{"id":7623,"date":"2011-09-30T15:10:59","date_gmt":"2011-09-30T13:10:59","guid":{"rendered":"http:\/\/egophobia.ro\/?p=7623"},"modified":"2011-09-30T13:11:23","modified_gmt":"2011-09-30T11:11:23","slug":"pharmacon","status":"publish","type":"post","link":"https:\/\/egophobia.ro\/?p=7623","title":{"rendered":"Pharmacon"},"content":{"rendered":"

[Prolegomene la o bio-bibliografie \u00een progres]<\/strong>
\n–din volumul EgoBesTiaR<\/em> [Herg Benet Publishers, 2011]<\/em>–<\/p>\n

de Igor Ursenco<\/p>\n

 <\/p>\n

\nSe \u0219tie c\u0103 orice lucru are dou\u0103 capete ori, ca s\u0103 fiu mai abrupt, dou\u0103 consecin\u021be: exact \u00een modul \u00een care aspirina face bine inimii dar nu \u0219i hemoragiilor interne pe care le produce colateral. Situa\u021bia este cel mai bine exprimat\u0103 prin termenul grec antic pharmakon, care se refer\u0103 at\u00e2t la remediu (cu sens de medicament, cur\u0103), c\u00e2t \u0219i la otrav\u0103. Av\u00e2nd \u00een vedere c\u0103, har Domnului!, nu fumez \u0219i nu consum cafea nici m\u0103car \u00een acea perioad\u0103 vulnerabil\u0103 c\u00e2t \u00eemi ia s\u0103 \u00eemi redactez manuscrisele, viciile mele sunt pu\u021bine dar fixe \u0219i, cu siguran\u021b\u0103, iremediabile.
\nNu exclud chiar din start ca remediul fatal s\u0103-mi survin\u0103 neanun\u021bat anume de la fenomenele complexe \u0219i lucrurile mici (res, realis) care \u00eemi configureaz\u0103 (profitabil) realitatea senzorial\u0103 pe trei nivele:
\n <\/p>\n

\n\u2022 A REALIBUS AD REALIORA (\u201eDe la realitatea empiric\u0103 la realit\u0103\u0163ile superioare\u201c)!<\/strong>
\n <\/p>\n

