{"id":9824,"date":"2013-07-30T21:06:48","date_gmt":"2013-07-30T19:06:48","guid":{"rendered":"http:\/\/egophobia.ro\/?p=9824"},"modified":"2013-07-30T21:10:37","modified_gmt":"2013-07-30T19:10:37","slug":"poeme-de-michael-heller","status":"publish","type":"post","link":"https:\/\/egophobia.ro\/?p=9824","title":{"rendered":"poeme de Michael Heller"},"content":{"rendered":"

traducere\u00a0& prezentare de Raluca Tanasescu
\nclick here<\/a> for the English version<\/p>\n

 <\/p>\n

\nMICHAEL HELLER <\/b>(n. 1937) este un poet american obiectivist, cu origini evreie\u0219ti \u0219i rom\u00e2ne\u0219ti, care a publicat peste dou\u0103zeci de volume de poezie, eseuri \u0219i memorii. Cel mai recent volum al s\u0103u este This Constellation Is A Name: Collected Poems 1965-2010<\/i>. Printre volumele sale recente se num\u0103r\u0103: Eschaton<\/i> (2009) \u2013 poeme \u0219i Beckmann Variations & Other Poems<\/i>, o lucrare \u00een poezie \u0219i proz\u0103 (2010). Colec\u021bia sa de eseuri despre George Oppen, Speaking the Estranged,<\/i> a ap\u0103rut \u00een 2008, iar \u00een 2012 s-a republicat, \u00eentr-o variant\u0103 rev\u0103zut\u0103 \u0219i ad\u0103ugit\u0103. Heller este un poet recunoscut \u0219i premiat de nenum\u0103rate ori \u00een Statele Unite cu premii de la The New School for Social Research, Poetry in Public Places, the New York State CAPS Fellowship in Poetry, The Poetry Society of America, New York Foundation on the Arts, The National Endowment for the Humanities \u0219i The Fund for Poetry. A predat timp de mul\u021bi ani la catedra de englez\u0103 a New York University, Naropa University, The New School, San Francisco State University, Notre Dame \u0219i altele. Lucr\u0103rile sale academice se afl\u0103 catalogate la biblioteca Universit\u0103\u021bii Stanford.<\/p>\n

\u00a0<\/b><\/p>\n

\u00a0<\/b><\/p>\n

Autobiographia<\/b><\/p>\n

 <\/p>\n

 <\/p>\n

Nu \u021bi s-a dat un text? Pentru a onora congrega\u021bia, sonul dulce al orgii,<\/p>\n

murmurul cantorului, carte de imnuri din estul Europei, pa\u0219i de sunet de fug\u0103<\/p>\n

 <\/p>\n

dar \u00eempov\u0103ra\u021bi de dezgust (bucurie \u00eentr-alt\u0103 zi), istorie pref\u0103cut\u0103<\/p>\n

\u00een pl\u00e2ngere peste pl\u00e2ngere, s\u0103 fii dus spre b\u0103rb\u0103\u021bie, s\u0103 \u021bi se-aduc\u0103 durerea celuilalt.<\/p>\n

 <\/p>\n

Mai devreme, \u0218ekina dus\u0103 \u00een exil. Aproape tot acel secol n-a v\u0103zut<\/p>\n

dragoste, ci putere, cruzime, fa\u021ba r\u00e2z\u00e2nd\u0103 \u00een soare.<\/p>\n

 <\/p>\n

Ce ai face dac\u0103 nu ai fi prins \u00een lucruri ca to\u021bi ceilal\u021bi,<\/p>\n

ci doar ai merge s\u0103 cumperi lapte sau p\u00e2ine, cu raiul deasupra, p\u0103m\u00e2ntul dedesubt,<\/p>\n

 <\/p>\n

s\u0103 vizitezi str\u0103zile vechi, semin\u021bele m\u0103\u0219cate ale ulmului, care zac peste dalele drumului,<\/p>\n

turi\u0219tii viermuind \u0219i Atlanticul de dincolo de pod str\u0103lucitor ca t\u0103ietura unei s\u0103bii.<\/p>\n

