{"id":9170,"date":"2012-11-18T22:45:16","date_gmt":"2012-11-18T20:45:16","guid":{"rendered":"http:\/\/egophobia.ro\/?p=9170"},"modified":"2012-12-23T18:13:18","modified_gmt":"2012-12-23T16:13:18","slug":"marea-iubire-a-lui-sebastian-la-cafeneaua-godot","status":"publish","type":"post","link":"https:\/\/egophobia.ro\/?p=9170","title":{"rendered":"Marea iubire a lui Sebastian la Cafeneaua Godot"},"content":{"rendered":"

de Teodora Gheorghe<\/p>\n

<\/p>\n

\nS\u0103 fie mi\u015fcarea scenic\u0103 o component\u0103 de nedesp\u0103r\u0163it a teatrului? Protagoni\u015ftii piesei \u201cMarea iubire a lui Sebastian\u201d sunt de alt\u0103 p\u0103rere. Marius Manole, Rodica Mandache, Ioana Macaria \u015fi Istvan Teglas ne prezint\u0103 un spectacol-lectur\u0103 \u00een care singurul nostru ghid \u00een labirintul trecutului este vocea. Actorii stau pe c\u00e2te un scaun \u015fi \u00ee\u015fi recit\u0103 replicile cu textul \u00een m\u00e2ini, pe fondul unei lini\u015fti nostalgice.
\n<\/p>\n

\n Piesa urm\u0103re\u015fte povestea tumultoas\u0103 de dragoste dintre actri\u0163a Leny Caler \u015fi Mihail Sebastian. Textul reune\u015fte fragmente din \u201cJurnalul\u201d scriitorului, merg\u00e2nd pe firul coresponden\u0163ei reale dintre actri\u0163\u0103 \u015fi dramaturg \u015fi culmin\u00e2nd cu dialoguri diafane din \u201cJocul de-a vacan\u0163a\u201d. <\/p>\n

<\/p>\n

<\/p>\n

\nLeny \u00ee\u015fi rememoreaz\u0103 tinere\u0163ea cu un aer ludic \u00een care plutesc \u015farmul \u015fi cochet\u0103ria de alt\u0103 dat\u0103. De\u015fi o cucere\u015fte cu scrisul s\u0103u, omul din spatele cuvintelor se dovede\u015fte a fi un b\u0103iat timid \u015fi nu \u00eentr-at\u00e2t de atr\u0103g\u0103tor cum \u015fi-l imaginase. Iubirea dintre cei doi este mai degrab\u0103 una platonic\u0103, un joc de lumini \u015fi umbre \u00een care fiecare \u00eei g\u0103se\u015fte metehne celuilalt. Sebastian suspin\u0103 dup\u0103 \u00eenfl\u0103c\u0103rata Leny, \u00eens\u0103 \u00een el clocote\u015fte ve\u015fnic gelozia, transpus\u0103 \u00een replici acide. Superficialitatea \u015fi inconstan\u0163a femeii fatale \u00eel fac pe t\u00e2n\u0103rul scriitor s\u0103 se r\u0103zbune prin cuvinte, \u00een secret. Dialogul dintre \u00eendr\u0103gosti\u0163i este \u00een esen\u0163\u0103 o reunire a dou\u0103 monologuri, ca \u00eentr-un puzzle ale c\u0103rui piese nu se potrivesc niciodat\u0103.
\n<\/p>\n

\nRodica Mandache, care semneaz\u0103 \u015fi regia spectacolului, ne convinge prin lejeritatea jocului \u015fi z\u00e2mbetul \u015ftreng\u0103resc. Personajul pe care \u00eel \u00eembrac\u0103 \u00eei vine perfect, conferind autenticitate pove\u015ftii. Marius Manole cre\u015fte \u015fi \u00eemb\u0103tr\u00e2ne\u015fte pe scen\u0103, trec\u00e2nd prin toate anotimpurile iubirii, cu o luciditate agonizant\u0103.
\nIoana Macaria \u015fi Istvan Teglas le dau via\u0163\u0103 Corinei \u015fi lui \u015etefan, protagoni\u015ftii uneia dintre cele mai cunoscute opere a dramaturgului, \u201cJocul de-a vacan\u0163a\u201d. Corina st\u0103 \u00een dreapta lui Leny, \u00een timp ce \u015etefan \u00ee\u015fi m\u0103rturise\u015fte visele din st\u00e2nga autorului s\u0103u. Ei oglindesc astfel iubirea imposibil\u0103 dintre Leny \u015fi Sebastian, dezv\u0103luind sentimente neelucidate \u015fi \u00eentreb\u0103ri filosofice. <\/p>\n

\nPentru 84 de minute, suntem invita\u0163i s\u0103 parcurgem lumile lui Sebastian \u015fi s\u0103-l cunoa\u015ftem ca scriitor, dramaturg, memorialist \u015fi nu \u00een ultimul r\u00e2nd ca om. <\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

de Teodora Gheorghe S\u0103 fie mi\u015fcarea scenic\u0103 o component\u0103 de nedesp\u0103r\u0163it a teatrului? Protagoni\u015ftii piesei \u201cMarea iubire a lui Sebastian\u201d sunt de alt\u0103 p\u0103rere. Marius Manole, Rodica Mandache, Ioana Macaria \u015fi Istvan Teglas ne prezint\u0103 un spectacol-lectur\u0103 \u00een care singurul nostru ghid \u00een labirintul trecutului este vocea. Actorii stau pe c\u00e2te un scaun \u015fi \u00ee\u015fi […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8,946],"tags":[1113,1161,590,811],"class_list":["post-9170","post","type-post","status-publish","format-standard","hentry","category-critica","category-egophobia-36","tag-critica","tag-egophobia-36","tag-teatru","tag-teodora-gheorghe"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6DakB-2nU","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/9170","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9170"}],"version-history":[{"count":3,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/9170\/revisions"}],"predecessor-version":[{"id":9199,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/9170\/revisions\/9199"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9170"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9170"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9170"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}