{"id":5045,"date":"2010-06-15T07:47:31","date_gmt":"2010-06-15T05:47:31","guid":{"rendered":"http:\/\/egophobia.ro\/?p=5045"},"modified":"2010-06-19T07:59:30","modified_gmt":"2010-06-19T05:59:30","slug":"%e2%80%9esatul-urban%e2%80%9d","status":"publish","type":"post","link":"https:\/\/egophobia.ro\/?p=5045","title":{"rendered":"Satul urban"},"content":{"rendered":"<p><strong>[Silviu Gongonea, <em>\u00cenc\u0103lzirea m\u00e2inilor<\/em>, Aius, Craiova, 2009]<\/strong><\/p>\n<p align=right>de \u015etefan Bolea<\/p>\n<p align=justify>\nDup\u0103 un prim volum, \u00een care c\u0103utarea autenticit\u0103\u0163ii, nihilismul \u015fi post-expresionismul concurau \u00een crearea unei atmosfere combative (amintesc doar versurile \u201enumele meu sta scris cu s\u00e2nge\/ ca un mesaj obscen pe peretele catedralei\u201d), t\u00e2n\u0103rul poet Silviu Gongonea vine cu un produs mai complex, foarte lucrat, atmosferic, \u00een care red\u0103 ambiguitatea cotidian\u0103, \u00eenregistr\u00e2nd \u00een detaliu cronica unui \u201esat urban\u201d. Iat\u0103 cum \u00ee\u015fi imagineaz\u0103 poetul craiovean \u201ecap\u0103tul\u201d nop\u0163ii: \u201e am a\u015fteptat a\u015fa noaptea\/ s\u0103 cad\u0103 peste mine\/ ca peste un morman de gunoi\u201d. Noaptea vine, deci, ca o eliberare (punctul terminus al speran\u0163elor noastre), asemenea cortinei de la teatru, a c\u0103rei textur\u0103 o po\u0163i sim\u0163i pe pielea ta: \u201egunoiul\u201d este scos din scen\u0103, l\u0103s\u00e2nd locul unui vid igienic, care poate fi umplut cu altceva. Privit din alt unghi, noaptea este o pas\u0103re de prad\u0103, care precum un monstru urban se hr\u0103ne\u015fte din mizeria produs\u0103 de noi. \u201ePort lumea asta \u00een spate\/ ca pe un sac plin cu sticle de plastic\u201d: sindromul Atlas este updatat \u00een societatea recicl\u0103rii.<!--more--><\/p>\n<p align=justify>\nInteresant cum poetul porne\u015fte de la o imagine \u201eclasic\u0103\u201d pe care o dinamiteaz\u0103\/ demitizeaz\u0103 cu un topos citadin. Ni\u015fte versuri, \u00een care eul auctorial se distan\u0163eaz\u0103 de semenii s\u0103i, care r\u00e2d la comand\u0103, mecanic, grotesc asemenea p\u0103pu\u015filor dintr-un film expresionist \u00eemi aminte\u015fte de r\u00e2sul ca de ghea\u0163\u0103, cumva vindicativ dintr-un text al lui Nietzsche: \u201er\u00e2deau mai tare, c\u00e2\u0163iva pe \u00eenghesuite\/ de li se umflau obrajii ca la ni\u015fte broscoi\u201d. De eviden\u0163iat dimensiunea religioas\u0103 a volumului: \u201eomul\/ \u2026 are de ales\/ \u00eentre dou\u0103 mor\u0163i. \u00een afara\/ sau \u00eenl\u0103untrul lui Dumnezeu\u201d. N-a\u015f plia ideea de moarte pe cea de fiin\u0163\u0103 divin\u0103, de\u015fi este clar c\u0103, din punct de vedere psihanalitic, dac\u0103 n-ar exista fric\u0103 de moarte, n-ar fi existat nici nevoia de religios: mai ales dorin\u0163a noastr\u0103 <em>otherworldly<\/em> de a imagina o via\u0163\u0103 \u201emai bun\u0103\u201d pentru cadavru, \u00eentr-o lume platonic\u0103, ar fi expirat. Moartea a\u015f lega-o de via\u0163\u0103, ca \u00een fiin\u0163a \u00eentru moarte heideggerian\u0103, \u00een sensul c\u0103 moartea trebuie s\u0103 antreneze con\u015ftiin\u0163a realiz\u0103rii vie\u0163ii \u015fi necesitatea expresiv\u0103 a auto-crea\u0163iei. Dar este evident c\u0103 poetul alege moartea \u201e\u00eenl\u0103untrul lui Dumnezeu\u201d, asemenea carcerei ontologice din <em>Iona<\/em>. a) \u201edup\u0103 o vreme ne \u00eempreunam m\u00e2inile\/ \u015fi a\u015fteptam f\u0103r\u0103 s\u0103 ne spunem nimic\u201d; b) \u201ec\u00e2nd m\u0103 \u00eenchin\/ aerul e mai curat\u201d; c) \u201e\u015ei de-ar fi tot gunoiul\/ s\u0103 urce la geam,\/ s\u0103 \u015ftii c\u0103 o lumin\u0103 ne are \u00een paz\u0103.