{"id":9463,"date":"2012-05-31T01:40:37","date_gmt":"2012-05-30T23:40:37","guid":{"rendered":"http:\/\/egophobia.ro\/?p=9463"},"modified":"2013-04-06T21:39:53","modified_gmt":"2013-04-06T19:39:53","slug":"welcome-to-cucamonga","status":"publish","type":"post","link":"https:\/\/egophobia.ro\/?p=9463","title":{"rendered":"Welcome to Cucamonga!"},"content":{"rendered":"<p><strong>[Iulian T\u0103nase, <i>Cucamonga<\/i>, Herg Benet Publishers, Bucure\u015fti, 2011]<\/strong><\/p>\n<p align=\"right\">de Petri\u015for Militaru<\/p>\n<p>&nbsp;<\/p>\n<p align=\"right\">\u201eO arip\u0103 \u00eencepea s\u0103 se \u00eentunece.\u201d<\/p>\n<p>&nbsp;<\/p>\n<p align=justify>\n\u00cen mod surprinz\u0103tor numele \u201eCucamonga\u201d are o acoperire geografic\u0103 concret\u0103 \u00een San Bernadino, California, iar semnifica\u0163ia sa este legat\u0103 de limba Tongva, o r\u0103m\u0103\u015fi\u0163\u0103 de uto-aztec\u0103 vorbit\u0103 de nativii americani din zona amintit\u0103, \u00een care pare s\u0103 \u00eensemne \u201eloc nisipos\u201d. N-am putea spune din aceast\u0103 perspectiv\u0103 c\u0103 titlul va fi constr\u00e2ns la o limitare semantic\u0103 doar pentru faptul c\u0103 el sufer\u0103 de concrete\u0163e, ci mai degrab\u0103 a\u015f considera c\u0103 potenteaz\u0103 ideea c\u0103 avem de-a face cu un univers liric \u00een care <i>de\u015ferticul<\/i>, <i>sterpul<\/i> sau <i>uscatul<\/i> ocup\u0103 un loc notabil \u00een economia volumului de versuri.<!--more--><br \/>\n&nbsp;<\/p>\n<p align=justify>\n<img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i158.photobucket.com\/albums\/t103\/egophobia\/34\/it\/Cucamonga-IulianTanase-2_zps01b4b020.jpg?w=200\"  align=right><br \/>\nPrima, din cele cinci secven\u0163e poetice ce alc\u0103tuiesc volumul, se intituleaz\u0103 \u201eBest Sailor\u201d \u015fi trimite at\u00e2t la anosta idee de <i>best seller<\/i>: faptul c\u0103 o carte se vinde ne arat\u0103, \u00een principiu, c\u0103 ea este un bun produs comercial, \u00eens\u0103 asta nu o \u00eempiedic\u0103 s\u0103 ajung\u0103, de asemenea, \u00eentr-un interval mai scurt dec\u00e2t ne-am imagina, la valoarea zero at\u00e2t \u00een plan comercial, c\u00e2t \u015fi estetic. Poate de aceea ocupantul acestui univers \u201eiudeic\u201d al v\u00e2nz\u0103rilor este Best Sailor, un personaj prin care se construie\u015fte poemul narativ \u015fi polemic la adresa cosumismului, a facilului, ceva gen wash &amp; go, \u00eentr-un stil <i>superrealist<\/i>, \u00een care atitudinea liber\u0103, avangardist\u0103 se \u00eembin\u0103 cu un aer degajat de roman poli\u0163ist, iar dialogurile cu rezonan\u0163e absurde sau sapien\u0163iale alterneaz\u0103 cu fragmente descriptive cu iz postmodern, degajat. Eul poetic cultiv\u0103 starea de martor al propriilor tr\u0103iri. Dac\u0103 Best Sailor vrea s\u0103 devin\u0103 \u201esuspect\u201d c\u00e2nd va fi mare, Moira vrea s\u0103 devina <i>so\u0163ie perfect\u0103<\/i>. Probabil c\u0103 forma cea mai dec\u0103zut\u0103 a unui arhetip e cli\u015feul \u015fi de aceea miza poemului mi se pare a fi aceea de a aduce \u00een prim plan sub o form\u0103 actual\u0103 \u015fi ludic\u0103 a limbajului imagini fundamentale \u00een plan ontologic precum Moira (pe care o asociem cu <i>anima<\/i>), Iisus sau Buddha ori situa\u0163ii-cheie ce stau la baza unui comportament poetic suprarealist: \u201e\u00abAi v\u0103zut vreodat\u0103 vreun orb pl\u00e2ng\u00e2nd?