{"id":16267,"date":"2026-05-10T21:23:23","date_gmt":"2026-05-10T19:23:23","guid":{"rendered":"https:\/\/egophobia.ro\/?p=16267"},"modified":"2026-05-10T21:24:40","modified_gmt":"2026-05-10T19:24:40","slug":"de-ce-scriu-carti","status":"publish","type":"post","link":"https:\/\/egophobia.ro\/?p=16267","title":{"rendered":"De ce scriu c\u0103r\u021bi?"},"content":{"rendered":"

[scurt fragment preluat \u0219i adaptat din volumul\u00a0De la divin la divan: <\/em><\/strong><\/p>\n

literatura european\u0103 prin optica personajelor secundare<\/em>,\u00a0prefa\u021b\u0103 de Carmen Mu\u0219at, postfa\u021b\u0103 de Camelia Dinu,\u00a0Bucure\u0219ti: Ed. Tracus Arte, 2026]<\/strong><\/p>\n

de C\u0103t\u0103lin Ghi\u021b\u0103<\/p>\n

Pe scurt, scriu c\u0103r\u021bi pentru c\u0103 astfel \u00eencerc s\u0103-mi limpezesc propriile reflec\u021bii asupra temei tratate, \u00eentr-o form\u0103 riguroas\u0103<\/em>. Totu\u0219i, scrierea unei c\u0103r\u021bi nu implic\u0103 neap\u0103rat tip\u0103rirea ei. Cu ceva timp \u00een urm\u0103, am fost \u00eentrebat de un om curios (de o curiozitate incisiv\u0103, nu calin\u0103) de ce anume public volume. \u00centrebarea nu este naiv\u0103, cum apare prima facie<\/em>, ci ascunde un strop de ironie socratic\u0103, mai ales fiindc\u0103 persoana \u00een cauz\u0103 pare s\u0103 fie con\u0219tient\u0103 de faptul c\u0103 eu am publicat mai mult dec\u00e2t ar fi cerut-o legile bunei cuviin\u021be (inclusiv volume cu circula\u021bie subteran\u0103, \u00eens\u0103 corozive, care au izbutit s\u0103-i scandalizeze pe cei mai slabi de \u00eenger dintre critici \u0219i s\u0103-mi atrag\u0103 chiar amenin\u021b\u0103ri din partea celor mai lipsi\u021bi de umor dintre cititori). \u00cen ceea ce m\u0103 prive\u0219te, pot spune c\u0103 public din necesitatea de a-mi \u00eemp\u0103rt\u0103\u0219i g\u00e2ndurile, indiferent dac\u0103 ele sunt primite cu simpatie sau cu ostilitate. Simt c\u0103 fiecare carte produs\u0103, mai cu amb\u00e2\u021b, mai cu resemnare umil\u0103, trebuie cumva s\u0103 ias\u0103 \u00een lume, doar pentru a fi abandonat\u0103 ulterior \u00een favoarea alteia in statu nascendi<\/em>. Am, \u00een raport cu propriile volume, atitudinea adoptat\u0103 de un individ care m-a c\u0103lcat constant pe nervi, Rousseau, \u00een raport cu copiii. Concret, cet\u0103\u021beanul din Geneva avea cele mai bune sfaturi privitoare la cre\u0219terea copiilor, \u00een general, dar, c\u00e2nd venea vorba despre propriile odrasle, nu ezita s\u0103 le plaseze \u00een orfelinate imediat dup\u0103 na\u0219tere. Schimb\u00e2nd ceea ce e de schimbat, am cea mai mare grij\u0103 de textul \u00een curs de elaborare, mai ales \u00een fazele sale finale, dar, de \u00eendat\u0103 ce cartea iese pe pia\u021b\u0103, \u00een afara unei curiozit\u0103\u021bi politicoase \u0219i efemere, nu m\u0103 intereseaz\u0103 cu adev\u0103rat nici cum este cump\u0103rat\u0103 de public, nici cum este receptat\u0103 de critic\u0103 (experimentez, dac\u0103 vre\u021bi, alienarea pe care lucr\u0103torul lui Marx o tr\u0103ie\u0219te \u00een raport cu produsele muncii sale, dar \u00eentr-un chip derizoriu). Pe scurt, abandonez volumul proasp\u0103t tip\u0103rit vagariilor concretului, deoarece tot ceea ce conteaz\u0103, \u00eentr-un chip ira\u021bional \u0219i deci profund iritant pentru o g\u00e2ndire empiric\u0103 precum a mea, este cartea care urmeaz\u0103, indiferent de miza ei.<\/p>\n","protected":false},"excerpt":{"rendered":"

[scurt fragment preluat \u0219i adaptat din volumul\u00a0De la divin la divan: literatura european\u0103 prin optica personajelor secundare,\u00a0prefa\u021b\u0103 de Carmen Mu\u0219at, postfa\u021b\u0103 de Camelia Dinu,\u00a0Bucure\u0219ti: Ed. Tracus Arte, 2026] de C\u0103t\u0103lin Ghi\u021b\u0103 Pe scurt, scriu c\u0103r\u021bi pentru c\u0103 astfel \u00eencerc s\u0103-mi limpezesc propriile reflec\u021bii asupra temei tratate, \u00eentr-o form\u0103 riguroas\u0103. Totu\u0219i, scrierea unei c\u0103r\u021bi nu implic\u0103 […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[55,1872],"tags":[1120,746,1873],"class_list":["post-16267","post","type-post","status-publish","format-standard","hentry","category-articole","category-egophobia-89-90","tag-articole","tag-catalin-ghita","tag-egophobia-89-90"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6DakB-4en","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/16267","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=16267"}],"version-history":[{"count":1,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/16267\/revisions"}],"predecessor-version":[{"id":16268,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/16267\/revisions\/16268"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=16267"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=16267"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=16267"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}