\u201d<\/p>\n<p align=justify>\nCele trei fragmente traduc o experien\u0163\u0103 religioas\u0103, care nu are striden\u0163a misionarismului, sau fiorul pasional lutheran, ci poate fi apropriat\u0103 prin simplitatea ei nemijlocit\u0103, care \u015fi la Chopin era o garan\u0163ie a calit\u0103\u0163ii. Imaginarul religios al lui Gongonea \u00eemi aminte\u015fte de studiul <em>M\u00e2inile unui apostol <\/em>de D\u00fcrer \u015fi poate ar trebui s\u0103 ad\u0103ug\u0103m la simplitatea eviden\u0163iat\u0103 un sentiment al focaliz\u0103rii, care st\u0103 \u00een spatele subiectului resemnat, aparent pasiv. De la Albrecht D\u00fcrer a\u015f trece la Sir John Everett Millais, cu tabloul s\u0103u <em>Ofelia<\/em>: a)\u201eo pic\u0103tur\u0103 de s\u00e2nge\/ \u00een balta de l\u0103turi\u201d; b) \u201e\u00een fiecare din noi doarme un c\u00e2ine ud.\u201d Aceste versuri, \u015fi prin extensie o bun\u0103 parte din volum, dau impresia delicate\u0163ei esen\u0163iale, simbolice a universului poetic al lui Gongonea.<\/p>\n<p align=justify>\nUneori chiar se exagereaz\u0103 spre micromanie (\u201ea\u015f putea s\u0103 \u00eencap\/ \u00eentr-un bec\u201d), alteori se d\u0103 impresia unei de-conect\u0103ri existen\u0163iale (\u201evia\u0163a noastr\u0103 tr\u0103ie\u015fte \u00een alt\u0103 parte\u201d). Trecem, \u00een fine, la un imaginar de trans\u0103, care filtreaz\u0103 universul cotidian, aproape ca \u00een <em>trip<\/em>-urile cu mescalin\u0103: \u201elumina intra prin vizor, r\u0103sucit\u0103\/ camera se leag\u0103n\u0103\u201d; \u201e\u015fi lini\u015ftea aceea\/ \u00eemp\u0103turit\u0103 \u2026\u201d; \u201eun fulger\/ a fumegat \u00een fereastr\u0103\u201d. Astfel, camera \u201er\u0103sucit\u0103\u201d de expunerea luminoas\u0103, lini\u015ftea \u201e\u00eemp\u0103turit\u0103\u201d \u015fi fulgerul, care nu mai br\u0103zdeaz\u0103 orizontul, ci fumeg\u0103 asemenea unei petarde obosite aduc pu\u0163in\u0103 dezorientare \u015fi pu\u0163in haos (necesar) \u00een cotidianitate. De la c\u0103l\u0103toria \u00een \u201ejurul camerei\u201d p\u00e2n\u0103 la descrierea ora\u015fului v\u0103zut ca o extensie a camerei (\u00een timp ce ea este, la r\u00e2ndu-i, o extensie cortical\u0103), Silviu Gongonea compune un opus consistent, soft, asemenea unui hit <em>Dark Wave<\/em> transcendental, realiz\u00e2nd unul din cele mai bune volume de poezie ale anului 2009.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[Silviu Gongonea, \u00cenc\u0103lzirea m\u00e2inilor, Aius, Craiova, 2009] de \u015etefan Bolea Dup\u0103 un prim volum, \u00een care c\u0103utarea autenticit\u0103\u0163ii, nihilismul \u015fi post-expresionismul concurau \u00een crearea unei atmosfere combative (amintesc doar versurile \u201enumele meu sta scris cu s\u00e2nge\/ ca un mesaj obscen pe peretele catedralei\u201d), t\u00e2n\u0103rul poet Silviu Gongonea vine cu un produs mai complex, foarte lucrat, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8,585],"tags":[1113,1149,529,39],"class_list":["post-5045","post","type-post","status-publish","format-standard","hentry","category-critica","category-egophobia-27","tag-critica","tag-egophobia-27","tag-silviu-gongonea","tag-stefan-bolea"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6DakB-1jn","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/5045","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5045"}],"version-history":[{"count":2,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/5045\/revisions"}],"predecessor-version":[{"id":5178,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/5045\/revisions\/5178"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5045"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5045"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5045"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}