{"id":9530,"date":"2013-02-18T14:02:41","date_gmt":"2013-02-18T12:02:41","guid":{"rendered":"http:\/\/egophobia.ro\/?p=9530"},"modified":"2013-02-21T14:06:30","modified_gmt":"2013-02-21T12:06:30","slug":"poeme-de-gary-snyder","status":"publish","type":"post","link":"https:\/\/egophobia.ro\/?p=9530","title":{"rendered":"Poeme de Gary Snyder"},"content":{"rendered":"

prezentare & traducere de Raluca Tanasescu<\/p>\n

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\nGary Snyder, distins cu Premiul Pulitzer \u00een 1975, este unul dintre cei mai importan\u021bi poe\u021bi americani contemporani. N\u0103scut \u00een 1930 la San Francisco, acest Beatnik \u00eendr\u0103gostit de natur\u0103 a tr\u0103it \u00een mun\u021bii Californiei, a stat zece ani \u00eentr-o m\u0103n\u0103stire din Kyoto, a str\u0103b\u0103tut America de Nord \u0219i a \u00eenfiin\u021bat o comunitate rural\u0103 \u00een Sierra Nevada. Mountains and Rivers Without End (Mun\u021bi \u0219i r\u00e2uri f\u0103r\u0103 sf\u00e2r\u0219it)<\/i>, \u00eenceput \u00een 1956, continuat timp de patruzeci de ani \u0219i publicat \u00een Statele Unite \u00een 1996, este considerat cel mai important volum al carierei sale, salutat f\u0103r\u0103 rezerve de critica american\u0103. Pe l\u00e2ng\u0103 acesta, Snyder a mai publicat \u00eenc\u0103 \u0219ase volume: Riprap, and Cold Mountain Poems <\/i>(1965), The Back Country <\/i>(1968), Regarding Wave <\/i>(1970), Turtle Island <\/i>(1974), Axe Handles <\/i>(1983) \u0219i Left Out in the Rain <\/i>(1986), care l-au transformat \u00eentr-un nou tip de erou al culturii americane. Scriitura sa, voit circumstan\u021bial\u0103 sau anecdotic\u0103, exploateaz\u0103 limba vorbit\u0103, pret\u00e2ndu-se astfel lecturii cu voce tare, \u00eempletind, \u00een acela\u0219i timp, referin\u021bele mitologice cu elemente de filosofie \u0219i ritual budist, pictura Asiei de Est cu obiceiurile indienilor americani, teatrul japonez cu elemente de hidrologie \u0219i geologie a planetei, ad\u0103ug\u00e2nd, din c\u00e2nd \u00een c\u00e2nd, informa\u021bii precise preluate din raportul anual al Departamentului American de Stat referitoare la inventarul copacilor \u0219i al ierburilor.<\/p>\n

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acest poem este pentru urs<\/b><\/p>\n

\u00a0<\/b><\/p>\n

\u00ab C\u00e2t despre mine, eu sunt un copil al zeului mun\u021bilor \u00bb.<\/p>\n

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Un urs la poalele st\u00e2ncii.<\/p>\n

M\u0103n\u00e2nc\u0103 afine.<\/p>\n

Sunt coapte acum<\/p>\n

Cur\u00e2nd, va ninge, iar ea<\/p>\n

Sau poate el, se va t\u00e2r\u00ee \u00eentr-un b\u00e2rlog<\/p>\n

\u0218i va dormi. Po\u021bi z\u0103ri<\/p>\n

Afinele \u00een balega de urs dac\u0103<\/p>\n

Te ui\u021bi, \u00een perioada asta a anului<\/p>\n

Dac\u0103 m\u0103 furi\u0219ez spre urs<\/p>\n

O s\u0103 morm\u0103ie \u0219i o s\u0103 fug\u0103.<\/p>\n

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To\u021bi ceilal\u021bi plecaser\u0103 dintre<\/p>\n

