{"id":15543,"date":"2024-12-15T01:04:04","date_gmt":"2024-12-14T23:04:04","guid":{"rendered":"https:\/\/egophobia.ro\/?p=15543"},"modified":"2024-12-15T12:25:31","modified_gmt":"2024-12-15T10:25:31","slug":"yehuda-yannay-o-calatorie-de-o-viata-in-memoriam","status":"publish","type":"post","link":"https:\/\/egophobia.ro\/?p=15543","title":{"rendered":"Yehuda Yannay: O c\u0103l\u0103torie de o via\u021b\u0103"},"content":{"rendered":"<p><strong>In Memoriam<\/strong><\/p>\n<p style=\"text-align: right;\">de\u00a0Kenneth M. Kapp<\/p>\n<p style=\"text-align: right;\">traducere de Maria Giurgiu<\/p>\n<p style=\"text-align: right;\"><a href=\"https:\/\/egophobia.ro\/?p=15502\">read here the original English version<\/a><\/p>\n<p style=\"text-align: justify;\">Yehuda Yannay a fost un compozitor, dirijor, interpret \u0219i artist mutimedia. S-a n\u0103scut la data de 26 mai 1937 \u00een Timi\u0219oara. \u00cen mod miraculos, el \u0219i membrii de familie apropia\u021bi, evrei vorbitori de limba maghiar\u0103, au supravie\u021buit \u00een urma r\u0103zboiului. Totu\u0219i, nivelul de trai s-a \u00eenr\u0103ut\u0103\u021bit din cauza antisemitismului \u0219i a colectiviz\u0103rii micii fabrici de papet\u0103rie a familiei de c\u0103tre Partidul Comunist Rom\u00e2n, \u00een 1948. Familia lui Yehuda a emigrat \u00een Israel \u00een 1951.<!--more--><\/p>\n<p style=\"text-align: justify;\">Yannay a fost poliglot \u0219i erudit \u00een mai multe limbi. A fost bunul meu prieten \u0219i, de-a lungul anilor, ne-am \u00eent\u00e2lnit frecvent la c\u00e2te o cea\u0219c\u0103 \u201erapid\u0103\u201d de cafea, discut\u00e2nd mai mult despre literatur\u0103 \u0219i art\u0103 dec\u00e2t despre muzic\u0103. Convorbirile noastre durau deseori c\u00e2teva ore. De multe ori, cana de pe mas\u0103 era \u00eenc\u0103 plin\u0103 pe jum\u0103tate cu cafea c\u00e2nd, \u00een sf\u00e2r\u0219it, ne ridicam s\u0103 plec\u0103m.<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/i0.wp.com\/i.vgy.me\/kxSf93.jpg?w=812&#038;ssl=1\" \/><\/p>\n<p style=\"text-align: center;\">[foto: Marie E Mellott]<\/p>\n<p style=\"text-align: justify;\">\u00cenc\u0103 de la \u00eenceputul vie\u021bii, a fost pasionat mai ales de \u0219tiin\u021be naturale, iar momentul \u00eentoarcerii la muzic\u0103 a fost abia dup\u0103 serviciul militar obligatoriu, efectuat \u00een armata israelian\u0103. A studiat compozi\u021bia \u00een particular cu Alexander Uriah Boskovich, dup\u0103 care s-a \u00eenscris \u0219i a absolvit Academia de Muzic\u0103 Rubin din Tel-Aviv \u00een 1964. O burs\u0103 Fulbright i-a permis s\u0103 urmeze studii muzicale de licen\u021b\u0103 \u00een Statele Unite ale Americii, unde a ob\u021binut o diplom\u0103 de masterat \u00een arte frumoase la Universitatea Brandeis, \u00een 1966, \u0219i o diplom\u0103 de doctor la Universitatea din Illinois, \u00een 1974.