{"id":9879,"date":"2013-08-01T21:40:29","date_gmt":"2013-08-01T19:40:29","guid":{"rendered":"http:\/\/egophobia.ro\/?p=9879"},"modified":"2013-08-08T19:36:11","modified_gmt":"2013-08-08T17:36:11","slug":"mesia-al-terorismului","status":"publish","type":"post","link":"https:\/\/egophobia.ro\/?p=9879","title":{"rendered":"Mesia al terorismului"},"content":{"rendered":"<p><strong>[Ion Buzu, <i>3 ml de Konfidor,<\/i> Casa de pariuri literare, Bucure\u015fti, 2013]<\/strong><br \/>\n&nbsp;<\/p>\n<p align=right>de \u015etefan Bolea<\/p>\n<p align=justify>\n&nbsp;<\/p>\n<p><i>1.\u00a0\u00a0 Anima<\/i> lui Buzu este fie <i>junkie<\/i> (\u201eochii \u00eencep a-mi l\u0103crima \u0219i am senza\u021bia\/ c\u0103\u2011s femeia din <i>Reqviem for a dream <\/i>[sic!] care \u00eenghi\u021bea pastile\/ pentru a sta treaz\u0103 \u0219i a sl\u0103bi \u00een timp\/ ce se holba s\u0103pt\u0103m\u00eeni \u00eentregi la emisiunea preferat\u0103\u201d \u2013 <i>Holiday session<\/i>, 3), fie sinuciga\u015f\u0103 (\u201eAjung pe un pod \u0219i v\u0103d farurile altei ma\u0219ini,\/ \u00eemi vine \u00een minte scena din romanul lui Camus,\/ c\u00eend personajul principal a v\u0103zut o femeie care s\u2011a\/ aruncat \u00een Sena \u0219i acesta nu face nimic pentru a o salva,\/ m\u0103 \u00eentorc cu fa\u021ba spre marginea podului\/ \u0219i decid s\u0103 fiu eu femeia din textul lui Camus, iar\/ \u0219oferul \u2013 personajul principal\u201d \u2013 <i>Nici un cadavru scos din portbagaj<\/i>). Putem b\u0103nui c\u0103 pentru eul liric al poetului moldovean, femeia fatal\u0103, cea care-l va duce la ruin\u0103 sau \u00eel va salva, este Marla Singer. <i>If I did have a tumor, I\u2019d name it Marla.<\/i><!--more--><\/p>\n<p>&nbsp;<\/p>\n<p align=center>\n<img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i158.photobucket.com\/albums\/t103\/egophobia\/38\/buzu_coperta_zps60989608.jpg?w=600\" >\n<\/p>\n<p align=justify>\n&nbsp;<\/p>\n<p>2.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sculpt\u00e2nd \u00een sine instinctul mor\u0163ii \u2013 pentru orice nihilist <i>destrudo<\/i> e sf\u00e2nt!\u2013, acela\u015fi eu liric face experien\u0163a paranoiei. \u201eo apuc la 3 a.m. pe un frig\/ cumplit\/\u00a0 spre lac pentru a m\u0103 arunca \u00een el\/ \u0219i\u2011l g\u0103sesc \u00eenghe\u021bat;\/ sar cu picioarele, lovesc cu pietre \u00eencerc\u00eend s\u0103 sparg ghea\u021ba\/ \u0219i nimic,\/ \u201enenoroci\u021bii, mi\u2011au tras\u2011o \u0219i de data asta.\u201c (<i>la 3 a.m. pe un frig cumplit<\/i>) Cine sunt ace\u015fti \u201enenoroci\u0163i\u201d? Probabil acelea\u015fi personaje care privesc de la \u00een\u0103l\u0163ime \u00eenjunghierea mi\u015feleasc\u0103 a lui K. Doar c\u0103 la 3 a.m. au conchis \u2013 cu elegan\u0163\u0103 \u2013 c\u0103 suferin\u0163a vie\u0163ii e preferabil\u0103 lui <i>rigor mortis.<\/i><\/p>\n<p>3.\u00a0\u00a0 Dac\u0103 e\u015fti productiv \u015fi eficient, te vom accepta \u00een s\u00e2nul nostru. Atunci c\u00e2nd refuzi s\u0103 g\u00e2nde\u015fti ca un sclav, c\u00e2nd ochii t\u0103i se deschid \u015fi ceva asem\u0103n\u0103tor trezirii te b\u00e2ntuie, vei deveni un g\u00e2ndac, pe care ne vom gr\u0103bi s\u0103-l extermin\u0103m: \u201eam tras imediat concluzia c\u0103 Gregor a devenit un monstru\/ fiindc\u0103 a dormit \u00een ziua \u00een\/ care trebuia s\u0103 plece la serviciu,\/ de atunci a devenit un monstru pentru ceilal\u021bi\/ \u0219i p\u0103rin\u021bii se \u00eengrozeau cel mai tare\/ c\u00eend vedeau c\u0103 nu le mai ajung banii \u0219i Gregor nu are un serviciu\u201d (<i>Subtitr\u0103ri \u00een<\/i><i> \u00eentuneric<\/i>).<\/p>\n<p><i>4.\u00a0\u00a0 Arta poetic\u0103.