\u00bb, \u00eel \u00eentreba Moira pe Best Sailor. \u00abCucamonga\u00bb, r\u0103spundea el str\u00e2ng\u00e2nd un ou la piept.\u201d Faptul c\u0103 intervin \u015fi alte personaje ca Barack Obama, Eve Dallas sau Nora Roberts, trimiteri la topurile cu cele mai v\u00e2ndute c\u0103r\u0163i din edi\u0163ia rom\u00e2neasc\u0103 a <i>The New York Times Book Review<\/i> \u00eendep\u0103rteaz\u0103 orice posibil\u0103 impresie de didacticism al discursului, de poezie scris\u0103 pe o tem\u0103 dat\u0103. Este doar o form\u0103 de a da prospe\u0163ime poemului. Un fel de buton F5 de pe tastatura poemului.<br \/>\n&nbsp;<\/p>\n<p align=justify>\n<i>Iubita mea vitreg\u0103 <\/i>reia experien\u0163a cuplului, dar la un nivel mai intens dec\u00e2t cel anterior. Ca \u015fi la str\u0103vechii zei egipteni exist\u0103 o leg\u0103tur\u0103 de s\u00e2nge \u00eentre el \u015fi ea, poate de aici epitetul \u201evitreg\u0103\u201d. Sunt paradoxuri \u015fi metamorfoze care populeaz\u0103 lumea interioar\u0103 a perechii ce crede c\u0103 despre \u201et\u0103cerile care nu pot s\u0103 tac\u0103 trebuie s\u0103 se vorbeasc\u0103\u201d. \u00cen acest ciclu de poeme experien\u0163ele erotice au un con\u0163inut plenar \u00een care geometria se prelunge\u015fte \u00een lumea interioar\u0103, levita\u0163ia devine starea esen\u0163ial\u0103 a iubi\u0163ilor, iar uitarea apare ca un spa\u0163iu \u00een care cunoa\u015fterea este prima sc\u00e2nteia poten\u0163ial\u0103 \u00een Big Bangul ce ar putea descrie condi\u0163iile ini\u0163iale \u015fi evolu\u0163ia ulterioar\u0103 a universului liric. Erosul, \u00een ciuda limbajului <i>cool<\/i>, tinde s\u0103 revin\u0103 uruboric la surs\u0103, sub forma unei orbiri voluntare: \u201eDe aceea, poate, ei au venit la mine \u015fi mi-au spus c\u0103 dragostea nu trebuie l\u0103sat\u0103 s\u0103 doarm\u0103, c\u0103 dintre to\u0163i, orbii \u00eenva\u0163\u0103 cel mai bine s\u0103 fie ve\u015fnici. Ca \u015fi c\u00e2nd de dragoste, ca \u015fi c\u00e2nd de ve\u015fnicie \u00eemi arde mie acum, le-am spus.\u201d Sanctitatea iubirii este subliniat\u0103 printr-un tip de <i>Imitatio Christi<\/i> menit\u0103 s\u0103 atenueze orice sentiment religios stereotip, ca \u00eentr-o reiterare a C\u00e2nt\u0103rii C\u00e2nt\u0103rilor\u00a0: \u201ePe trupul t\u0103u ca o cruce a p\u0103catului iudeii m\u0103 r\u0103stignesc \u00een fiecare noapte. Ferici\u0163i cei boga\u0163i cu trupul t\u0103u.\u201d Unitatea lumii este revigorat\u0103 de comuniunea \u00een cuplu, care d\u0103 un sens concret vie\u0163ii: \u201eFrumuse\u0163ea exist\u0103. Am v\u0103zut-o ieri pe Calea Victoriei.