<\/p>\n<p style=\"text-align: justify;\">S-a al\u0103turat Departamentului de Muzic\u0103 al Universit\u0103\u021bii din Wisconsin-Milwaukee (UWM) \u00een 1970, de unde s-a pensionat \u00een 2004. Pensionarea a fost doar pe h\u00e2rtie. Mai mult ca \u00eenainte, \u0219i-a dedicat toat\u0103 energia compozi\u021biei \u0219i interpret\u0103rii, primind de-a lungul timpului comenzi din partea unor forma\u021bii muzicale de peste tot din lume. Yannay a fost \u0219i profesor Fulbright la <a href=\"https:\/\/en.wikipedia.org\/wiki\/State_University_of_Music_and_Performing_Arts_Stuttgart\">Universitatea de Stat pentru Muzic\u0103 \u0219i Arte Interpretative din Stuttgart<\/a> \u0219i la <a href=\"https:\/\/en.wikipedia.org\/wiki\/Hochschule_f%C3%BCr_Musik_und_Theater_Hamburg\">Hochschule f\u00fcr Musik und Theater din Hamburg<\/a>.<\/p>\n<p style=\"text-align: justify;\">C\u00e2t a lucrat la UWM, la Centrul de Electroacustic\u0103 era profesor \u0219i director Jon Welstead. \u00cen 1982, acesta a fost ales de Yannay (al\u0103turi de John Downey \u0219i Geogoria Karider Suchy de la Departamentul de Compozi\u021bie \u0219i Teorie) s\u0103-i preia responsabilit\u0103\u021bile \u00een timpul anului sabatic petrecut \u00een Germania \u00een 1982. El \u0219i Yehuda au devenit buni prieteni. Iat\u0103 c\u00e2teva dintre amintirile lui Jon: \u201eAcesta a fost \u0219i anul \u00een care Yehuda mi-a cerut s\u0103 orchestrez electronic \u0219i s\u0103 \u00eenregistrez coloana sonor\u0103 pentru filmul <em>Jidyll<\/em>, care tocmai fusese terminat de Dick Blau. A\u0219a a \u00eenceput lunga mea c\u0103l\u0103torie de lucru al\u0103turi de Yehuda. \u00cen anul acela, l-am \u00eenlocuit pe Yehuda la cursuri \u0219i seminarii \u0219i urma s\u0103 \u00eenfiin\u021bez \u0219i s\u0103 pun pe picioare un nou Centru de Compozi\u021bie Electronic\u0103 \/ Computerizat\u0103. \u00a0Yehuda \u0219i cu mine am dezvoltat domeniul compozi\u021biei, previzion\u00e2nd evolu\u021bia enorm\u0103 pe care avea s\u0103 o aduc\u0103 \u00een muzica nou\u0103 \u0219i \u00een interpretare la UWM \u0219i prin alte p\u0103r\u021bi. \u00cen urm\u0103toarele trei decenii, am colaborat, am predat \u00een echip\u0103, am prezentat \u0219i am interpretat muzic\u0103 nou\u0103, \u00een contexte artistice \u0219i dramatice, peste tot prin \u021bar\u0103 prin intermediul companiei organizatoare de concerte Music From Almost Yesterday. Dup\u0103 cum afirma Yehuda \u00een <em>Yehuda Composed<\/em> de Dan Boville: \u00abNu merit\u0103 s\u0103 compui muzic\u0103 dac\u0103 nu este \u0219i un pic de nebunie la mijloc!\u00bb Iar eu am parcurs aceast\u0103 \u00abc\u0103l\u0103torie a vie\u021bii\u00bb fiind pur \u0219i simplu \u00abpu\u021bin nebun\u00bb al\u0103turi de Yehuda.\u201d Filmul lui Boville se poate g\u0103si pe internet:<\/p>\n<p style=\"text-align: justify;\">\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"812\" height=\"457\" src=\"https:\/\/www.youtube.com\/embed\/KwXoWvhxb4E?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p style=\"text-align: justify;\">\u00cen 1997, Jon, Yehuda \u0219i Steve Nelson-Raney au lansat un CD intitulat <em>The Ghost in the Machine<\/em>.<\/p>\n<p style=\"text-align: justify;\">Nefiind niciodat\u0103 dispus s\u0103 se supun\u0103 limitelor, Yehuda a aflat de teatrul absurdului spre finele anilor 1950 (probabil pentru c\u0103 Eugen Ionescu era tot rom\u00e2n) \u0219i a \u00eenceput s\u0103 lucreze \u00een cadrul unor reprezenta\u021bii teatrale \u0219i \u00een filme precum <em>Jidyll<\/em> (1990) \u0219i <em>Houdini<\/em><em>\u2019<\/em><em>s Ninth<\/em> (1973). Au urmat alte lucr\u0103ri pentru <em>Radiant, Inner