click here<\/a> for the English version<\/p>\n <\/p>\n
\u00a0<\/b><\/p>\n
\nMarc Vincenz s-a n\u0103scut \u00een Hong Kong, \u00een punctul culminant al Revolu\u0163iei Culturale, din p\u0103rin\u0163i de na\u0163ionalitate elve\u0163iano-britanic\u0103. Poemele \u015fi traducerile sale au ap\u0103rut \u00eendeosebi \u00een mediul online c\u00e2t \u015fi tip\u0103rite \u00een reviste precum: Washington Square Review, The Bitter Oleander, Canary, Exquisite Corpse, Crab Creek Review, Tears in the Fence, Guernica, The Potomac, Spillway Review \u015fi Poetry Salzburg Review.<\/p>\n
<\/p>\n
C\u0103r\u0163i recente: The Propaganda Factory, or Speaking of Trees<\/i> (ap\u0103rut\u0103 \u00een format e-book la Ed. Argotist \u00een 2011 & carte tip\u0103rit\u0103 la Ed. Spuyten Duyvil \u00een 2012) \u015fi Pull of the Gravitons<\/i> (ap\u0103rut\u0103 la Ed. Right Hand Pointing, 2012). Secret Letter<\/i> este traducerea colec\u0163iei de poezie Geheimbrief<\/i> apar\u0163in\u00e2nd poetei elve\u0163iene Erika Burkart \u015fi va ap\u0103rea la Ed. Cervena Barva Press \u00een 2013. \u00cen 2012 va ap\u0103rea la Ed. Spuyten Duyvil traducerea sa a volumului Kissing Nests<\/i>, apar\u0163in\u00e2nd lui Werner Lutz. \u00cen 2013 va lansa colec\u0163ia sa de poeme bilingve (englez\u0103-german\u0103) Additional Breathing Exercises \/ Zus\u00e4tzliche Atem\u00fcbungen<\/i>, la Ed. Wolfbach, Zurich.<\/p>\n
<\/p>\n
Marc \u00ee\u015fi petrece timpul \u00eentre Reykjavik, Zurich \u015fi New York City.<\/p>\n
<\/p>\n
<\/p>\n
***<\/p>\n
<\/p>\n
<\/p>\n
Continuum<\/b><\/p>\n
<\/p>\n
Ne multiplic\u0103m cel mai bine<\/p>\n
\u00een corpuri deschise<\/p>\n
cu indici de mas\u0103 mic\u0103<\/p>\n
forfot\u0103 \u015fi turm\u0103<\/p>\n
m\u0103nunchi \u015fi \u00eembinare<\/p>\n
<\/p>\n
aranja\u0163i \u00een dansuri<\/p>\n
de c\u0103tre for\u0163e naturale misterioase<\/p>\n
fenomene necredincioase<\/p>\n
nedescifrate<\/p>\n
\u00eencercuite \u00eens\u0103<\/p>\n
<\/p>\n
colec\u0163ionari<\/p>\n
ab\u0103tu\u0163i sau dependen\u0163i<\/p>\n
chiria\u015fi cu imunitate \u00eenn\u0103scut\u0103<\/p>\n
gr\u0103niceri diploma\u0163i<\/p>\n
ochi pe ochi de neclintit<\/p>\n
<\/p>\n
unul ca mul\u0163i<\/p>\n
pe c\u00e2t mul\u0163i ca unul colectiv<\/p>\n
precum dreptul de a civiliza<\/p>\n
diversitatea ca drept<\/p>\n
la muta\u0163ii aritmetice<\/p>\n
<\/p>\n
c\u0103tre adaptare c\u0103tre<\/p>\n
conceptualizare c\u0103tre<\/p>\n
defini\u0163ie \u015fi tradi\u0163ie<\/p>\n
solidific\u00e2ndu-se \u00een constituen\u0163i<\/p>\n
ai unui tabel periodic<\/p>\n
deocamdat\u0103 necompletat.<\/p>\n
<\/p>\n
Ei prizonierii<\/p>\n
unei vibra\u0163ii atomice individuale<\/p>\n
indice de mas\u0103 mare \u00eenclinat<\/p>\n
\u00eencurcat \u00een expansiunea<\/p>\n
dreptului \u015fi a \u00eengustului<\/p>\n
<\/p>\n
p\u0103trund prin suprafe\u0163e<\/p>\n
dincolo de straturile proprii<\/p>\n
\u00een exoschelete \u00eenchise<\/p>\n
ale propriei lor materii proiectate<\/p>\n
fiind fiin\u0163\u0103 material\u0103<\/p>\n
<\/p>\n
de asemenea ochi c\u0103tre ochi<\/p>\n
f\u0103r\u0103 observa\u0163ie critic\u0103<\/p>\n
nici remu\u015fcare misterioas\u0103<\/p>\n
\u00eens\u0103 pentru descompunere<\/p>\n
degenerativ\u0103 acel moloz<\/p>\n
<\/p>\n
ar putea construi moloz<\/p>\n
ar putea din nou construi moloz<\/p>\n
fiecare succesiune legat\u0103<\/p>\n
\u00een lan\u0163ul-valoare<\/p>\n