Rugii de mure, numai o fat\u0103<\/p>\n

\u0218i-a v\u0103rsat co\u0219ul \u0219i \u00ee\u0219i aduna<\/p>\n

Boabele \u00een \u00eentuneric.<\/p>\n

Un b\u0103rbat \u00eenalt, care st\u0103tea \u00een umbr\u0103, a luat-o de bra\u021b<\/p>\n

A dus-o acas\u0103 la el. Era un urs.<\/p>\n

\u00centr-o cas\u0103 la poalele muntelui<\/p>\n

A n\u0103scut copii negri, lin\u0219i,<\/p>\n

Cu din\u021bi ascu\u021bi\u021bi, \u0219i a tr\u0103it \u00een muntele<\/p>\n

Scorburos mul\u021bi ani.<\/p>\n

prinde ursul : strig\u0103-i :<\/p>\n

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m\u00e2nc\u0103tor-de-miere,<\/i><\/p>\n

m\u0103r-de-p\u0103dure<\/i><\/p>\n

picior-u\u0219or<\/i><\/p>\n

B\u0103tr\u00e2n cu hain\u0103 de blan\u0103, Ursule! ie\u0219i afar\u0103!<\/i><\/p>\n

Mori a\u0219a cum pofte\u0219ti!<\/i><\/p>\n

Bunicule bucate-negre!<\/i><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 fata asta s-a m\u0103ritat cu un urs<\/i><\/p>\n

Cine porunce\u0219te pe munte, Ursule!<\/i><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ai m\u00e2ncat multe fructe de p\u0103dure<\/i><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ai prins mul\u021bi pe\u0219ti<\/i><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ai \u00eensp\u0103im\u00e2ntat mul\u021bi oameni<\/i><\/p>\n

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Doisprezece specii la nord de Mexic<\/i><\/p>\n

Sug\u00e2ndu-\u0219i labele \u00een iarna lung\u0103<\/i><\/p>\n

D\u0103r\u00e2m\u00e2nd sacii at\u00e2rna\u021bi la \u00een\u0103l\u021bime<\/i><\/p>\n

Chel\u0103l\u0103ind, pl\u00e2ng\u00e2nd, cl\u0103tin\u00e2ndu-se<\/i><\/p>\n

(Odiseu era un urs)<\/i><\/p>\n

\u00a0<\/i><\/p>\n

Puii roz\u00e2nd sf\u00e2rcurile moi<\/i><\/p>\n

Din\u021bi scr\u00e2\u0219nind, ochi str\u00e2ns lipi\u021bi<\/i><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 iar ea \u00eei l\u0103sa.<\/i><\/p>\n

\u00a0<\/i><\/p>\n

P\u00e2n\u0103 au dibuit fra\u021bii ei locul<\/i><\/p>\n

I-au h\u0103ituit so\u021bul \u00een sus prin trec\u0103toare<\/i><\/p>\n

L-au \u00eencol\u021bit la st\u00e2nci.<\/i><\/p>\n

C\u00e2ntecul ursului prins: <\/i><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00abDa\u021bi-mi centura<\/i><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sunt aproape mort.<\/i><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Am venit din pe\u0219terile muntelui<\/i><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 La izvoare,<\/i><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Aici p\u00e2r\u00e2ia\u0219ele<\/i><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Au secat toate.\u00bb<\/i><\/p>\n

\u00a0<\/i><\/p>\n

\u0336\u00a0 Cred c-am s\u0103 m\u0103 duc la v\u00e2nat de ur\u0219i.<\/i><\/p>\n

\u00abla v\u00e2nat de ur\u0219i?<\/i><\/p>\n

Ei rahat, Snyder.<\/i><\/p>\n

N-ai putea s\u0103 nimere\u0219ti un urs \u00een fund<\/i><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 nici cu un pumn de orez!\u00bb<\/i><\/p>\n

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\u00cent\u00e2lnire cu mun\u021bii<\/b><\/p>\n

