{"id":5098,"date":"2010-06-15T23:33:14","date_gmt":"2010-06-15T21:33:14","guid":{"rendered":"http:\/\/egophobia.ro\/?p=5098"},"modified":"2010-06-20T11:20:00","modified_gmt":"2010-06-20T09:20:00","slug":"lars-von-trier-antichrist","status":"publish","type":"post","link":"https:\/\/egophobia.ro\/?p=5098","title":{"rendered":"Lars Von Trier &#8211; <i>Antichrist<\/i>"},"content":{"rendered":"<p align=right>de Marius-Iulian Stancu<\/p>\n<p align=\"justify\"><font color=green>(ca prin oglind\u0103)<\/font><\/p>\n<p align=justify>\n<p>Regizorul c\u0103l\u0103toriilor cinematografice hipnotice revine \u00een <em>Antichrist<\/em> la spa\u021biile nevrotice conturate cel mai pregnant \u00een trilogia <em>Europa<\/em>. Originea r\u0103ului trasat\u0103 \u00een interiorul fiin\u021bei umane, personaje aflate sub o lege de tip kafkian, \u00een c\u0103utarea unei isp\u0103\u0219iri niciodat\u0103 conturat\u0103 transparent, ce fic\u021bionalizeaz\u0103 terapeutic \u00een speran\u021ba vindec\u0103rii\/cunoa\u0219terii, iat\u0103 doar c\u00e2teva dintre caracteristicile\/temele principale ale crea\u021biei regizorului scandinav pe care vom \u00eencerca s\u0103 le tras\u0103m \u00een r\u00e2ndurile ce urmeaz\u0103.<!--more--><\/p>\n<p><strong>[1] Spa\u021biul<\/strong><\/p>\n<p align=justify>Materia prim\u0103 din care este creat\u0103 lumea lui Lars Von Trier este una psihic\u0103. Spa\u021biul \u00een care ac\u021biunea se desf\u0103\u0219oar\u0103, \u00een care fic\u021biunile iau na\u0219tere, se sprijin\u0103 de real ca de un suport al imaginarului, transform\u00e2ndu-se \u00eentr-un spa\u021biu \u2013 <img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i158.photobucket.com\/albums\/t103\/egophobia\/27\/fil27-02.jpg?w=812\" align=right> stare a min\u021bii. In spatele frumuse\u021bii aparente mortalitatea amenin\u021b\u0103 \u00een permanen\u021b\u0103 crea\u021bia cu \u00eentoarcerea la haosul ce domne\u0219te de fapt. Natura este afectat\u0103 mereu, \u00eentr-un fel sau altul (epidemii, razboaie, demonism, mortalitate), afect\u00e2nd \u0219i natura uman\u0103 (\u201cnatura este biserica lui Satan\u201d , privit\u0103 fiind din aceasta perspectiv\u0103).  Natura uman\u0103 amenin\u021b\u0103 la r\u00e2ndul ei \u00een permanen\u021b\u0103 spa\u021biul ce o \u00eenconjoar\u0103 prin intermediul \u201cc\u0103derilor\u201d sale; &#8211;\t\u201ceste destul ca adam s\u0103 nu asculte de porunc\u0103 pentru ca lumea s\u0103 fie din nou scufundat\u0103 \u00een haosul din care ap\u0103ruse\u2026acum, moartea si \u021b\u0103r\u00e2na sunt \u00een spatele \u0219i \u00een fa\u021ba noastr\u0103. Existen\u021ba este un r\u0103gaz, o am\u00e2nare a sentin\u021bei de condamnare\u201d (Andre LaCocque).  P\u0103catul primordial antreneaz\u0103 cele existente \u00eentr-o dezordine din ce \u00een ce mai mare, conduc\u00e2nd la o rupere a leg\u0103turilor umane (Claus Westermann). Din experien\u021bele traumatice asociate cu p\u0103catul primordial se nasc fic\u021biunile eroilor ce populeaz\u0103 filmele lui Von Trier, crea\u021bia artistic\u0103 ce, precum in <em>Epidemic<\/em>, se \u00eentrep\u0103trunde \u00een mod misterios cu realitatea \u00eenconjur\u0103toare determin\u00e2nd cursul evenimentelor dincolo de orice explica\u021bie ra\u021bional\u0103. <\/p>\n<p><strong>[2] B\u0103rbatul si Femeia<\/strong><\/p>\n<p align=justify>Oper\u00e2nd dihotomic, ra\u021bional, b\u0103rbatul este \u00eentotdeauna idealistul aflat \u00een c\u0103utarea cuno\u0219terii salvatoare, \u00een timp ce eroinele feminine sunt asociate cu revela\u021biile ultime. La fel procedeaz\u0103 \u0219i fic\u021bionalizarea ce porne\u0219te de la ideal, conduc\u00e2ndu-l spre revela\u021bia final\u0103. F\u0103r\u0103 s\u0103 \u00ee\u0219i dea seama \u00eens\u0103, tocmai eroul ghidat de idealuri este cel care r\u0103sp\u00e2nde\u0219te boala <em>(Epidemic)<\/em>, prin \u00eencercarea lui de a conceptualiza ceea ce de fapt nu poate fi conceptualizat, obsesiva dorin\u021b\u0103 a creatorului de a \u00een\u021belege.