 <\/p>\n

Salin, solvent, salve, aceast\u0103 art\u0103 ce arde \u00een metal primar. Ce \u00eel poart\u0103 pe cel<\/p>\n

ce vrea s\u0103 c\u00e2nte un imn, dac\u0103 nu volburele limbii\u2014niciodat\u0103 cuv\u00e2ntul pur\u2014<\/p>\n

 <\/p>\n

bulboane \u0219i ochiuri de ap\u0103 la reflux, morfologie, voin\u021ba \u021besut\u0103 \u00een ele ca un ocean<\/p>\n

\u00een matca sa, rim\u00e2nd cu muncile valurilor lui. Cercul cuv\u00e2ntului s-a ab\u0103tut<\/p>\n

 <\/p>\n

z\u0103d\u0103rniciile ora\u0219ului \u00een spa\u021biu, un ecou ce sare din vitrine \u00een turle,<\/p>\n

sting\u00e2ndu-se spre mu\u021benie\u2014urechea \u00een c\u0103u\u0219, ca s\u0103 prinzi golul, traducerea<\/p>\n

 <\/p>\n

\u00eenspre Paradisul de care a fugit vorbirea. Pune jos c\u00e2rpa asta, zise rabinul.<\/p>\n

Acoper\u0103 textul \u0219i pune-i capacul. Nu tr\u0103i nici \u00een alb, nici \u00een negru.<\/p>\n

 <\/p>\n

Dep\u0103rteaz\u0103-te de sulul ridicat deasupra p\u0103m\u00e2ntului, prive\u0219te spre albastrul nesf\u00e2r\u0219it,<\/p>\n

spre \u021bes\u0103tura ingenioas\u0103 a norilor. Tr\u0103ie\u0219te drept. Aparen\u021ba<\/p>\n

 <\/p>\n

va fi durerea \u0219i mentorul t\u0103u. Stai pe prag, nu \u00een Arc\u0103.<\/p>\n

Iar mai t\u00e2rziu, te duci iar s\u0103 smulgi un cuv\u00e2nt din \u021bes\u0103tur\u0103,<\/p>\n

 <\/p>\n

lam\u00e9, argintie, magenta-\u00eenchis, modele \u00een labirint peste falduri, linii \u0219i margini,<\/p>\n

\u0219i dedesubt, ca \u0219i cum ai sim\u021bi-o prin carne, structura delicat\u0103<\/p>\n

 <\/p>\n

a literelor beta \u0219i vav pe pergament, \u00een\u0103untrul \u0219i \u00eenafara secretelor.<\/p>\n

\u00a0<\/b><\/p>\n

\u00a0<\/b><\/p>\n

Despre o vor<\/b>b\u0103<\/b> de-ale lui Milosz<\/b><\/p>\n

 <\/p>\n

\nEl nu a fost dezmo\u0219tenit, <\/i>
\npentru c\u0103 \u00eenc\u0103 nu \u0219i-a g\u0103sit o cas\u0103<\/i>\n<\/p>\n

 <\/p>\n

 <\/p>\n

El \u0219i-a reg\u0103sit via\u021ba ame\u021bitoare, cuvintele<\/p>\n

pe calea posibilit\u0103\u021bii ademenitoare a limbii,<\/p>\n

 <\/p>\n

da, la fel ca sunetul unui riff peste un riff,<\/p>\n

nu se poate dezintegra. Istoria a m\u00e2njit-o.<\/p>\n

 <\/p>\n

El n-are manual, deci trebuie s\u0103 compenseze,<\/p>\n

s\u0103p\u00e2nd printre amintiri, dac\u0103 nu dup\u0103 melodie,<\/p>\n

 <\/p>\n

atunci dup\u0103 ceva vibr\u00e2nd \u00een armonice joase.<\/p>\n

\u00cel pa\u0219te falsul cu cel pu\u021bin o jum\u0103tate de not\u0103\u2014aici apare jargonul,<\/p>\n