\u00a0<\/b><\/p>\n

Se t\u00e2r\u0103\u0219te p\u00e2n\u0103 pe malul apei \u00eenspumate.<\/p>\n

Urc\u0103 pe lespedea de pe margine<\/p>\n

Bag\u0103 un deget \u00een ap\u0103.<\/p>\n

Se \u00eentoarce spre un ochi de ap\u0103 r\u0103zle\u021b<\/p>\n

\u00ce\u0219i pune ambele m\u00e2ini \u00een ap\u0103<\/p>\n

\u00ce\u0219i pune un picior \u00een ochiul de ap\u0103<\/p>\n

Arunc\u0103 pietricele \u00een ap\u0103<\/p>\n

Plesne\u0219te suprafa\u021ba apei cu ambele palme<\/p>\n

Strig\u0103, se ridic\u0103 \u0219i r\u0103m\u00e2ne \u00een picioare<\/p>\n

Cu fa\u021ba spre torent \u0219i spre munte<\/p>\n

\u00ce\u0219i \u00eenal\u021b\u0103 ambele m\u00e2ini \u0219i strig\u0103 de trei ori.<\/p>\n

Kai[1]<\/a> la Lacul Sawmill, iunie 1969<\/p>\n

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C\u00e2ntecel pentru Ga\u00efa<\/b><\/p>\n

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Trezit de ceas c\u00e2nd bate cinci,<\/p>\n

Deja s-a luminat,<\/p>\n

C-un vis pe care \u00eenc\u0103-l vezi<\/p>\n

Trei Fete de Porumb \u00een verde,<\/p>\n

Frunze, m\u00e2neci, fuste verzi \u2013<\/p>\n

Trec\u00e2nd pe-aici.<\/p>\n

Feresc ochii, s\u0103 nu m\u0103 holbez.<\/p>\n

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\u0218i m\u0103 trezesc cu un g\u00e2nd<\/p>\n

S\u0103 m\u0103 fi uitat mai mult<\/p>\n

S\u0103 v\u0103d cum erau ele<\/p>\n

Fete de Porumb, \u00een verde.<\/p>\n

Fa\u021ba frunze verzi \u0219i mici<\/p>\n

\u0218i privirea \u00eentr-o parte.<\/p>\n

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M\u0103 bucur, \u00eens\u0103, c-am \u0219tiut o dat\u0103<\/p>\n

S\u0103 nu m\u0103 uit prea mult c\u00e2nd sunt<\/p>\n

acolo cu adev\u0103rat.<\/i><\/p>\n

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Sau s\u0103-ncerc s\u0103 mi-l notez.<\/p>\n

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\u00centors acas\u0103 din Mun\u021bii Sierra<\/b><\/p>\n

\u00a0<\/b><\/p>\n

M\u0103 trezeam o dat\u0103 pe noapte, m\u0103 pi\u0219am,<\/p>\n

inspectam stelele iernii ce-avea s\u0103 vin\u0103<\/p>\n

f\u0103ceam focul<\/p>\n

care \u00eenc\u0103 mai sc\u0103p\u0103ra \u00een zorile r\u0103coroase.<\/p>\n

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Sp\u0103lam ceaunul \u00een lac<\/p>\n

pojghi\u021b\u0103 de ghea\u021b\u0103 pe balega de cal<\/p>\n

o gai\u021b\u0103 scrut\u00e2nd tab\u0103ra<\/p>\n

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Toat\u0103 diminea\u021ba mersul p\u00e2n\u0103 la vagon<\/p>\n

\u00eenc\u0103rc\u0103tura sus pe pragul de granit \u2013<\/p>\n

puie\u021bi de pin de zah\u0103r.<\/p>\n

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Cobor\u00e2nd spre c\u00e2mpia fierbinte.<\/p>\n

Mexicani pe platforme de tren de marf\u0103 \u00een San Joaquin.<\/p>\n

cea\u021b\u0103 rece<\/p>\n

miros de covoare de paie<\/p>\n

o cea\u0219c\u0103 de ceai verde<\/p>\n

pe malul golfului.<\/p>\n

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\u00a0<\/b><\/p>\n

\u00a0<\/b><\/p>\n

\u00a0<\/b><\/p>\n

\u00a0<\/b><\/p>\n

\u00a0<\/b><\/p>\n

\u00a0<\/b><\/p>\n

\u00a0<\/b><\/p>\n

Cozi de topoare<\/b><\/p>\n

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\u00centr-o dup\u0103-amiaz\u0103 din ultima s\u0103pt\u0103m\u00e2n\u0103 de aprilie<\/p>\n