<\/i> \u00cen maniera lui Camus (care este men\u0163ionat de trei ori \u00een volum), Buzu ini\u0163iaz\u0103 <i>mitul lui Konfidor<\/i>, \u00een care oamenii sunt g\u00e2ndaci pe care o divinitate (gnostic\u0103?) dore\u015fte s\u0103-i st\u00e2rpeasc\u0103. Mai mult, \u00een timp ce otr\u0103ve\u015fte victimele, zeul Criminal ingereaz\u0103 accidental pu\u0163in venin (ca \u015fi cum s-ar deschide pu\u0163in u\u015fa la du\u015furile din Auschwitz\u2026). Dac\u0103 religia ne \u00eenva\u0163\u0103 c\u0103 fa\u0163a omului e sf\u00e2nt\u0103, aceast\u0103 nou\u0103 mitologie ne arat\u0103 c\u0103 ea e damnat\u0103. Suntem dup\u0103 chipul \u015fi asem\u0103narea bestiei? Nici m\u0103car! Suntem asemenea g\u00e2ndacilor porni\u0163i pe ultimul drum. \u201eStropim curpenii de cartofi cu 3ml de Konfidor dizolvat \u00een 10L de ap\u0103,\/ \u00een cur\u00eend g\u00eendacii vor c\u0103dea, unul c\u00eete unul,\/ doar trei ore \u0219i g\u00eendacilor li se va face r\u0103u \u0219i vor muri;\/ ei nu pot vomita c\u00eend li se face r\u0103u.\/ Mie \u0219i lui Andru\u0219a ne curge otrava pe spate,\/ nenorocitele de ma\u0219ini de stropit s\u00eent cr\u0103pate.\/ \u00abAuzi Andru\u0219a, nu \u021bi\u2011a trecut prin cap\/ c\u0103 acolo sus cineva \u00eencearc\u0103 s\u0103 ne extermine la fel cum noi facem cu ace\u0219ti\/ g\u00eendaci,\/ s\u0103 ne stropeasc\u0103 \u0219i el cu un fel de otrav\u0103,\/ nu chiar Konfidor,\/ dar ceva cu efect \u00eendelungat,\/ s\u0103 ni se fac\u0103 r\u0103u de tot, dar s\u0103 nu murim \u00eendat\u0103,\/ \u0219i la r\u00eendul lui s\u0103\u2011i fie cr\u0103pat\u0103 ma\u0219ina sa de stropit,\/ s\u0103\u2011i curg\u0103 \u0219i lui otrava pe spate.\u201c (<i>3ml de Konfidor<\/i>)<\/p>\n<p>5.\u00a0\u00a0 Uneori Buzu aminte\u015fte de mesajul piesei <i>Love Terrorists <\/i>de la Tiamat, ceea ce ne trimite cu g\u00e2ndul la constatarea schopenhauerian\u0103 c\u0103 erosul este fundamental \u015fi c\u0103 toate celelalte activit\u0103\u0163i umane (chiar \u015fi terorismul) stau \u00een slujba instinctului sexual, chiar dac\u0103 par s\u0103 se \u00eempotriveasc\u0103, chiar dac\u0103 opera lor este \u00eentunecat\u0103. \u201eA\u0219 arunca vreo institu\u021bie \u00een aer,\/ a\u0219 crea un templu secret,\/ te\u2011a\u0219 r\u0103pi intr\u2011un ritual,\/ te\u2011a\u0219 smulge din mul\u021bimi,\/ \u021bi\u2011a\u0219 pune cu dragoste pistolul la t\u00eempl\u0103.\/\u00a0 \u00ce\u021bi spun,\/ pentru\/ tine\/ a\u0219 deveni cel mai crunt terorist\u201d (<i>Sunt m\u00eena care apare din umbr\u0103<\/i>). Un fel de <i>Las\u0103-\u0163i lumea<\/i> care \u00een 2013 trebuie rescris cu m\u00e2na pe tr\u0103gaci sau pe fitil.<\/p>\n<p>6.\u00a0\u00a0 Chuck Palahniuk, cu personajele sale puternice (aproape mitice) Tyler Durden \u015fi Buster \u201eRant\u201d Casey, este pentru Buzu un fel de idol (av\u00e2nd o influen\u0163\u0103 la fel de intens\u0103 ca \u00een romanul <i>Recolta ro\u015fie<\/i> de R\u0103zvan T. Coloja). \u201eAm hot\u0103r\u00eet s\u0103 iau lec\u021bii de \u0219ofat c\u00eend citeam <i>Rant <\/i>de Palahniuk,\/ doream s\u0103 simt\/ toat\u0103 tensiunea aia c\u00eend ape\u0219i pedalele \u0219i manevrezi volanul,\/ nu am fost niciodat\u0103 \u00eentr\u2011un accident rutier,\/ mai ales unul provocat de mine \u00een mod con\u0219tient\u201d (<i>Reflexe bine antrenate<\/i>). Observ\u0103m aici trecerea de la idea\u0163ie la ac\u0163iune, pe care o practic\u0103 anarhi\u015ftii (\u015fi care lui Buzu i se potrive\u015fte) \u015fi care a creat clasicul conflict dintre \u201eintelectual\u201d sau teoretician \u015fi cel care apas\u0103 pe tr\u0103gaci. Uneori trebuie s\u0103 ape\u015fi, mai mult, trebuie s\u0103-\u0163i gole\u015fti \u00eenc\u0103rc\u0103torul!