0103) semnat\u0103 de \u0218t. Bolea, Jung \u0219i filosofia umbrei<\/em> (Ed. Tracus Arte, 2019; cronica noastr\u0103: https:\/\/egophobia.ro\/?p=13380<\/a>)\/Internal Conflict in Nineteenth-Century Literature: Reading the Jungian Shadow<\/em> (Ed. Lexington Books, 2020; cronica noastr\u0103: https:\/\/www.philobiblon.ro\/ro\/articol\/internal-conflict-nineteenth-century-literature-reading-jungian-shadow-lexington-books-2020<\/a>).<\/p>\n

\n

[7] Cititorii preocupa\u021bi de gastronomie vor g\u0103si, de asemenea, \u00een Cronica …<\/em>, informa\u021bii interesante \u0219i detaliate \u2013 a\u0219adar, credem, \u201epe gustul lor\u201d.<\/p>\n","protected":false},"excerpt":{"rendered":"

(Studii fantastice) de Oliviu Cr\u00e2znic Ana-Maria Negril\u0103 (n. 1972) este scriitoare multipremiat\u0103, publicat\u0103 at\u00e2t \u00een \u021bar\u0103 (Ora\u0219ul ascuns, Ed. Diasfera, 2005; \u00cemp\u0103ratul ghe\u021burilor[1], Ed. Diasfera, 2006 \u0219i Ed. Crux Publishing, 2018 \u2013 edi\u021bie revizuit\u0103; Stelarium: Regatul sufletelor pierdute, Stelarium: Ascensiunea stelar\u0103, Stelarium: Agen\u021bii haosului, Ed. Crux Publishing, 2016-2019[2]; St\u0103p\u00e2nul umbrelor: Trezirea[3] \u0219i St\u0103p\u00e2nul umbrelor: Zorii […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8,1676,892],"tags":[1255,1113,1677,636,1194],"class_list":["post-15079","post","type-post","status-publish","format-standard","hentry","category-critica","category-egophobia-78","category-ghidul-cititorului-de-fantastic","tag-ana-maria-negrila","tag-critica","tag-egophobia-78","tag-oliviu-craznic","tag-studii-fantastice"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6DakB-3Vd","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/15079","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=15079"}],"version-history":[{"count":1,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/15079\/revisions"}],"predecessor-version":[{"id":15080,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/15079\/revisions\/15080"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=15079"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=15079"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=15079"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}