Light<\/em> (1998-2000), <em>Insomnia in Havana<\/em>, o pies\u0103 de teatru pentru un actor percu\u021bionist, muzic\u0103 electronic\u0103 \u0219i proiec\u021bii live (2005), \u0219i <em>Midwest Mythologist<\/em> (2012). \u00cen Milwaukee, statul Wisconsin, a lucrat cu Marie Mellot, Jake Fuller \u0219i Dick Blau. Blau a fost dr\u0103gu\u021b \u0219i mi-a \u00eemp\u0103rt\u0103\u0219it o amintire cu Yehuda:<\/p>\n<p style=\"text-align: justify;\"><em>\u00cenceputul anilor <\/em><em>19<\/em><em>80. YY s-a \u00eentors acas<\/em><em>\u0103 dup\u0103 programul<\/em><em> Fulbright \u00een Germania. La o cafea.<\/em><\/p>\n<p style=\"text-align: justify;\">YY: Hei, vrei s\u0103 facem un film? Fiecare scen\u0103 s\u0103 con\u021bin\u0103 culoarea galben sau Steaua lui David.<\/p>\n<p style=\"text-align: justify;\">EU: Ai curaj! \u00cel punem pe Jake Fuller s\u0103 filmeze.<\/p>\n<p style=\"text-align: justify;\">YY: Super! \u0218i hai s\u0103-l \u00eentreb\u0103m \u0219i pe Jerry Fortier. Poate s\u0103 fac\u0103 decor, lumini, costume \u0219i efecte speciale.<\/p>\n<p style=\"text-align: justify;\"><em>Trei ani mai t\u00e2rziu.<\/em><\/p>\n<p style=\"text-align: justify;\">JIDYLL: Evreul r\u0103t\u0103citor apare \u00een Milwakee \u0219i cutreier\u0103 prin istoria vestului, imagin\u00e2ndu-\u0219i c\u0103 este tot felul de persoane, de la Iisus la Freud, Herzl, Dreyfuss \u0219i (inamicul suprem) Wagner.<\/p>\n<p style=\"text-align: justify;\"><em>Treizeci de scene, treizeci de personaje jucate de&#8230; YY, fire\u0219te.<\/em><\/p>\n<p style=\"text-align: justify;\">\u00cen concluzie. \u201eGenial, juc\u0103u\u0219, amuzant, curajos \u0219i foarte, foarte talentat. A\u0219a a fost dragul meu prieten, Yehuda Yannay.\u201d Rezultatul se poate vedea aici:<\/p>\n<div class=\"zak-oembed-container\">\n<div class=\"jetpack-video-wrapper\"><iframe loading=\"lazy\" title=\"Jidyll\" src=\"https:\/\/player.vimeo.com\/video\/23644877?dnt=1&amp;app_id=122963\" width=\"640\" height=\"480\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe><\/div>\n<\/div>\n<p style=\"text-align: justify;\">\u00cen calitate de operator de imagine, Jake Fuller \u00ee\u0219i aminte\u0219te: \u201eL-am cunoscut pe Yehuda c\u00e2nd mi-a cerut Dick Blau s\u0103 filmez <em>Jidyll<\/em>, povestea evreului r\u0103t\u0103citor din Milwakee. A\u0219a a \u00eenceput o prietenie \u00eendelungat\u0103, care a constat \u00een plimb\u0103ri nesf\u00e2r\u0219ite, \u00een timpul c\u0103rora faceam schimb de c\u0103r\u021bi, vorbeam despre s\u0103n\u0103tate, dar nu prea mult, \u0219i filozofam despre via\u021b\u0103. Jill Sebastian \u0219i cu mine organizam concerte acas\u0103, la \u00eenceput \u00een garsoniera lui Jill, ani la r\u00e2nd, mut\u00e2ndu-ne mai t\u00e2rziu \u00een Galeria Hawthorn din apropiere. Am filmat \u0219i concertele de acas\u0103 ani \u00eentregi. Se pot g\u0103si pe Vimeo \u0219i YouTube.\u201d<\/p>\n<p style=\"text-align: justify;\">Marie Mellott este o artist\u0103 specializat\u0103 \u00een medii de comunicare diverse, care activeaz\u0103 \u00een domenii ca art\u0103 performativ\u0103, fotografie, imagine computerizat\u0103 pentru treatru \u0219i scriere creativ\u0103 pentru multimedia. A fost intervievat\u0103 \u00een 1993 la postul na\u021bional de radio din Bucure\u0219ti. C\u0103s\u0103torit\u0103 cu Yehuda timp de 31 de ani, a lucrat cu el la multe proiecte, inclusiv la videoclipul <em>I Can\u2019t Fathom It<\/em>:<\/p>\n<p style=\"text-align: justify;\">\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"812\" height=\"457\" src=\"https:\/\/www.youtube.com\/embed\/rBXOv4KSipk?