\nAv\u00e2nd \u00een vedere c\u0103 \u201ealienarea g\u00e2ndirii (Ent\u00e4usserung) are loc chiar \u00een pragul sursei sale originare\u201c (Ludwig Feuerbach, \u201eDespre filosofia hegelian\u0103\u201c), simpla referin\u021b\u0103 la aceast\u0103 no\u021biune religioas\u0103 nu putea fi exprimat\u0103 mai fidel dec\u00e2t tot prin al\u021bi doi termeni germani, \u201eWeltanschauung\u201c (privire general\u0103 asupra lumii) \u0219i \u201eWeltschmertz\u201c (durerea \u00eentruchipat\u0103 a lumii). De aici \u0219i esen\u0163a exerci\u0163iului artistic, care poate fi redus\u0103 la revolt\u0103 total\u0103 sau absolut\u0103. \u00cen urma Juliei Kristeva, \u015fi pentru mine \u201erevolta\u201c \u00eenseamn\u0103, \u00een mare: transgresarea interdic\u0163iilor (suprarealistul Louis Aragon); obsesie repetitiv\u0103 (existen\u0163ialistul Jean Paul Sartre); re-plasare ludic\u0103, substituire combinativ\u0103 (teoriticianul \u201escriiturii\u201c Roland Barthes). Doar c\u0103 la aceste trei dimensiuni eu a\u015f mai ad\u0103uga \u015fi o a patra \u2013 eresul archetipal, tocmai pentru faptul c\u0103 dimensiunea archetipal\u0103 nu porne\u015fte de la \u201ecuvinte\u201c, ci de la matricea originar\u0103 a imaginarului. Anume \u201eimaginile\u201c sunt cele care ne b\u00e2ntuie con\u015ftientul sau ne gestioneaz\u0103 precon\u015ftientul, ele sunt cele care anticipeaz\u0103 ori anun\u0163\u0103, contrapunctic, alte fragmente de imagini, \u00eenc\u0103 incon\u015ftiente. Structura de ad\u00e2ncime a unui text liric sau a unei regii de film trebuie s\u0103 r\u0103bufneasc\u0103 \u00eentr-o (s\u0103 rezulte cu un) simbol specific, iar archetipalul mi se pare unicul instrument de operare artistic\u0103 plauzibil\u0103! Care, (ne)\u00eent\u00e2mpl\u0103tor, coincide cu universul holografic post-modern. Or, pentru mine \u201ea scrie\u201c presupune cel pu\u0163in s\u0103 tr\u0103iesc, \u00een m\u0103sura posibilit\u0103\u0163ilor, toate scenariile (vie\u0163ile) refuzate de soarta oficial\u0103, interzise de anturajul geografic sau la care nu voi putea s\u0103 am acces vreodat\u0103 din cine \u0219tie ce motive str\u0103ine mie!
\nNu exclud ca anume acesta s\u0103 fie motivul pentru care \u00eemi displace ra\u0163iunea greceasc\u0103 a lui Heraclitus ce nu ne acord\u0103 \u201e\u015fansa de a intra de dou\u0103 ori \u00een acela\u015fi r\u00e2u\u201c, \u00een schimb ador s\u0103 m\u0103 l\u0103f\u0103i \u00een jocurile anamnezei lirice (de la grec. \u201eanamnesis\u201c: amintirea unor idei, persoane sau evenimente \u00eentr-o existen\u021b\u0103 anterioar\u0103) ce se desf\u0103\u0219oar\u0103 ca un mecanism maieutic spiritual, a\u0219a cum este experien\u021ba afi\u0219at\u0103 de Marcel Proust pornit \u201e\u00een c\u0103utarea timpului pierdut\u201c, de exemplu.
