{"id":9196,"date":"2012-11-18T18:02:24","date_gmt":"2012-11-18T16:02:24","guid":{"rendered":"http:\/\/egophobia.ro\/?p=9196"},"modified":"2012-12-23T18:10:04","modified_gmt":"2012-12-23T16:10:04","slug":"mirta-vignatti","status":"publish","type":"post","link":"https:\/\/egophobia.ro\/?p=9196","title":{"rendered":"Mirta Vignatti"},"content":{"rendered":"

de Adrian Grauenfels<\/p>\n

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\nN\u0103scut\u0103 la Rosario, Argentina \u00een 1967, tr\u0103ie\u015fte \u015fi lucreaz\u0103 la Lucca – Italia. Un artist este supus unei permanente dileme: alegerea \u00eentre tehnic\u0103 \u015fi tematic\u0103. Marta Vignatti alege ideea. Cu noi idei artista sus\u0163ine o coresponden\u0163\u0103 armonic\u0103 \u00eentre semne, forme, care converg \u00een mesaje semiotice \u015fi cromatice. Simbolismul sau alegoria nu sunt scopul artistei, ci din contr\u0103, ea sublimeaz\u0103 \u00een pictura sa \u00eens\u0103\u015fi via\u0163a, experien\u0163ele personale tr\u0103ite, lumea sa interioar\u0103. Ar fi necesar s\u0103 vizion\u0103m toate picturile sale care \u00eempreun\u0103 prezint\u0103 un tot, un corp f\u0103cut din multiple fa\u0163ete unele etice, altele estetice , altele filosofice, care pulseaz\u0103 \u00eempreun\u0103 \u00eentr-o biografie grafic\u0103 excep\u0163ional\u0103.<\/p>\n

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\n 
\nEste o munc\u0103 \u00een progres, prin care Mirta \u00ee\u015fi dezbr\u0103c\u0103 sufletul, vedem reflec\u0163ii, iat\u0103 noi direc\u0163ii de g\u00e2ndire, relu\u0103ri \u00een scopul corect\u0103rii, revizuire \u015fi continuare.<\/p>\n

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\n 
\nP\u0103trundem un mozaic care se leag\u0103 ca \u00een final s\u0103 elibereze. Artista ne \u015focheaz\u0103 cu abilitatea cu care se deta\u015feaz\u0103 de naturalism pe care nu-l mimeaz\u0103, ea evit\u0103 expresionismul, r\u0103m\u00e2n\u00e2nd \u00eentr-o stare de autoanaliz\u0103 \u015fi reflec\u0163ie. Subiectele Mirtei sunt plasate \u00een spa\u0163ii geometrice controlate de culoare care au scopul de a plasa tr\u0103irile sale \u00eentr-un teritoriu definit \u015fi palpabil. Privitorul este obligat s\u0103-\u015fi aleag\u0103 un drum personal al percep\u0163iei \u015fi al analizei. El singur se va rela\u0163iona la balan\u0163a dintre obiecte, figuri, fe\u0163e, contexte istorice sau politice.<\/p>\n

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\n 
\n\u00cen pictura Mirtei ne afl\u0103m ca spectatori dar ne putem asuma rolul deuteragonistului grec, satelitul maestrului, care particip\u0103 activ la actul cultural. ( \u00cen atelierul – galerie al Mirtei \u015fi al so\u0163ului din ora\u015ful Lucca – Toscana vizitatorul poate rearanja tablourile pe perete, la voia sa). \u00cen acest act observa\u0163ia devine mai mult dec\u00e2t privire, este un act pedagogic.<\/p>\n

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\n 
\n\u00cen munca Mirtei descoperim respect pentru diversitatea vie\u0163ii, emancipare, dar \u015fi porniri ale subcon\u015ftientului \u015fi ale oniricului. Mirta strune\u015fte disciplina \u015fi energia care la un loc fac crea\u0163ia sa univoc\u0103, artista favorizeaz\u0103 diversificarea \u00een\u0163elesurilor \u015fi a mesajului deschis, frontal, cople\u015findu-ne cu \u00eendoielile sale, cu rejec\u0163ia pasivit\u0103\u0163ii, sublim\u00e2nd aspira\u0163iile entuziaste ale fiin\u0163ei umane.<\/p>\n