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p style=\"text-align: justify;\">Aceasta \u00ee\u0219i aduce aminte: \u201e\u00cen timp ce Yehuda compunea muzica, eu f\u0103ceam desenele. Obi\u0219nuia s\u0103 vin\u0103 la subsol s\u0103 vad\u0103 desenele \u0219i s\u0103 se \u00eentoarc\u0103 \u00een sudio, ca s\u0103 compun\u0103. Era despre tragediile comise asupra femeilor \u00een timpul r\u0103zboiului. Am \u0219i recitat \u00eempreun\u0103 o poezie de Yehuda Amicai, un poet israelian. Yehuda a citit-o \u00een ebraic\u0103, iar eu \u00een englez\u0103.\u201d<\/p>\n<p style=\"text-align: justify;\">\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/i0.wp.com\/i.vgy.me\/0CJB5e.jpg?w=812&#038;ssl=1\" \/><\/p>\n<p style=\"text-align: center;\">[photo: Marie E Mellott]<\/p>\n<p style=\"text-align: justify;\">Atmosfera multimedia experimental\u0103 \u0219i divers\u0103 de la Universitatea din Illinois Urbana-Champaign, atunci c\u00e2nd Yehuda lucra acolo, l-a inspirat s\u0103 inventeze noi instrumente muzicale \u0219i tehnici, \u00eencorporate \u00een compozi\u021biile <em>Wraphap<\/em> (1969), <em>Coloring Book for the Harpist<\/em> (1969) \u0219i <em>Coheleth<\/em> (1970). A \u00eenceput \u0219i s\u0103 dirijeze lucr\u0103ri noi ale altor compozitori contemporani. A fost firesc s\u0103 continue c\u00e2nd a ajuns la UWM. La pu\u021bin timp dup\u0103 venirea sa, a descoperit seria de concerte <em>Music from Almost Yesterday<\/em>. Seria continu\u0103 sub \u00eendrumarea lui Josh Schmidt, unul dintre mul\u021bii studen\u021bi ai lui Yehuda.<\/p>\n<p style=\"text-align: justify;\">\u201eIm Silberwald\u201d (In the Silvers Forest), scris\u0103 pentru trombon \u0219i, armonic\u0103 de sticl\u0103, cu mixare electronic\u0103 de Marie Mellot, este una dintre compozi\u021biile pe care le-a scris pentru acea serie de concerte. Este interesant deoarece se poate vedea partitura, nu notele obi\u0219nuite pe portativ:<\/p>\n<p style=\"text-align: justify;\">\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"812\" height=\"457\" src=\"https:\/\/www.youtube.com\/embed\/xdikgl-NMu4?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p style=\"text-align: justify;\">Yehuda revenea des \u00een Europa pentru premierele pieselor lui, de exemplu \u00een Berlin, odat\u0103 cu cvartetul pentru coarde\u00a0<em>Two Alleys in Old Tel-Aviv<\/em> (2013) \u0219i pentru <em>Berlin Music<\/em> (2018).<\/p>\n<p style=\"text-align: justify;\">Yehuda a compus mai multe lucr\u0103ri pentru cvartet de saxofoane, cum ar fi <em>The Center Does Not Hold<\/em>, lansat \u00een Minneapolis \u00een 2016. Sunetele sunt minunate. De\u0219i muzica lui era modern\u0103, dup\u0103 cum se citeaz\u0103 din el pe Wikipedia \u2013 \u201edefini\u021bia minimal\u0103 a unei compozi\u021bii muzicale este un aranjament de sunet \u0219i lini\u0219te, ceea ce ar putea s\u0103 presupun\u0103 sau nu o ordine func\u021bional\u0103; ea exist\u0103 \u00eentr-o dimensiune conceptual\u0103 spa\u021bio-temporal\u0103\u201d \u2013, compozi\u021biile sale sunt \u0219i muzicale, \u0219i abordabile.