{"id":6494,"date":"2011-01-21T21:34:24","date_gmt":"2011-01-21T19:34:24","guid":{"rendered":"http:\/\/egophobia.ro\/?p=6494"},"modified":"2011-02-01T21:46:14","modified_gmt":"2011-02-01T19:46:14","slug":"instinctul-rau-e-foarte-bun","status":"publish","type":"post","link":"https:\/\/egophobia.ro\/?p=6494","title":{"rendered":"Instinctul R\u0103u e foarte bun!"},"content":{"rendered":"<p align=right>de Miriam Gamburd<br \/>\nThe Torah speaks \u00een the language of man.. ( Nedarim 3a)\n<\/p>\n<p><strong>Instinctul r\u0103u?\u00a0<\/strong><\/p>\n<p align=justify>\nAm avut privilegiul s\u0103 particip \u00een Tel Aviv la festivitatea lans\u0103rii spectaculoasei c\u0103r\u0163i &#8220;Impulsul r\u0103u e foarte bun&#8221;. Cartea d-nei Miriam Gamburd este o \u00eendr\u0103znea\u0163\u0103 \u00eencercare de a ilustra texte \u015fi comentarii din Talmud \u015fi Midrash publicate (\u00een marea majoritate) \u00een premier\u0103 mondial\u0103.<!--more--><\/p>\n<p align=justify>\n\u00centre coperte modeste de carton \u00eent\u00e2lnim o curajoas\u0103 polemic\u0103 \u00eentre art\u0103 \u015fi interzicerea ei.<br \/>\n\u00centre tradi\u0163ii seculare \u015fi g\u00e2ndirea intelectual\u0103 modern\u0103.<br \/>\n\u00censo\u0163esc textul, copioase ochiului ilustra\u0163ii, fructul peni\u0163ei artistei care rela\u0163ioneaz\u0103 problemele actuale \u015fi artistice din cultura israelian\u0103 cu saga biblic\u0103, erotica \u015fi p\u0103catele umane, a\u015fa cum apar pomenite \u00een c\u0103r\u0163ile ebraice sfinte.<\/p>\n<p align=justify>Miriam atac\u0103 \u00een mod original \u015fi \u00eendr\u0103zne\u0163 subiecte considerate taboo, indiscutabile p\u00e2n\u0103 acum, generatoare de scandal \u015fi dezbinare. \u00a0Miriam Gamburd se plaseaz\u0103 \u00een prima linie a intelectualilor Israelieni: artist plastic, sculptor, publicist \u015fi lector la academiile de art\u0103 Beit Berl \u015fi Betzalel- Jerusalem.<br \/>\n\u00a0<\/p>\n<p align=justify>\nCartea &#8220;Instinctul R\u0103u e Foarte Bun&#8221; (dragoste \u015fi profan \u00een Midrash, Talmud \u015fi alte scrieri din patrimoniul evreiesc) a cerut peste 10 ani de munc\u0103, cercetare \u015fi preparare. Con\u0163ine 80 desene \u015fi 5 eseuri despre \u00eent\u00e2mpl\u0103ri din Talmud \u015fi conexiile lor erotice, uneori grote\u015fti, suprarealiste. Grafica c\u0103r\u0163ii este original\u0103, neconven\u0163ional\u0103, unific\u00e2nd spa\u0163iul teoretic cu cel artistic.<\/p>\n<p align=justify>\nDesenele sunt executate \u00een tehnici diferite, toate \u00eentr-un deplin control vizual \u015fi estetic. C\u0103rbunele atinge texte uneori intime, sau chiar av\u00e2nd tente pornografice, inspirate de Talmud sau Midrash,<br \/>\nextrapolate de artist\u0103 prin prisma culturii moderne, universale.\u00a0<\/p>\n<p align=justify>\u00cen cele 5 eseuri scrise de Miriam, autoarea ne dezv\u0103luie descoperiri majore, extrem de importante, c\u0103 de pild\u0103 prezen\u0163a \u00eengerilor \u00een Templu, \u00een Kodesh haKodashim(*): &#8220;A\u015fa se face c\u0103 \u00een Kodesh apar dou\u0103 statui figurative &#8211; doi \u00eengeri &#8211; care anihileaz\u0103 \u00a0interdic\u0163ia seculara de a produce \u015fi expune chip cioplit, de a descrie fetele umane, sau a atribui \u00eengerilor calit\u0103\u0163i de rang superior&#8221;. Aceast\u0103 interdic\u0163ie, ultima, este echivalent\u0103 cu stricta interdic\u0163ie de a picta chipul Domnului. <\/p>\n<p>\u00a0<\/p>\n<p align=justify>\n\u00cen Kodesh haKodashim toate interdic\u0163iile sunt ostentativ \u00eenc\u0103lcate. Inserarea sculpturii, pagan\u0103 prin con\u0163inut, \u00een epicentrul templului ni se dezv\u0103luie ca o nevoie mai puternic\u0103 dec\u00e2t orice restric\u0163ie. Acest fapt ambaraseaz\u0103 cercet\u0103torii Talmudului care deliberat se eschiveaz\u0103 de la tratarea subiectul. Cartea nu se ocup\u0103 de aspectele istorice ale surselor biblice ci transpune fanteziile textului \u00een aventuri vizuale pline  de dram\u0103\u00a0sau umor. Spune Miriam:<\/p>\n<p align=justify>\u00a0<br \/>\n\u00a0&#8220;\u00cencerc s\u0103 definesc o variant\u0103 a rela\u0163iilor dintre religia evreiasc\u0103 \u015fi art\u0103, un conflict alegoric \u00eentre st\u0103p\u00e2n \u015fi sclav. Acest dialog este condus \u00eentre arta-sclav\u0103, iudaismul-st\u0103p\u00e2n. \u00a0Iudaismul consider\u0103\u00a0sclava sa o p\u0103g\u00e2n\u0103 str\u0103in\u0103, neinvitat\u0103. \u00cen