al fiin\u0163ei \u015fi ne-fiin\u0163ei<\/p>\n
<\/p>\n
ce un creator ar putea<\/p>\n
trage sfori \u015fi fiecare p\u00e2n\u0103 la<\/p>\n
ultima ar putea d\u0103inui<\/p>\n
dincolo de marea uitare<\/p>\n
la sf\u00e2r\u015fitul tuturor lucrurilor.<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
***<\/p>\n
<\/p>\n
Ivan \u0163ip\u00e2nd trist la mare<\/b><\/p>\n
<\/p>\n
Care te agit\u0103, pe care Ivan o implor\u0103, nec\u0103jind pietri\u015ful din piatr\u0103 aleatoriu,<\/p>\n
cuvinte despicate \u00een oasele tale & apoi o tragere asemenea o\u0163elului \u0163esut din piatr\u0103,<\/p>\n
<\/p>\n
straturi tensionate, aceast\u0103 felie de humus, crust\u0103 spart\u0103 & cartilaj, & aici<\/p>\n
\u00een spatele peretelui \u2013 de\u015fert \u00eentinz\u00e2ndu-se c\u0103tre \u0163\u0103rmul detritic de-a lungul coloanei<\/p>\n
<\/p>\n
c\u00e2ndva \u00eenn\u0103molitului acum osificatului p\u0103m\u00e2nt \u2013<\/p>\n
<\/p>\n
\u00een minte o mul\u0163ime \u00eenc\u0103 vocifereaz\u0103 (& \u015fi cu toat\u0103 acea ar\u0103tare cu degetul, scuip\u00e2nd<\/p>\n
& bosumfl\u00e2ndu-se), melopeea lui At\u00e2rn\u0103-l sau A\u015faz\u0103-l!<\/p>\n
<\/p>\n
El ce a provocat, ce a \u00eenchis Perpetuumul, el ce a ars<\/p>\n
cadavre asemenea ro\u0163ilor de cauciuc (s\u0103pt\u0103m\u00e2ni \u00eentregi ai putea vedea fumul la orizont),<\/p>\n
<\/p>\n
el ce a sterilizat pentru binele copiilor \u2013<\/p>\n
<\/p>\n
O tu Ivan, C\u0103m\u0103tarule! f\u0103c\u00e2nd spume \u00een valuri aici la coada peretelui,<\/p>\n
marea chem\u00e2ndu-te drept \u00een bra\u0163ele sale & cu nasul \u00een nisip<\/p>\n
<\/p>\n
nisipul scuip\u00e2nd mu\u015fte & aici \u00een final, schel\u0103l\u0103i dincolo de\u00a0 urlet,<\/p>\n
calc \u00een picioare d\u0103r\u00e2m\u0103turile umede. Po\u0163i s\u0103 \u0163ipi c\u00e2t vrei!<\/p>\n
<\/p>\n
Nici m\u0103car v\u00e2ntul nu te poate auzi \u2013<\/p>\n
<\/p>\n
Tu cel ce niciodat\u0103 nu ai risipit, ce ai c\u0103ptu\u015fit pantofii asemenea nobilimii<\/p>\n
& \u00een sf\u00e2r\u015fit, ce ai fost pictat cu respira\u0163ia calm\u0103 a preotului,<\/p>\n
<\/p>\n
ca \u015fi cum nemurirea te-ar putea salva de tine \u00eensu\u0163i…<\/p>\n
\u00een aceast\u0103 sear\u0103 marea \u015fopte\u015fte pe sub v\u00e2nt & luna funebr\u0103 z\u00e2mbe\u015fte<\/p>\n
<\/p>\n
& \u00eenc\u0103 odat\u0103, \u00eentr-un contur slab luminat de via\u0163\u0103 \u2013<\/p>\n
<\/p>\n
tu aplecat, adun\u00e2nd firele ce viermuiesc \u00een nisip,<\/p>\n
tu, Rege \u00cencoronat al Algelor, Ivan \u0163ip\u00e2nd trist la mare.<\/p>\n
<\/p>\n
***<\/p>\n
\n
\n
\nImago<\/b><\/p>\n
<\/p>\n
&nusuntdorin\u0163e\u00eencap\u00eeninim\u0103\u00eenpiele<\/p>\n
toat\u0103aromaa<\/p>\n
l\u0103sataceast\u0103limb\u0103&oricecemerit\u0103p\u0103strataars<\/p>\n
l\u0103s\u00e2ndnim<\/p>\n
icaltcevadec\u00e2tcapetedenervc\u00e2ntatcaremurmur\u0103atuncic\u00e2ndplou\u0103sau<\/p>\n
c\u00e2nd<\/p>\n
ofurtun\u0103cufulgereseapropie&\u00eenacelmomentsearunc\u0103\u00eenpatuls\u0103u<\/p>\n
se\u00eenvele\u015fte<\/p>\n
cucearceafurilesaleumedecani\u015ftebandaje\u00ee\u015fiapas\u0103picioarele\u00eenpieptuls\u0103u<\/p>\n
p\u00e2n\u0103c\u00e2nddinnou<\/p>\n
momentultreceaerulsesub\u0163iaz\u0103&elalunec\u0103\u00eennimfasa<\/p>\n
a\u015ftept\u00e2nd<\/p>\n
s\u0103setrezeasc\u0103\u00eennouasacochiliedur\u0103rug\u00e2ndu-selazeipentruaripi<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