<\/p>\n<p style=\"text-align: justify;\">Pe 15 octombrie, 2024, Bernard Zinck, conferen\u021biar de vioar\u0103 \u0219i muzic\u0103 de camer\u0103 la Universitatea din Wisconsin, Milwaukee, a organizat un program multimedia numit \u201eA Celebration of Yehuda Yannay\u201d, care a cuprins at\u00e2t filme cu Yannay, c\u00e2t \u0219i unele dintre compozi\u021biile lui.<\/p>\n<p style=\"text-align: justify;\">Zinck era solistul piesei <em>The Exquisite Viola<\/em> (transcriere pentru viol\u0103 solo) \u0219i ne-a transmis aceste g\u00e2nduri: \u201e<em>The Exquisite Viola<\/em> va avea o premier\u0103 a\u0219a cum a transcris-o Yehuda pentru mine de la viol\u0103 solo la vioar\u0103 solo. A transcris-o acum trei ani \u0219i voia s\u0103 aud\u0103 cum sun\u0103. Din cauza pandemiei, spectacolele s-au oprit, iar dup\u0103 aceea pur \u0219i simplu n-am avut timp s\u0103 \u00eenv\u0103\u021b piesa, care, la fel ca mai toate lucr\u0103rile lui Yehuda, este complicat\u0103. Mi s-a p\u0103rut potrivit s\u0103 \u00eenv\u0103\u021b piesa pentru acest concert \u0219i s\u0103 petrec multe ore vorbind cu el prin intermediul muzicii lui.\u201d<\/p>\n<p style=\"text-align: justify;\">\u00cencep\u00e2nd cu anul 2000, Yehuda a \u00eenceput s\u0103 compun\u0103 \u00een str\u00e2ns\u0103 colaborare cu expertul \u00een acordeon rusesc, Stas Venglevski. A fost o rela\u021bie foarte productiv\u0103, prin care \u0219i-au extins at\u00e2t repertoriul, c\u00e2t \u0219i modurile de utilizare a acordeonului de tip <em>bayan<\/em>. Venglevski ne-a \u00eemp\u0103rt\u0103\u0219it cu drag g\u00e2ndurile despre el: \u201eCei treizeci de ani de colaborare cu Yehuda Yannay au fost cei mai productivi ani din cariera mea. Yehuda a scris vreo 20 de compozi\u021bii pentru <em>bayan<\/em>. Mi-a f\u0103cut cuno\u0219tin\u021b\u0103 cu mul\u021bi compozitori \u0219i muzicieni deosebi\u021bi, dar \u0219i cu lumea muzicii noi. Am avut mare noroc s\u0103 c\u00e2nt \u00een multe concerte \u0219i la multe premiere sub tutela sa. \u00cen 2012, am f\u0103cut o vizit\u0103 de neuitat la Paris, pentru premiera mondial\u0103 a lucr\u0103rii <em>Plus Aves Moins<\/em> (Mai mult pentru mai pu\u021bin) pentru <em>bayan<\/em> \u0219i 24 de flaute, de 26 de minute, cu 4 mi\u0219c\u0103ri. Sunt foarte emo\u021bionat c\u0103 majoritatea pieselor pentru <em>bayan<\/em> pe care le-a compus \u00eemi sunt dedicate.\u201d<\/p>\n<p style=\"text-align: justify;\">Gregory Flint a fost bun prieten cu Yannay \u0219i ne-a transmis g\u00e2nduri despre compozi\u021biile scrise de Yannay pentru corn francez \u0219i despre cum a lucrat cu compozitorul: \u201eL-am cunoscut pe Yehuda \u00een anii 1990, c\u00e2nd mi-a cerut s\u0103 interpretez <em>Hidden Melody<\/em>. A\u0219a a \u00eenceput o colaborare de durat\u0103 \u0219i productiv\u0103, \u00een care am interpretat \u0219i \u00eenregistrat \u00eenc\u0103 patru compozi\u021bii, dintre care o pies\u0103 solo, pe care a compus-o pentru mine, <em>Hornology<\/em>, \u0219i <em>Tandem Pieces<\/em>, imaginat\u0103 pentru Stas Venglevski \u0219i cu mine. De\u0219i muzica lui poate fi dificil de