Fifty years since Guy Debord’s “La société du spectacle/The society of the spectacle”
by Ana Bazac What can one say by remembering Guy Debord’s book? Certainly: reminding the general historical context as well as the political appurtenance of the writer. But also the representativeness of the book and the necessity to go forward from it: because, really, to remain only, implicitly or explicitly, in the nostalgia occasioned by […]