***<\/p>\n
<\/p>\n
Lumin\u0103 Hi<\/b>poglicemic\u0103<\/b><\/p>\n
<\/p>\n
Piunez\u0103 \u00eentr-un ochi intact,<\/p>\n
sclipire de un gri palid a unui b\u0103rbat<\/p>\n
<\/p>\n
cu o inim\u0103 slab\u0103 se \u00eempiedic\u0103<\/p>\n
de-alungul\u00eence\u0163o\u015fatelor alei duc\u00e2nd nic\u0103ieri –<\/p>\n
<\/p>\n
vag, oarbe caseundecazane \u00eemping<\/p>\n
\u00eempotriva t\u0103cerii – p\u00e2n\u0103 c\u00e2nd, vocea<\/p>\n
<\/p>\n
unei chitare solitare cheam\u0103 de-alungul acoperi\u015furilor:<\/p>\n
un nume f\u0103r\u0103 loc, iar b\u0103rbatul poate vedea<\/p>\n
<\/p>\n
prin \u00eentuneric.Aromegrele precum praful<\/p>\n
\u00eel conduc, dincolo de canalele uleioase, de-alungul<\/p>\n
<\/p>\n
brajului n\u0103ruit, un r\u00e2u de umbre<\/p>\n
\u00eenghe\u0163at, unde mor\u0163i \u015fi bolnavi<\/p>\n
<\/p>\n
\u00eempart acelea\u015finemuritoare ape<\/p>\n
\u015fisecole de grohoti\u015f \u015fi d\u0103r\u00e2m\u0103turi<\/p>\n
<\/p>\n
se\u00eenghiontesc, transform\u00e2nd n\u0103molul<\/p>\n
\u00eentr-o m\u00e2zg\u0103 nutritiv\u0103, hr\u0103nind iarba<\/p>\n
<\/p>\n
\u00een aceste ore inevitabile. Estul dincolo de pod,<\/p>\n
diminea\u0163a cade \u00een centru \u015fi, fluctu\u00e2nd,<\/p>\n
<\/p>\n
b\u0103rbatul\u00ee\u015fireaminte\u015fte numele de fat\u0103<\/p>\n
a ultimei sale so\u0163ii, strada unde a cerut-o<\/p>\n
<\/p>\n
\u00een genunchiul s\u0103u bolnav, inelul de aur pe care l-a furat<\/p>\n
din dugheana din pia\u0163\u0103 \u015fiv\u00e2ntul<\/p>\n
<\/p>\n
ce a transformat perdele de ploaie \u00een paginile<\/p>\n
unei c\u0103r\u0163i. Picioarele sale sunt mai grele acum,<\/p>\n
<\/p>\n
ambii genunchi au trecut prin munc\u0103 grea<\/p>\n
iar ora\u015ful se holbeaz\u0103 \u00eenapoi cu nerecuno\u015ftiin\u0163\u0103,<\/p>\n
<\/p>\n
invidios, \u00een timp ce se apropie de margine<\/p>\n
\u015fi cade, cade t\u0103cut.<\/p>\n","protected":false},"excerpt":{"rendered":"
traducere de Marius Surleac click here for the English version \u00a0 Marc Vincenz s-a n\u0103scut \u00een Hong Kong, \u00een punctul culminant al Revolu\u0163iei Culturale, din p\u0103rin\u0163i de na\u0163ionalitate elve\u0163iano-britanic\u0103. Poemele \u015fi traducerile sale au ap\u0103rut \u00eendeosebi \u00een mediul online c\u00e2t \u015fi tip\u0103rite \u00een reviste precum: Washington Square Review, The Bitter Oleander, Canary, Exquisite Corpse, […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[946,13],"tags":[1161,954,81,1114,72],"class_list":["post-9215","post","type-post","status-publish","format-standard","hentry","category-egophobia-36","category-poezie","tag-egophobia-36","tag-marc-vincenz","tag-marius-surleac","tag-poezie","tag-traducere"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6DakB-2oD","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/9215","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9215"}],"version-history":[{"count":6,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/9215\/revisions"}],"predecessor-version":[{"id":9333,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/9215\/revisions\/9333"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9215"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9215"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9215"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}