\n <\/p>\n

\n\u2022 AD REALIA PER REALIORA (\u201eDe la realitatea indiferent\u0103 la realul asumat\u201c)!<\/strong>
\n <\/p>\n

\nCa s\u0103 r\u0103m\u00e2n de aceea\u0219i parte a baricadei, aspir spre ascenden\u0163a mistic\u0103 a faraonilor egipteni conform \u201eprincipiului mercaba\u201c, agreez sefirotul kabalistic evreiesc \u0219i m-a\u0219 arunca cu toat\u0103 fiin\u021ba \u00een pa\u00efdeuma greac\u0103 antic\u0103, de exemplu, pentru c\u0103 sunt ferm convins c\u0103 replica suprem\u0103 a literaturii rom\u00e2ne \u2013 dat\u0103 tuturor tradi\u0163iilor pomenite aici \u2013 trebuie c\u0103utat\u0103 \u00een versul archetipal din \u201eAntologia de texte populare\u201c \u00een selec\u0163ia lui Lucian Blaga: \u201eS-a \u00eentors \u00een lume-o stea. \/ Mi-s m\u00e2inile arse de ea\u201c. Poate tocmai din acest motiv ocult admit c\u0103 \u201esingurul mod de versificare admis \u00eentr-un Stat ar trebui s\u0103 fie imnurile \u00eenchinate zeilor \u015fi glorificarea persoanelor virtuoase: at\u00e2ta timp c\u00e2t ve\u0163i (\u2026) admite poezia liric\u0103 ori epic\u0103 \u00een via\u0163a voastr\u0103, pl\u0103cerea \u015fi durerea vor deveni diriguitorii vo\u015ftri\u201c (Platon, \u201eRepublica\u201c). Nu e drept ca \u2013 atunci c\u00e2nd prev\u0103d vreo sociom\u00e2r\u0219\u0103vie a potenta\u021bilor preziden\u021biali sau guvernamentali \u2013 \u00een loc de to\u021bi politologii consacra\u021bi ai lumii s\u0103 consult, de fiecare dat\u0103 \u00een lini\u0219te \u0219i impar\u021bialitate deplin\u0103, pe cine altcineva dac\u0103 nu \u201eDemonii\u201c lui Dostoievski!?!
\n\u00cen schimb sunt solidar cu \u201espiritul\u201c care se materializeaz\u0103 printr-un necontenit an-denken (cu sens de \u201evag\u0103 aducere aminte\u201c, \u201erememorare\u201c) heideggerian, cau\u021bios la caracterul secven\u0163ial \u015fi restrictiv prin excelen\u0163\u0103 al limbii care face posibil ca ultima s\u0103 fie \u201efascist\u0103, adic\u0103 care te oblig\u0103 s\u0103 spui\u201c (R. Barthes). \u00cen plus \u2013 a\u015fa cum subliniam \u00eentr-o Prefa\u0163\u0103 la cartea de versuri a unui autor maramure\u015fean \u2013 a fost necesar s\u0103 termin o facultate \u00eentreag\u0103 ca la cap\u0103tul ei s\u0103 ajung s\u0103 suspectez cu \u00eendrept\u0103\u021bire c\u0103 limba e stalinist\u0103 sau \u201etotalitar\u0103, adic\u0103 \u00ee\u0163i interzice s\u0103 spui\u201c ceea ce sim\u0163i!
\n <\/p>\n