st\u0103p\u00e2nit, odat\u0103 ce o \u00eenve\u021bi, sim\u021bi c\u0103 tr\u0103ie\u0219te \u00een tine, ca interpret, destul de firesc. Unele dintre cele mai dragi amintiri cu Yehuda sunt multele pr\u00e2nzuri \u0219i cafele pe care le-am \u00eemp\u0103r\u021bit. Mereu aveam ceva de \u00eenv\u0103\u021bat de la el, m\u0103 f\u0103cea curios, \u00eemi d\u0103dea multe idei \u0219i r\u0103m\u00e2neam mereu cu dorin\u021ba arz\u0103toare de a crea. A fost un om unic, iar acum \u00eemi lipse\u0219te.\u201d Iat\u0103 un link spre un videoclip, cu interpretarea lui Flint:<\/p>\n<p style=\"text-align: justify;\">\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"812\" height=\"457\" src=\"https:\/\/www.youtube.com\/embed\/LxY3lVK2njU?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p style=\"text-align: justify;\">Mary Vigdor a fost apropiata lui Yehuda \u00een ultimii zece ani de via\u021b\u0103. Mi-a \u00eemp\u0103rt\u0103\u0219it cu bun\u0103tate c\u00e2teva amintiri despre el. Mi-a amintit c\u0103 el cultivase o rela\u021bie apropiat\u0103 cu rabinul Dinin de la sinagoga din Lake Park \u0219i \u201ediscu\u021biile lor frecvente pe Zoom erau un moment important \u00een fiecare s\u0103pt\u0103m\u00e2n\u0103.\u201d Yannay a studiat cu rabinul \u0219i a participat la propriul ritual de Bar Mitzvah abia acum c\u00e2teva s\u0103pt\u0103m\u00e2ni. Aici este un link c\u0103tre videoclipul cu acel eveniment, realizat de Jake Fuller \u0219i Dick Blau:<\/p>\n<p style=\"text-align: justify;\">\n<div class=\"zak-oembed-container\">\n<div class=\"jetpack-video-wrapper\"><iframe loading=\"lazy\" title=\"Documentary of Yannay&#039;s Bar Mitzvah\" src=\"https:\/\/player.vimeo.com\/video\/663951096?dnt=1&amp;app_id=122963\" width=\"812\" height=\"457\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe><\/div>\n<\/div>\n<p style=\"text-align: justify;\">Ea mi-a spus c\u0103: \u201eYehuda era \u0219i preferatul mamei mele, Theresa, \u0219i tot el a creat coperta programului funerar romano-catolic al acesteia. A ajuns s\u0103 fie prezent al\u0103turi de mine la mai multe \u00eenmorm\u00e2nt\u0103ri din familia mea, la diverse biserici romano-catolice, iar ai mei erau mereu \u00eenc\u00e2nta\u021bi s\u0103-l vad\u0103.\u201d<\/p>\n<p style=\"text-align: justify;\">\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/i0.wp.com\/i.vgy.me\/5UoH38.jpg?w=812&#038;ssl=1\" \/><\/p>\n<p style=\"text-align: center;\">[Yehuda Yannay ca poetul dadaist Hugo Ball, performing Ball&#8217;s Gadji Beri Bimba in 2023. Photo by Dick Blau]<\/p>\n<p style=\"text-align: justify;\">\u00cen 2018, \u00een timpul unei vizite \u00een ora\u0219ul Phoenix din Arizona, au f\u0103cut o excursie p\u00e2n\u0103 la Sedona, unde Yehuda a fost convins s\u0103-\u0219i fotografieze aura. Mary mi-a spus c\u0103: \u201eFotograful a exclamat c\u0103 Yehuda era at\u00e2t de avansat din punct de vedere spiritual, \u00eenc\u00e2t to\u021bi ar fi trebuit s\u0103 studiem la picioarele lui. El n-a luat-o niciodat\u0103 \u00een serios, bine\u00een\u021beles. Cred c\u0103 bun\u0103tatea era un semn al condi\u021biei lui de om spiritual. Din experien\u021ba mea, oamenii ca el fac fapte bune \u00een mod spontan, f\u0103r\u0103 s\u0103 le pese de propriul sine.