de Teodora Gheorghe<\/p>\n
\n <\/p>\n
M\u0103rturisesc c\u0103 m-a fascinat \u00eenc\u0103 din copil\u0103rie teatrul gestual, de aceea am g\u0103sit mereu \u00een \u201cMasca\u201d un minunat refugiu din calea monotoniei.
\n
\n\u201cComedia erorilor\u201d este un spectacol inovativ ce reune\u015fte teatrul, dansul, muzica \u015fi acroba\u0163ia. Sub bagheta lui Mihai M\u0103laimare, personajele lui Shakespeare ne st\u00e2rnesc amuzamentul \u00eentr-un context modern, unde comicul de situa\u0163ie este perfect condimentat de impresionante artificii regizorale.<\/p>\n
Soarta \u00eei poart\u0103 pe doi fra\u0163i gemeni (Valentin Mihalache), desp\u0103r\u0163i\u0163i la na\u015ftere, \u00een ora\u015ful \u00a0Efes. \u00cen timp ce unul dintre fra\u021bi \u00ee\u015fi duce traiul \u00een Siracuza, este c\u0103s\u0103torit \u015fi se bucur\u0103 de respectul tuturor, cel\u0103lalt este un vis\u0103tor care \u00ee\u015fi pre\u0163uie\u015fte libertatea \u015fi c\u0103l\u0103tore\u015fte al\u0103turi de servitorul s\u0103u. \u00cencurc\u0103turile se \u0163in lan\u0163 de protagoni\u015fti, pe m\u0103sur\u0103 ce rudele \u015fi apropia\u0163ii se arat\u0103 tot mai nedumeri\u0163i de faptele scandaloase ale celor pe care credeau c\u0103 \u00eei cunosc.<\/p>\n
Spectatorii pot urm\u0103ri piesa din toate cele patru direc\u0163ii ale scenei, l\u0103s\u00e2ndu-se invada\u0163i de poveste. Scenografia lui Puiu Antemir face posibil\u0103 o interac\u0163iune spectaculoas\u0103 \u00eentre actori \u015fi sal\u0103. Eroii se av\u00e2nt\u0103 \u00eendr\u0103zne\u0163 pe treptele existente \u00een dreapta \u015fi \u00een st\u00e2nga \u015fi te fac s\u0103 \u00ee\u0163i \u00eentorci privirile \u00eentr-un ritm ame\u0163itor, ca nu cumva s\u0103 r\u0103t\u0103ce\u015fti vreun personaj. Efectul este similar cu cel ob\u0163inut prin jocul camerei \u00eentr-un film de ac\u0163iune. Pa\u015fii r\u0103sun\u0103 zgomotos, la fel \u015fi vocile care par a ni se adresa direct, ba cer\u00e2ndu-ne sfatul, ba confes\u00e2ndu-se. Pentru c\u0103 am stat \u00een r\u00e2ndul al doilea, am avut surpriza ca cineva s\u0103 \u00eemi ofere o camer\u0103 digital\u0103 pe care am p\u0103strat-o c\u00e2teva minute, nutrind chiar g\u00e2ndul vinovat c\u0103 am primit un cadou. \u00centr-un episod antrenant \u015fi inedit, am fost invita\u0163i s\u0103 scand\u0103m lozinci despre femei \u015fi b\u0103rba\u0163i. Pentru neini\u0163ia\u0163i, aceast\u0103 nou\u0103 manier\u0103 de abordare teatral\u0103 poate atinge un nonconformism intimidant, \u00eens\u0103 umorul spumos reu\u015fe\u015fte s\u0103 fure z\u00e2mbete chiar \u015fi celor mai sobri.<\/p>\n
Introducerea corului este o semi-parodie la adresa tragediilor antice \u015fi \u00eendepline\u015fte rolul interactiv, gener\u00e2nd \u015fi dinamismul care traverseaz\u0103 spectacolul de la un cap\u0103t la altul. Liderul de grup (Emilia Manea) reu\u015fe\u015fte pe alocuri s\u0103 tulbure inten\u0163iile umoristice printr-o impulsivitate nepotrivit\u0103, p\u0103r\u00e2nd mai degrab\u0103 un personaj caricatural. De\u015fi complexitatea artistic\u0103 are farmecul ei, maniera de \u00eembinare a diferitelor arte risc\u0103 s\u0103 produc\u0103 oarece confuzie. Scenele de acroba\u0163ie intervin abrupt \u00een desf\u0103\u015furarea evenimentelor, deconect\u00e2nd privitorul de la logica ac\u0163iunii. Conflictele principale genereaz\u0103 intrigi adiacente care spre final \u00eengreuneaz\u0103 \u00een\u0163elegerea pove\u015ftii. M\u0103iestria interpret\u0103rii \u015fi dialogul cu spectatorii compenseaz\u0103 \u00eens\u0103 pentru micile sc\u0103p\u0103ri.<\/p>\n
De remarcat sunt \u015fi costumele realizate de Unda Pop, ce urm\u0103resc stiluri diferite, altern\u00e2nd de la clasic la modern, combin\u00e2nd entuziasmul culorilor cu sobrietatea nuan\u0163elor \u00eenchise.<\/p>\n
Distribu\u0163ia numeroas\u0103 este atent pres\u0103rat\u0103 \u00een peisajul comediei. Emilia Manea, Gra\u021biela B\u0103descu, Iulia Dumitru, Andreea Cauc \u015fi Oana Dragnea sunt numai c\u00e2teva nume din componen\u0163a corului. S\u0103 nu-i uit\u0103m nici pe Aurel Sandu, Cosmin Cre\u0163u, Anamaria P\u00eeslaru \u015fi Dora Iftode (\u00een rolul so\u0163iilor).<\/p>\n
\u201cComedia erorilor\u201d v\u0103 va suprinde, poate chiar v\u0103 va \u015foca, dar cu siguran\u0163\u0103 este o experien\u0163\u0103 pe care nu o ve\u0163i uita cur\u00e2nd.<\/p>\n","protected":false},"excerpt":{"rendered":"
de Teodora Gheorghe M\u0103rturisesc c\u0103 m-a fascinat \u00eenc\u0103 din copil\u0103rie teatrul gestual, de aceea am g\u0103sit mereu \u00een \u201cMasca\u201d un minunat refugiu din calea monotoniei.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[8,925],"tags":[1113,1160,590,811],"class_list":["post-8924","post","type-post","status-publish","format-standard","hentry","category-critica","category-egophobia-35","tag-critica","tag-egophobia-35","tag-teatru","tag-teodora-gheorghe"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6DakB-2jW","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/8924","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8924"}],"version-history":[{"count":1,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/8924\/revisions"}],"predecessor-version":[{"id":8925,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/8924\/revisions\/8925"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8924"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8924"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8924"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}