\n\u2022 REALIA SICUT REALORA (\u201eCe e jos fie ca ce e sus, iar realul s\u0103 devin\u0103 realitate\u201c)! <\/strong>
\n <\/p>\n

\nC\u00e2t de revigorant devine, \u00een schimb, orice \u201eprizonierat\u201c ontologic care se revendic\u0103 de la concordan\u021ba specific\u0103 lexicului limbii rom\u00e2ne! F\u0103r\u0103 a con\u0219tientiza, rom\u00e2nul utilizeaz\u0103 cuvinte cu substrat teleologic \u0219i spiritual \u201esacru\u201c, conectat cu fire ad\u00e2nci la archetipalul divin sau la pleroma ak\u00e2shic\u0103: \u201eom\u201c \u2013 de la mandala sanscrit\u0103 AUM, pronun\u021bat\u0103 OM (\u201etrecutul, prezentul \u015fi viitorul, toate sunt cuprinse \u00een mandala OM\u201c, Manduk\u2019ya Upani\u015fada); \u201einim\u0103\u201c \u2013 originat din latinescul \u201eanima\u201c (suflet, spirit); \u201enoroc\u201c \u2013 originat din expresia slavon\u0103 \u201ena roc\u201c (destin, soart\u0103); \u201edor\u201c \u2013 dorin\u021b\u0103 vag\u0103 exprimat\u0103 printr-un cuv\u00e2nt ce pare a fi originat \u00een limbile Hindi\/Urdu, p\u0103str\u00e2nd \u00een r\u0103d\u0103cina lexical\u0103 semnifica\u021bia de armonie pierdut\u0103 (\u201estrun\u0103\u201c) sau chemare implacabil\u0103 de integrare \u00een circuitul kosmic (\u201efir, cordon, sfoar\u0103, a\u021b\u0103\u201c). Cu acela\u0219i succes se poate urm\u0103ri enantiodromia estetic\u0103 a grupurilor de paronime \u201ehumoare-umor\u201c, \u201eform\u0103-formosus-frumos\u201c, \u201eerotic-eretic\u201c etc. \u00cen acela\u0219i context propice, bifez ca profitabile \u2013 pentru cunoa\u0219terea de sine profund\u0103 \u2013 toate tricksteriadele profane (Eroul Corb din mitologia zonei Asiei Pacifice) \u0219i religioase (Vinul \u0219i P\u00e2inea din Trupul lui Iisus Christos) ale lumii. Pentru a ajunge la rezultate similare \u2013 dar \u00eempotriva \u00e1celor de ceasornic \u0219i pe c\u0103i strict pecuniare \u2013 tradingul bursier cu instrumente mobiliare mi se pare o experien\u021b\u0103 de excep\u021bie.
\nPentru a face aselenarea c\u00e2t mai lin\u0103, voi spune c\u0103 sunt con\u0219tient despre faptul c\u0103 \u201enu e Goethe cel care \u00eel creeaz\u0103 pe Faust, ci Faust \u00eel creeaz\u0103 pe Goethe\u201c (C. G. Jung), de aceea frecventez, de bun\u0103 voie \u0219i nesilit de nimeni, \u201epseudoreligia bokononist\u0103\u201c a scriitorului Kurt Vonnegut \u0219i prefer s\u0103 m\u0103 \u00eenfrunt cu \u201eegregorii\u201c culturali dec\u00e2t cu entit\u0103\u021bile nocive care atac\u0103, doar de s\u0103rb\u0103torile religioase, amvonul public. \u00cemi place s\u0103 degust, toamna devreme, un pahar de must \u00een fa\u021ba unui talger cu nuci \u0219i, t\u00e2rziu \u00een iarn\u0103, un rom cubanez marca \u201eNegrita\u201c. F\u0103r\u0103 a-mi suplimenta alte contradic\u021bii \u00een propriul sistem de echilibru \u0219i supravie\u021buire terestr\u0103, \u00eemi mai permit s\u0103 savurez o cantitate decent\u0103 de vin fiert \u00een orice anotimp, ador pe\u0219tele (\u00een special somonul ori nisetrul) stropit din abunden\u021b\u0103 cu mujdei, dar \u00eemi displac profund pe\u0219tii care se simt \u00een largul lor la cap\u0103tul str\u0103zii. Cu excep\u021bia pescuitului \u00een lacurile cu ap\u0103 dulce, nu a\u0219 fi \u00eempotriv\u0103 s\u0103 naufragiez pe teritoriile c\u00e2ndva supercontinentului Hondwana, unde s\u0103 pot paterniza cu satisfac\u021bie orice titlu semnat de Jacques Derrida!
\nNu \u0219tiu dac\u0103 cele trei nivele sunt perfect inter\u0219anjabile \u0219i, cu at\u00e2t mai pu\u021bin, dac\u0103 r\u0103m\u00e2n general valabile, dar \u00eenc\u0103 mai visez la o lume \u00een care oamenii \u2013 \u00eemp\u0103ca\u0163i cu registrul lor karmic \u015fi social \u2013 s\u0103 \u00ee\u015fi scrie singuri epitafele \u00een cimitire carnavale\u015fti originate \u00een S\u0103p\u00e2n\u0163a maramure\u015fean\u0103. A\u015fa cum doresc s\u0103 \u00eemi fie considerat poemul \u201eCredin\u0163a ortodox\u0103\u201c (septembrie 1992): \u201enoi, subsemna\u0163ii, \/ credit\u0103m \/ nerambursabil \/ \u2013 din preaplinul activelor noastre \/ cucernice \/ \u015fi f\u0103r\u0103 limit\u0103, \/\/ peDumnezeu-\u00cenaltul, Cel-Etern-\u015f-Atotputernic: \/ \u00een schimbul \/ neagresiunii \/\/ poetice …\u201c.<\/p>\n","protected":false},"excerpt":{"rendered":"

[Prolegomene la o bio-bibliografie \u00een progres] –din volumul EgoBesTiaR [Herg Benet Publishers, 2011]- de Igor Ursenco   Se \u0219tie c\u0103 orice lucru are dou\u0103 capete ori, ca s\u0103 fiu mai abrupt, dou\u0103 consecin\u021be: exact \u00een modul \u00een care aspirina face bine inimii dar nu \u0219i hemoragiilor interne pe care le produce colateral. Situa\u021bia este cel […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[739,125],"tags":[1153,359,1129],"class_list":["post-7623","post","type-post","status-publish","format-standard","hentry","category-egophobia-32","category-invitat","tag-egophobia-32","tag-igor-ursenco","tag-invitat"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6DakB-1YX","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/7623","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7623"}],"version-history":[{"count":3,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/7623\/revisions"}],"predecessor-version":[{"id":7630,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/7623\/revisions\/7630"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7623"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7623"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7623"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}