{"id":9557,"date":"2013-02-21T22:51:47","date_gmt":"2013-02-21T20:51:47","guid":{"rendered":"http:\/\/egophobia.ro\/?p=9557"},"modified":"2013-03-15T22:57:12","modified_gmt":"2013-03-15T20:57:12","slug":"literatura-stiintifico-fantastica-romaneasca-michael-haulica-transfer","status":"publish","type":"post","link":"https:\/\/egophobia.ro\/?p=9557","title":{"rendered":"Literatur\u0103 \u015ftiin\u0163ifico-fantastic\u0103 rom\u00e2neasc\u0103: Michael Haulic\u0103 &#8211; &#8220;Transfer&#8221;"},"content":{"rendered":"<p><strong>[Ed. Millennium Books, 2012]<\/strong><br \/>\n<font color=green>(ghidul cititorului de fantastic [3])<\/font><\/p>\n<p align=right>de Oliviu Cr&#226;znic<br \/>\n&nbsp;<br \/>\n<a href=\"http:\/\/egophobia.ro\/?p=9558\">click here<\/a> for the English version<\/p>\n<p>&nbsp;<\/p>\n<p align=justify>\nScriitor (<i>Madia Mangalena<\/i>, <i>Despre singur\u0103tate \u015fi \u00eengeri<\/i>, <i>A\u015ftept\u00e2nd-o pe Sara<\/i>, <i>Povestiri fantastice<\/i>, <i>Povestea lui Calistrat Had\u00e2mbu<\/i>), critic (<i>Nu sunt guru<\/i>, <i>&#8230;nici Torquemada<\/i>), editor, coordonator de colec\u0163ii \u015fi promotor al literaturii fantastice \u00een general (incluz\u00e2nd aici SF, fantasy, horror), Michael Haulic\u0103 se remarc\u0103 prin activismul s\u0103u neobosit \u00een domeniu \u015fi prin rezultatele incontestabile ob\u0163inute pe toate planurile, dac\u0103 ar fi s\u0103 amintim numai premiile importante care i-au fost acordate, numero\u015fii scriitori \u2013 consacra\u0163i ast\u0103zi \u2013 al c\u0103ror debut l-a girat, ori faptul c\u0103, ani buni, s-a num\u0103rat printre pu\u0163inii critici de specialitate de la noi care au scris cam despre toate operele de gen ap\u0103rute pe pia\u0163\u0103, ca \u015fi despre mi\u015fcarea SF \u00een general.<br \/>\n<!--more--><br \/>\nVolumul <i>Transfer<\/i>, fie c\u0103 \u00eel etichet\u0103m drept roman modular, fie c\u0103 \u00eel consider\u0103m culegere de nuvele \u015fi povestiri cu numitor comun\/interconectate (numitorul comun \u00een cauz\u0103 fiind scena asasin\u0103rii misterioase a unui blog\u0103r \u2013 scriitor aspirant), formeaz\u0103 \u00een fapt \u015fi f\u0103r\u0103 dubiu un tot unitar, <i>\u00eentregul<\/i> curg\u00e2nd <i>altfel<\/i> dec\u00e2t fiecare segment \u00een parte, din toate punctele de vedere, de la ac\u0163iune la stil. Astfel, cu toate c\u0103 oricare dintre componente \u2013 este vorba despre patru texte: <i>Vremea z\u0103pu\u015felii<\/i>, <i>Glitcherine<\/i>, <i>O huc\u0103 \u00een minunatul Inand<\/i> \u015fi <i>Microtexte<\/i> \u2013 \u00ee\u015fi are sensul \u015fi \u00eemplinirea pe cont propriu, o abordare <i>complet\u0103<\/i> asigur\u0103 cititorului vasta fresc\u0103 a unui univers cyberpunk fascinant, care ni se dezv\u0103luie treptat \u00een dimensiunile \u015fi rosturile sale. Spun \u201ecyberpunk\u201d, \u015fi nu \u201e<i>post<\/i>cyberpunk\u201d, deoarece \u00een \u201e<i>post<\/i>&#8230;\u201d, prin defini\u0163ie, lumile zugr\u0103vite nu \u00ee\u015fi pierd definitiv optimismul, eroii lupt\u00e2nd \u00eempotriva ordinii distopice existente sau \u00eencerc\u00e2nd s\u0103 \u00eempiedice deteriorarea pe mai departe a societ\u0103\u0163ii \u00een care tr\u0103iesc. Dimpotriv\u0103, \u00een opera lui Michael Haulic\u0103 \u00eent\u00e2lnim un cyberpunk clasic \u015fi cu at\u00e2t mai intens cu c\u00e2t ne este prezentat cu mijloace stilistice noi, originale, un cyberpunk al unor destine individuale \u00eentr-o lume lipsit\u0103 de speran\u0163\u0103, dar \u00een care frumuse\u0163ea nu a murit \u00eenc\u0103 de tot, dac\u0103 ne dovedim capabili s\u0103 o recept\u0103m. Barul <i>Josephine<\/i>, z\u00e2mbetele <i>Floare de Cais<\/i>, spectacolele de <i>glitchuri<\/i>, n\u0103zuin\u0163a de a deveni romancier \u00eentr-o societate degradat\u0103 \u015fi turbulent\u0103, toate sunt repere estetice \u015fi lini\u015ftitoare menite a contrabalansa decorul fr\u0103m\u00e2ntat \u015fi sumbru, \u00eenspre echilibrul perfect. Chiar \u015fi limbajul poetic al autorului se opune artistic trivialit\u0103\u0163ii instaurate victorios \u00een via\u0163a de <i>Transfer<\/i>, cuvinte \u201ebrutale\u201d sun\u00e2nd, \u00een gura personajelor \u015fi \u00een situa\u0163iile expuse, uneori de-a dreptul <i>suav<\/i>.