<\/p>\n<p align=justify>Femeia, \u00eentr-un tablou ce \u00eemprumut\u0103 tr\u0103s\u0103turile fundamentale pe care i le asociaz\u0103 acesteia teologia cre\u0219tin\u0103 (\u201cvr\u0103jma\u015ful prin femei lupt\u0103 \u00eempotriva sfin\u021bilor\u201d , Ars 28), este o fiin\u021b\u0103 prin excelen\u021b\u0103 sexual\u0103, act prin intermediul c\u0103ruia este introdus Dumnezeu \u00een femeie <em>(The Element of Crime)<\/em>, nu \u00een sensul de \u201cpurt\u0103toare de Dumnezeu\u201d ci \u00een sensul de fiin\u021b\u0103 \u201casemenea\u201d lui Dumnezeu, \u201casem\u0103nare\u201d de care b\u0103rbatul se \u00eemp\u0103rt\u0103\u015fe\u015fte prin intermediul rela\u021biei sexuale. \u201cAtunci \u0219arpele apare \u00een toat\u0103 goliciunea lui falic\u0103. Nu mai este doar animalul; el este penisul\u201d (Andre LaCocque). Prin intermediul \u201cc\u0103derii\u201d este suprimat\u0103 orice distan\u021b\u0103 fa\u021b\u0103 de animalitate. Femeia \u00eentruchipeaz\u0103 \u00een fic\u021biunea b\u0103rbatului r\u0103ul naturii (\u201cfemeile nu \u00ee\u0219i controleaz\u0103 propriile trupuri, natura o face\u201d). In acest univers traumatic mortalitatea constituie consecin\u021ba logic\u0103 a premisei sexuale. Crima (ritual\u0103, bizar\u0103, rodul unui creier bolnav, maniac, sistematic\u0103 p\u00e2n\u0103 la ultimul detaliu, inuman\u0103 \u2013 <em>The Element of Crime<\/em>) se manifest\u0103 aici drept cel mai profund nivel al unui Eros ce se raporteaz\u0103 \u00een permanen\u021b\u0103 la geam\u0103nul Thanatos (\u201cNu exist\u0103 durere mai mare ca iubirea\u201d \u2013 Medea). <\/p>\n<p align=justify>Identificarea psihologic\u0103 cu cel\u0103lalt (criminalul, \u00een <em>The Element of Crime<\/em>), cu mediul resim\u021bit ca ostil (s\u0103 mergi lini\u0219tit pe p\u0103m\u00e2nt, \u00een <em>Antichrist<\/em>), constituie necesara terapie \u00een vederea vindec\u0103rii (sexualitatea reprezint\u0103 de fapt \u00een universul mitologic tocmai actul \u201cunirii\u201d, al reg\u0103sirii prin intermediul unui celuilalt dorit, lips\u0103). Totul din dorin\u021ba b\u0103rbatului, a creatorului, de a transforma r\u0103ul \u00een bine, de a-\u0219i m\u00e2ntui crea\u021bia\/realiza opera, \u00eentr-un soi de \u00eenviere simbolic\u0103 \u00een care eroul mesianic elibereaz\u0103 mul\u021bimea de femei legat\u0103 \u00een lan\u021burile mortale <em>(Antichrist)<\/em>. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>de Marius-Iulian Stancu (ca prin oglind\u0103) Regizorul c\u0103l\u0103toriilor cinematografice hipnotice revine \u00een Antichrist la spa\u021biile nevrotice conturate cel mai pregnant \u00een trilogia Europa. Originea r\u0103ului trasat\u0103 \u00een interiorul fiin\u021bei umane, personaje aflate sub o lege de tip kafkian, \u00een c\u0103utarea unei isp\u0103\u0219iri niciodat\u0103 conturat\u0103 transparent, ce fic\u021bionalizeaz\u0103 terapeutic \u00een speran\u021ba vindec\u0103rii\/cunoa\u0219terii, iat\u0103 doar c\u00e2teva dintre [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[48,585,27],"tags":[30,1149,1117,60],"class_list":["post-5098","post","type-post","status-publish","format-standard","hentry","category-ca-prin-oglind","category-egophobia-27","category-filosofie","tag-ca-prin-oglinda","tag-egophobia-27","tag-filosofie","tag-marius-iulian-stancu"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6DakB-1ke","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/5098","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5098"}],"version-history":[{"count":3,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/5098\/revisions"}],"predecessor-version":[{"id":5200,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/5098\/revisions\/5200"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5098"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5098"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5098"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}