\u00cei ar\u0103tam lui Kai cum s\u0103 arunce toporul.<\/p>\n

Te \u00eentorci pe jumate \u0219i se-nfige \u00eentr-un ciot.<\/p>\n

\u00ce\u0219i aduce aminte de un cap de topor<\/p>\n

F\u0103r\u0103 m\u00e2ner, din atelier.<\/p>\n

Se duce s\u0103-l aduc\u0103 \u0219i zice c\u0103-i al lui.<\/p>\n

Coada de topor stricat\u0103 din spatele u\u0219ii<\/p>\n

E suficient de lung\u0103 pentru o topori\u0219c\u0103.<\/p>\n

O t\u0103iem la lungime \u0219i o ducem,<\/p>\n

Al\u0103turi de capul de topor<\/p>\n

\u0218i de toporul bun, la masa de lucru.<\/p>\n

Apoi \u00eencep s\u0103 modelez coada cea veche<\/p>\n

Cu topori\u0219ca, \u0219i \u00eemi sun\u0103 \u00een cap<\/p>\n

Expresia pe care am auzit-o prima dat\u0103<\/p>\n

La Ezra Pound!<\/p>\n

\u00abC\u00e2nd faci o coad\u0103 de topor,<\/p>\n

modelul e aproape\u00bb.<\/p>\n

\u0218i \u00eei spun asta lui Kai:<\/p>\n

\u00abUite: O s\u0103 model\u0103m coada<\/p>\n

Lu\u00e2ndu-ne dup\u0103 coada<\/p>\n

Toporului cu care am t\u0103iat\u2013\u00bb<\/p>\n

Iar el \u00een\u021belege. \u0218i eu aud din nou:<\/p>\n

Asta este \u00een W\u00ean Fu<\/i>, de Lu Ji, secolul patru<\/p>\n

d.Hr. \u00abEseu despre literatur\u0103\u00bb, \u00een<\/p>\n

Prefa\u021b\u0103: \u00abC\u00e2nd faci o coad\u0103<\/p>\n

De topor<\/p>\n

Cioplind lemnul cu un topor<\/p>\n

Modelul este \u00eentr-adev\u0103r la \u00eendem\u00e2n\u0103\u00bb.<\/p>\n

Profesorul meu Shih-hsiang Chen<\/p>\n

A tradus asta \u0219i a predat-o cu ani \u00een urm\u0103.<\/p>\n

Acum \u00een\u021beleg: Pound era un topor,<\/p>\n

Chen era un topor, eu sunt un topor<\/p>\n

Iar fiul meu \u2013 coada unui topor, care<\/p>\n

Va modela din nou, model<\/p>\n

\u0218i unealt\u0103, me\u0219te\u0219ug al culturii,<\/p>\n

Modul nostru de-a continua.<\/p>\n

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7: VII<\/b><\/p>\n

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Nu pot s\u0103 contemplu ora\u0219ele f\u0103r\u0103 s\u0103 m\u0103 g\u00e2ndesc la t\u00e2mplari, instalatori, la cei care car\u0103 g\u0103le\u021bile cu mortar, la cei care manevreaz\u0103 betonierele, la zidari<\/p>\n

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c\u00e2te ore au fost pl\u0103ti\u021bi ca s\u0103 ridice ora\u0219ul Seattle, sau Portland (unde-s covoare at\u00e2t de \u00eenchise \u2013 cranii din brad at\u00e2t de albe \u2013) scheletul, strungul, apoi gletu-ntins a\u0219a de bine \u2013 cremos sub mistrie \u2013 uscat \u00eentr-o pudr\u0103, linii ca de p\u00e2nz\u0103 de p\u0103ianjen, c\u0103r\u0103mid\u0103 poroas\u0103, acoperi\u0219 \u00een ape<\/p>\n