\u201d Poate de aceea eroul zilelor noastre nu mai poate fi un \u00eenving\u0103tor \u00een sensul obi\u015fnuit al termenului, ci doar \u00eentr-un plan estetic. De altfel realitatea \u00een aspectele sale definitorii nu se poate reflecta prin \u201eoglinzile intrate \u00een putrefac\u0163ie\u201d, de unde \u015fi nevoia de reflexie textual\u0103 pe care o resimte eul poetic.<br \/>\n&nbsp;<\/p>\n<p align=justify>\nSeria de poeme intitulat\u0103 <i>Unul dintre domni\u015foara W \u015fi doamna Kuttare<\/i> se opre\u015fte asupra st\u0103rii de hiat, un spa\u0163iu interior intermediar (<i>in-between<\/i>) menit s\u0103 refac\u0103 leg\u0103turile dintre diferitele niveluri ale fiin\u0163ei \u015fi s\u0103 ne atrag\u0103 aten\u0163ia asupra \u201ecr\u0103p\u0103turilor dintre lumi\u201d dup\u0103 cum le nume\u015fte \u015famanul Yaqui \u00eentr-o carte a lui Carlos Castaneda. Ciclul de texte <i>Demonadologia<\/i> este doar un pretext de destructurare a Leibniz, dar mai ales o apropiere a eului de propriul univers liric amintind de \u201easpectul exuberant al demonialitatii obiectului\u201d pe care Gellu Naum \u00eel teoretiza \u00een tinere\u0163e, \u00eempreun\u0103 cu ceilal\u0163i suprareali\u015fti.<br \/>\n&nbsp;<\/p>\n<p align=justify>\nFundamental pentru poezia lui Iulian T\u0103nase r\u0103m\u00e2ne extragerea sevei poemului din realitate, capacitatea esen\u0163ial\u0103 a unui suprarealist autentic de a \u0163ine \u00een echilibru g\u00e2ndirea poetic\u0103 tare \u015fi g\u00e2ndirea poetic slab\u0103, interior-exteriorul (cum ar fi spus Naum), asumarea faptului de a vorbi despre lucrurile esen\u0163iale f\u0103r\u0103 a provoca grea\u0163\u0103 \u015fi plictis, ci doar sete de pohezie. <i>Welcome to Cucamonga! You have already been there, don\u2019t you?<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>[Iulian T\u0103nase, Cucamonga, Herg Benet Publishers, Bucure\u015fti, 2011] de Petri\u015for Militaru &nbsp; \u201eO arip\u0103 \u00eencepea s\u0103 se \u00eentunece.\u201d &nbsp; \u00cen mod surprinz\u0103tor numele \u201eCucamonga\u201d are o acoperire geografic\u0103 concret\u0103 \u00een San Bernadino, California, iar semnifica\u0163ia sa este legat\u0103 de limba Tongva, o r\u0103m\u0103\u015fi\u0163\u0103 de uto-aztec\u0103 vorbit\u0103 de nativii americani din zona amintit\u0103, \u00een care pare [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[817,125],"tags":[1157,1129,883,293],"class_list":["post-9463","post","type-post","status-publish","format-standard","hentry","category-egophobia-34","category-invitat","tag-egophobia-34","tag-invitat","tag-iulian-tanase","tag-petrisor-militaru"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6DakB-2sD","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/9463","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9463"}],"version-history":[{"count":5,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/9463\/revisions"}],"predecessor-version":[{"id":9685,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/9463\/revisions\/9685"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9463"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9463"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9463"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}