\u201d<\/p>\n<p style=\"text-align: justify;\">Mary \u00ee\u0219i aduce aminte cum: \u201eYehuda era mereu \u00eenc\u00e2ntat s\u0103 viziteze Rom\u00e2nia \u0219i Ungaria. Ruda lui t\u00e2n\u0103r\u0103 (nepotul unui v\u0103r?), pe nume J\u00e1nos, era unul dintre prefera\u021bii lui.\u201d<\/p>\n<p style=\"text-align: justify;\">Exist\u0103 multe videoclipuri cu muzica \u0219i interpret\u0103rile lui Yannay pe YouTube \u0219i pe Vimeo, pe care le pute\u021bi asculta. Iat\u0103 unul cu Yehuda. La minutul 3 \u00eel pute\u021bi vedea a\u0219ezat \u00een fa\u021ba casei unde a copil\u0103rit \u00een Timi\u0219oara.<\/p>\n<p style=\"text-align: justify;\">\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"812\" height=\"457\" src=\"https:\/\/www.youtube.com\/embed\/KwXoWvhxb4E?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p style=\"text-align: justify;\">Articolul acesta e ap\u0103rut datorit\u0103 unui alt articol, pe care l-am scris tot eu \u0219i a ap\u0103rut \u00een <em>Shepherd Express<\/em>, o publica\u021bie independent\u0103 din ora\u0219ul Milwaukee, statul Wisconsin din SUA. A fost postat pe 11 octombrie 2024 \u0219i este intitulat <a href=\"https:\/\/shepherdexpress.com\/culture\/classical-music\/honoring-the-life-and-music-of-yehuda-yannay\/\">\u201eHonoring the Life and Music of Yehuda Yannay\u201d<\/a>.<\/p>\n<p style=\"text-align: justify;\">Dup\u0103 o scurt\u0103 boal\u0103, Yehuda Yannay a decedat \u00een Milwaukee, Wisconsin, SUA, la data de 14 decembrie 2023. \u00cei duce dorul mult\u0103 lume, de peste tot.<\/p>\n<p style=\"text-align: justify;\">###<\/p>\n<p style=\"text-align: justify;\">Traduc\u0103toarea Maria Giurgiu este student\u0103 la sec\u021bia filologie, rom\u00e2n\u0103 \/ englez\u0103, \u00een cadrul Facult\u0103\u021bii de Limbi \u0219i Literaturi Str\u0103ine, Universitatea din Bucure\u0219ti.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In Memoriam de\u00a0Kenneth M. Kapp traducere de Maria Giurgiu read here the original English version Yehuda Yannay a fost un compozitor, dirijor, interpret \u0219i artist mutimedia. S-a n\u0103scut la data de 26 mai 1937 \u00een Timi\u0219oara. \u00cen mod miraculos, el \u0219i membrii de familie apropia\u021bi, evrei vorbitori de limba maghiar\u0103, au supravie\u021buit \u00een urma r\u0103zboiului. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[55,1730],"tags":[1120,1728,1738,1760,72,1737],"class_list":["post-15543","post","type-post","status-publish","format-standard","hentry","category-articole","category-egophobia-83","tag-articole","tag-egophobia-83","tag-kenneth-m-kapp","tag-maria-giurgiu","tag-traducere","tag-yehuda-yannay"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6DakB-42H","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/15543","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=15543"}],"version-history":[{"count":4,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/15543\/revisions"}],"predecessor-version":[{"id":15549,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/15543\/revisions\/15549"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=15543"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=15543"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=15543"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}