{"id":3918,"date":"2010-06-14T04:15:26","date_gmt":"2010-06-14T02:15:26","guid":{"rendered":"http:\/\/egophobia.ro\/?p=3918"},"modified":"2010-06-14T19:55:50","modified_gmt":"2010-06-14T17:55:50","slug":"conacul","status":"publish","type":"post","link":"https:\/\/egophobia.ro\/?p=3918","title":{"rendered":"Conacul"},"content":{"rendered":"<p style=\"text-align: right\"><strong>\u00a0<\/strong>de Adrian Ioni\u0163\u0103 (USA)<\/p>\n<p style=\"text-align: right\"><em>for the English version, click <\/em><strong><em><a href=\"http:\/\/egophobia.ro\/?p=2326\">here<\/a><\/em><\/strong><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00cen \u00eenc\u0103perea cu dou\u0103 ferestre orientate spre vest se afl\u0103 un b\u0103rbat care bate tastatura unui computer. \u00a0Intensitatea privirii sale reflect\u0103 un interes at\u00e2t de mare \u00eenc\u00e2t poate exclude totul din jur. Este ora cinci dup\u0103 amiaz\u0103, or\u0103 la care razele soarelui produc reflexe st\u00e2njenitoare pe ecranul monitorului s\u0103u. <!--more-->\u00cenc\u0103perea str\u00e2mt\u0103 \u015fi \u00eenc\u0103rcat\u0103 este ticsit\u0103 de lucruri \u015fi semiobscuritatea care o acoper\u0103, le uniformizeaz\u0103 sub o iminent\u0103 amenin\u0163are. Gen\u0163i de piele, cutii cu trabucuri, farfurii \u00een care se afl\u0103 resturi de m\u00e2ncare, scule, casete video, aparate \u015fi instrumente, scrumiere, sticle de b\u0103utur\u0103, c\u0103r\u0163i, fotografii, reviste, ziare, lac\u0103te grele, o broasc\u0103 de alam\u0103 \u015fi ni\u015fte m\u00e2nere de cristal ce \u00eempodobiser\u0103 c\u00e2ndva clan\u0163a unei u\u015fi trecute prin momente de glorie&#8230;\u00a0 Pe peretele dinspre nord se afl\u0103 o chiuvet\u0103, o ma\u015fin\u0103 de g\u0103tit \u015fi o debara de dup\u0103 care la intervale regulate, se aude zgomotul unui cuptor de \u00eenc\u0103lzire cu aer \u00eempins.<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 B\u0103rbatul scrie o nuvel\u0103 despre un conac p\u0103r\u0103sit din secolul al 19-lea. Subiectul este \u00een mod v\u0103dit o provocare tulbur\u0103toare, tr\u0103dat\u0103 de mi\u015fc\u0103ri \u00eentrerupte \u015fi pauze \u00een care \u00eenchide ochii ca s\u0103 poat\u0103 vizualiza o scen\u0103 imaginar\u0103, o viziune interioar\u0103 greu de captat pe ecranul min\u0163ii sale. Pentru acest om istoria cl\u0103dirii este tot at\u00e2t de fascinant\u0103 ca \u015fi nitul de fier aflat pe masa militar\u0103 de l\u00e2ng\u0103 fereastr\u0103. Al\u0103turi, din cauza grabei sau a lipsei de spa\u0163iu, ni\u015fte cutii de plastic au fost a\u015fezate una peste alta form\u00e2nd un turn instabil ce poate s\u0103 se pr\u0103bu\u015feasc\u0103 din clip\u0103 \u00een clip\u0103.\u00a0Dup\u0103 ce \u00a0b\u0103rbatul se scul\u0103 s\u0103 mearg\u0103 la buc\u0103t\u0103rie, lumina monitorului, l\u0103ptoas\u0103 \u015fi opac\u0103, l\u0103s\u0103 s\u0103 se \u00eentrez\u0103reasc\u0103 un text. Con\u0163inutul s\u0103u este greu de descifrat \u015fi percep\u0163ia c\u0103 este o nuvel\u0103 despre o cas\u0103 p\u0103r\u0103sit\u0103 s-ar putea s\u0103 fie fals\u0103. Intrigat de acest g\u00e2nd, am hot\u0103r\u00e2t s\u0103 m\u0103 uit cu mai mult\u0103 aten\u0163ie \u00een jur. Ca s\u0103 vezi, ai nevoie de exerci\u0163iu. Nu este suficient s\u0103 m\u0103turi cu privirea. Ferestrele dau spre o curte interioar\u0103 acoperit\u0103 de o ieder\u0103 cu tulpinile desfrunzite, iar dincolo de un gard \u00eenalt de c\u0103r\u0103mid\u0103, se v\u0103d crengile unor copaci printre care se \u00eentrez\u0103re\u015fte circula\u0163ia unor ma\u015fini ce se mi\u015fc\u0103 lent, cu vitez\u0103 constant\u0103. Privirea este un proces ce lucreaz\u0103 ca un mecanism de captare ie\u015fit de sub control. Atunci c\u00e2nd ne uit\u0103m la o fiin\u0163\u0103 uman\u0103 putem s\u0103 r\u0103nim \u015fi rezultatul poate fi imediat, dar atunci c\u00e2nd ne uit\u0103m la obiecte, tr\u0103im iluzia c\u0103 ele, fiind ne\u00eensufle\u0163ite, nu sunt afectate de scrutinul privirii. Lucrurile asupra c\u0103rora ne-am aruncat privirea se schimb\u0103. Arunc\u0103tura privirii le transform\u0103, un atentat ce r\u0103pe\u015fte din adev\u0103rata lor substan\u0163\u0103, o impurificare\u00a0 ce le face s\u0103 arate ca lucruri abuzate. Poate c\u0103 acesta este motivul pentru care, atunci c\u00e2nd vedem un lucru asupra c\u0103ruia nimeni nu \u015fi-a aruncat privirea, sim\u0163im o tres\u0103rire. Dar, exist\u0103 oare a\u015fa ceva?