 <\/p>\n

iubire\u2014o chestie ca un sictir sau un \u0219uier. A fi e<\/p>\n

incomplet; doar \u00eengerii \u0219tiu cum s\u0103 zboare acas\u0103.<\/p>\n

 <\/p>\n

\u0218i totu\u0219i, odat\u0103 ce situa\u021bia disperat\u0103 devine clar\u0103, el simte<\/p>\n

un fel de fericire.<\/p>\n

 <\/p>\n

*<\/p>\n

 <\/p>\n

Mai t\u00e2rziu, cuvintele dislocate-au luat foc, silabe arz\u00e2nd<\/p>\n

pentru a enun\u021ba numele mamei moarte.<\/p>\n

 <\/p>\n

(Marta suna pe atunci ca \u201cmaic\u0103-ta\u201d)<\/p>\n

 <\/p>\n

Oare nu asemenea ecouri au cl\u0103dit ora\u0219ul \u00een care tr\u0103ie\u0219te,<\/p>\n

cu\u0219ca-n care se-nv\u00e2rte acum ca pantera lui Rilke?<\/p>\n

 <\/p>\n

El n-a fost dezmo\u0219tenit.<\/p>\n

 <\/p>\n

El n-a fost str\u0103mutat<\/p>\n

 <\/p>\n

El e sentimental, deci poate rosti o vorb\u0103 ca \u0219i sum i-ar plesni inima<\/p>\n

 <\/p>\n

Cel mai r\u0103u e s\u0103 sim\u021bi c\u0103 numai ironia poate salva<\/p>\n

 <\/p>\n

Cel mai r\u0103u e s\u0103 sim\u021bi numai ironie.<\/p>\n

 <\/p>\n

 <\/p>\n

Prelegere cu Celan<\/b><\/p>\n

\u00a0<\/b><\/p>\n

C\u00e2\u021bi \u0219tiu<\/p>\n

c\u0103 num\u0103rul creaturilor e nesf\u00e2r\u0219it?<\/p>\n

\u00a0<\/b><\/p>\n

\u0218tiu at\u00e2t de mul\u021bi,<\/p>\n

c\u0103-n \u00eentreb\u0103rile lor \u00eencape doar un icnet.<\/p>\n

 <\/p>\n

Toat\u0103 acea plenitudine\u2014<\/p>\n

ce nu prind coaj\u0103 odat\u0103,<\/p>\n

 <\/p>\n

grilajul durerii<\/p>\n

ce persist\u0103 \u00een amintire.<\/p>\n

 <\/p>\n

Ce ne elibereaz\u0103<\/p>\n

\u00eenl\u0103untrul semnului \u0219i binecuv\u00e2nteaz\u0103 \u0219uvoiul de cuvinte<\/p>\n

 <\/p>\n

f\u0103r\u0103 nicio opreli\u0219te?<\/p>\n

Nu literatura, care este numai pentru aceia care<\/p>\n

 <\/p>\n

se simt acas\u0103 \u00een lume<\/p>\n

\u00een timp ce aeru-i prins \u00een vasul sigilat,<\/p>\n

 <\/p>\n

\u021binut \u00een con\u021binutul<\/p>\n

nostru, \u00een leg\u0103tura noastr\u0103 cu p\u0103m\u00e2ntul.<\/p>\n

 <\/p>\n

Limbaj omnivor,<\/p>\n

sintax\u0103 a realului, strecurat\u0103 \u00een materie,<\/p>\n

 <\/p>\n

mai greu de citit<\/p>\n

dec\u00e2t \u00eengerul talmudic. Deci ce fluturi<\/p>\n

 <\/p>\n

negri de-ntristare<\/p>\n

spre aceast\u0103 frunz\u0103, aceast\u0103 floare? Deja<\/p>\n

 <\/p>\n

ai trecut<\/p>\n

dincolo de trecut \u0219i viitor, \u00eentr-o stranie mu\u021benie<\/p>\n

 <\/p>\n

aproape de vorbire,<\/p>\n

\u0219i cumplit\u0103, \u0219i profetic\u0103 \u2013 restul e folos<\/p>\n

 <\/p>\n

\u0219i ratare. Iar acum,<\/p>\n

opera ajunge s\u0103la\u0219 pentru cuv\u00e2nt,<\/p>\n

 <\/p>\n

se-aseam\u0103n\u0103 vie\u021bilor<\/p>\n

ating\u00e2nd istoria unei rime \u00eentre p\u0103m\u00e2nt \u0219i moarte.<\/p>\n