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\u00een san francisco acoperi\u0219uri \u00een scar\u0103. \u0219iruri de case cu stuc & \u021bigl\u0103 \u00een Sunset \u2013 fotografii dup\u0103 cutremur cadre ciudate de case pe jum\u0103tate c\u0103zute. suferta\u0219e \u00een zidurile neterminate. c\u00e2t a trecut de c\u00e2nd am z\u0103rit acel c\u0103prior<\/p>\n

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pe dealuri toarn\u0103 p\u0103m\u00e2nt & \u00eel ard pentru \u021bigl\u0103 \u2013 valurile gri din Kyoto \u2013 liceenii \u00eenva\u021b\u0103 englez\u0103 sau mate \u00een camere joase la etajul doi departe \u00een zarva r\u0103zboaielor de \u021besut de la parter, dogoarea str\u0103lucitoare a acoperi\u0219urilor din eternit, dinspre sud, \u00eendreptate spre soare<\/p>\n

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cl\u0103diri noi beton armat \u00een\u021besat de cabluri \u0219i \u021bevi, centrale \u00een subsoluri \u2013 pere\u021bii r\u0103sun\u0103 \u00een noapte \u2013 fantomele din sp\u0103l\u0103torii converseaz\u0103 pe acoperi\u0219uri plate moderne, privind spre altarul dealurilor \u00eemp\u0103durite<\/p>\n

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scurgerea str\u0103zilor, mun\u021bi g\u0103uno\u0219i, \u00een\u0219ira\u021bi, plini de zgomot de molecule str\u0103ine ce ard cu o vitez\u0103 de necrezut, cum se cern ei \u2013 cum tr\u0103nc\u0103nesc \u2013<\/p>\n

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straturi de mohenjo-daro, ad\u00e2nci c\u00e2t nou\u0103 ora\u0219e, un cuptor de c\u0103r\u0103mizi de la cap\u0103tul veacurilor, construit \u00een strad\u0103<\/p>\n

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p\u0103durile sunt acoperite cu p\u0103m\u00e2nt \u0219i azbest, albiile smulse \u0219i puse s\u0103 curg\u0103 pe pl\u0103ci suspendate de oxizi topi\u021bi<\/p>\n

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omenire m\u0103runtaiele tale sunt zdrobitoare \u0219i ap\u0103s\u0103toare ca acelea care au transformat cu sila frunzele \u00een c\u0103rbune, care au ars nisipul p\u00e2n\u0103 l-au f\u0103cut obsidian; te ridici drept \u00een picioare \u0219i mergi de-a lungul apei, bra\u021bul t\u0103u se ridic\u0103 \u0219i coboar\u0103, p\u0103trunzi prin lucruri a\u0219a cum sunt.<\/p>\n


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[1]<\/a> Primul fiu al lui Gary Snyder cu cea de-a treia sotie, japoneza Masa Uehara. (n. trad.)<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

prezentare & traducere de Raluca Tanasescu   Gary Snyder, distins cu Premiul Pulitzer \u00een 1975, este unul dintre cei mai importan\u021bi poe\u021bi americani contemporani. N\u0103scut \u00een 1930 la San Francisco, acest Beatnik \u00eendr\u0103gostit de natur\u0103 a tr\u0103it \u00een mun\u021bii Californiei, a stat zece ani \u00eentr-o m\u0103n\u0103stire din Kyoto, a str\u0103b\u0103tut America de Nord \u0219i a […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[969,13],"tags":[970,978,1114,799,72],"class_list":["post-9530","post","type-post","status-publish","format-standard","hentry","category-egophobia37","category-poezie","tag-egophobia-37","tag-gary-snyder","tag-poezie","tag-raluca-tanasescu","tag-traducere"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6DakB-2tI","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/9530","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9530"}],"version-history":[{"count":2,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/9530\/revisions"}],"predecessor-version":[{"id":9532,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/9530\/revisions\/9532"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9530"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9530"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9530"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}