<\/p>\n<p>7.\u00a0\u00a0 \u00cel vedem pe t\u00e2n\u0103rul poet (sau, m\u0103 rog, pe alter ego-ul s\u0103u poetic) cochet\u00e2nd cu capitalismul \u015fi prest\u00e2nd diverse <i>job<\/i>-uri, dintre care cel mai amuzant este cel de copywriter. \u201eNoul meu serviciu const\u0103 \u00een a scrie\/ 45 de texte de 300 de cuvinte,\/ scriu doar despre jaluzele, nimic mai mult, asta a fost \u00een\u021belegerea,\/ ceva despre care nu\u2011i nimic de scris\/ \u2026 \/ Camus \u0219i Cioran m\u2011ar bate prietene\u0219te pe um\u0103r fiind m\u00eendri de mine,\/ am \u00een\u021beles lec\u021bia final\u0103 a inutilit\u0103\u021bii. Am scris despre jaluzele de care se folosesc filosofii,\/ din bambus pentru stare zen,\/ din lemn pentru stare de s\u0103lb\u0103ticie,\/ din metal pentru stare de \u00eenchisoare;\/ juc\u0103torii de poker online folosesc jaluzele cu telecomand\u0103 c\u0103\u2011s lene\u0219i,\/ prea lene\u0219i\/ pentru a le regla cu propria m\u00eena,\/ c\u00eet despre poe\u021bi, ei se \u00eembat\u0103, vomit\u0103, rag \u0219i arunc\u0103 blesteme la cer\/ \u0219i nimeni nu are nici o idee fiindc\u0103 jaluzelele le s\u00eent mereu trase\u201d (<i>Jaluzele<\/i>). Nu este de mirare c\u0103 eul liric scuip\u0103 \u00een pahar \u00een timp ce scrie textele, pentru c\u0103 \u015fi reclamele sale sunt un fel de flegm\u0103 \u00een ochiul de Moloh al sistemului.<\/p>\n<p>8.\u00a0\u00a0 Ultimul text al volumului aduce \u00een prim plan o imagine superb\u0103, a unui Mesia al terorismului, al unui sf\u00e2nt care vrea s\u0103 fie folosit ca bomb\u0103, pentru a pune cap\u0103t cultului absurd al muncii, eficien\u0163ei \u015fi produc\u0163iei, blestemul civiliza\u0163iei noastre, mai mult, blestemul naturii noastre: \u201eOamenii mei vor pune fitile \u00een oasele mele \u0219i le vor folosi ca dinamit\u0103.\/ \u00cemi vor turna s\u00eengele \u00een sticle\/ f\u0103c\u00eend Molotovuri\/ \u2026 \/ Oamenii mei \u00eemi vor folosi corpul pentru a arunca \u00een aer cl\u0103dirile\/ \u00een care cu to\u021bii ne\u2011am v\u0103zut anii \u00eempu\u0219ca\u021bi \u00een cap\u201d (<i>Fitile \u00een oasele mele<\/i>).<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[Ion Buzu, 3 ml de Konfidor, Casa de pariuri literare, Bucure\u015fti, 2013] &nbsp; de \u015etefan Bolea &nbsp; 1.\u00a0\u00a0 Anima lui Buzu este fie junkie (\u201eochii \u00eencep a-mi l\u0103crima \u0219i am senza\u021bia\/ c\u0103\u2011s femeia din Reqviem for a dream [sic!] care \u00eenghi\u021bea pastile\/ pentru a sta treaz\u0103 \u0219i a sl\u0103bi \u00een timp\/ ce se holba s\u0103pt\u0103m\u00eeni [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[986,125],"tags":[1164,1129,360,39],"class_list":["post-9879","post","type-post","status-publish","format-standard","hentry","category-egophobia-38","category-invitat","tag-egophobia-38","tag-invitat","tag-ion-buzu","tag-stefan-bolea"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6DakB-2zl","_links":{"self":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/9879","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9879"}],"version-history":[{"count":4,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/9879\/revisions"}],"predecessor-version":[{"id":9973,"href":"https:\/\/egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/9879\/revisions\/9973"}],"wp:attachment":[{"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9879"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9879"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9879"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}