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\n 
\nCa pictor Mirta g\u0103se\u015fte valori palpabile \u015fi ne emo\u0163ioneaz\u0103 prin for\u0163a de expresie pe care o las\u0103 liber\u0103, s\u0103 zburde. Am avut pl\u0103cerea s\u0103 o \u00eent\u00e2lnesc pe Mirta Vignatti \u00een atelierul s\u0103u din Lucca unde am achizi\u0163ionat dou\u0103 minunate desene \u00een c\u0103rbune dintr-o serie spectaculoas\u0103 care ne plaseaz\u0103 \u00eentr-o lume populat\u0103 cu femei \u00eembr\u0103cate \u00een costume negre de baie sau \u00een vechi costume de gimnastic\u0103, a\u015fezate, culcate sau \u00een genunchi, subliniind umilin\u0163a \u00een fa\u0163a sistemelor sau a moralei care oprim\u0103 femeia.<\/p>\n

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\n <\/p>\n

Corpurile pictate sunt lipsite de carnal, dispar, se dizolv\u0103, devin invizibile. Disciplina \u015fi pedeapsa le fac ascult\u0103toare, ele par lipsite de temperament. Subiectele sunt roase de o stare sufleteasc\u0103 precar\u0103, spa\u0163iul existen\u0163ei lor este marcat de triste\u0163e, de nebunie sau chiar violen\u0163\u0103. Pe fundalul lucr\u0103rilor z\u0103rim accesorii geometrice, umera\u015fe pentru haine, colivii sau diverse obiecte contondente care sugereaz\u0103 agresivitatea zilelor \u00een care individul este obligat s\u0103 func\u0163ioneze. Sistemul pare totalitar \u015fi sufocant. Natura este absent\u0103 \u00een aceste picturi.<\/p>\n

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\n 
\nVerdele dispare ca s\u0103 fac\u0103 loc nuan\u0163elor cenu\u015fii care ne deprim\u0103. O ortogonalitate precis\u0103, repetarea unor simbolice p\u0103l\u0103rii de poli\u0163i\u015fti, cu\u0163ite \u015fi numere de \u00eenmatriculare ne sugereaz\u0103 eviden\u0163a crimei \u00eentr-o exponen\u0163iala permanent\u0103 cre\u015ftere.<\/p>\n

Tr\u0103im o disperare a existen\u0163ei, o panic\u0103 a dep\u0103rt\u0103rii de solul fertil \u00een care Mirta s\u0103de\u015fte semin\u0163ele existen\u0163ei, ale identit\u0103\u0163ii, care vor s\u0103 apar\u0103 la suprafa\u0163\u0103 cu timiditate dar cu o decis\u0103 determinare.<\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

de Adrian Grauenfels   N\u0103scut\u0103 la Rosario, Argentina \u00een 1967, tr\u0103ie\u015fte \u015fi lucreaz\u0103 la Lucca – Italia. Un artist este supus unei permanente dileme: alegerea \u00eentre tehnic\u0103 \u015fi tematic\u0103. Marta Vignatti alege ideea. Cu noi idei artista sus\u0163ine o coresponden\u0163\u0103 armonic\u0103 \u00eentre semne, forme, care converg \u00een mesaje semiotice \u015fi cromatice.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[946,118],"tags":[87,1161,1127,951],"class_list":["post-9196","post","type-post","status-publish","format-standard","hentry","category-egophobia-36","category-imagini","tag-adrian-grauenfels","tag-egophobia-36","tag-imagini","tag-mirta-vignatti"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6DakB-2ok","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/9196","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9196"}],"version-history":[{"count":2,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/9196\/revisions"}],"predecessor-version":[{"id":9198,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/9196\/revisions\/9198"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9196"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9196"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9196"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}