 <\/p>\n

 <\/p>\n

Un dialog de o oarecare importan\u021b\u0103<\/b><\/p>\n

 <\/p>\n

 <\/p>\n

M\u00e2na cuiva. Via\u021ba ei toat\u0103.<\/p>\n

Lucruri m\u0103runte vrea s-apuce.<\/p>\n

 <\/p>\n

m\u00e2na care se mi\u0219c\u0103 s-ating\u0103,<\/p>\n

dinainte s\u0103 mi\u0219te, desprins\u0103 de minte,<\/p>\n

cine-o conduce, atunci?<\/p>\n

 <\/p>\n

Sf\u00e2rcul ei. Firmitur\u0103. Col\u021b de \u0219erve\u021bel \u00eendoit.<\/p>\n

Sigur c\u0103 exist\u0103 un farmec \u00een a fr\u0103m\u00e2nta p\u00e2inea<\/p>\n

\u00een bo\u021buri mici \u0219i tari \u0219i-n a le azv\u00e2rli din<\/p>\n

buricele degetolor la ra\u021bele ce m\u0103c\u0103ie.<\/p>\n

 <\/p>\n

este ea doar un emisar,<\/p>\n

mi\u0219carea unei inimi \u00een zbor,<\/p>\n

care, \u00eentr-un decor exterior, indic\u0103 locul<\/p>\n

unde vrea s\u0103 se-ad\u0103posteasc\u0103?<\/p>\n

 <\/p>\n

Adesea, sunt prins \u00eentr-o pl\u0103cere incredibil\u0103,<\/p>\n

\u00een leg\u0103tura s\u0103lbatic\u0103 pe care un lucru o face \u00eentre<\/p>\n

degetul meu mare \u0219i ar\u0103t\u0103tor, ca \u0219i cum ar fi cu disperare vii<\/p>\n

\u00eentr-un fel de dans electrizant. Ouroboros \u00ee\u0219i gust\u0103 propria coad\u0103,<\/p>\n

 <\/p>\n

dragoste de sine? sinele dragostei?<\/p>\n

cine conduce o m\u00e2n\u0103 cunoa\u0219te<\/p>\n

groaza prinderii.<\/p>\n

 <\/p>\n

dar eu am f\u0103cut zeit\u0103\u021bi<\/p>\n

din scamele covoarelor,<\/p>\n

din granule metalice \u0219i din bilu\u021be de muci,<\/p>\n

dar mai ales din \u0219uruburi de ochelari pierdute.<\/p>\n","protected":false},"excerpt":{"rendered":"

traducere\u00a0& prezentare de Raluca Tanasescu click here for the English version   MICHAEL HELLER (n. 1937) este un poet american obiectivist, cu origini evreie\u0219ti \u0219i rom\u00e2ne\u0219ti, care a publicat peste dou\u0103zeci de volume de poezie, eseuri \u0219i memorii. Cel mai recent volum al s\u0103u este This Constellation Is A Name: Collected Poems 1965-2010. Printre volumele […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[986,13],"tags":[1164,998,1114,799,72],"class_list":["post-9824","post","type-post","status-publish","format-standard","hentry","category-egophobia-38","category-poezie","tag-egophobia-38","tag-michael-heller","tag-poezie","tag-raluca-tanasescu","tag-traducere"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6DakB-2ys","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/9824","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9824"}],"version-history":[{"count":3,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/9824\/revisions"}],"predecessor-version":[{"id":9831,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/9824\/revisions\/9831"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9824"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9824"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9824"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}