<\/p>\n<p>Nuan\u0163\u00e2nd precepte ale izol\u0103rii, alien\u0103rii \u015fi dezagreg\u0103rii personalit\u0103\u0163ii \u00eentr-o aventur\u0103 literar\u0103 \u00een care tehnologia corupe spre nefiin\u0163\u0103 at\u00e2t fizic c\u00e2t \u015fi spiritual, asigur\u00e2nd totodat\u0103 \u2013 \u00een m\u00e2inile potrivite \u2013 o iluzorie \u015fi fragil\u0103 cale de refugiu \u00een fa\u0163a destinului, Michael Haulic\u0103 pare a ne prezenta o demonstra\u0163ie vie a supravie\u0163uirii <i>umanit\u0103\u0163ii<\/i> \u00een cele mai vitrege condi\u0163ii pe care le pot oferi lumea \u015fi societatea, chiar \u015fi atunci c\u00e2nd nu se mai poate face nimic \u00een vederea g\u0103sirii unui nou drum, pentru c\u0103 nu \u00eel mai caut\u0103 nimeni. Transpare a\u015fadar nu ideea <i>eroilor \u00eencrez\u0103tori<\/i>, care \u00ee\u015fi dedic\u0103 via\u0163a \u015fi resursele <i>\u201esalv\u0103rii planetei\u201d<\/i> (marca \u201epostcyberpunk\u201d), ci aceea a unor <i>antieroi resemna\u0163i<\/i> \u00eenaintea destr\u0103m\u0103rii universului pe care \u00eel populeaz\u0103 \u015fi preocupa\u0163i strict de <i>propria supravie\u0163uire<\/i> (marca \u201ecyberpunk\u201d); aceast\u0103 supravie\u0163uire depinde, \u00eens\u0103, nu doar de integritatea fizic\u0103, un rol esen\u0163ial juc\u00e2ndu-l pu\u0163inul <i>frumos<\/i> care le r\u0103m\u00e2ne accesibil protagoni\u015ftilor, chiar dac\u0103 este constituit doar din fragmente, amintiri, am\u0103nunte, vis (marca \u201eMichael Haulic\u0103\u201d). <i>Gibsoni<\/i> (adoratori ai scriitorului de profil William Gibson, dornici \u00een mod <i>utopic<\/i> s\u0103 \u00eei calce pe urme, dar con\u015ftientiz\u00e2nd cu triste\u0163e, \u00een ad\u00e2ncul sufletului, imposibilitatea atingerii unui asemenea ideal), <i>huci<\/i> (\u201eprostituate\u201d angajate \u00een schimbul de corpuri umane ca mijloc de distrac\u0163ie \u015fi nu numai, experimentarea tr\u0103irii \u00eentr-un alt trup reprezent\u00e2nd aici un element-cheie al mesajului autorului), samurai-uciga\u015fi pl\u0103ti\u0163i, detectivi particulari cinici \u015fi femei fatale dup\u0103 tipicul celor din romanele noir se confrunt\u0103 prin\u015fi \u00eentr-o p\u00e2nz\u0103 de p\u0103ianjen teribil\u0103 care are un nod central, un nod spre care \u00eei poart\u0103 pe to\u0163i soarta.<\/p>\n<p><i>Transfer<\/i> reprezint\u0103 unul dintre cele trei volume esen\u0163iale pentru literatura noastr\u0103 publicate de autorii rom\u00e2ni de SF&amp;F \u00een 2012, o lectur\u0103 obligatorie pentru iubitorii de science-fiction \u015fi de noir, o lectur\u0103 recomandat\u0103 pentru oricine. Despre celelalte dou\u0103 realiz\u0103ri remarcabile ale literaturii noastre, poate cu alte ocazii.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[Ed. Millennium Books, 2012] (ghidul cititorului de fantastic [3]) de Oliviu Cr&#226;znic &nbsp; click here for the English version &nbsp; Scriitor (Madia Mangalena, Despre singur\u0103tate \u015fi \u00eengeri, A\u015ftept\u00e2nd-o pe Sara, Povestiri fantastice, Povestea lui Calistrat Had\u00e2mbu), critic (Nu sunt guru, &#8230;nici Torquemada), editor, coordonator de colec\u0163ii \u015fi promotor al literaturii fantastice \u00een general (incluz\u00e2nd aici [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[55,969,892],"tags":[1120,970,1159,981,636],"class_list":["post-9557","post","type-post","status-publish","format-standard","hentry","category-articole","category-egophobia37","category-ghidul-cititorului-de-fantastic","tag-articole","tag-egophobia-37","tag-ghidul-cititorului-de-fantastic","tag-michael-haulica","tag-oliviu-craznic"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6DakB-2u9","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/9557","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9557"}],"version-history":[{"count":2,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/9557\/revisions"}],"predecessor-version":[{"id":9943,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/9557\/revisions\/9943"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9557"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9557"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9557"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}