<\/p>\n<p>F\u0103r\u0103 s\u0103 vreau, am atins nitul de metal \u015fi un \u015fuvoi de adrenalin\u0103 m-a scos din \u00eencremenirea cu care contemplam camera.<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 B\u0103rbatul s-a \u00eentors la masa de lucru \u015fi am sc\u0103pat ocazia s\u0103 v\u0103d con\u0163inutul materialului la care lucra. Totul \u00een jurul s\u0103u devenise abundent \u015fi \u00eemi obstacula privirea, nimic nu mai p\u0103rea disponibil sau vacant. Am \u00eencercat s\u0103 \u00eemi explic cauza acestei schimb\u0103ri \u015fi singura concluzie pe care puteam s\u0103 o trag a fost aceea c\u0103 obiectele care populau \u00eenc\u0103perea s-au \u00eenmul\u0163it \u00een mod miraculos. \u00cen timp ce \u00eencercam s\u0103 v\u0103d ce se schimbase, un ceainic de pe plita din buc\u0103t\u0103rie a \u00eenceput s\u0103 \u015fuiere ca o locomotiv\u0103. B\u0103rbatul nu p\u0103rea s\u0103 fie prea \u00eengrijorat de acest lucru \u015fi \u00ee\u015fi continu\u0103 scrisul la computer, c\u00e2nd un zgomot \u00eenfior\u0103tor a cutremurat \u00eenc\u0103perea \u015fi turnul de cutii s-a pr\u0103bu\u015fit sp\u0103rg\u00e2nd geamul \u015fi farfuriile de pe mas\u0103. Un curent de aer rece a p\u0103truns printre jaluzele invad\u00e2nd camera \u015fi atunci am \u00een\u0163eles c\u0103 vibra\u0163iile acestei lumi ne leag\u0103 pe to\u0163i \u00eentr-un spa\u0163iu \u015fi timp ce se schimb\u0103 \u00een permanen\u0163\u0103 cu excep\u0163ia imaginilor din mintea noastr\u0103. Ele au calitatea miraculoas\u0103 de a supravie\u0163ui dup\u0103 ce totul s-a dus.<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 J\u0103ratecul fierbinte al unui muc de \u0163igar\u0103 a descris un arc \u00een fa\u0163a ochilor mei. B\u0103rbatul este fum\u0103tor, m-am g\u00e2ndit, \u00eens\u0103 de data aceasta am devenit suspicios pe propriile mele presupuneri. Experien\u0163ele vizuale evolueaz\u0103 mai \u00eencet dec\u00e2t realitatea. Elimin\u00e2nd tot ceea ce \u015ftiu despre un fenomen m\u0103 apropie tot mai mult de esen\u0163a sa. Un exerci\u0163iu ce \u00eemi d\u0103 puterea s\u0103 v\u0103d nev\u0103zutul, s\u0103 simt efortul zugr\u0103velii cojite ce se \u0163ine de perete s\u0103 nu cad\u0103, greutatea trupului pe scaun, vibra\u0163ia m\u00e2nerelor de cristal, ciripitul p\u0103s\u0103rilor, nitul de metal incandescent \u015fi curcubeul congelat de deasupra \u00eenc\u0103perii. C\u00e2nd, \u00een sf\u00e2r\u015fit, am reu\u015fit s\u0103 g\u0103sesc un unghi bun din care s\u0103 v\u0103d ecranul monitorului, am realizat c\u0103 textul este indescifrabil pentru c\u0103 fusese p\u00e2ng\u0103rit de aruncarea prea multor priviri.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0de Adrian Ioni\u0163\u0103 (USA) for the English version, click here \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00cen \u00eenc\u0103perea cu dou\u0103 ferestre orientate spre vest se afl\u0103 un b\u0103rbat care bate tastatura unui computer. \u00a0Intensitatea privirii sale reflect\u0103 un interes at\u00e2t de mare \u00eenc\u00e2t poate exclude totul din jur. Este ora cinci dup\u0103 amiaz\u0103, or\u0103 la care razele soarelui produc reflexe st\u00e2njenitoare [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[585,393],"tags":[23,54],"class_list":["post-3918","post","type-post","status-publish","format-standard","hentry","category-egophobia-27","category-prozascurta","tag-adrian-ionita","tag-proza-scurta"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/s6DakB-conacul","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/3918","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3918"}],"version-history":[{"count":26,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/3918\/revisions"}],"predecessor-version":[{"id":5021,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/3918\/revisions\/5021"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3918"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3918"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3918"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}