contrast arta \u00eenflore\u015fte \u00een s\u00e2nul necredincio\u015filor, neconformi\u015ftilor ideologiei, acolo unde ritualul devine orgie iar victimele sunt sacrificate \u00eentr-un final s\u00e2ngeros. Iudaismul suveran, nu a primit prostitu\u0163ia \u00een s\u00e2nul s\u0103u. Este bine \u015ftiut c\u0103 nu din motivul deprav\u0103rii fiilor de acas\u0103, \u00a0vor gusta ei p\u00e2n\u0103 \u00een final, din gustul interzis al p\u0103catului. Iudaismul intuie\u015fte acest pas \u015fi nu pare a fi intimidat de lipsa moralei, \u00een schimb prive\u015fte cu suspiciune procesul prin care fosta sclav\u0103 (arta) se va elibera \u015fi \u00ee\u015fi va revendica dreptul \u015fi locul \u00eentre st\u0103p\u00e2ni. Ori aceast\u0103 evolu\u0163ie este inacceptabil\u0103 iudaismului ortodox.&#8221;<\/p>\n<p>\u00a0<\/p>\n<p align=justify>\nPrimim cu bucurie \u015fi admira\u0163ie aceasta monumental\u0103 \u015fi controversat\u0103 oper\u0103. Socotesc c\u0103 nu exist\u0103 subiecte inabordabile, c\u0103 totul este percep\u0163ie \u015fi prelucrare de informa\u0163ie \u00een raport cu vremurile \u015fi biasul cultural cu care suntem hr\u0103ni\u0163i \u015fi educa\u0163i. E timpul s\u0103 facem un pas \u00eenainte \u00een aprecierea scrierilor vechi care con\u0163in nu numai \u00een\u0163elepciune moral\u0103 sau cod de conduit\u0103, dar \u015fi mesaje omene\u015fti&#8230; cum este ritul iubirii \u00een toate formele lui. <\/p>\n<p align=center>\n<img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i158.photobucket.com\/albums\/t103\/egophobia\/29-30\/33-192july-121.jpg?w=500\" ><br \/>\n[&copy; Miriam Gamburd]<br \/>\n<img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i158.photobucket.com\/albums\/t103\/egophobia\/29-30\/33-192july-61.jpg?w=500\" ><br \/>\n[&copy; Miriam Gamburd]<br \/>\n<img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i158.photobucket.com\/albums\/t103\/egophobia\/29-30\/33-192july-41.jpg?w=500\" ><br \/>\n[&copy; Miriam Gamburd]<br \/>\n<img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i158.photobucket.com\/albums\/t103\/egophobia\/29-30\/cherubimi.jpg?w=500\" ><br \/>\n[&copy; Miriam Gamburd]<br \/>\n<img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i158.photobucket.com\/albums\/t103\/egophobia\/29-30\/lust.jpg?w=500\" ><br \/>\n[&copy; Miriam Gamburd]<br \/>\n<img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i158.photobucket.com\/albums\/t103\/egophobia\/29-30\/incarnare.jpg?w=500\" ><br \/>\n[&copy; Miriam Gamburd]<br \/>\n<img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i158.photobucket.com\/albums\/t103\/egophobia\/29-30\/lilith.jpg?w=500\" ><br \/>\n[&copy; Miriam Gamburd]<\/p>\n<p align=justify>(*)Holy of Holies, interior sanctuary \u00een the Jewish tabernacle and temple where the Ark of the Covenant was kept -Holy Place-(was entered only by the high priest once a year)\u00a0<\/p>\n<p align=justify>\nSponsor:\u00a0 Hamidrasha &#8211; Colegiul de art\u0103 Beit Berl<br \/>\nEdi\u0163ie bilingv\u0103 ebraic\u0103 &#8211; englez\u0103.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>de Miriam Gamburd The Torah speaks \u00een the language of man.. ( Nedarim 3a) Instinctul r\u0103u?\u00a0 Am avut privilegiul s\u0103 particip \u00een Tel Aviv la festivitatea lans\u0103rii spectaculoasei c\u0103r\u0163i &#8220;Impulsul r\u0103u e foarte bun&#8221;. Cartea d-nei Miriam Gamburd este o \u00eendr\u0103znea\u0163\u0103 \u00eencercare de a ilustra texte \u015fi comentarii din Talmud \u015fi Midrash publicate (\u00een marea [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[55,704],"tags":[1120,1151,719],"class_list":["post-6494","post","type-post","status-publish","format-standard","hentry","category-articole","category-egophobia-29-30","tag-articole","tag-egophobia-29-30","tag-miriam-gamburd"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6DakB-1GK","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/6494","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6494"}],"version-history":[{"count":2,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/6494\/revisions"}],"predecessor-version":[{"id":6496,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/6494\/revisions\/6496"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6494"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6494"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6494"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}